Ben Kirke (Madeline Miller)

{"id":152393,"user_id":10,"first_name":"Madeline","last_name":"Miller","slug":"madeline-miller","link":null,"birth_date":"1978-07-24 12:04:06","death_date":null,"image":"images\/persons\/madeline-miller-epikse-profil-resmi-1573895046.jpeg","image_settings":{"id":152393,"path":"\/images\/persons\/2019\/09\/03\/10\/","versions":[{"ext":"jpeg","size":35354,"type":"original_old","width":265,"height":390},{"ext":"jpeg","size":35354,"type":"old_ext","width":265,"height":390},{"ext":"jpeg","size":14215,"type":"old_ext","width":150,"height":220},{"ext":"jpeg","size":3747,"type":"old_ext","width":56,"height":83},{"ext":"jpeg","size":2230,"type":"old_ext","width":35,"height":51},{"ext":"jpeg","size":4160,"type":"old_ext","width":80,"height":80},{"ext":"webp","size":22340,"type":"original_new","width":265,"height":390},{"ext":"webp","size":22340,"type":"new_ext","width":265,"height":390},{"ext":"webp","size":8976,"type":"new_ext","width":150,"height":220},{"ext":"webp","size":2418,"type":"new_ext","width":56,"height":83},{"ext":"webp","size":1296,"type":"new_ext","width":35,"height":51},{"ext":"webp","size":2656,"type":"new_ext","width":80,"height":80}]},"banner":null,"auto":"0","corporate":"0","imdb_code":null,"volume_first":null,"volume_last":null,"wiki_data":null,"gender":"female","share_count":0,"follower_count":0,"created_at":"2019-09-03 10:16:51","updated_at":"2019-11-16 12:04:06","allRelations":"[{\"id\":5871,\"user_id\":10,\"original_name\":\"Circe\",\"printing_date\":\"2019-09-05 13:01:28\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/circe-kapak-1567495053.png\",\"image_settings\":{\"id\":5871,\"path\":\"\\\/images\\\/books\\\/2019\\\/09\\\/03\\\/10\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":189037,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":60738,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":26079,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":6033,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2987,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":6717,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":36010,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":36010,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":16366,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":3654,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1550,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":4228,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":4,\"follower_count\":1,\"rate_count\":1,\"rate_average\":6,\"created_at\":\"2019-09-03 10:17:33\",\"updated_at\":\"2020-02-24 03:30:13\",\"name\":\"Ben Kirke\",\"slug\":\"ben-kirke\",\"sub_name\":\"\",\"description\":\"<p>NPR, Washington Post, Buzzfeed, People, Time, Amazon, Entertainment Weekly, Bustle ve Newsweek\\u2019e g\\u00f6re Y\\u0131l\\u0131n En \\u0130yi Kitab\\u0131<\\\/p>\\r\\n\\r\\n<p>Goodreads okurlar\\u0131na g\\u00f6re 2018\\u2019in En \\u0130yi Fantastik Kitab\\u0131<\\\/p>\\r\\n\\r\\n<p>\\u201cBu dikkat \\u00e7ekici hik\\u00e2ye sizi, Kirke\\u2019nin yapt\\u0131\\u011f\\u0131 bir b\\u00fcy\\u00fc gibi etkisi alt\\u0131na alacak.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Mary Doria Russell, Ser\\u00e7e\\u2019nin yazar\\u0131<\\\/p>\\r\\n\\r\\n<p>\\u201cTek kelimeyle b\\u00fcy\\u00fcleyici ve zarif anlat\\u0131m\\u0131yla Ben, Kirke, kad\\u0131n ya\\u015fam\\u0131n\\u0131n s\\u0131radan ve de s\\u0131rad\\u0131\\u015f\\u0131 bir hik\\u00e2yesi.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Eimear McBride, K\\u0131z Natamam Bir \\u015eeydir \\u2018 in yazar\\u0131<\\\/p>\\r\\n\\r\\n<p>Ozanlar benden, \\u2013erkek\\u2013 kahraman\\u0131n kar\\u015f\\u0131s\\u0131nda diz \\u00e7\\u00f6k\\u00fcp merhamet dilenen bir kad\\u0131n olarak bahsetti hep; ila\\u00e7 katarm\\u0131\\u015f\\u0131m tatl\\u0131 \\u015faraplar\\u0131na, b\\u00fcy\\u00fcleyip domuza \\u00e7evirirmi\\u015fim h\\u0131zl\\u0131 giden gemilerin tayfas\\u0131n\\u0131, babaevini unutturur, s\\u0131laya kavu\\u015fmalar\\u0131na m\\u00fcsaade etmezmi\\u015fim. Ne demeli, kad\\u0131nlara haddini bildirmek ozanlar\\u0131n en sevdi\\u011fi vakit ge\\u00e7irme bi\\u00e7imidir; yerlerde s\\u00fcr\\u00fcn\\u00fcp a\\u011flamazsak ger\\u00e7ek bir hik\\u00e2ye olmazm\\u0131\\u015f gibi.<\\\/p>\\r\\n\\r\\n<p>Ama yan\\u0131l\\u0131yorlar, yan\\u0131l\\u0131yorsunuz: Cad\\u0131l\\u0131k illa nefret, k\\u0131skan\\u00e7l\\u0131k ya da ba\\u015fka t\\u00fcrl\\u00fc bir k\\u00f6t\\u00fcl\\u00fckten do\\u011fmaz; ben ilk b\\u00fcy\\u00fcm\\u00fc a\\u015fk\\u0131mdan yapm\\u0131\\u015ft\\u0131m.<\\\/p>\\r\\n\\r\\n<p>Ben, Helios\\u2019un k\\u0131z\\u0131, Aiaie Cad\\u0131s\\u0131 Kirke. Hayat\\u0131m boyunca trajedinin beni bulmas\\u0131n\\u0131 bekledim. Bulaca\\u011f\\u0131ndan hi\\u00e7 ku\\u015fkum yoktu \\u00e7\\u00fcnk\\u00fc ba\\u015fkalar\\u0131n\\u0131n hak etti\\u011fimi d\\u00fc\\u015f\\u00fcnd\\u00fc\\u011f\\u00fcnden daha fazla arzum, isyan\\u0131m ve g\\u00fcc\\u00fcm vard\\u0131, y\\u0131ld\\u0131r\\u0131mlar\\u0131 \\u00fcst\\u00fcne \\u00e7ekecek \\u015feylerdi bunlar. Ve bir g\\u00fcn, art\\u0131k bu d\\u00fcnyaya dayanamayaca\\u011f\\u0131m, diye d\\u00fc\\u015f\\u00fcnd\\u00fcm.<\\\/p>\\r\\n\\r\\n<p>Bunun \\u00fczerine denizin derinliklerindeki kadim bir tanr\\u0131 seslendi: \\u00d6yleyse \\u00e7ocu\\u011fum, ba\\u015fka bir d\\u00fcnya yap.<\\\/p>\\r\\n\\r\\n<p>Ben, Kirke\\u2019de Madeline Miller; Odysseus, \\u0130karos, Minotauros, Prometheus ve Zeus gibi mitolojik karakterlerin binlerce y\\u0131ld\\u0131r anlat\\u0131lagelen hik\\u00e2yesini farkl\\u0131 bir bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131ndan sunmakla kalmay\\u0131p Olymposlu tanr\\u0131lar\\u0131n d\\u00fcnyas\\u0131n\\u0131 Homeros\\u2019un destans\\u0131l\\u0131\\u011f\\u0131nda aktarmay\\u0131 ba\\u015far\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>NPR, Washington Post, Buzzfeed, People, Time, Amazon, Entertainment Weekly, Bustle ve Newsweek\\u2019e g\\u00f6re Y\\u0131l\\u0131n En \\u0130yi Kitab\\u0131<\\\/p>\\r\\n\\r\\n<p>Goodreads okurlar\\u0131na g\\u00f6re 2018\\u2019in En \\u0130yi Fantastik Kitab\\u0131<\\\/p>\\r\\n\\r\\n<p>\\u201cBu dikkat \\u00e7ekici hik\\u00e2ye sizi, Kirke\\u2019nin yapt\\u0131\\u011f\\u0131 bir b\\u00fcy\\u00fc gibi etkisi alt\\u0131na alacak.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Mary Doria Russell, Ser\\u00e7e\\u2019nin yazar\\u0131<\\\/p>\\r\\n\\r\\n<p>\\u201cTek kelimeyle b\\u00fcy\\u00fcleyici ve zarif anlat\\u0131m\\u0131yla Ben, Kirke, kad\\u0131n ya\\u015fam\\u0131n\\u0131n s\\u0131radan ve de s\\u0131rad\\u0131\\u015f\\u0131 bir hik\\u00e2yesi.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Eimear McBride, K\\u0131z Natamam Bir \\u015eeydir \\u2018 in yazar\\u0131<\\\/p>\\r\\n\\r\\n<p>Ozanlar benden, \\u2013erkek\\u2013 kahraman\\u0131n kar\\u015f\\u0131s\\u0131nda diz \\u00e7\\u00f6k\\u00fcp merhamet dilenen bir kad\\u0131n olarak bahsetti hep; ila\\u00e7 katarm\\u0131\\u015f\\u0131m tatl\\u0131 \\u015faraplar\\u0131na, b\\u00fcy\\u00fcleyip domuza \\u00e7evirirmi\\u015fim h\\u0131zl\\u0131 giden gemilerin tayfas\\u0131n\\u0131, babaevini unutturur, s\\u0131laya kavu\\u015fmalar\\u0131na m\\u00fcsaade etmezmi\\u015fim. Ne demeli, kad\\u0131nlara haddini bildirmek ozanlar\\u0131n en sevdi\\u011fi vakit ge\\u00e7irme bi\\u00e7imidir; yerlerde s\\u00fcr\\u00fcn\\u00fcp a\\u011flamazsak ger\\u00e7ek bir hik\\u00e2ye olmazm\\u0131\\u015f gibi.<\\\/p>\\r\\n\\r\\n<p>Ama yan\\u0131l\\u0131yorlar, yan\\u0131l\\u0131yorsunuz: Cad\\u0131l\\u0131k illa nefret, k\\u0131skan\\u00e7l\\u0131k ya da ba\\u015fka t\\u00fcrl\\u00fc bir k\\u00f6t\\u00fcl\\u00fckten do\\u011fmaz; ben ilk b\\u00fcy\\u00fcm\\u00fc a\\u015fk\\u0131mdan yapm\\u0131\\u015ft\\u0131m.<\\\/p>\\r\\n\\r\\n<p>Ben, Helios\\u2019un k\\u0131z\\u0131, Aiaie Cad\\u0131s\\u0131 Kirke. Hayat\\u0131m boyunca trajedinin beni bulmas\\u0131n\\u0131 bekledim. Bulaca\\u011f\\u0131ndan hi\\u00e7 ku\\u015fkum yoktu \\u00e7\\u00fcnk\\u00fc ba\\u015fkalar\\u0131n\\u0131n hak etti\\u011fimi d\\u00fc\\u015f\\u00fcnd\\u00fc\\u011f\\u00fcnden daha fazla arzum, isyan\\u0131m ve g\\u00fcc\\u00fcm vard\\u0131, y\\u0131ld\\u0131r\\u0131mlar\\u0131 \\u00fcst\\u00fcne \\u00e7ekecek \\u015feylerdi bunlar. Ve bir g\\u00fcn, art\\u0131k bu d\\u00fcnyaya dayanamayaca\\u011f\\u0131m, diye d\\u00fc\\u015f\\u00fcnd\\u00fcm.<\\\/p>\\r\\n\\r\\n<p>Bunun \\u00fczerine denizin derinliklerindeki kadim bir tanr\\u0131 seslendi: \\u00d6yleyse \\u00e7ocu\\u011fum, ba\\u015fka bir d\\u00fcnya yap.<\\\/p>\\r\\n\\r\\n<p>Ben, Kirke\\u2019de Madeline Miller; Odysseus, \\u0130karos, Minotauros, Prometheus ve Zeus gibi mitolojik karakterlerin binlerce y\\u0131ld\\u0131r anlat\\u0131lagelen hik\\u00e2yesini farkl\\u0131 bir bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131ndan sunmakla kalmay\\u0131p Olymposlu tanr\\u0131lar\\u0131n d\\u00fcnyas\\u0131n\\u0131 Homeros\\u2019un destans\\u0131l\\u0131\\u011f\\u0131nda aktarmay\\u0131 ba\\u015far\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":152393,\"personable_id\":5871,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8550,\"book_id\":5871,\"locale\":\"en\",\"name\":\"Circe\",\"slug\":\"circe\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8549,\"book_id\":5871,\"locale\":\"tr\",\"name\":\"Ben Kirke\",\"slug\":\"ben-kirke\",\"sub_name\":\"\",\"description\":\"<p>NPR, Washington Post, Buzzfeed, People, Time, Amazon, Entertainment Weekly, Bustle ve Newsweek\\u2019e g\\u00f6re Y\\u0131l\\u0131n En \\u0130yi Kitab\\u0131<\\\/p>\\r\\n\\r\\n<p>Goodreads okurlar\\u0131na g\\u00f6re 2018\\u2019in En \\u0130yi Fantastik Kitab\\u0131<\\\/p>\\r\\n\\r\\n<p>\\u201cBu dikkat \\u00e7ekici hik\\u00e2ye sizi, Kirke\\u2019nin yapt\\u0131\\u011f\\u0131 bir b\\u00fcy\\u00fc gibi etkisi alt\\u0131na alacak.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Mary Doria Russell, Ser\\u00e7e\\u2019nin yazar\\u0131<\\\/p>\\r\\n\\r\\n<p>\\u201cTek kelimeyle b\\u00fcy\\u00fcleyici ve zarif anlat\\u0131m\\u0131yla Ben, Kirke, kad\\u0131n ya\\u015fam\\u0131n\\u0131n s\\u0131radan ve de s\\u0131rad\\u0131\\u015f\\u0131 bir hik\\u00e2yesi.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Eimear McBride, K\\u0131z Natamam Bir \\u015eeydir \\u2018 in yazar\\u0131<\\\/p>\\r\\n\\r\\n<p>Ozanlar benden, \\u2013erkek\\u2013 kahraman\\u0131n kar\\u015f\\u0131s\\u0131nda diz \\u00e7\\u00f6k\\u00fcp merhamet dilenen bir kad\\u0131n olarak bahsetti hep; ila\\u00e7 katarm\\u0131\\u015f\\u0131m tatl\\u0131 \\u015faraplar\\u0131na, b\\u00fcy\\u00fcleyip domuza \\u00e7evirirmi\\u015fim h\\u0131zl\\u0131 giden gemilerin tayfas\\u0131n\\u0131, babaevini unutturur, s\\u0131laya kavu\\u015fmalar\\u0131na m\\u00fcsaade etmezmi\\u015fim. Ne demeli, kad\\u0131nlara haddini bildirmek ozanlar\\u0131n en sevdi\\u011fi vakit ge\\u00e7irme bi\\u00e7imidir; yerlerde s\\u00fcr\\u00fcn\\u00fcp a\\u011flamazsak ger\\u00e7ek bir hik\\u00e2ye olmazm\\u0131\\u015f gibi.<\\\/p>\\r\\n\\r\\n<p>Ama yan\\u0131l\\u0131yorlar, yan\\u0131l\\u0131yorsunuz: Cad\\u0131l\\u0131k illa nefret, k\\u0131skan\\u00e7l\\u0131k ya da ba\\u015fka t\\u00fcrl\\u00fc bir k\\u00f6t\\u00fcl\\u00fckten do\\u011fmaz; ben ilk b\\u00fcy\\u00fcm\\u00fc a\\u015fk\\u0131mdan yapm\\u0131\\u015ft\\u0131m.<\\\/p>\\r\\n\\r\\n<p>Ben, Helios\\u2019un k\\u0131z\\u0131, Aiaie Cad\\u0131s\\u0131 Kirke. Hayat\\u0131m boyunca trajedinin beni bulmas\\u0131n\\u0131 bekledim. Bulaca\\u011f\\u0131ndan hi\\u00e7 ku\\u015fkum yoktu \\u00e7\\u00fcnk\\u00fc ba\\u015fkalar\\u0131n\\u0131n hak etti\\u011fimi d\\u00fc\\u015f\\u00fcnd\\u00fc\\u011f\\u00fcnden daha fazla arzum, isyan\\u0131m ve g\\u00fcc\\u00fcm vard\\u0131, y\\u0131ld\\u0131r\\u0131mlar\\u0131 \\u00fcst\\u00fcne \\u00e7ekecek \\u015feylerdi bunlar. Ve bir g\\u00fcn, art\\u0131k bu d\\u00fcnyaya dayanamayaca\\u011f\\u0131m, diye d\\u00fc\\u015f\\u00fcnd\\u00fcm.<\\\/p>\\r\\n\\r\\n<p>Bunun \\u00fczerine denizin derinliklerindeki kadim bir tanr\\u0131 seslendi: \\u00d6yleyse \\u00e7ocu\\u011fum, ba\\u015fka bir d\\u00fcnya yap.<\\\/p>\\r\\n\\r\\n<p>Ben, Kirke\\u2019de Madeline Miller; Odysseus, \\u0130karos, Minotauros, Prometheus ve Zeus gibi mitolojik karakterlerin binlerce y\\u0131ld\\u0131r anlat\\u0131lagelen hik\\u00e2yesini farkl\\u0131 bir bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131ndan sunmakla kalmay\\u0131p Olymposlu tanr\\u0131lar\\u0131n d\\u00fcnyas\\u0131n\\u0131 Homeros\\u2019un destans\\u0131l\\u0131\\u011f\\u0131nda aktarmay\\u0131 ba\\u015far\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>NPR, Washington Post, Buzzfeed, People, Time, Amazon, Entertainment Weekly, Bustle ve Newsweek\\u2019e g\\u00f6re Y\\u0131l\\u0131n En \\u0130yi Kitab\\u0131<\\\/p>\\r\\n\\r\\n<p>Goodreads okurlar\\u0131na g\\u00f6re 2018\\u2019in En \\u0130yi Fantastik Kitab\\u0131<\\\/p>\\r\\n\\r\\n<p>\\u201cBu dikkat \\u00e7ekici hik\\u00e2ye sizi, Kirke\\u2019nin yapt\\u0131\\u011f\\u0131 bir b\\u00fcy\\u00fc gibi etkisi alt\\u0131na alacak.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Mary Doria Russell, Ser\\u00e7e\\u2019nin yazar\\u0131<\\\/p>\\r\\n\\r\\n<p>\\u201cTek kelimeyle b\\u00fcy\\u00fcleyici ve zarif anlat\\u0131m\\u0131yla Ben, Kirke, kad\\u0131n ya\\u015fam\\u0131n\\u0131n s\\u0131radan ve de s\\u0131rad\\u0131\\u015f\\u0131 bir hik\\u00e2yesi.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Eimear McBride, K\\u0131z Natamam Bir \\u015eeydir \\u2018 in yazar\\u0131<\\\/p>\\r\\n\\r\\n<p>Ozanlar benden, \\u2013erkek\\u2013 kahraman\\u0131n kar\\u015f\\u0131s\\u0131nda diz \\u00e7\\u00f6k\\u00fcp merhamet dilenen bir kad\\u0131n olarak bahsetti hep; ila\\u00e7 katarm\\u0131\\u015f\\u0131m tatl\\u0131 \\u015faraplar\\u0131na, b\\u00fcy\\u00fcleyip domuza \\u00e7evirirmi\\u015fim h\\u0131zl\\u0131 giden gemilerin tayfas\\u0131n\\u0131, babaevini unutturur, s\\u0131laya kavu\\u015fmalar\\u0131na m\\u00fcsaade etmezmi\\u015fim. Ne demeli, kad\\u0131nlara haddini bildirmek ozanlar\\u0131n en sevdi\\u011fi vakit ge\\u00e7irme bi\\u00e7imidir; yerlerde s\\u00fcr\\u00fcn\\u00fcp a\\u011flamazsak ger\\u00e7ek bir hik\\u00e2ye olmazm\\u0131\\u015f gibi.<\\\/p>\\r\\n\\r\\n<p>Ama yan\\u0131l\\u0131yorlar, yan\\u0131l\\u0131yorsunuz: Cad\\u0131l\\u0131k illa nefret, k\\u0131skan\\u00e7l\\u0131k ya da ba\\u015fka t\\u00fcrl\\u00fc bir k\\u00f6t\\u00fcl\\u00fckten do\\u011fmaz; ben ilk b\\u00fcy\\u00fcm\\u00fc a\\u015fk\\u0131mdan yapm\\u0131\\u015ft\\u0131m.<\\\/p>\\r\\n\\r\\n<p>Ben, Helios\\u2019un k\\u0131z\\u0131, Aiaie Cad\\u0131s\\u0131 Kirke. Hayat\\u0131m boyunca trajedinin beni bulmas\\u0131n\\u0131 bekledim. Bulaca\\u011f\\u0131ndan hi\\u00e7 ku\\u015fkum yoktu \\u00e7\\u00fcnk\\u00fc ba\\u015fkalar\\u0131n\\u0131n hak etti\\u011fimi d\\u00fc\\u015f\\u00fcnd\\u00fc\\u011f\\u00fcnden daha fazla arzum, isyan\\u0131m ve g\\u00fcc\\u00fcm vard\\u0131, y\\u0131ld\\u0131r\\u0131mlar\\u0131 \\u00fcst\\u00fcne \\u00e7ekecek \\u015feylerdi bunlar. Ve bir g\\u00fcn, art\\u0131k bu d\\u00fcnyaya dayanamayaca\\u011f\\u0131m, diye d\\u00fc\\u015f\\u00fcnd\\u00fcm.<\\\/p>\\r\\n\\r\\n<p>Bunun \\u00fczerine denizin derinliklerindeki kadim bir tanr\\u0131 seslendi: \\u00d6yleyse \\u00e7ocu\\u011fum, ba\\u015fka bir d\\u00fcnya yap.<\\\/p>\\r\\n\\r\\n<p>Ben, Kirke\\u2019de Madeline Miller; Odysseus, \\u0130karos, Minotauros, Prometheus ve Zeus gibi mitolojik karakterlerin binlerce y\\u0131ld\\u0131r anlat\\u0131lagelen hik\\u00e2yesini farkl\\u0131 bir bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131ndan sunmakla kalmay\\u0131p Olymposlu tanr\\u0131lar\\u0131n d\\u00fcnyas\\u0131n\\u0131 Homeros\\u2019un destans\\u0131l\\u0131\\u011f\\u0131nda aktarmay\\u0131 ba\\u015far\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]}]","bio":"","static_content":"","meta_title":"","meta_description":"","pivot":{"personable_id":5871,"person_id":152393,"personable_type":"App\\Book"},"jobs":[{"id":5,"status":"1","show_to_user":"1","created_at":"2016-09-06 09:07:32","updated_at":"2017-01-13 15:38:06","name":"Yazar","slug":"yazar","meta_title":"","meta_description":"","meta_person_title":":name Kimdir, Kitaplar\u0131, \u0130ncelemeleri, Payla\u015f\u0131mlar\u0131 ve Yorumlar\u0131","meta_person_description":":name kitaplar\u0131, yorumlar\u0131, payla\u015f\u0131mlar\u0131 ve :name hakk\u0131nda merak etti\u011finiz her \u015feye (:name biyografisi, incelemeleri, s\u00f6zleri, al\u0131nt\u0131lar\u0131, yorumlar\u0131 ve payla\u015f\u0131mlar\u0131) Epikse sayfas\u0131ndan ula\u015fabilirsiniz.","content":"","pivot":{"jobable_id":152393,"job_id":5,"jobable_type":"App\\Person"},"translations":[{"id":3,"job_id":5,"locale":"tr","name":"Yazar","slug":"yazar","meta_title":"","meta_description":"","meta_person_title":":name Kimdir, Kitaplar\u0131, \u0130ncelemeleri, Payla\u015f\u0131mlar\u0131 ve Yorumlar\u0131","meta_person_description":":name kitaplar\u0131, yorumlar\u0131, payla\u015f\u0131mlar\u0131 ve :name hakk\u0131nda merak etti\u011finiz her \u015feye (:name biyografisi, incelemeleri, s\u00f6zleri, al\u0131nt\u0131lar\u0131, yorumlar\u0131 ve payla\u015f\u0131mlar\u0131) Epikse sayfas\u0131ndan ula\u015fabilirsiniz.","content":""}]}],"author_books":[],"all_relation_movies":[],"all_relation_books":[{"id":5871,"user_id":10,"original_name":"Circe","printing_date":"2019-09-05 13:01:28","link":null,"special_link_name":null,"special_link_value":null,"image":"images\/books\/circe-kapak-1567495053.png","image_settings":{"id":5871,"path":"\/images\/books\/2019\/09\/03\/10\/","versions":[{"ext":"png","size":189037,"type":"original_old","width":265,"height":390},{"ext":"jpeg","size":60738,"type":"old_ext","width":265,"height":390},{"ext":"jpeg","size":26079,"type":"old_ext","width":150,"height":220},{"ext":"jpeg","size":6033,"type":"old_ext","width":56,"height":83},{"ext":"jpeg","size":2987,"type":"old_ext","width":35,"height":51},{"ext":"jpeg","size":6717,"type":"old_ext","width":80,"height":80},{"ext":"webp","size":36010,"type":"original_new","width":265,"height":390},{"ext":"webp","size":36010,"type":"new_ext","width":265,"height":390},{"ext":"webp","size":16366,"type":"new_ext","width":150,"height":220},{"ext":"webp","size":3654,"type":"new_ext","width":56,"height":83},{"ext":"webp","size":1550,"type":"new_ext","width":35,"height":51},{"ext":"webp","size":4228,"type":"new_ext","width":80,"height":80}]},"banner":null,"auto":"0","share_count":4,"follower_count":1,"rate_count":1,"rate_average":6,"created_at":"2019-09-03 10:17:33","updated_at":"2020-02-24 03:30:13","name":"Ben Kirke","slug":"ben-kirke","sub_name":"","description":"<p>NPR, Washington Post, Buzzfeed, People, Time, Amazon, Entertainment Weekly, Bustle ve Newsweek\u2019e g\u00f6re Y\u0131l\u0131n En \u0130yi Kitab\u0131<\/p>\r\n\r\n<p>Goodreads okurlar\u0131na g\u00f6re 2018\u2019in En \u0130yi Fantastik Kitab\u0131<\/p>\r\n\r\n<p>\u201cBu dikkat \u00e7ekici hik\u00e2ye sizi, Kirke\u2019nin yapt\u0131\u011f\u0131 bir b\u00fcy\u00fc gibi etkisi alt\u0131na alacak.\u201d<\/p>\r\n\r\n<p>- Mary Doria Russell, Ser\u00e7e\u2019nin yazar\u0131<\/p>\r\n\r\n<p>\u201cTek kelimeyle b\u00fcy\u00fcleyici ve zarif anlat\u0131m\u0131yla Ben, Kirke, kad\u0131n ya\u015fam\u0131n\u0131n s\u0131radan ve de s\u0131rad\u0131\u015f\u0131 bir hik\u00e2yesi.\u201d<\/p>\r\n\r\n<p>- Eimear McBride, K\u0131z Natamam Bir \u015eeydir \u2018 in yazar\u0131<\/p>\r\n\r\n<p>Ozanlar benden, \u2013erkek\u2013 kahraman\u0131n kar\u015f\u0131s\u0131nda diz \u00e7\u00f6k\u00fcp merhamet dilenen bir kad\u0131n olarak bahsetti hep; ila\u00e7 katarm\u0131\u015f\u0131m tatl\u0131 \u015faraplar\u0131na, b\u00fcy\u00fcleyip domuza \u00e7evirirmi\u015fim h\u0131zl\u0131 giden gemilerin tayfas\u0131n\u0131, babaevini unutturur, s\u0131laya kavu\u015fmalar\u0131na m\u00fcsaade etmezmi\u015fim. Ne demeli, kad\u0131nlara haddini bildirmek ozanlar\u0131n en sevdi\u011fi vakit ge\u00e7irme bi\u00e7imidir; yerlerde s\u00fcr\u00fcn\u00fcp a\u011flamazsak ger\u00e7ek bir hik\u00e2ye olmazm\u0131\u015f gibi.<\/p>\r\n\r\n<p>Ama yan\u0131l\u0131yorlar, yan\u0131l\u0131yorsunuz: Cad\u0131l\u0131k illa nefret, k\u0131skan\u00e7l\u0131k ya da ba\u015fka t\u00fcrl\u00fc bir k\u00f6t\u00fcl\u00fckten do\u011fmaz; ben ilk b\u00fcy\u00fcm\u00fc a\u015fk\u0131mdan yapm\u0131\u015ft\u0131m.<\/p>\r\n\r\n<p>Ben, Helios\u2019un k\u0131z\u0131, Aiaie Cad\u0131s\u0131 Kirke. Hayat\u0131m boyunca trajedinin beni bulmas\u0131n\u0131 bekledim. Bulaca\u011f\u0131ndan hi\u00e7 ku\u015fkum yoktu \u00e7\u00fcnk\u00fc ba\u015fkalar\u0131n\u0131n hak etti\u011fimi d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcnden daha fazla arzum, isyan\u0131m ve g\u00fcc\u00fcm vard\u0131, y\u0131ld\u0131r\u0131mlar\u0131 \u00fcst\u00fcne \u00e7ekecek \u015feylerdi bunlar. Ve bir g\u00fcn, art\u0131k bu d\u00fcnyaya dayanamayaca\u011f\u0131m, diye d\u00fc\u015f\u00fcnd\u00fcm.<\/p>\r\n\r\n<p>Bunun \u00fczerine denizin derinliklerindeki kadim bir tanr\u0131 seslendi: \u00d6yleyse \u00e7ocu\u011fum, ba\u015fka bir d\u00fcnya yap.<\/p>\r\n\r\n<p>Ben, Kirke\u2019de Madeline Miller; Odysseus, \u0130karos, Minotauros, Prometheus ve Zeus gibi mitolojik karakterlerin binlerce y\u0131ld\u0131r anlat\u0131lagelen hik\u00e2yesini farkl\u0131 bir bak\u0131\u015f a\u00e7\u0131s\u0131ndan sunmakla kalmay\u0131p Olymposlu tanr\u0131lar\u0131n d\u00fcnyas\u0131n\u0131 Homeros\u2019un destans\u0131l\u0131\u011f\u0131nda aktarmay\u0131 ba\u015far\u0131yor.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>NPR, Washington Post, Buzzfeed, People, Time, Amazon, Entertainment Weekly, Bustle ve Newsweek\u2019e g\u00f6re Y\u0131l\u0131n En \u0130yi Kitab\u0131<\/p>\r\n\r\n<p>Goodreads okurlar\u0131na g\u00f6re 2018\u2019in En \u0130yi Fantastik Kitab\u0131<\/p>\r\n\r\n<p>\u201cBu dikkat \u00e7ekici hik\u00e2ye sizi, Kirke\u2019nin yapt\u0131\u011f\u0131 bir b\u00fcy\u00fc gibi etkisi alt\u0131na alacak.\u201d<\/p>\r\n\r\n<p>- Mary Doria Russell, Ser\u00e7e\u2019nin yazar\u0131<\/p>\r\n\r\n<p>\u201cTek kelimeyle b\u00fcy\u00fcleyici ve zarif anlat\u0131m\u0131yla Ben, Kirke, kad\u0131n ya\u015fam\u0131n\u0131n s\u0131radan ve de s\u0131rad\u0131\u015f\u0131 bir hik\u00e2yesi.\u201d<\/p>\r\n\r\n<p>- Eimear McBride, K\u0131z Natamam Bir \u015eeydir \u2018 in yazar\u0131<\/p>\r\n\r\n<p>Ozanlar benden, \u2013erkek\u2013 kahraman\u0131n kar\u015f\u0131s\u0131nda diz \u00e7\u00f6k\u00fcp merhamet dilenen bir kad\u0131n olarak bahsetti hep; ila\u00e7 katarm\u0131\u015f\u0131m tatl\u0131 \u015faraplar\u0131na, b\u00fcy\u00fcleyip domuza \u00e7evirirmi\u015fim h\u0131zl\u0131 giden gemilerin tayfas\u0131n\u0131, babaevini unutturur, s\u0131laya kavu\u015fmalar\u0131na m\u00fcsaade etmezmi\u015fim. Ne demeli, kad\u0131nlara haddini bildirmek ozanlar\u0131n en sevdi\u011fi vakit ge\u00e7irme bi\u00e7imidir; yerlerde s\u00fcr\u00fcn\u00fcp a\u011flamazsak ger\u00e7ek bir hik\u00e2ye olmazm\u0131\u015f gibi.<\/p>\r\n\r\n<p>Ama yan\u0131l\u0131yorlar, yan\u0131l\u0131yorsunuz: Cad\u0131l\u0131k illa nefret, k\u0131skan\u00e7l\u0131k ya da ba\u015fka t\u00fcrl\u00fc bir k\u00f6t\u00fcl\u00fckten do\u011fmaz; ben ilk b\u00fcy\u00fcm\u00fc a\u015fk\u0131mdan yapm\u0131\u015ft\u0131m.<\/p>\r\n\r\n<p>Ben, Helios\u2019un k\u0131z\u0131, Aiaie Cad\u0131s\u0131 Kirke. Hayat\u0131m boyunca trajedinin beni bulmas\u0131n\u0131 bekledim. Bulaca\u011f\u0131ndan hi\u00e7 ku\u015fkum yoktu \u00e7\u00fcnk\u00fc ba\u015fkalar\u0131n\u0131n hak etti\u011fimi d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcnden daha fazla arzum, isyan\u0131m ve g\u00fcc\u00fcm vard\u0131, y\u0131ld\u0131r\u0131mlar\u0131 \u00fcst\u00fcne \u00e7ekecek \u015feylerdi bunlar. Ve bir g\u00fcn, art\u0131k bu d\u00fcnyaya dayanamayaca\u011f\u0131m, diye d\u00fc\u015f\u00fcnd\u00fcm.<\/p>\r\n\r\n<p>Bunun \u00fczerine denizin derinliklerindeki kadim bir tanr\u0131 seslendi: \u00d6yleyse \u00e7ocu\u011fum, ba\u015fka bir d\u00fcnya yap.<\/p>\r\n\r\n<p>Ben, Kirke\u2019de Madeline Miller; Odysseus, \u0130karos, Minotauros, Prometheus ve Zeus gibi mitolojik karakterlerin binlerce y\u0131ld\u0131r anlat\u0131lagelen hik\u00e2yesini farkl\u0131 bir bak\u0131\u015f a\u00e7\u0131s\u0131ndan sunmakla kalmay\u0131p Olymposlu tanr\u0131lar\u0131n d\u00fcnyas\u0131n\u0131 Homeros\u2019un destans\u0131l\u0131\u011f\u0131nda aktarmay\u0131 ba\u015far\u0131yor.<\/p>\r\n\r\n<p>\u00a0<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":"","pivot":{"person_id":152393,"personable_id":5871,"personable_type":"App\\Book"},"translations":[{"id":8550,"book_id":5871,"locale":"en","name":"Circe","slug":"circe","sub_name":"","description":"","static_content":"","meta_title":"","meta_description":""},{"id":8549,"book_id":5871,"locale":"tr","name":"Ben Kirke","slug":"ben-kirke","sub_name":"","description":"<p>NPR, Washington Post, Buzzfeed, People, Time, Amazon, Entertainment Weekly, Bustle ve Newsweek\u2019e g\u00f6re Y\u0131l\u0131n En \u0130yi Kitab\u0131<\/p>\r\n\r\n<p>Goodreads okurlar\u0131na g\u00f6re 2018\u2019in En \u0130yi Fantastik Kitab\u0131<\/p>\r\n\r\n<p>\u201cBu dikkat \u00e7ekici hik\u00e2ye sizi, Kirke\u2019nin yapt\u0131\u011f\u0131 bir b\u00fcy\u00fc gibi etkisi alt\u0131na alacak.\u201d<\/p>\r\n\r\n<p>- Mary Doria Russell, Ser\u00e7e\u2019nin yazar\u0131<\/p>\r\n\r\n<p>\u201cTek kelimeyle b\u00fcy\u00fcleyici ve zarif anlat\u0131m\u0131yla Ben, Kirke, kad\u0131n ya\u015fam\u0131n\u0131n s\u0131radan ve de s\u0131rad\u0131\u015f\u0131 bir hik\u00e2yesi.\u201d<\/p>\r\n\r\n<p>- Eimear McBride, K\u0131z Natamam Bir \u015eeydir \u2018 in yazar\u0131<\/p>\r\n\r\n<p>Ozanlar benden, \u2013erkek\u2013 kahraman\u0131n kar\u015f\u0131s\u0131nda diz \u00e7\u00f6k\u00fcp merhamet dilenen bir kad\u0131n olarak bahsetti hep; ila\u00e7 katarm\u0131\u015f\u0131m tatl\u0131 \u015faraplar\u0131na, b\u00fcy\u00fcleyip domuza \u00e7evirirmi\u015fim h\u0131zl\u0131 giden gemilerin tayfas\u0131n\u0131, babaevini unutturur, s\u0131laya kavu\u015fmalar\u0131na m\u00fcsaade etmezmi\u015fim. Ne demeli, kad\u0131nlara haddini bildirmek ozanlar\u0131n en sevdi\u011fi vakit ge\u00e7irme bi\u00e7imidir; yerlerde s\u00fcr\u00fcn\u00fcp a\u011flamazsak ger\u00e7ek bir hik\u00e2ye olmazm\u0131\u015f gibi.<\/p>\r\n\r\n<p>Ama yan\u0131l\u0131yorlar, yan\u0131l\u0131yorsunuz: Cad\u0131l\u0131k illa nefret, k\u0131skan\u00e7l\u0131k ya da ba\u015fka t\u00fcrl\u00fc bir k\u00f6t\u00fcl\u00fckten do\u011fmaz; ben ilk b\u00fcy\u00fcm\u00fc a\u015fk\u0131mdan yapm\u0131\u015ft\u0131m.<\/p>\r\n\r\n<p>Ben, Helios\u2019un k\u0131z\u0131, Aiaie Cad\u0131s\u0131 Kirke. Hayat\u0131m boyunca trajedinin beni bulmas\u0131n\u0131 bekledim. Bulaca\u011f\u0131ndan hi\u00e7 ku\u015fkum yoktu \u00e7\u00fcnk\u00fc ba\u015fkalar\u0131n\u0131n hak etti\u011fimi d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcnden daha fazla arzum, isyan\u0131m ve g\u00fcc\u00fcm vard\u0131, y\u0131ld\u0131r\u0131mlar\u0131 \u00fcst\u00fcne \u00e7ekecek \u015feylerdi bunlar. Ve bir g\u00fcn, art\u0131k bu d\u00fcnyaya dayanamayaca\u011f\u0131m, diye d\u00fc\u015f\u00fcnd\u00fcm.<\/p>\r\n\r\n<p>Bunun \u00fczerine denizin derinliklerindeki kadim bir tanr\u0131 seslendi: \u00d6yleyse \u00e7ocu\u011fum, ba\u015fka bir d\u00fcnya yap.<\/p>\r\n\r\n<p>Ben, Kirke\u2019de Madeline Miller; Odysseus, \u0130karos, Minotauros, Prometheus ve Zeus gibi mitolojik karakterlerin binlerce y\u0131ld\u0131r anlat\u0131lagelen hik\u00e2yesini farkl\u0131 bir bak\u0131\u015f a\u00e7\u0131s\u0131ndan sunmakla kalmay\u0131p Olymposlu tanr\u0131lar\u0131n d\u00fcnyas\u0131n\u0131 Homeros\u2019un destans\u0131l\u0131\u011f\u0131nda aktarmay\u0131 ba\u015far\u0131yor.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>NPR, Washington Post, Buzzfeed, People, Time, Amazon, Entertainment Weekly, Bustle ve Newsweek\u2019e g\u00f6re Y\u0131l\u0131n En \u0130yi Kitab\u0131<\/p>\r\n\r\n<p>Goodreads okurlar\u0131na g\u00f6re 2018\u2019in En \u0130yi Fantastik Kitab\u0131<\/p>\r\n\r\n<p>\u201cBu dikkat \u00e7ekici hik\u00e2ye sizi, Kirke\u2019nin yapt\u0131\u011f\u0131 bir b\u00fcy\u00fc gibi etkisi alt\u0131na alacak.\u201d<\/p>\r\n\r\n<p>- Mary Doria Russell, Ser\u00e7e\u2019nin yazar\u0131<\/p>\r\n\r\n<p>\u201cTek kelimeyle b\u00fcy\u00fcleyici ve zarif anlat\u0131m\u0131yla Ben, Kirke, kad\u0131n ya\u015fam\u0131n\u0131n s\u0131radan ve de s\u0131rad\u0131\u015f\u0131 bir hik\u00e2yesi.\u201d<\/p>\r\n\r\n<p>- Eimear McBride, K\u0131z Natamam Bir \u015eeydir \u2018 in yazar\u0131<\/p>\r\n\r\n<p>Ozanlar benden, \u2013erkek\u2013 kahraman\u0131n kar\u015f\u0131s\u0131nda diz \u00e7\u00f6k\u00fcp merhamet dilenen bir kad\u0131n olarak bahsetti hep; ila\u00e7 katarm\u0131\u015f\u0131m tatl\u0131 \u015faraplar\u0131na, b\u00fcy\u00fcleyip domuza \u00e7evirirmi\u015fim h\u0131zl\u0131 giden gemilerin tayfas\u0131n\u0131, babaevini unutturur, s\u0131laya kavu\u015fmalar\u0131na m\u00fcsaade etmezmi\u015fim. Ne demeli, kad\u0131nlara haddini bildirmek ozanlar\u0131n en sevdi\u011fi vakit ge\u00e7irme bi\u00e7imidir; yerlerde s\u00fcr\u00fcn\u00fcp a\u011flamazsak ger\u00e7ek bir hik\u00e2ye olmazm\u0131\u015f gibi.<\/p>\r\n\r\n<p>Ama yan\u0131l\u0131yorlar, yan\u0131l\u0131yorsunuz: Cad\u0131l\u0131k illa nefret, k\u0131skan\u00e7l\u0131k ya da ba\u015fka t\u00fcrl\u00fc bir k\u00f6t\u00fcl\u00fckten do\u011fmaz; ben ilk b\u00fcy\u00fcm\u00fc a\u015fk\u0131mdan yapm\u0131\u015ft\u0131m.<\/p>\r\n\r\n<p>Ben, Helios\u2019un k\u0131z\u0131, Aiaie Cad\u0131s\u0131 Kirke. Hayat\u0131m boyunca trajedinin beni bulmas\u0131n\u0131 bekledim. Bulaca\u011f\u0131ndan hi\u00e7 ku\u015fkum yoktu \u00e7\u00fcnk\u00fc ba\u015fkalar\u0131n\u0131n hak etti\u011fimi d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcnden daha fazla arzum, isyan\u0131m ve g\u00fcc\u00fcm vard\u0131, y\u0131ld\u0131r\u0131mlar\u0131 \u00fcst\u00fcne \u00e7ekecek \u015feylerdi bunlar. Ve bir g\u00fcn, art\u0131k bu d\u00fcnyaya dayanamayaca\u011f\u0131m, diye d\u00fc\u015f\u00fcnd\u00fcm.<\/p>\r\n\r\n<p>Bunun \u00fczerine denizin derinliklerindeki kadim bir tanr\u0131 seslendi: \u00d6yleyse \u00e7ocu\u011fum, ba\u015fka bir d\u00fcnya yap.<\/p>\r\n\r\n<p>Ben, Kirke\u2019de Madeline Miller; Odysseus, \u0130karos, Minotauros, Prometheus ve Zeus gibi mitolojik karakterlerin binlerce y\u0131ld\u0131r anlat\u0131lagelen hik\u00e2yesini farkl\u0131 bir bak\u0131\u015f a\u00e7\u0131s\u0131ndan sunmakla kalmay\u0131p Olymposlu tanr\u0131lar\u0131n d\u00fcnyas\u0131n\u0131 Homeros\u2019un destans\u0131l\u0131\u011f\u0131nda aktarmay\u0131 ba\u015far\u0131yor.<\/p>\r\n\r\n<p>\u00a0<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":""}]}],"translations":[{"id":148766,"person_id":152393,"locale":"en","bio":"","static_content":"","meta_title":"","meta_description":""},{"id":148765,"person_id":152393,"locale":"tr","bio":"","static_content":"","meta_title":"","meta_description":""}]}

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14:44:54\",\"updated_at\":\"2019-06-08 18:02:02\",\"name\":\"Cesur Yeni D\\u00fcnya\",\"slug\":\"cesur-yeni-dunya\",\"sub_name\":\"\",\"description\":\"<p style=\\\"text-align: justify;\\\">\\u0130ngiliz yazar <span class=\\\"custom-mention\\\" data-id=\\\"87\\\" data-type=\\\"persons\\\">Aldous Leonard Huxley<\\\/span> 'in 1931 y\\u0131l\\u0131nda yazd\\u0131\\u011f\\u0131 roman, 1946 y\\u0131l\\u0131nda yay\\u0131mlanm\\u0131\\u015ft\\u0131r. Huxley bu roman ile me\\u015fhur olmam\\u0131\\u015f, aksine daha \\u00f6ncesinde kendini ispatlam\\u0131\\u015f bir yazard\\u0131r. Roman yazar\\u0131n be\\u015finci eseridir. Huxley kitab\\u0131 yazmadan \\u00f6nce ve yazarken <span class=\\\"custom-mention\\\" data-id=\\\"11348\\\" data-type=\\\"persons\\\">Yevgeni Zamyetin<\\\/span> ve \\u00fcnl\\u00fc eseri <span class=\\\"custom-mention\\\" data-id=\\\"2786\\\" data-type=\\\"books\\\">Biz<\\\/span> 'den etkilenmi\\u015ftir. T\\u00fcrkiye'de ilk defa 1999 y\\u0131l\\u0131nda bas\\u0131m\\u0131 yap\\u0131lm\\u0131\\u015ft\\u0131r. Roman gelecek zamanda Londra'da ge\\u00e7er. T\\u00fcm d\\u00fcnya d\\u00fczeni de\\u011fi\\u015fmi\\u015ftir. N\\u00fcfus, e\\u011fitim, teknoloji bask\\u0131c\\u0131 bir iktidarla yeniden \\u015fekillenmi\\u015ftir. Bu y\\u00f6netim ve teknoloji sayesinde sava\\u015f d\\u00fcnyadan silinmi\\u015ftir.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\"><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/cesur-yeni-dunya\\\/cesur-yeni-dunya.jpg\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"300\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\">\\u00c7ocuklar\\u0131n \\u00e7ok k\\u00fc\\u00e7\\u00fck ya\\u015flarda uykudayken e\\u011fitilir, kad\\u0131nlar bir \\u00fcreme teknolojisi \\u00fcr\\u00fcn\\u00fc olan haplarla \\u00fcrememeye ba\\u015flam\\u0131\\u015ft\\u0131r. Toplumda genel bir d\\u00fczen hakimken aile, a\\u015fk, sanat gibi insana ait, insan \\u00fcr\\u00fcn\\u00fc olan duygu ve olgular silinmi\\u015ftir. Toplumda art\\u0131k \\u00f6nemli olan tek \\u015fey zevktir. Kad\\u0131nlar art\\u0131k do\\u011fum yapmaz, anne ve baba olmak ay\\u0131p ve ahlak d\\u0131\\u015f\\u0131 olarak g\\u00f6r\\u00fcl\\u00fcr.&nbsp; \\u201cHerkes herkes i\\u00e7indir\\u201d toplumun tek gayesidir. Herkes \\u00e7al\\u0131\\u015f\\u0131r ve herkes mutlu olmak zorundad\\u0131r. Roman\\u0131n kahramanlar\\u0131ndan olan Bernard Marx'da bu d\\u00fczende ya\\u015fayan beta seviyesinde bir psikologtur. Helmholtz Watson bir alfa birey olmakla birlikte, topluma kar\\u015f\\u0131 kendini mutsuz hisseder. Herkes gibi k\\u00fc\\u00e7\\u00fck ya\\u015flarda uykuda \\u015fartlanmas\\u0131na ra\\u011fmen kendinde bir anormallik hisseder.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\">&nbsp; <img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/cesur-yeni-dunya\\\/cesur-yeni-dunya-2.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"338\\\" data-image-width=\\\"100%\\\" \\\/><br \\\/>\\r\\nBu d\\u00fczen d\\u0131\\u015f\\u0131nda ya\\u015fayan insanlara vah\\u015fi denilmektedir. Joe'da vah\\u015fi b\\u00f6lgede b\\u00fcy\\u00fcyen biridir. Fakat Joe vah\\u015filer aras\\u0131nda da kabul g\\u00f6rmez. \\u00c7\\u00fcnk\\u00fc annresi vah\\u015fi de\\u011fildir. \\u00c7e\\u015fitli olaylardan sonra Joe ve annesi sonunda it olduklar\\u0131 modern d\\u00fcnyaya gelirler. Fakat Joe bu d\\u00fcnyaya da ait de\\u011fildir. A\\u015f\\u0131k oldu\\u011fu kad\\u0131n Lenina a\\u015fk\\u0131n\\u0131 anlamaz, asla da anlamayacakt\\u0131r. \\u00c7\\u00fcnk\\u00fc o modern toplumun verdiklerinden dolay\\u0131 mutlu ve \\u015fartlanm\\u0131\\u015ft\\u0131r. Modern d\\u00fcnyada ya\\u015flanman\\u0131n \\u00f6n\\u00fcne ge\\u00e7ilmi\\u015ftir. Kimse ya\\u015flanmaz. Ya\\u015fl\\u0131l\\u0131k a\\u015f\\u0131larla yok edilir. Bir insan \\u00e7ok ya\\u015fl\\u0131 olmas\\u0131na ra\\u011fmen fiziksel g\\u00f6r\\u00fcnt\\u00fcs\\u00fc olduk\\u00e7a gen\\u00e7 g\\u00f6r\\u00fcn\\u00fcr.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\"><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/cesur-yeni-dunya\\\/cesur-yeni-dunya-3.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"338\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\">\\u00d6l\\u00fcm olgusunun s\\u0131radanla\\u015fmas\\u0131 i\\u00e7in insanlar hen\\u00fcz \\u00e7ocukken \\u015fartland\\u0131r\\u0131l\\u0131r. \\u00d6l\\u00fcmden sonra da insanlardan fayda sa\\u011flan\\u0131r. Yak\\u0131lan bedenlerden potasyum sa\\u011flan\\u0131r. \\u0130\\u015fte b\\u00f6yle bir d\\u00fcnyaya gelen John \\u00fclkede b\\u00fcy\\u00fck bir ilgiyle kar\\u015f\\u0131lan\\u0131r. O art\\u0131k herkesin pe\\u015finde oldu\\u011fu biridir. Fakat ayn\\u0131 \\u015fey John i\\u00e7in ge\\u00e7erli de\\u011fildir. Modern d\\u00fcnyadan nefret eder, kurallar\\u0131na, insanlar\\u0131na al\\u0131\\u015famaz. Yeni d\\u00fcnya d\\u00fczeninde ya\\u015fayan insanlar\\u0131n mahkum gibi olduklar\\u0131n\\u0131 ve asl\\u0131nda \\u00f6zg\\u00fcr olmad\\u0131klar\\u0131n\\u0131 savunur. John i\\u00e7in buras\\u0131 hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131ndan ba\\u015fka bir \\u015fey de\\u011fildir. T\\u00fcm bu ilgiden ve yapayl\\u0131ktan ka\\u00e7ar. Fakat ya\\u015fad\\u0131klar\\u0131 ve bu yeni d\\u00fcnya d\\u00fczeni pe\\u015fini b\\u0131rakmayacakt\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n<br \\\/>\\r\\n&nbsp;<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: justify;\\\">\\u0130ngiliz yazar <a href=\\\"https:\\\/\\\/epikse.com\\\/kisi\\\/aldous-huxley\\\" title=\\\"Aldous Leonard Huxley\\\">Aldous Leonard Huxley<\\\/a> 'in 1931 y\\u0131l\\u0131nda yazd\\u0131\\u011f\\u0131 roman, 1946 y\\u0131l\\u0131nda yay\\u0131mlanm\\u0131\\u015ft\\u0131r. Huxley bu roman ile me\\u015fhur olmam\\u0131\\u015f, aksine daha \\u00f6ncesinde kendini ispatlam\\u0131\\u015f bir yazard\\u0131r. Roman yazar\\u0131n be\\u015finci eseridir. Huxley kitab\\u0131 yazmadan \\u00f6nce ve yazarken <a href=\\\"https:\\\/\\\/epikse.com\\\/kisi\\\/yevgeni-zamyetin\\\" title=\\\"Yevgeni Zamyetin\\\">Yevgeni Zamyetin<\\\/a> ve \\u00fcnl\\u00fc eseri <a href=\\\"https:\\\/\\\/epikse.com\\\/kitap\\\/biz\\\" title=\\\"Biz\\\">Biz<\\\/a> 'den etkilenmi\\u015ftir. T\\u00fcrkiye'de ilk defa 1999 y\\u0131l\\u0131nda bas\\u0131m\\u0131 yap\\u0131lm\\u0131\\u015ft\\u0131r. Roman gelecek zamanda Londra'da ge\\u00e7er. T\\u00fcm d\\u00fcnya d\\u00fczeni de\\u011fi\\u015fmi\\u015ftir. N\\u00fcfus, e\\u011fitim, teknoloji bask\\u0131c\\u0131 bir iktidarla yeniden \\u015fekillenmi\\u015ftir. Bu y\\u00f6netim ve teknoloji sayesinde sava\\u015f d\\u00fcnyadan silinmi\\u015ftir.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\"><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/cesur-yeni-dunya\\\/cesur-yeni-dunya.jpg\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"300\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\">\\u00c7ocuklar\\u0131n \\u00e7ok k\\u00fc\\u00e7\\u00fck ya\\u015flarda uykudayken e\\u011fitilir, kad\\u0131nlar bir \\u00fcreme teknolojisi \\u00fcr\\u00fcn\\u00fc olan haplarla \\u00fcrememeye ba\\u015flam\\u0131\\u015ft\\u0131r. Toplumda genel bir d\\u00fczen hakimken aile, a\\u015fk, sanat gibi insana ait, insan \\u00fcr\\u00fcn\\u00fc olan duygu ve olgular silinmi\\u015ftir. Toplumda art\\u0131k \\u00f6nemli olan tek \\u015fey zevktir. Kad\\u0131nlar art\\u0131k do\\u011fum yapmaz, anne ve baba olmak ay\\u0131p ve ahlak d\\u0131\\u015f\\u0131 olarak g\\u00f6r\\u00fcl\\u00fcr.\\u00a0 \\u201cHerkes herkes i\\u00e7indir\\u201d toplumun tek gayesidir. Herkes \\u00e7al\\u0131\\u015f\\u0131r ve herkes mutlu olmak zorundad\\u0131r. Roman\\u0131n kahramanlar\\u0131ndan olan Bernard Marx'da bu d\\u00fczende ya\\u015fayan beta seviyesinde bir psikologtur. Helmholtz Watson bir alfa birey olmakla birlikte, topluma kar\\u015f\\u0131 kendini mutsuz hisseder. Herkes gibi k\\u00fc\\u00e7\\u00fck ya\\u015flarda uykuda \\u015fartlanmas\\u0131na ra\\u011fmen kendinde bir anormallik hisseder.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\">\\u00a0 <img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/cesur-yeni-dunya\\\/cesur-yeni-dunya-2.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"338\\\" data-image-width=\\\"100%\\\" \\\/><br \\\/>\\r\\nBu d\\u00fczen d\\u0131\\u015f\\u0131nda ya\\u015fayan insanlara vah\\u015fi denilmektedir. Joe'da vah\\u015fi b\\u00f6lgede b\\u00fcy\\u00fcyen biridir. Fakat Joe vah\\u015filer aras\\u0131nda da kabul g\\u00f6rmez. \\u00c7\\u00fcnk\\u00fc annresi vah\\u015fi de\\u011fildir. \\u00c7e\\u015fitli olaylardan sonra Joe ve annesi sonunda it olduklar\\u0131 modern d\\u00fcnyaya gelirler. Fakat Joe bu d\\u00fcnyaya da ait de\\u011fildir. A\\u015f\\u0131k oldu\\u011fu kad\\u0131n Lenina a\\u015fk\\u0131n\\u0131 anlamaz, asla da anlamayacakt\\u0131r. \\u00c7\\u00fcnk\\u00fc o modern toplumun verdiklerinden dolay\\u0131 mutlu ve \\u015fartlanm\\u0131\\u015ft\\u0131r. Modern d\\u00fcnyada ya\\u015flanman\\u0131n \\u00f6n\\u00fcne ge\\u00e7ilmi\\u015ftir. Kimse ya\\u015flanmaz. Ya\\u015fl\\u0131l\\u0131k a\\u015f\\u0131larla yok edilir. Bir insan \\u00e7ok ya\\u015fl\\u0131 olmas\\u0131na ra\\u011fmen fiziksel g\\u00f6r\\u00fcnt\\u00fcs\\u00fc olduk\\u00e7a gen\\u00e7 g\\u00f6r\\u00fcn\\u00fcr.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\"><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/cesur-yeni-dunya\\\/cesur-yeni-dunya-3.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"338\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\">\\u00d6l\\u00fcm olgusunun s\\u0131radanla\\u015fmas\\u0131 i\\u00e7in insanlar hen\\u00fcz \\u00e7ocukken \\u015fartland\\u0131r\\u0131l\\u0131r. \\u00d6l\\u00fcmden sonra da insanlardan fayda sa\\u011flan\\u0131r. Yak\\u0131lan bedenlerden potasyum sa\\u011flan\\u0131r. \\u0130\\u015fte b\\u00f6yle bir d\\u00fcnyaya gelen John \\u00fclkede b\\u00fcy\\u00fck bir ilgiyle kar\\u015f\\u0131lan\\u0131r. O art\\u0131k herkesin pe\\u015finde oldu\\u011fu biridir. Fakat ayn\\u0131 \\u015fey John i\\u00e7in ge\\u00e7erli de\\u011fildir. Modern d\\u00fcnyadan nefret eder, kurallar\\u0131na, insanlar\\u0131na al\\u0131\\u015famaz. Yeni d\\u00fcnya d\\u00fczeninde ya\\u015fayan insanlar\\u0131n mahkum gibi olduklar\\u0131n\\u0131 ve asl\\u0131nda \\u00f6zg\\u00fcr olmad\\u0131klar\\u0131n\\u0131 savunur. John i\\u00e7in buras\\u0131 hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131ndan ba\\u015fka bir \\u015fey de\\u011fildir. T\\u00fcm bu ilgiden ve yapayl\\u0131ktan ka\\u00e7ar. Fakat ya\\u015fad\\u0131klar\\u0131 ve bu yeni d\\u00fcnya d\\u00fczeni pe\\u015fini b\\u0131rakmayacakt\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n<br \\\/>\\r\\n\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1412,\"personable_id\":227,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":4966,\"book_id\":227,\"locale\":\"en\",\"name\":\"Brave New World\",\"slug\":\"brave-new-world\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":216,\"book_id\":227,\"locale\":\"tr\",\"name\":\"Cesur Yeni D\\u00fcnya\",\"slug\":\"cesur-yeni-dunya\",\"sub_name\":\"\",\"description\":\"<p style=\\\"text-align: justify;\\\">\\u0130ngiliz yazar <span class=\\\"custom-mention\\\" data-id=\\\"87\\\" data-type=\\\"persons\\\">Aldous Leonard Huxley<\\\/span> 'in 1931 y\\u0131l\\u0131nda yazd\\u0131\\u011f\\u0131 roman, 1946 y\\u0131l\\u0131nda yay\\u0131mlanm\\u0131\\u015ft\\u0131r. Huxley bu roman ile me\\u015fhur olmam\\u0131\\u015f, aksine daha \\u00f6ncesinde kendini ispatlam\\u0131\\u015f bir yazard\\u0131r. Roman yazar\\u0131n be\\u015finci eseridir. Huxley kitab\\u0131 yazmadan \\u00f6nce ve yazarken <span class=\\\"custom-mention\\\" data-id=\\\"11348\\\" data-type=\\\"persons\\\">Yevgeni Zamyetin<\\\/span> ve \\u00fcnl\\u00fc eseri <span class=\\\"custom-mention\\\" data-id=\\\"2786\\\" data-type=\\\"books\\\">Biz<\\\/span> 'den etkilenmi\\u015ftir. T\\u00fcrkiye'de ilk defa 1999 y\\u0131l\\u0131nda bas\\u0131m\\u0131 yap\\u0131lm\\u0131\\u015ft\\u0131r. Roman gelecek zamanda Londra'da ge\\u00e7er. T\\u00fcm d\\u00fcnya d\\u00fczeni de\\u011fi\\u015fmi\\u015ftir. N\\u00fcfus, e\\u011fitim, teknoloji bask\\u0131c\\u0131 bir iktidarla yeniden \\u015fekillenmi\\u015ftir. Bu y\\u00f6netim ve teknoloji sayesinde sava\\u015f d\\u00fcnyadan silinmi\\u015ftir.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\"><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/cesur-yeni-dunya\\\/cesur-yeni-dunya.jpg\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"300\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\">\\u00c7ocuklar\\u0131n \\u00e7ok k\\u00fc\\u00e7\\u00fck ya\\u015flarda uykudayken e\\u011fitilir, kad\\u0131nlar bir \\u00fcreme teknolojisi \\u00fcr\\u00fcn\\u00fc olan haplarla \\u00fcrememeye ba\\u015flam\\u0131\\u015ft\\u0131r. Toplumda genel bir d\\u00fczen hakimken aile, a\\u015fk, sanat gibi insana ait, insan \\u00fcr\\u00fcn\\u00fc olan duygu ve olgular silinmi\\u015ftir. Toplumda art\\u0131k \\u00f6nemli olan tek \\u015fey zevktir. Kad\\u0131nlar art\\u0131k do\\u011fum yapmaz, anne ve baba olmak ay\\u0131p ve ahlak d\\u0131\\u015f\\u0131 olarak g\\u00f6r\\u00fcl\\u00fcr.&nbsp; \\u201cHerkes herkes i\\u00e7indir\\u201d toplumun tek gayesidir. Herkes \\u00e7al\\u0131\\u015f\\u0131r ve herkes mutlu olmak zorundad\\u0131r. Roman\\u0131n kahramanlar\\u0131ndan olan Bernard Marx'da bu d\\u00fczende ya\\u015fayan beta seviyesinde bir psikologtur. Helmholtz Watson bir alfa birey olmakla birlikte, topluma kar\\u015f\\u0131 kendini mutsuz hisseder. Herkes gibi k\\u00fc\\u00e7\\u00fck ya\\u015flarda uykuda \\u015fartlanmas\\u0131na ra\\u011fmen kendinde bir anormallik hisseder.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\">&nbsp; <img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/cesur-yeni-dunya\\\/cesur-yeni-dunya-2.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"338\\\" data-image-width=\\\"100%\\\" \\\/><br \\\/>\\r\\nBu d\\u00fczen d\\u0131\\u015f\\u0131nda ya\\u015fayan insanlara vah\\u015fi denilmektedir. Joe'da vah\\u015fi b\\u00f6lgede b\\u00fcy\\u00fcyen biridir. Fakat Joe vah\\u015filer aras\\u0131nda da kabul g\\u00f6rmez. \\u00c7\\u00fcnk\\u00fc annresi vah\\u015fi de\\u011fildir. \\u00c7e\\u015fitli olaylardan sonra Joe ve annesi sonunda it olduklar\\u0131 modern d\\u00fcnyaya gelirler. Fakat Joe bu d\\u00fcnyaya da ait de\\u011fildir. A\\u015f\\u0131k oldu\\u011fu kad\\u0131n Lenina a\\u015fk\\u0131n\\u0131 anlamaz, asla da anlamayacakt\\u0131r. \\u00c7\\u00fcnk\\u00fc o modern toplumun verdiklerinden dolay\\u0131 mutlu ve \\u015fartlanm\\u0131\\u015ft\\u0131r. Modern d\\u00fcnyada ya\\u015flanman\\u0131n \\u00f6n\\u00fcne ge\\u00e7ilmi\\u015ftir. Kimse ya\\u015flanmaz. Ya\\u015fl\\u0131l\\u0131k a\\u015f\\u0131larla yok edilir. Bir insan \\u00e7ok ya\\u015fl\\u0131 olmas\\u0131na ra\\u011fmen fiziksel g\\u00f6r\\u00fcnt\\u00fcs\\u00fc olduk\\u00e7a gen\\u00e7 g\\u00f6r\\u00fcn\\u00fcr.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\"><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/cesur-yeni-dunya\\\/cesur-yeni-dunya-3.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"338\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\">\\u00d6l\\u00fcm olgusunun s\\u0131radanla\\u015fmas\\u0131 i\\u00e7in insanlar hen\\u00fcz \\u00e7ocukken \\u015fartland\\u0131r\\u0131l\\u0131r. \\u00d6l\\u00fcmden sonra da insanlardan fayda sa\\u011flan\\u0131r. Yak\\u0131lan bedenlerden potasyum sa\\u011flan\\u0131r. \\u0130\\u015fte b\\u00f6yle bir d\\u00fcnyaya gelen John \\u00fclkede b\\u00fcy\\u00fck bir ilgiyle kar\\u015f\\u0131lan\\u0131r. O art\\u0131k herkesin pe\\u015finde oldu\\u011fu biridir. Fakat ayn\\u0131 \\u015fey John i\\u00e7in ge\\u00e7erli de\\u011fildir. Modern d\\u00fcnyadan nefret eder, kurallar\\u0131na, insanlar\\u0131na al\\u0131\\u015famaz. Yeni d\\u00fcnya d\\u00fczeninde ya\\u015fayan insanlar\\u0131n mahkum gibi olduklar\\u0131n\\u0131 ve asl\\u0131nda \\u00f6zg\\u00fcr olmad\\u0131klar\\u0131n\\u0131 savunur. John i\\u00e7in buras\\u0131 hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131ndan ba\\u015fka bir \\u015fey de\\u011fildir. T\\u00fcm bu ilgiden ve yapayl\\u0131ktan ka\\u00e7ar. Fakat ya\\u015fad\\u0131klar\\u0131 ve bu yeni d\\u00fcnya d\\u00fczeni pe\\u015fini b\\u0131rakmayacakt\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n<br \\\/>\\r\\n&nbsp;<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: justify;\\\">\\u0130ngiliz yazar <a href=\\\"https:\\\/\\\/epikse.com\\\/kisi\\\/aldous-huxley\\\" title=\\\"Aldous Leonard Huxley\\\">Aldous Leonard Huxley<\\\/a> 'in 1931 y\\u0131l\\u0131nda yazd\\u0131\\u011f\\u0131 roman, 1946 y\\u0131l\\u0131nda yay\\u0131mlanm\\u0131\\u015ft\\u0131r. Huxley bu roman ile me\\u015fhur olmam\\u0131\\u015f, aksine daha \\u00f6ncesinde kendini ispatlam\\u0131\\u015f bir yazard\\u0131r. Roman yazar\\u0131n be\\u015finci eseridir. Huxley kitab\\u0131 yazmadan \\u00f6nce ve yazarken <a href=\\\"https:\\\/\\\/epikse.com\\\/kisi\\\/yevgeni-zamyetin\\\" title=\\\"Yevgeni Zamyetin\\\">Yevgeni Zamyetin<\\\/a> ve \\u00fcnl\\u00fc eseri <a href=\\\"https:\\\/\\\/epikse.com\\\/kitap\\\/biz\\\" title=\\\"Biz\\\">Biz<\\\/a> 'den etkilenmi\\u015ftir. T\\u00fcrkiye'de ilk defa 1999 y\\u0131l\\u0131nda bas\\u0131m\\u0131 yap\\u0131lm\\u0131\\u015ft\\u0131r. Roman gelecek zamanda Londra'da ge\\u00e7er. T\\u00fcm d\\u00fcnya d\\u00fczeni de\\u011fi\\u015fmi\\u015ftir. N\\u00fcfus, e\\u011fitim, teknoloji bask\\u0131c\\u0131 bir iktidarla yeniden \\u015fekillenmi\\u015ftir. Bu y\\u00f6netim ve teknoloji sayesinde sava\\u015f d\\u00fcnyadan silinmi\\u015ftir.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\"><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/cesur-yeni-dunya\\\/cesur-yeni-dunya.jpg\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"300\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\">\\u00c7ocuklar\\u0131n \\u00e7ok k\\u00fc\\u00e7\\u00fck ya\\u015flarda uykudayken e\\u011fitilir, kad\\u0131nlar bir \\u00fcreme teknolojisi \\u00fcr\\u00fcn\\u00fc olan haplarla \\u00fcrememeye ba\\u015flam\\u0131\\u015ft\\u0131r. Toplumda genel bir d\\u00fczen hakimken aile, a\\u015fk, sanat gibi insana ait, insan \\u00fcr\\u00fcn\\u00fc olan duygu ve olgular silinmi\\u015ftir. Toplumda art\\u0131k \\u00f6nemli olan tek \\u015fey zevktir. Kad\\u0131nlar art\\u0131k do\\u011fum yapmaz, anne ve baba olmak ay\\u0131p ve ahlak d\\u0131\\u015f\\u0131 olarak g\\u00f6r\\u00fcl\\u00fcr.\\u00a0 \\u201cHerkes herkes i\\u00e7indir\\u201d toplumun tek gayesidir. Herkes \\u00e7al\\u0131\\u015f\\u0131r ve herkes mutlu olmak zorundad\\u0131r. Roman\\u0131n kahramanlar\\u0131ndan olan Bernard Marx'da bu d\\u00fczende ya\\u015fayan beta seviyesinde bir psikologtur. Helmholtz Watson bir alfa birey olmakla birlikte, topluma kar\\u015f\\u0131 kendini mutsuz hisseder. Herkes gibi k\\u00fc\\u00e7\\u00fck ya\\u015flarda uykuda \\u015fartlanmas\\u0131na ra\\u011fmen kendinde bir anormallik hisseder.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\">\\u00a0 <img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/cesur-yeni-dunya\\\/cesur-yeni-dunya-2.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"338\\\" data-image-width=\\\"100%\\\" \\\/><br \\\/>\\r\\nBu d\\u00fczen d\\u0131\\u015f\\u0131nda ya\\u015fayan insanlara vah\\u015fi denilmektedir. Joe'da vah\\u015fi b\\u00f6lgede b\\u00fcy\\u00fcyen biridir. Fakat Joe vah\\u015filer aras\\u0131nda da kabul g\\u00f6rmez. \\u00c7\\u00fcnk\\u00fc annresi vah\\u015fi de\\u011fildir. \\u00c7e\\u015fitli olaylardan sonra Joe ve annesi sonunda it olduklar\\u0131 modern d\\u00fcnyaya gelirler. Fakat Joe bu d\\u00fcnyaya da ait de\\u011fildir. A\\u015f\\u0131k oldu\\u011fu kad\\u0131n Lenina a\\u015fk\\u0131n\\u0131 anlamaz, asla da anlamayacakt\\u0131r. \\u00c7\\u00fcnk\\u00fc o modern toplumun verdiklerinden dolay\\u0131 mutlu ve \\u015fartlanm\\u0131\\u015ft\\u0131r. Modern d\\u00fcnyada ya\\u015flanman\\u0131n \\u00f6n\\u00fcne ge\\u00e7ilmi\\u015ftir. Kimse ya\\u015flanmaz. Ya\\u015fl\\u0131l\\u0131k a\\u015f\\u0131larla yok edilir. Bir insan \\u00e7ok ya\\u015fl\\u0131 olmas\\u0131na ra\\u011fmen fiziksel g\\u00f6r\\u00fcnt\\u00fcs\\u00fc olduk\\u00e7a gen\\u00e7 g\\u00f6r\\u00fcn\\u00fcr.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\"><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/cesur-yeni-dunya\\\/cesur-yeni-dunya-3.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"338\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: justify;\\\">\\u00d6l\\u00fcm olgusunun s\\u0131radanla\\u015fmas\\u0131 i\\u00e7in insanlar hen\\u00fcz \\u00e7ocukken \\u015fartland\\u0131r\\u0131l\\u0131r. \\u00d6l\\u00fcmden sonra da insanlardan fayda sa\\u011flan\\u0131r. Yak\\u0131lan bedenlerden potasyum sa\\u011flan\\u0131r. \\u0130\\u015fte b\\u00f6yle bir d\\u00fcnyaya gelen John \\u00fclkede b\\u00fcy\\u00fck bir ilgiyle kar\\u015f\\u0131lan\\u0131r. O art\\u0131k herkesin pe\\u015finde oldu\\u011fu biridir. Fakat ayn\\u0131 \\u015fey John i\\u00e7in ge\\u00e7erli de\\u011fildir. Modern d\\u00fcnyadan nefret eder, kurallar\\u0131na, insanlar\\u0131na al\\u0131\\u015famaz. Yeni d\\u00fcnya d\\u00fczeninde ya\\u015fayan insanlar\\u0131n mahkum gibi olduklar\\u0131n\\u0131 ve asl\\u0131nda \\u00f6zg\\u00fcr olmad\\u0131klar\\u0131n\\u0131 savunur. John i\\u00e7in buras\\u0131 hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131ndan ba\\u015fka bir \\u015fey de\\u011fildir. T\\u00fcm bu ilgiden ve yapayl\\u0131ktan ka\\u00e7ar. Fakat ya\\u015fad\\u0131klar\\u0131 ve bu yeni d\\u00fcnya d\\u00fczeni pe\\u015fini b\\u0131rakmayacakt\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n<br \\\/>\\r\\n\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":275,\"user_id\":10,\"original_name\":\"Le tour du monde en quatre-vingts jours\",\"printing_date\":\"2016-06-29 12:26:39\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/1484907826i.png\",\"image_settings\":{\"id\":275,\"path\":\"\\\/images\\\/books\\\/2017\\\/01\\\/20\\\/10\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":70057,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":26549,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":10064,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2427,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1436,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2872,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":28004,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":29776,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":11418,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2380,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1094,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2864,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":6,\"follower_count\":5,\"rate_count\":2,\"rate_average\":7,\"created_at\":\"2017-01-20 10:23:46\",\"updated_at\":\"2020-02-24 03:30:02\",\"name\":\"80 G\\u00fcnde Devri Alem\",\"slug\":\"80-gunde-devri-alem\",\"sub_name\":\"\",\"description\":\"<p>80 G\\u00fcnde Devri Alem edebiyat\\u0131 bilimkurguyla tan\\u0131\\u015ft\\u0131ran <span class=\\\"custom-mention\\\" data-id=\\\"3254\\\" data-type=\\\"persons\\\">Jules Verne<\\\/span>&nbsp;'\\u00fcn&nbsp;en \\u00e7ok okunan klasik eserlerindendir. Hindistan'dan Japonya'ya, Amerika'dan Singapur'a uzanan bu heyecan dolu macerada, ansiklopedik bilgiler ve g\\u00f6rseller e\\u015fli\\u011finde ge\\u00e7mi\\u015ften g\\u00fcn\\u00fcm\\u00fcze d\\u00fcnya hakk\\u0131nda pek \\u00e7ok ilgin\\u00e7 \\u015fey \\u00f6\\u011frenecek, Phileas Fogg'la beraber s\\u00fcrprizlerle dolu bir yolculu\\u011fa \\u00e7\\u0131kacaks\\u0131n\\u0131z.&nbsp;\\u0130ngiltere'nin Londra kentinde Saville Caddesi'nde ya\\u015fayan gizemli S\\u00f6r Phileas Fogg, Reform Kul\\u00fcb\\u00fc'ne yapt\\u0131\\u011f\\u0131 ola\\u011fan ziyaretlerinden birinde d\\u00fcnyan\\u0131n \\u00e7evresini 80 g\\u00fcnde dola\\u015faca\\u011f\\u0131na dair t\\u00fcm servetine bahse girer. Hi\\u00e7 vakit kaybetmeden u\\u015fa\\u011f\\u0131 ile birlikte Dover'a do\\u011fru yola \\u00e7\\u0131kan Fogg'u gemilerde, fillerin \\u00fczerinde, trenlerde zamana kar\\u015f\\u0131 kimi zaman zorlu, kimi zaman e\\u011flenceli bir yolculuk beklemektedir.<\\\/p>\",\"static_content\":\"<p>80 G\\u00fcnde Devri Alem edebiyat\\u0131 bilimkurguyla tan\\u0131\\u015ft\\u0131ran <a href=\\\"https:\\\/\\\/epikse.com\\\/kisi\\\/jules-verne\\\" title=\\\"Jules Verne\\\">Jules Verne<\\\/a>\\u00a0'\\u00fcn\\u00a0en \\u00e7ok okunan klasik eserlerindendir. Hindistan'dan Japonya'ya, Amerika'dan Singapur'a uzanan bu heyecan dolu macerada, ansiklopedik bilgiler ve g\\u00f6rseller e\\u015fli\\u011finde ge\\u00e7mi\\u015ften g\\u00fcn\\u00fcm\\u00fcze d\\u00fcnya hakk\\u0131nda pek \\u00e7ok ilgin\\u00e7 \\u015fey \\u00f6\\u011frenecek, Phileas Fogg'la beraber s\\u00fcrprizlerle dolu bir yolculu\\u011fa \\u00e7\\u0131kacaks\\u0131n\\u0131z.\\u00a0\\u0130ngiltere'nin Londra kentinde Saville Caddesi'nde ya\\u015fayan gizemli S\\u00f6r Phileas Fogg, Reform Kul\\u00fcb\\u00fc'ne yapt\\u0131\\u011f\\u0131 ola\\u011fan ziyaretlerinden birinde d\\u00fcnyan\\u0131n \\u00e7evresini 80 g\\u00fcnde dola\\u015faca\\u011f\\u0131na dair t\\u00fcm servetine bahse girer. Hi\\u00e7 vakit kaybetmeden u\\u015fa\\u011f\\u0131 ile birlikte Dover'a do\\u011fru yola \\u00e7\\u0131kan Fogg'u gemilerde, fillerin \\u00fczerinde, trenlerde zamana kar\\u015f\\u0131 kimi zaman zorlu, kimi zaman e\\u011flenceli bir yolculuk beklemektedir.<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1412,\"personable_id\":275,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":4958,\"book_id\":275,\"locale\":\"en\",\"name\":\"Around the World in Eighty Days\",\"slug\":\"around-the-world-in-eighty-days\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":264,\"book_id\":275,\"locale\":\"tr\",\"name\":\"80 G\\u00fcnde Devri Alem\",\"slug\":\"80-gunde-devri-alem\",\"sub_name\":\"\",\"description\":\"<p>80 G\\u00fcnde Devri Alem edebiyat\\u0131 bilimkurguyla tan\\u0131\\u015ft\\u0131ran <span class=\\\"custom-mention\\\" data-id=\\\"3254\\\" data-type=\\\"persons\\\">Jules Verne<\\\/span>&nbsp;'\\u00fcn&nbsp;en \\u00e7ok okunan klasik eserlerindendir. Hindistan'dan Japonya'ya, Amerika'dan Singapur'a uzanan bu heyecan dolu macerada, ansiklopedik bilgiler ve g\\u00f6rseller e\\u015fli\\u011finde ge\\u00e7mi\\u015ften g\\u00fcn\\u00fcm\\u00fcze d\\u00fcnya hakk\\u0131nda pek \\u00e7ok ilgin\\u00e7 \\u015fey \\u00f6\\u011frenecek, Phileas Fogg'la beraber s\\u00fcrprizlerle dolu bir yolculu\\u011fa \\u00e7\\u0131kacaks\\u0131n\\u0131z.&nbsp;\\u0130ngiltere'nin Londra kentinde Saville Caddesi'nde ya\\u015fayan gizemli S\\u00f6r Phileas Fogg, Reform Kul\\u00fcb\\u00fc'ne yapt\\u0131\\u011f\\u0131 ola\\u011fan ziyaretlerinden birinde d\\u00fcnyan\\u0131n \\u00e7evresini 80 g\\u00fcnde dola\\u015faca\\u011f\\u0131na dair t\\u00fcm servetine bahse girer. 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20:45:13\",\"updated_at\":\"2019-06-08 18:02:06\",\"name\":\"Ben Robot\",\"slug\":\"ben-robot\",\"sub_name\":\"\",\"description\":\"<p><span class=\\\"custom-mention\\\" data-id=\\\"1030\\\" data-type=\\\"persons\\\">Isaac Asimov<\\\/span> 'un orijinal ad\\u0131 I Robot olan kitab\\u0131 ilk defa 1950 y\\u0131l\\u0131nda bas\\u0131lm\\u0131\\u015ft\\u0131r. Kitapta 9 tane bilim kurgu \\u00f6yk\\u00fcs\\u00fc yer al\\u0131yor. Asimov'un kendi tasar\\u0131s\\u0131 olan 3 Robot Yasas\\u0131 her \\u00f6yk\\u00fcde kendini g\\u00f6sterir. 3 Robot Yasas\\u0131:<\\\/p>\\r\\n\\r\\n<ol>\\r\\n\\t<li>Robotlar, insanlara zarar veremez ya da eylemsiz kalarak onlara zarar gelmesine g\\u00f6z yumamaz.<\\\/li>\\r\\n\\t<li>Robotlar, Birinci Kanun\\u2019la \\u00e7ak\\u0131\\u015fmad\\u0131\\u011f\\u0131 s\\u00fcrece insanlar taraf\\u0131ndan verilen emirlere itaat etmek zorundad\\u0131r.<\\\/li>\\r\\n\\t<li>Robotlar, Birinci Kanun\\u2019la \\u00e7ak\\u0131\\u015fmad\\u0131\\u011f\\u0131 s\\u00fcrece insanlar taraf\\u0131ndan verilen emirlere itaat etmek zorundad\\u0131r.<\\\/li>\\r\\n<\\\/ol>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u00d6yk\\u00fcler bamba\\u015fka konular hakk\\u0131nda olsa da ayn\\u0131 evrende ge\\u00e7er. Dili sade ve anla\\u015f\\u0131l\\u0131rd\\u0131r.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/ben-robot\\\/Asimov.jpeg\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"348\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>Kitapta yer alan t\\u00fcm \\u00f6yk\\u00fclerde Susan Calvin isimli robot psikolo\\u011fu yer al\\u0131r. Hayat\\u0131n\\u0131 robotlar\\u0131n psikolojisini anlamak i\\u00e7in ge\\u00e7iren Calvin'in an\\u0131lar\\u0131 veya direkt \\u015fahit olduklar\\u0131 \\u00f6yk\\u00fclerde yer al\\u0131r. Kitap Calvin il r\\u00f6portaj yapmak isteyen gazetecinin teklifinin kabul edilmesiyle ba\\u015flar. Calvin t\\u00fcm deneyimlerini anlatmaya ba\\u015flar.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/ben-robot\\\/susan-calvin.png\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"339\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\",\"static_content\":\"<p><a href=\\\"https:\\\/\\\/epikse.com\\\/kisi\\\/saac-asimov\\\" title=\\\"Isaac Asimov\\\">Isaac Asimov<\\\/a> 'un orijinal ad\\u0131 I Robot olan kitab\\u0131 ilk defa 1950 y\\u0131l\\u0131nda bas\\u0131lm\\u0131\\u015ft\\u0131r. Kitapta 9 tane bilim kurgu \\u00f6yk\\u00fcs\\u00fc yer al\\u0131yor. Asimov'un kendi tasar\\u0131s\\u0131 olan 3 Robot Yasas\\u0131 her \\u00f6yk\\u00fcde kendini g\\u00f6sterir. 3 Robot Yasas\\u0131:<\\\/p>\\r\\n\\r\\n<ol>\\r\\n\\t<li>Robotlar, insanlara zarar veremez ya da eylemsiz kalarak onlara zarar gelmesine g\\u00f6z yumamaz.<\\\/li>\\r\\n\\t<li>Robotlar, Birinci Kanun\\u2019la \\u00e7ak\\u0131\\u015fmad\\u0131\\u011f\\u0131 s\\u00fcrece insanlar taraf\\u0131ndan verilen emirlere itaat etmek zorundad\\u0131r.<\\\/li>\\r\\n\\t<li>Robotlar, Birinci Kanun\\u2019la \\u00e7ak\\u0131\\u015fmad\\u0131\\u011f\\u0131 s\\u00fcrece insanlar taraf\\u0131ndan verilen emirlere itaat etmek zorundad\\u0131r.<\\\/li>\\r\\n<\\\/ol>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00d6yk\\u00fcler bamba\\u015fka konular hakk\\u0131nda olsa da ayn\\u0131 evrende ge\\u00e7er. 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Kitapta 9 tane bilim kurgu \\u00f6yk\\u00fcs\\u00fc yer al\\u0131yor. Asimov'un kendi tasar\\u0131s\\u0131 olan 3 Robot Yasas\\u0131 her \\u00f6yk\\u00fcde kendini g\\u00f6sterir. 3 Robot Yasas\\u0131:<\\\/p>\\r\\n\\r\\n<ol>\\r\\n\\t<li>Robotlar, insanlara zarar veremez ya da eylemsiz kalarak onlara zarar gelmesine g\\u00f6z yumamaz.<\\\/li>\\r\\n\\t<li>Robotlar, Birinci Kanun\\u2019la \\u00e7ak\\u0131\\u015fmad\\u0131\\u011f\\u0131 s\\u00fcrece insanlar taraf\\u0131ndan verilen emirlere itaat etmek zorundad\\u0131r.<\\\/li>\\r\\n\\t<li>Robotlar, Birinci Kanun\\u2019la \\u00e7ak\\u0131\\u015fmad\\u0131\\u011f\\u0131 s\\u00fcrece insanlar taraf\\u0131ndan verilen emirlere itaat etmek zorundad\\u0131r.<\\\/li>\\r\\n<\\\/ol>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u00d6yk\\u00fcler bamba\\u015fka konular hakk\\u0131nda olsa da ayn\\u0131 evrende ge\\u00e7er. Dili sade ve anla\\u015f\\u0131l\\u0131rd\\u0131r.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/ben-robot\\\/Asimov.jpeg\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"348\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>Kitapta yer alan t\\u00fcm \\u00f6yk\\u00fclerde Susan Calvin isimli robot psikolo\\u011fu yer al\\u0131r. Hayat\\u0131n\\u0131 robotlar\\u0131n psikolojisini anlamak i\\u00e7in ge\\u00e7iren Calvin'in an\\u0131lar\\u0131 veya direkt \\u015fahit olduklar\\u0131 \\u00f6yk\\u00fclerde yer al\\u0131r. Kitap Calvin il r\\u00f6portaj yapmak isteyen gazetecinin teklifinin kabul edilmesiyle ba\\u015flar. Calvin t\\u00fcm deneyimlerini anlatmaya ba\\u015flar.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/ben-robot\\\/susan-calvin.png\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"339\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\",\"static_content\":\"<p><a href=\\\"https:\\\/\\\/epikse.com\\\/kisi\\\/saac-asimov\\\" title=\\\"Isaac Asimov\\\">Isaac Asimov<\\\/a> 'un orijinal ad\\u0131 I Robot olan kitab\\u0131 ilk defa 1950 y\\u0131l\\u0131nda bas\\u0131lm\\u0131\\u015ft\\u0131r. Kitapta 9 tane bilim kurgu \\u00f6yk\\u00fcs\\u00fc yer al\\u0131yor. Asimov'un kendi tasar\\u0131s\\u0131 olan 3 Robot Yasas\\u0131 her \\u00f6yk\\u00fcde kendini g\\u00f6sterir. 3 Robot Yasas\\u0131:<\\\/p>\\r\\n\\r\\n<ol>\\r\\n\\t<li>Robotlar, insanlara zarar veremez ya da eylemsiz kalarak onlara zarar gelmesine g\\u00f6z yumamaz.<\\\/li>\\r\\n\\t<li>Robotlar, Birinci Kanun\\u2019la \\u00e7ak\\u0131\\u015fmad\\u0131\\u011f\\u0131 s\\u00fcrece insanlar taraf\\u0131ndan verilen emirlere itaat etmek zorundad\\u0131r.<\\\/li>\\r\\n\\t<li>Robotlar, Birinci Kanun\\u2019la \\u00e7ak\\u0131\\u015fmad\\u0131\\u011f\\u0131 s\\u00fcrece insanlar taraf\\u0131ndan verilen emirlere itaat etmek zorundad\\u0131r.<\\\/li>\\r\\n<\\\/ol>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00d6yk\\u00fcler bamba\\u015fka konular hakk\\u0131nda olsa da ayn\\u0131 evrende ge\\u00e7er. Dili sade ve anla\\u015f\\u0131l\\u0131rd\\u0131r.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/ben-robot\\\/Asimov.jpeg\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"348\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>Kitapta yer alan t\\u00fcm \\u00f6yk\\u00fclerde Susan Calvin isimli robot psikolo\\u011fu yer al\\u0131r. Hayat\\u0131n\\u0131 robotlar\\u0131n psikolojisini anlamak i\\u00e7in ge\\u00e7iren Calvin'in an\\u0131lar\\u0131 veya direkt \\u015fahit olduklar\\u0131 \\u00f6yk\\u00fclerde yer al\\u0131r. Kitap Calvin il r\\u00f6portaj yapmak isteyen gazetecinin teklifinin kabul edilmesiyle ba\\u015flar. Calvin t\\u00fcm deneyimlerini anlatmaya ba\\u015flar.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/ben-robot\\\/susan-calvin.png\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"339\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":352,\"user_id\":12,\"original_name\":\"The Algebraist\",\"printing_date\":\"2014-04-25 16:06:40\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/cebirci-kapak-1487684974.png\",\"image_settings\":{\"id\":352,\"path\":\"\\\/images\\\/books\\\/2017\\\/02\\\/21\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":49186,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":18175,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":8441,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2345,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1455,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2656,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":14622,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":15038,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7116,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2122,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1114,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2384,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2017-02-21 16:49:34\",\"updated_at\":\"2019-04-10 10:45:27\",\"name\":\"Cebirci\",\"slug\":\"cebirci\",\"sub_name\":\"\",\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":352,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":4931,\"book_id\":352,\"locale\":\"en\",\"name\":\"The Algebraist\",\"slug\":\"the-algebraist\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":337,\"book_id\":352,\"locale\":\"tr\",\"name\":\"Cebirci\",\"slug\":\"cebirci\",\"sub_name\":\"\",\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":361,\"user_id\":12,\"original_name\":\"172 Timer Pa Manen\",\"printing_date\":\"2017-01-04 16:10:50\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/ayda-172-saat-kapak-1487691126.png\",\"image_settings\":{\"id\":361,\"path\":\"\\\/images\\\/books\\\/2017\\\/02\\\/21\\\/18\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":61210,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":23656,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":9406,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2374,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1461,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2837,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":21766,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":24312,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":9264,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2136,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1078,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2622,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":4,\"follower_count\":2,\"rate_count\":1,\"rate_average\":3,\"created_at\":\"2017-02-21 18:32:06\",\"updated_at\":\"2020-02-24 03:30:03\",\"name\":\"Ay'da 172 Saat\",\"slug\":\"ayda-172-saat\",\"sub_name\":\"\",\"description\":\"<p>Ay'a gitmek ister misiniz?<br \\\/>\\r\\n<br \\\/>\\r\\nNASA, k\\u0131rk y\\u0131ll\\u0131k uzun aran\\u0131n ard\\u0131ndan Ay'a insanl\\u0131 bir yolculuk d\\u00fczenlemeye karar verir. D\\u00fcnya'dan \\u00fc\\u00e7 gen\\u00e7 de bu yolculu\\u011fa kat\\u0131lmaya hak kazan\\u0131r: Midori, Antoine ve Mia.<br \\\/>\\r\\n<br \\\/>\\r\\nAy'a yolculuk sorunsuz bir \\u015fekilde tamamlan\\u0131r, ama asl\\u0131nda sorun Ay'\\u0131n bizzat kendisidir. Ay \\u00fcss\\u00fc DARLAH 2'de s\\u0131rad\\u0131\\u015f\\u0131 olaylar ba\\u015f g\\u00f6sterir; Ay'daki bir \\u015fey uzun uykusundan uyanm\\u0131\\u015ft\\u0131r. K\\u0131sa bir s\\u00fcre sonra DARLAH 2'nin sakinleri orada yaln\\u0131z olmad\\u0131klar\\u0131n\\u0131 fark ettiklerinde, ya\\u015famak ve eve d\\u00f6nmek i\\u00e7in m\\u00fccadele etmek zorunda kal\\u0131rlar.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"\\u0130skandinav gerilimi, adeta bilimkurgu-korku sinemas\\u0131yla bulu\\u015fuyor.\\\" -<br \\\/>\\r\\n-Voya-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Okuru kendine ba\\u011flayan, e\\u015fsiz bir bilimkurgu.\\\"<br \\\/>\\r\\n-SLJ-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Hem psikolojik hem de atmosferik olarak rahats\\u0131z edici.\\\"<br \\\/>\\r\\n-Publishers Weekly-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Ba\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc ve korkutucu.\\\"<br \\\/>\\r\\n-Booklist-<br \\\/>\\r\\n<br \\\/>\\r\\nBu kitapta okuyacaklar\\u0131n\\u0131z belki de neden Ay'dan arkam\\u0131za bakmadan ka\\u00e7\\u0131p onu rahats\\u0131z etmemeyi se\\u00e7ti\\u011fimizin \\u00fcrk\\u00fct\\u00fcc\\u00fc bir cevab\\u0131.Brageprisen \\u00d6d\\u00fcl\\u00fc (2008) Ubok\\\/Dagbladet: T\\u00fcm Zamanlar\\u0131n En \\u0130yi Gen\\u00e7 Yeti\\u015fkin Kitab\\u0131 \\u00d6d\\u00fcl\\u00fc (2014)<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ay'a gitmek ister misiniz?<br \\\/>\\r\\n<br \\\/>\\r\\nNASA, k\\u0131rk y\\u0131ll\\u0131k uzun aran\\u0131n ard\\u0131ndan Ay'a insanl\\u0131 bir yolculuk d\\u00fczenlemeye karar verir. D\\u00fcnya'dan \\u00fc\\u00e7 gen\\u00e7 de bu yolculu\\u011fa kat\\u0131lmaya hak kazan\\u0131r: Midori, Antoine ve Mia.<br \\\/>\\r\\n<br \\\/>\\r\\nAy'a yolculuk sorunsuz bir \\u015fekilde tamamlan\\u0131r, ama asl\\u0131nda sorun Ay'\\u0131n bizzat kendisidir. Ay \\u00fcss\\u00fc DARLAH 2'de s\\u0131rad\\u0131\\u015f\\u0131 olaylar ba\\u015f g\\u00f6sterir; Ay'daki bir \\u015fey uzun uykusundan uyanm\\u0131\\u015ft\\u0131r. K\\u0131sa bir s\\u00fcre sonra DARLAH 2'nin sakinleri orada yaln\\u0131z olmad\\u0131klar\\u0131n\\u0131 fark ettiklerinde, ya\\u015famak ve eve d\\u00f6nmek i\\u00e7in m\\u00fccadele etmek zorunda kal\\u0131rlar.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"\\u0130skandinav gerilimi, adeta bilimkurgu-korku sinemas\\u0131yla bulu\\u015fuyor.\\\" -<br \\\/>\\r\\n-Voya-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Okuru kendine ba\\u011flayan, e\\u015fsiz bir bilimkurgu.\\\"<br \\\/>\\r\\n-SLJ-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Hem psikolojik hem de atmosferik olarak rahats\\u0131z edici.\\\"<br \\\/>\\r\\n-Publishers Weekly-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Ba\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc ve korkutucu.\\\"<br \\\/>\\r\\n-Booklist-<br \\\/>\\r\\n<br \\\/>\\r\\nBu kitapta okuyacaklar\\u0131n\\u0131z belki de neden Ay'dan arkam\\u0131za bakmadan ka\\u00e7\\u0131p onu rahats\\u0131z etmemeyi se\\u00e7ti\\u011fimizin \\u00fcrk\\u00fct\\u00fcc\\u00fc bir cevab\\u0131.Brageprisen \\u00d6d\\u00fcl\\u00fc (2008) Ubok\\\/Dagbladet: T\\u00fcm Zamanlar\\u0131n En \\u0130yi Gen\\u00e7 Yeti\\u015fkin Kitab\\u0131 \\u00d6d\\u00fcl\\u00fc (2014)<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1412,\"personable_id\":361,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":4936,\"book_id\":361,\"locale\":\"en\",\"name\":\"172 Hours on the Moon\",\"slug\":\"172-hours-on-the-moon\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":346,\"book_id\":361,\"locale\":\"tr\",\"name\":\"Ay'da 172 Saat\",\"slug\":\"ayda-172-saat\",\"sub_name\":\"\",\"description\":\"<p>Ay'a gitmek ister misiniz?<br \\\/>\\r\\n<br \\\/>\\r\\nNASA, k\\u0131rk y\\u0131ll\\u0131k uzun aran\\u0131n ard\\u0131ndan Ay'a insanl\\u0131 bir yolculuk d\\u00fczenlemeye karar verir. D\\u00fcnya'dan \\u00fc\\u00e7 gen\\u00e7 de bu yolculu\\u011fa kat\\u0131lmaya hak kazan\\u0131r: Midori, Antoine ve Mia.<br \\\/>\\r\\n<br \\\/>\\r\\nAy'a yolculuk sorunsuz bir \\u015fekilde tamamlan\\u0131r, ama asl\\u0131nda sorun Ay'\\u0131n bizzat kendisidir. Ay \\u00fcss\\u00fc DARLAH 2'de s\\u0131rad\\u0131\\u015f\\u0131 olaylar ba\\u015f g\\u00f6sterir; Ay'daki bir \\u015fey uzun uykusundan uyanm\\u0131\\u015ft\\u0131r. 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Ev tamamen g\\u00f6l\\u00fcn \\u00fczerinde olmas\\u0131na ra\\u011fmen bir s\\u00fcr\\u00fc e\\u015fya yerli yerindedir. \\u0130lk ba\\u015fta \\u015fa\\u015f\\u0131rmalar\\u0131na ra\\u011fmen ke\\u015ffetmeye ve soru sormamaya karar veriyorlar. Fakat evin g\\u00f6l\\u00fcn i\\u00e7inde nas\\u0131l bu kadar dayal\\u0131 d\\u00f6\\u015feli olabilece\\u011fini \\u00e7\\u00f6zemeden ba\\u015fka gizemler ortaya \\u00e7\\u0131k\\u0131yor. Ev bombo\\u015f de\\u011fildir ve i\\u00e7inde gizemli olaylar onlar\\u0131 bekliyordur.<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":2661,\"user_id\":10,\"original_name\":\"Fahrenheit 451\",\"printing_date\":\"2017-02-02 13:30:35\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/fahrenheit-451-kapak-1491829307.png\",\"image_settings\":{\"id\":2661,\"path\":\"\\\/images\\\/books\\\/2017\\\/04\\\/10\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":56570,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":21309,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":8095,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2177,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1354,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2627,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":19488,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":21294,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7862,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1956,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1016,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2424,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":48,\"follower_count\":11,\"rate_count\":8,\"rate_average\":8.9,\"created_at\":\"2017-04-10 16:01:47\",\"updated_at\":\"2019-06-08 18:03:06\",\"name\":\"Fahrenheit 451\",\"slug\":\"fahrenheit-451\",\"sub_name\":\"\",\"description\":\"<p>Bilim kurgu t\\u00fc\\u00fcn\\u00fcn \\u00f6nde gelen yazarlar\\u0131ndan olan <span class=\\\"custom-mention\\\" data-id=\\\"9426\\\" data-type=\\\"persons\\\">Ray Bradbury<\\\/span> 'nin 1951 y\\u0131l\\u0131nda bas\\u0131lan eseri Fahrenheit 451, totaliter bir rejimin hakim oldu\\u011fu d\\u00fcnyay\\u0131 anlatan distopik bir kitapt\\u0131r. Karamsar bir gelecekte insanlar art\\u0131k kitap okumazlar, evlerde veya herhangi bir alanda kitap bulundurmak yasakt\\u0131r. Yazar\\u0131n kitab\\u0131 olu\\u015fturumas\\u0131nda kendi ya\\u015fad\\u0131\\u011f\\u0131 bir olay \\u00f6n ayak olmu\\u015ftur. Bradbury ve arkada\\u015f\\u0131 y\\u00fcr\\u00fcken polis taraf\\u0131ndan durdurulur. Polisle kar\\u015f\\u0131l\\u0131kl\\u0131 bir diyalo\\u011fa girerler, polis sadece y\\u00fcr\\u00fcy\\u00fc y\\u00fcr\\u00fcmedikleriyle ilgili sorular sorar. Polis memuru evet cevab\\u0131na kar\\u015f\\u0131l\\u0131k bir daha yapmay\\u0131n yan\\u0131t\\u0131n\\u0131 verir. Bu olaydan etkilenen yazar itfaiyeci ile ilgili hikayesini olu\\u015fturur.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/fahrenheit-451\\\/fahrenheit-451.jpg\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"337\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>\\u0130tfaiyeci hikayesi daha sonra \\u00e7ok sevdi\\u011fi kitaplarla ilgili de\\u011fi\\u015fmeye ba\\u015flar. Kitab\\u0131 yazmay\\u0131 \\u00e7ok isteyen yazar\\u0131n maddi durumu k\\u00f6t\\u00fc oldu\\u011fu i\\u00e7in, son halini bozuk paralarla bir kiral\\u0131k daktilo odas\\u0131nda yazar. Fakat kitap yaz\\u0131ld\\u0131ktan sonra sorunlar devam eder. Dergi veya gazeteler politik bask\\u0131lar nedeniyle kitab\\u0131 yay\\u0131mlamak istemezler. \\u00dcnl\\u00fc erkek dergisi Palboy'un sahibi <span class=\\\"custom-mention\\\" data-id=\\\"150180\\\" data-type=\\\"persons\\\">Hugh Hefner<\\\/span> kitab\\u0131 yay\\u0131nlamak isteyen tek ki\\u015fi olur. Bu tuhaf kar\\u015f\\u0131la\\u015fma kitab\\u0131 ve Bradbury'i t\\u00fcm d\\u00fcnyaya tan\\u0131t\\u0131r.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/fahrenheit-451\\\/fahrenheit-451-2.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"346\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>Bask\\u0131c\\u0131 bir rejimin y\\u00f6netti\\u011fi d\\u00fcnyada insanlar\\u0131n bilgisiz olmas\\u0131 i\\u00e7in kitap okumalar\\u0131 ve bulundurmalar\\u0131 yasaklan\\u0131r. \\u0130nsanlar kitap yerine televizyon \\u015fovlar\\u0131n\\u0131 izler. Bu televizyon \\u015fovlar\\u0131 da y\\u00f6netim taraf\\u0131ndan haz\\u0131rlan\\u0131r. \\u0130tfaiyecilik mesle\\u011fi kitap yakmaya d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcl\\u00fcr. Art\\u0131k onlar yang\\u0131n\\u0131 ba\\u015flatanlar olmu\\u015ftur. Kitab\\u0131n ana karakteri Guy Montag'da e\\u015fiyle birlikte sorgulamadan ya\\u015fayan bir itfaiyecidir. E\\u015fi Mildred ile birlikte tek dertleri ev kredisini \\u00f6demektir. Fakat bir gece kom\\u015fular\\u0131 k\\u00fc\\u00e7\\u00fck k\\u0131z Clarisse'yi fark eder ve onunla \\u00e7e\\u015fitli anlarda sohbet etmeye ba\\u015flar. Bu kar\\u015f\\u0131la\\u015fma hayat\\u0131n\\u0131 geri d\\u00f6nd\\u00fcr\\u00fclemez bir \\u015fekilde de\\u011fi\\u015ftirir.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/fahrenheit-451\\\/fahrenheit-451-3.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"322\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>Hayat\\u0131n\\u0131 ve d\\u00fczeni sorgulamaya ba\\u015flayan Montag i\\u00e7in e\\u015fi Mildred ve \\u015fefi Beatty b\\u00fcy\\u00fck bir sorun olur. Montag kendini ararken bir yandan b\\u00fcy\\u00fck sorunlar\\u0131n i\\u00e7ine d\\u00fc\\u015fer. Yazar uzun bir s\\u00fcre kitab\\u0131n ad\\u0131n\\u0131 d\\u00fc\\u015f\\u00fcnm\\u00fc\\u015f en sonunda itfaiyeyi arayarak kitaplar\\u0131n tutu\\u015ftu\\u011fu s\\u0131cakl\\u0131k derecesini sormu\\u015f. Sonunda Fahrenheit 451 cevab\\u0131n\\u0131 al\\u0131nca isimden tatmin olmu\\u015f. Kitap sadece ya\\u015fad\\u0131\\u011f\\u0131 d\\u00f6neme de\\u011fil gelece\\u011fe de \\u0131\\u015f\\u0131k tutmu\\u015ftur. G\\u00fcn\\u00fcm\\u00fcz d\\u00fcnyas\\u0131n\\u0131n giderek kitaptan uzakla\\u015fmas\\u0131, televizyona ve di\\u011fer medya ara\\u00e7lar\\u0131na daha \\u00e7ok ba\\u011f\\u0131ml\\u0131 olmas\\u0131 buna \\u00f6rnektir.<\\\/p>\",\"static_content\":\"<p>Bilim kurgu t\\u00fc\\u00fcn\\u00fcn \\u00f6nde gelen yazarlar\\u0131ndan olan <a href=\\\"https:\\\/\\\/epikse.com\\\/kisi\\\/ray-bradbury\\\" title=\\\"Ray Bradbury\\\">Ray Bradbury<\\\/a> 'nin 1951 y\\u0131l\\u0131nda bas\\u0131lan eseri Fahrenheit 451, totaliter bir rejimin hakim oldu\\u011fu d\\u00fcnyay\\u0131 anlatan distopik bir kitapt\\u0131r. Karamsar bir gelecekte insanlar art\\u0131k kitap okumazlar, evlerde veya herhangi bir alanda kitap bulundurmak yasakt\\u0131r. Yazar\\u0131n kitab\\u0131 olu\\u015fturumas\\u0131nda kendi ya\\u015fad\\u0131\\u011f\\u0131 bir olay \\u00f6n ayak olmu\\u015ftur. Bradbury ve arkada\\u015f\\u0131 y\\u00fcr\\u00fcken polis taraf\\u0131ndan durdurulur. Polisle kar\\u015f\\u0131l\\u0131kl\\u0131 bir diyalo\\u011fa girerler, polis sadece y\\u00fcr\\u00fcy\\u00fc y\\u00fcr\\u00fcmedikleriyle ilgili sorular sorar. Polis memuru evet cevab\\u0131na kar\\u015f\\u0131l\\u0131k bir daha yapmay\\u0131n yan\\u0131t\\u0131n\\u0131 verir. Bu olaydan etkilenen yazar itfaiyeci ile ilgili hikayesini olu\\u015fturur.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/fahrenheit-451\\\/fahrenheit-451.jpg\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"337\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>\\u0130tfaiyeci hikayesi daha sonra \\u00e7ok sevdi\\u011fi kitaplarla ilgili de\\u011fi\\u015fmeye ba\\u015flar. Kitab\\u0131 yazmay\\u0131 \\u00e7ok isteyen yazar\\u0131n maddi durumu k\\u00f6t\\u00fc oldu\\u011fu i\\u00e7in, son halini bozuk paralarla bir kiral\\u0131k daktilo odas\\u0131nda yazar. Fakat kitap yaz\\u0131ld\\u0131ktan sonra sorunlar devam eder. Dergi veya gazeteler politik bask\\u0131lar nedeniyle kitab\\u0131 yay\\u0131mlamak istemezler. \\u00dcnl\\u00fc erkek dergisi Palboy'un sahibi <a href=\\\"https:\\\/\\\/epikse.com\\\/kisi\\\/hugh-hefner\\\" title=\\\"Hugh Hefner\\\">Hugh Hefner<\\\/a> kitab\\u0131 yay\\u0131nlamak isteyen tek ki\\u015fi olur. Bu tuhaf kar\\u015f\\u0131la\\u015fma kitab\\u0131 ve Bradbury'i t\\u00fcm d\\u00fcnyaya tan\\u0131t\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/fahrenheit-451\\\/fahrenheit-451-2.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"346\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>Bask\\u0131c\\u0131 bir rejimin y\\u00f6netti\\u011fi d\\u00fcnyada insanlar\\u0131n bilgisiz olmas\\u0131 i\\u00e7in kitap okumalar\\u0131 ve bulundurmalar\\u0131 yasaklan\\u0131r. \\u0130nsanlar kitap yerine televizyon \\u015fovlar\\u0131n\\u0131 izler. Bu televizyon \\u015fovlar\\u0131 da y\\u00f6netim taraf\\u0131ndan haz\\u0131rlan\\u0131r. \\u0130tfaiyecilik mesle\\u011fi kitap yakmaya d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcl\\u00fcr. Art\\u0131k onlar yang\\u0131n\\u0131 ba\\u015flatanlar olmu\\u015ftur. Kitab\\u0131n ana karakteri Guy Montag'da e\\u015fiyle birlikte sorgulamadan ya\\u015fayan bir itfaiyecidir. E\\u015fi Mildred ile birlikte tek dertleri ev kredisini \\u00f6demektir. Fakat bir gece kom\\u015fular\\u0131 k\\u00fc\\u00e7\\u00fck k\\u0131z Clarisse'yi fark eder ve onunla \\u00e7e\\u015fitli anlarda sohbet etmeye ba\\u015flar. Bu kar\\u015f\\u0131la\\u015fma hayat\\u0131n\\u0131 geri d\\u00f6nd\\u00fcr\\u00fclemez bir \\u015fekilde de\\u011fi\\u015ftirir.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/fahrenheit-451\\\/fahrenheit-451-3.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"322\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>Hayat\\u0131n\\u0131 ve d\\u00fczeni sorgulamaya ba\\u015flayan Montag i\\u00e7in e\\u015fi Mildred ve \\u015fefi Beatty b\\u00fcy\\u00fck bir sorun olur. Montag kendini ararken bir yandan b\\u00fcy\\u00fck sorunlar\\u0131n i\\u00e7ine d\\u00fc\\u015fer. Yazar uzun bir s\\u00fcre kitab\\u0131n ad\\u0131n\\u0131 d\\u00fc\\u015f\\u00fcnm\\u00fc\\u015f en sonunda itfaiyeyi arayarak kitaplar\\u0131n tutu\\u015ftu\\u011fu s\\u0131cakl\\u0131k derecesini sormu\\u015f. Sonunda Fahrenheit 451 cevab\\u0131n\\u0131 al\\u0131nca isimden tatmin olmu\\u015f. Kitap sadece ya\\u015fad\\u0131\\u011f\\u0131 d\\u00f6neme de\\u011fil gelece\\u011fe de \\u0131\\u015f\\u0131k tutmu\\u015ftur. G\\u00fcn\\u00fcm\\u00fcz d\\u00fcnyas\\u0131n\\u0131n giderek kitaptan uzakla\\u015fmas\\u0131, televizyona ve di\\u011fer medya ara\\u00e7lar\\u0131na daha \\u00e7ok ba\\u011f\\u0131ml\\u0131 olmas\\u0131 buna \\u00f6rnektir.<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1412,\"personable_id\":2661,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":4429,\"book_id\":2661,\"locale\":\"en\",\"name\":\"Fahrenheit 451\",\"slug\":\"fahrenheit-451-1\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":2582,\"book_id\":2661,\"locale\":\"tr\",\"name\":\"Fahrenheit 451\",\"slug\":\"fahrenheit-451\",\"sub_name\":\"\",\"description\":\"<p>Bilim kurgu t\\u00fc\\u00fcn\\u00fcn \\u00f6nde gelen yazarlar\\u0131ndan olan <span class=\\\"custom-mention\\\" data-id=\\\"9426\\\" data-type=\\\"persons\\\">Ray Bradbury<\\\/span> 'nin 1951 y\\u0131l\\u0131nda bas\\u0131lan eseri Fahrenheit 451, totaliter bir rejimin hakim oldu\\u011fu d\\u00fcnyay\\u0131 anlatan distopik bir kitapt\\u0131r. Karamsar bir gelecekte insanlar art\\u0131k kitap okumazlar, evlerde veya herhangi bir alanda kitap bulundurmak yasakt\\u0131r. Yazar\\u0131n kitab\\u0131 olu\\u015fturumas\\u0131nda kendi ya\\u015fad\\u0131\\u011f\\u0131 bir olay \\u00f6n ayak olmu\\u015ftur. Bradbury ve arkada\\u015f\\u0131 y\\u00fcr\\u00fcken polis taraf\\u0131ndan durdurulur. Polisle kar\\u015f\\u0131l\\u0131kl\\u0131 bir diyalo\\u011fa girerler, polis sadece y\\u00fcr\\u00fcy\\u00fc y\\u00fcr\\u00fcmedikleriyle ilgili sorular sorar. Polis memuru evet cevab\\u0131na kar\\u015f\\u0131l\\u0131k bir daha yapmay\\u0131n yan\\u0131t\\u0131n\\u0131 verir. Bu olaydan etkilenen yazar itfaiyeci ile ilgili hikayesini olu\\u015fturur.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/fahrenheit-451\\\/fahrenheit-451.jpg\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"337\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>\\u0130tfaiyeci hikayesi daha sonra \\u00e7ok sevdi\\u011fi kitaplarla ilgili de\\u011fi\\u015fmeye ba\\u015flar. Kitab\\u0131 yazmay\\u0131 \\u00e7ok isteyen yazar\\u0131n maddi durumu k\\u00f6t\\u00fc oldu\\u011fu i\\u00e7in, son halini bozuk paralarla bir kiral\\u0131k daktilo odas\\u0131nda yazar. Fakat kitap yaz\\u0131ld\\u0131ktan sonra sorunlar devam eder. Dergi veya gazeteler politik bask\\u0131lar nedeniyle kitab\\u0131 yay\\u0131mlamak istemezler. \\u00dcnl\\u00fc erkek dergisi Palboy'un sahibi <span class=\\\"custom-mention\\\" data-id=\\\"150180\\\" data-type=\\\"persons\\\">Hugh Hefner<\\\/span> kitab\\u0131 yay\\u0131nlamak isteyen tek ki\\u015fi olur. Bu tuhaf kar\\u015f\\u0131la\\u015fma kitab\\u0131 ve Bradbury'i t\\u00fcm d\\u00fcnyaya tan\\u0131t\\u0131r.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/fahrenheit-451\\\/fahrenheit-451-2.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"346\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>Bask\\u0131c\\u0131 bir rejimin y\\u00f6netti\\u011fi d\\u00fcnyada insanlar\\u0131n bilgisiz olmas\\u0131 i\\u00e7in kitap okumalar\\u0131 ve bulundurmalar\\u0131 yasaklan\\u0131r. \\u0130nsanlar kitap yerine televizyon \\u015fovlar\\u0131n\\u0131 izler. Bu televizyon \\u015fovlar\\u0131 da y\\u00f6netim taraf\\u0131ndan haz\\u0131rlan\\u0131r. \\u0130tfaiyecilik mesle\\u011fi kitap yakmaya d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcl\\u00fcr. Art\\u0131k onlar yang\\u0131n\\u0131 ba\\u015flatanlar olmu\\u015ftur. Kitab\\u0131n ana karakteri Guy Montag'da e\\u015fiyle birlikte sorgulamadan ya\\u015fayan bir itfaiyecidir. E\\u015fi Mildred ile birlikte tek dertleri ev kredisini \\u00f6demektir. Fakat bir gece kom\\u015fular\\u0131 k\\u00fc\\u00e7\\u00fck k\\u0131z Clarisse'yi fark eder ve onunla \\u00e7e\\u015fitli anlarda sohbet etmeye ba\\u015flar. Bu kar\\u015f\\u0131la\\u015fma hayat\\u0131n\\u0131 geri d\\u00f6nd\\u00fcr\\u00fclemez bir \\u015fekilde de\\u011fi\\u015ftirir.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/fahrenheit-451\\\/fahrenheit-451-3.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"322\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>Hayat\\u0131n\\u0131 ve d\\u00fczeni sorgulamaya ba\\u015flayan Montag i\\u00e7in e\\u015fi Mildred ve \\u015fefi Beatty b\\u00fcy\\u00fck bir sorun olur. Montag kendini ararken bir yandan b\\u00fcy\\u00fck sorunlar\\u0131n i\\u00e7ine d\\u00fc\\u015fer. Yazar uzun bir s\\u00fcre kitab\\u0131n ad\\u0131n\\u0131 d\\u00fc\\u015f\\u00fcnm\\u00fc\\u015f en sonunda itfaiyeyi arayarak kitaplar\\u0131n tutu\\u015ftu\\u011fu s\\u0131cakl\\u0131k derecesini sormu\\u015f. Sonunda Fahrenheit 451 cevab\\u0131n\\u0131 al\\u0131nca isimden tatmin olmu\\u015f. Kitap sadece ya\\u015fad\\u0131\\u011f\\u0131 d\\u00f6neme de\\u011fil gelece\\u011fe de \\u0131\\u015f\\u0131k tutmu\\u015ftur. G\\u00fcn\\u00fcm\\u00fcz d\\u00fcnyas\\u0131n\\u0131n giderek kitaptan uzakla\\u015fmas\\u0131, televizyona ve di\\u011fer medya ara\\u00e7lar\\u0131na daha \\u00e7ok ba\\u011f\\u0131ml\\u0131 olmas\\u0131 buna \\u00f6rnektir.<\\\/p>\",\"static_content\":\"<p>Bilim kurgu t\\u00fc\\u00fcn\\u00fcn \\u00f6nde gelen yazarlar\\u0131ndan olan <a href=\\\"https:\\\/\\\/epikse.com\\\/kisi\\\/ray-bradbury\\\" title=\\\"Ray Bradbury\\\">Ray Bradbury<\\\/a> 'nin 1951 y\\u0131l\\u0131nda bas\\u0131lan eseri Fahrenheit 451, totaliter bir rejimin hakim oldu\\u011fu d\\u00fcnyay\\u0131 anlatan distopik bir kitapt\\u0131r. Karamsar bir gelecekte insanlar art\\u0131k kitap okumazlar, evlerde veya herhangi bir alanda kitap bulundurmak yasakt\\u0131r. Yazar\\u0131n kitab\\u0131 olu\\u015fturumas\\u0131nda kendi ya\\u015fad\\u0131\\u011f\\u0131 bir olay \\u00f6n ayak olmu\\u015ftur. Bradbury ve arkada\\u015f\\u0131 y\\u00fcr\\u00fcken polis taraf\\u0131ndan durdurulur. Polisle kar\\u015f\\u0131l\\u0131kl\\u0131 bir diyalo\\u011fa girerler, polis sadece y\\u00fcr\\u00fcy\\u00fc y\\u00fcr\\u00fcmedikleriyle ilgili sorular sorar. Polis memuru evet cevab\\u0131na kar\\u015f\\u0131l\\u0131k bir daha yapmay\\u0131n yan\\u0131t\\u0131n\\u0131 verir. Bu olaydan etkilenen yazar itfaiyeci ile ilgili hikayesini olu\\u015fturur.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/fahrenheit-451\\\/fahrenheit-451.jpg\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"337\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>\\u0130tfaiyeci hikayesi daha sonra \\u00e7ok sevdi\\u011fi kitaplarla ilgili de\\u011fi\\u015fmeye ba\\u015flar. Kitab\\u0131 yazmay\\u0131 \\u00e7ok isteyen yazar\\u0131n maddi durumu k\\u00f6t\\u00fc oldu\\u011fu i\\u00e7in, son halini bozuk paralarla bir kiral\\u0131k daktilo odas\\u0131nda yazar. Fakat kitap yaz\\u0131ld\\u0131ktan sonra sorunlar devam eder. Dergi veya gazeteler politik bask\\u0131lar nedeniyle kitab\\u0131 yay\\u0131mlamak istemezler. \\u00dcnl\\u00fc erkek dergisi Palboy'un sahibi <a href=\\\"https:\\\/\\\/epikse.com\\\/kisi\\\/hugh-hefner\\\" title=\\\"Hugh Hefner\\\">Hugh Hefner<\\\/a> kitab\\u0131 yay\\u0131nlamak isteyen tek ki\\u015fi olur. Bu tuhaf kar\\u015f\\u0131la\\u015fma kitab\\u0131 ve Bradbury'i t\\u00fcm d\\u00fcnyaya tan\\u0131t\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/fahrenheit-451\\\/fahrenheit-451-2.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"346\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>Bask\\u0131c\\u0131 bir rejimin y\\u00f6netti\\u011fi d\\u00fcnyada insanlar\\u0131n bilgisiz olmas\\u0131 i\\u00e7in kitap okumalar\\u0131 ve bulundurmalar\\u0131 yasaklan\\u0131r. \\u0130nsanlar kitap yerine televizyon \\u015fovlar\\u0131n\\u0131 izler. Bu televizyon \\u015fovlar\\u0131 da y\\u00f6netim taraf\\u0131ndan haz\\u0131rlan\\u0131r. \\u0130tfaiyecilik mesle\\u011fi kitap yakmaya d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcl\\u00fcr. Art\\u0131k onlar yang\\u0131n\\u0131 ba\\u015flatanlar olmu\\u015ftur. Kitab\\u0131n ana karakteri Guy Montag'da e\\u015fiyle birlikte sorgulamadan ya\\u015fayan bir itfaiyecidir. E\\u015fi Mildred ile birlikte tek dertleri ev kredisini \\u00f6demektir. Fakat bir gece kom\\u015fular\\u0131 k\\u00fc\\u00e7\\u00fck k\\u0131z Clarisse'yi fark eder ve onunla \\u00e7e\\u015fitli anlarda sohbet etmeye ba\\u015flar. Bu kar\\u015f\\u0131la\\u015fma hayat\\u0131n\\u0131 geri d\\u00f6nd\\u00fcr\\u00fclemez bir \\u015fekilde de\\u011fi\\u015ftirir.<\\\/p>\\r\\n\\r\\n<p><img src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/blank.gif\\\" data-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/storage\\\/books\\\/fahrenheit-451\\\/fahrenheit-451-3.gif\\\" data-placeholder-src=\\\"https:\\\/\\\/cdn.epikse.com\\\/assets\\\/images\\\/eclipse.gif\\\" class=\\\"lazy center-image img-responsive\\\" data-width=\\\"600\\\" data-height=\\\"322\\\" data-image-width=\\\"100%\\\" \\\/><\\\/p>\\r\\n\\r\\n<p>Hayat\\u0131n\\u0131 ve d\\u00fczeni sorgulamaya ba\\u015flayan Montag i\\u00e7in e\\u015fi Mildred ve \\u015fefi Beatty b\\u00fcy\\u00fck bir sorun olur. Montag kendini ararken bir yandan b\\u00fcy\\u00fck sorunlar\\u0131n i\\u00e7ine d\\u00fc\\u015fer. Yazar uzun bir s\\u00fcre kitab\\u0131n ad\\u0131n\\u0131 d\\u00fc\\u015f\\u00fcnm\\u00fc\\u015f en sonunda itfaiyeyi arayarak kitaplar\\u0131n tutu\\u015ftu\\u011fu s\\u0131cakl\\u0131k derecesini sormu\\u015f. Sonunda Fahrenheit 451 cevab\\u0131n\\u0131 al\\u0131nca isimden tatmin olmu\\u015f. Kitap sadece ya\\u015fad\\u0131\\u011f\\u0131 d\\u00f6neme de\\u011fil gelece\\u011fe de \\u0131\\u015f\\u0131k tutmu\\u015ftur. G\\u00fcn\\u00fcm\\u00fcz d\\u00fcnyas\\u0131n\\u0131n giderek kitaptan uzakla\\u015fmas\\u0131, televizyona ve di\\u011fer medya ara\\u00e7lar\\u0131na daha \\u00e7ok ba\\u011f\\u0131ml\\u0131 olmas\\u0131 buna \\u00f6rnektir.<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":2677,\"user_id\":10,\"original_name\":\"Tales of the Peculiar\",\"printing_date\":\"2017-04-21 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14:20:08\",\"updated_at\":\"2019-04-10 10:56:34\",\"name\":\"Y\\u00fckselen G\\u00fcne\\u015fin \\u00dclkesinde\",\"slug\":\"yukselen-gunesin-ulkesinde\",\"sub_name\":null,\"description\":\"<p style=\\\"text-align: justify;\\\">Pek \\u00e7ok betimsel zaferi olan a\\u015fk\\u0131n bir roman\\u2026<br \\\/>\\r\\n-Publishers Weekly-<br \\\/>\\r\\n<br \\\/>\\r\\nCanl\\u0131 yaz\\u0131m tarz\\u0131yla, ya\\u015fam\\u0131n enerjisini hissettirmesiyle, Chimamanda Ngozi Adichie'nin Y\\u00fckselen G\\u00fcne\\u015fin \\u00dclkesinde adl\\u0131 kitab\\u0131 ola\\u011fan\\u00fcst\\u00fc bir roman. 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Naipaul'un A Bend in the River'\\u0131 gibi yirminci y\\u00fczy\\u0131l klasiklerinin halefi olmaya yak\\u0131\\u015fan bir roman.<br \\\/>\\r\\n-Joyce Carol Oates-<br \\\/>\\r\\n<br \\\/>\\r\\nHem tarihsel hem de t\\u00fcyler \\u00fcrpertici bir \\u015fekilde g\\u00fcncel\\u2026 Nadine Gordimer gibi Adichie de karakterlerini ulusal ve ki\\u015fisel ba\\u011fl\\u0131l\\u0131klar\\u0131n \\u00e7arp\\u0131\\u015fma tehlikesinin oldu\\u011fu kav\\u015faklara yerle\\u015ftirmeyi seviyor\\u2026 Y\\u00fckselen G\\u00fcne\\u015fin \\u00dclkesinde, sava\\u015f\\u0131n eziyet etti\\u011fi \\u00e7a\\u011f\\u0131m\\u0131za tarihten sesleniyor.<br \\\/>\\r\\n-The New York Times Book Review-<br \\\/>\\r\\n<br \\\/>\\r\\nChimamanda Ngozi Adichie, Afrika tarihinin yeni geli\\u015fmelere yol a\\u00e7an bir evresini, 1960'lar\\u0131n sonlar\\u0131nda Biafra'n\\u0131n ba\\u011f\\u0131ms\\u0131z bir cumhuriyet kurma m\\u00fccadelesini do\\u011fal bir zarafetle anlat\\u0131yor.<br \\\/>\\r\\nBu \\u00e7alkant\\u0131l\\u0131 on y\\u0131la unutulmaz be\\u015f karakter arac\\u0131l\\u0131\\u011f\\u0131yla tan\\u0131kl\\u0131k ediyoruz:<br \\\/>\\r\\nOn \\u00fc\\u00e7 ya\\u015f\\u0131nda bir u\\u015fak olan Ugwu; yan\\u0131nda \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131, co\\u015fkulu devrimci profes\\u00f6r Odenigbo; profes\\u00f6r\\u00fcn gen\\u00e7 ve g\\u00fczel sevgilisi Olanna; ve onun \\u00e7elik iradeli ikizi Kainene'ye tutkun olan utanga\\u00e7 \\u0130ngiliz genci Richard.<br \\\/>\\r\\nY\\u00fckselen G\\u00fcne\\u015fin \\u00dclkesinde, gelece\\u011fe dair beklentileri, umutlar\\u0131 ve sava\\u015f\\u0131n yaratt\\u0131\\u011f\\u0131 hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131n\\u0131 son derece etkileyici bir tarzda bir kez daha d\\u00fc\\u015f\\u00fcnd\\u00fcren bir roman.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: justify;\\\">Pek \\u00e7ok betimsel zaferi olan a\\u015fk\\u0131n bir roman\\u2026<br \\\/>\\r\\n-Publishers Weekly-<br \\\/>\\r\\n<br \\\/>\\r\\nCanl\\u0131 yaz\\u0131m tarz\\u0131yla, ya\\u015fam\\u0131n enerjisini hissettirmesiyle, Chimamanda Ngozi Adichie'nin Y\\u00fckselen G\\u00fcne\\u015fin \\u00dclkesinde adl\\u0131 kitab\\u0131 ola\\u011fan\\u00fcst\\u00fc bir roman. Hem derin betimleme g\\u00fcc\\u00fc hem de \\u015fefkat ile zek\\u00e2y\\u0131 birle\\u015ftirmesi a\\u00e7\\u0131s\\u0131ndan, Chinua Achebe'nin Things Fall Apart'\\u0131 ve V. S. Naipaul'un A Bend in the River'\\u0131 gibi yirminci y\\u00fczy\\u0131l klasiklerinin halefi olmaya yak\\u0131\\u015fan bir roman.<br \\\/>\\r\\n-Joyce Carol Oates-<br \\\/>\\r\\n<br \\\/>\\r\\nHem tarihsel hem de t\\u00fcyler \\u00fcrpertici bir \\u015fekilde g\\u00fcncel\\u2026 Nadine Gordimer gibi Adichie de karakterlerini ulusal ve ki\\u015fisel ba\\u011fl\\u0131l\\u0131klar\\u0131n \\u00e7arp\\u0131\\u015fma tehlikesinin oldu\\u011fu kav\\u015faklara yerle\\u015ftirmeyi seviyor\\u2026 Y\\u00fckselen G\\u00fcne\\u015fin \\u00dclkesinde, sava\\u015f\\u0131n eziyet etti\\u011fi \\u00e7a\\u011f\\u0131m\\u0131za tarihten sesleniyor.<br \\\/>\\r\\n-The New York Times Book Review-<br \\\/>\\r\\n<br \\\/>\\r\\nChimamanda Ngozi Adichie, Afrika tarihinin yeni geli\\u015fmelere yol a\\u00e7an bir evresini, 1960'lar\\u0131n sonlar\\u0131nda Biafra'n\\u0131n ba\\u011f\\u0131ms\\u0131z bir cumhuriyet kurma m\\u00fccadelesini do\\u011fal bir zarafetle anlat\\u0131yor.<br \\\/>\\r\\nBu \\u00e7alkant\\u0131l\\u0131 on y\\u0131la unutulmaz be\\u015f karakter arac\\u0131l\\u0131\\u011f\\u0131yla tan\\u0131kl\\u0131k ediyoruz:<br \\\/>\\r\\nOn \\u00fc\\u00e7 ya\\u015f\\u0131nda bir u\\u015fak olan Ugwu; yan\\u0131nda \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131, co\\u015fkulu devrimci profes\\u00f6r Odenigbo; profes\\u00f6r\\u00fcn gen\\u00e7 ve g\\u00fczel sevgilisi Olanna; ve onun \\u00e7elik iradeli ikizi Kainene'ye tutkun olan utanga\\u00e7 \\u0130ngiliz genci Richard.<br \\\/>\\r\\nY\\u00fckselen G\\u00fcne\\u015fin \\u00dclkesinde, gelece\\u011fe dair beklentileri, umutlar\\u0131 ve sava\\u015f\\u0131n yaratt\\u0131\\u011f\\u0131 hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131n\\u0131 son derece etkileyici bir tarzda bir kez daha d\\u00fc\\u015f\\u00fcnd\\u00fcren bir roman.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4195,\"user_id\":10,\"original_name\":\"The War of the Worlds\",\"printing_date\":\"2017-01-01 14:27:25\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/the-war-of-the-worlds-kapak-1533814045.png\",\"image_settings\":{\"id\":4195,\"path\":\"\\\/images\\\/books\\\/2018\\\/08\\\/09\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":61721,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17772,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":7680,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2186,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1379,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2259,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":15708,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":16516,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7500,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1976,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":986,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":1960,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":10,\"follower_count\":1,\"rate_count\":2,\"rate_average\":7.5,\"created_at\":\"2018-08-09 14:27:25\",\"updated_at\":\"2019-10-19 03:30:10\",\"name\":\"D\\u00fcnyalar Sava\\u015f\\u0131\",\"slug\":\"dunyalar-savasi\",\"sub_name\":null,\"description\":\"<p>\\u201cH. G. Wells\\u2019in yazd\\u0131klar\\u0131 insan\\u0131 kendine hayran b\\u0131rakan ve hi\\u00e7bir zaman tam olarak kavrayamayaca\\u011f\\u0131m\\u0131z t\\u00fcrden.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013Orson Welles<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cBay Wells\\u2019in eserleri zaman\\u0131n eskitemeyece\\u011fi ve ger\\u00e7ekle\\u015fmesi pek de imk\\u00e2ns\\u0131z olmayan hik\\u00e2yeler anlat\\u0131yor.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Jules Verne-<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cHer nesil <em>D\\u00fcnyalar Sava\\u015f\\u0131<\\\/em>\\u2019n\\u0131 kendi deneyimlerinin \\u0131\\u015f\\u0131\\u011f\\u0131nda yeniden okuyup yeni bir \\u015feyler \\u00f6\\u011frenebilir.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Arthur C. Clarke-<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p><strong>H. G. Wells<\\\/strong>, bilimkurgunun atas\\u0131, t\\u00fcre ad\\u0131n\\u0131 alt\\u0131n harflerle yazd\\u0131rm\\u0131\\u015f en b\\u00fcy\\u00fck yazarlardan. <em>Zaman Makinesi, G\\u00f6r\\u00fcnmez Adam, Doktor Moreau\\u2019nun Adas\\u0131<\\\/em> gibi eserleri ve d\\u00fc\\u015f\\u00fcnceleriyle \\u00e2deta zaman\\u0131n \\u00f6tesinden gelen bir yazar olan Wells, <em>D\\u00fcnyalar Sava\\u015f\\u0131<\\\/em>\\u2019nda istila alt\\u0131ndaki umutsuz ve \\u00e7aresiz bir gezegenin hik\\u00e2yesini anlat\\u0131yor: D\\u00fcnya\\u2019n\\u0131n.<\\\/p>\\r\\n\\r\\n<p>G\\u00f6ky\\u00fcz\\u00fcnden \\u0130ngiltere\\u2019nin g\\u00fcneyine d\\u00fc\\u015fen silindirlerin yaratt\\u0131\\u011f\\u0131 merak hemen sonra yerini korkuya b\\u0131rakm\\u0131\\u015ft\\u0131r. D\\u00fcnya, Mars\\u2019tan gelen canl\\u0131lar\\u0131n istilas\\u0131 alt\\u0131ndad\\u0131r. Hen\\u00fcz ne oldu\\u011funu anlayamadan Marsl\\u0131lar taraf\\u0131ndan katledilmeye ba\\u015flayan insanlar, var g\\u00fc\\u00e7leriyle kar\\u015f\\u0131l\\u0131k vermeye ve direnmeye \\u00e7al\\u0131\\u015f\\u0131rlar.<\\\/p>\\r\\n\\r\\n<p>Uzayl\\u0131lar\\u0131n kontrol\\u00fc alt\\u0131ndaki \\u0130ngiltere\\u2019de ads\\u0131z anlat\\u0131c\\u0131n\\u0131n tan\\u0131kl\\u0131klar\\u0131, insanl\\u0131\\u011f\\u0131n kayg\\u0131 verici \\u00fcmitsizli\\u011finin ve hayatta kalma m\\u00fccadelesinin karanl\\u0131k bir portresini \\u00e7izer. \\u0130nsanl\\u0131\\u011f\\u0131n D\\u00fcnya \\u00fczerindeki binlerce y\\u0131ll\\u0131k h\\u00fck\\u00fcmdarl\\u0131\\u011f\\u0131 son mu bulacakt\\u0131r, yoksa bir kurtulu\\u015f ihtimali var m\\u0131d\\u0131r?<\\\/p>\\r\\n\\r\\n<p>Arthur C. Clarke\\u2019\\u0131n \\u00f6ns\\u00f6z\\u00fcyle, Henrique Alvim Corr\\u00eaa\\u2019n\\u0131n \\u00e7izimleriyle...<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m b\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cH. G. Wells\\u2019in yazd\\u0131klar\\u0131 insan\\u0131 kendine hayran b\\u0131rakan ve hi\\u00e7bir zaman tam olarak kavrayamayaca\\u011f\\u0131m\\u0131z t\\u00fcrden.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013Orson Welles<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cBay Wells\\u2019in eserleri zaman\\u0131n eskitemeyece\\u011fi ve ger\\u00e7ekle\\u015fmesi pek de imk\\u00e2ns\\u0131z olmayan hik\\u00e2yeler anlat\\u0131yor.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Jules Verne-<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cHer nesil <em>D\\u00fcnyalar Sava\\u015f\\u0131<\\\/em>\\u2019n\\u0131 kendi deneyimlerinin \\u0131\\u015f\\u0131\\u011f\\u0131nda yeniden okuyup yeni bir \\u015feyler \\u00f6\\u011frenebilir.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Arthur C. Clarke-<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p><strong>H. G. Wells<\\\/strong>, bilimkurgunun atas\\u0131, t\\u00fcre ad\\u0131n\\u0131 alt\\u0131n harflerle yazd\\u0131rm\\u0131\\u015f en b\\u00fcy\\u00fck yazarlardan. <em>Zaman Makinesi, G\\u00f6r\\u00fcnmez Adam, Doktor Moreau\\u2019nun Adas\\u0131<\\\/em> gibi eserleri ve d\\u00fc\\u015f\\u00fcnceleriyle \\u00e2deta zaman\\u0131n \\u00f6tesinden gelen bir yazar olan Wells, <em>D\\u00fcnyalar Sava\\u015f\\u0131<\\\/em>\\u2019nda istila alt\\u0131ndaki umutsuz ve \\u00e7aresiz bir gezegenin hik\\u00e2yesini anlat\\u0131yor: D\\u00fcnya\\u2019n\\u0131n.<\\\/p>\\r\\n\\r\\n<p>G\\u00f6ky\\u00fcz\\u00fcnden \\u0130ngiltere\\u2019nin g\\u00fcneyine d\\u00fc\\u015fen silindirlerin yaratt\\u0131\\u011f\\u0131 merak hemen sonra yerini korkuya b\\u0131rakm\\u0131\\u015ft\\u0131r. D\\u00fcnya, Mars\\u2019tan gelen canl\\u0131lar\\u0131n istilas\\u0131 alt\\u0131ndad\\u0131r. Hen\\u00fcz ne oldu\\u011funu anlayamadan Marsl\\u0131lar taraf\\u0131ndan katledilmeye ba\\u015flayan insanlar, var g\\u00fc\\u00e7leriyle kar\\u015f\\u0131l\\u0131k vermeye ve direnmeye \\u00e7al\\u0131\\u015f\\u0131rlar.<\\\/p>\\r\\n\\r\\n<p>Uzayl\\u0131lar\\u0131n kontrol\\u00fc alt\\u0131ndaki \\u0130ngiltere\\u2019de ads\\u0131z anlat\\u0131c\\u0131n\\u0131n tan\\u0131kl\\u0131klar\\u0131, insanl\\u0131\\u011f\\u0131n kayg\\u0131 verici \\u00fcmitsizli\\u011finin ve hayatta kalma m\\u00fccadelesinin karanl\\u0131k bir portresini \\u00e7izer. \\u0130nsanl\\u0131\\u011f\\u0131n D\\u00fcnya \\u00fczerindeki binlerce y\\u0131ll\\u0131k h\\u00fck\\u00fcmdarl\\u0131\\u011f\\u0131 son mu bulacakt\\u0131r, yoksa bir kurtulu\\u015f ihtimali var m\\u0131d\\u0131r?<\\\/p>\\r\\n\\r\\n<p>Arthur C. Clarke\\u2019\\u0131n \\u00f6ns\\u00f6z\\u00fcyle, Henrique Alvim Corr\\u00eaa\\u2019n\\u0131n \\u00e7izimleriyle...<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m b\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4195,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5705,\"book_id\":4195,\"locale\":\"en\",\"name\":\"The War of the Worlds\",\"slug\":\"the-war-of-the-worlds\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":5704,\"book_id\":4195,\"locale\":\"tr\",\"name\":\"D\\u00fcnyalar Sava\\u015f\\u0131\",\"slug\":\"dunyalar-savasi\",\"sub_name\":null,\"description\":\"<p>\\u201cH. G. Wells\\u2019in yazd\\u0131klar\\u0131 insan\\u0131 kendine hayran b\\u0131rakan ve hi\\u00e7bir zaman tam olarak kavrayamayaca\\u011f\\u0131m\\u0131z t\\u00fcrden.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013Orson Welles<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cBay Wells\\u2019in eserleri zaman\\u0131n eskitemeyece\\u011fi ve ger\\u00e7ekle\\u015fmesi pek de imk\\u00e2ns\\u0131z olmayan hik\\u00e2yeler anlat\\u0131yor.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Jules Verne-<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cHer nesil <em>D\\u00fcnyalar Sava\\u015f\\u0131<\\\/em>\\u2019n\\u0131 kendi deneyimlerinin \\u0131\\u015f\\u0131\\u011f\\u0131nda yeniden okuyup yeni bir \\u015feyler \\u00f6\\u011frenebilir.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Arthur C. Clarke-<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p><strong>H. G. Wells<\\\/strong>, bilimkurgunun atas\\u0131, t\\u00fcre ad\\u0131n\\u0131 alt\\u0131n harflerle yazd\\u0131rm\\u0131\\u015f en b\\u00fcy\\u00fck yazarlardan. <em>Zaman Makinesi, G\\u00f6r\\u00fcnmez Adam, Doktor Moreau\\u2019nun Adas\\u0131<\\\/em> gibi eserleri ve d\\u00fc\\u015f\\u00fcnceleriyle \\u00e2deta zaman\\u0131n \\u00f6tesinden gelen bir yazar olan Wells, <em>D\\u00fcnyalar Sava\\u015f\\u0131<\\\/em>\\u2019nda istila alt\\u0131ndaki umutsuz ve \\u00e7aresiz bir gezegenin hik\\u00e2yesini anlat\\u0131yor: D\\u00fcnya\\u2019n\\u0131n.<\\\/p>\\r\\n\\r\\n<p>G\\u00f6ky\\u00fcz\\u00fcnden \\u0130ngiltere\\u2019nin g\\u00fcneyine d\\u00fc\\u015fen silindirlerin yaratt\\u0131\\u011f\\u0131 merak hemen sonra yerini korkuya b\\u0131rakm\\u0131\\u015ft\\u0131r. D\\u00fcnya, Mars\\u2019tan gelen canl\\u0131lar\\u0131n istilas\\u0131 alt\\u0131ndad\\u0131r. Hen\\u00fcz ne oldu\\u011funu anlayamadan Marsl\\u0131lar taraf\\u0131ndan katledilmeye ba\\u015flayan insanlar, var g\\u00fc\\u00e7leriyle kar\\u015f\\u0131l\\u0131k vermeye ve direnmeye \\u00e7al\\u0131\\u015f\\u0131rlar.<\\\/p>\\r\\n\\r\\n<p>Uzayl\\u0131lar\\u0131n kontrol\\u00fc alt\\u0131ndaki \\u0130ngiltere\\u2019de ads\\u0131z anlat\\u0131c\\u0131n\\u0131n tan\\u0131kl\\u0131klar\\u0131, insanl\\u0131\\u011f\\u0131n kayg\\u0131 verici \\u00fcmitsizli\\u011finin ve hayatta kalma m\\u00fccadelesinin karanl\\u0131k bir portresini \\u00e7izer. \\u0130nsanl\\u0131\\u011f\\u0131n D\\u00fcnya \\u00fczerindeki binlerce y\\u0131ll\\u0131k h\\u00fck\\u00fcmdarl\\u0131\\u011f\\u0131 son mu bulacakt\\u0131r, yoksa bir kurtulu\\u015f ihtimali var m\\u0131d\\u0131r?<\\\/p>\\r\\n\\r\\n<p>Arthur C. Clarke\\u2019\\u0131n \\u00f6ns\\u00f6z\\u00fcyle, Henrique Alvim Corr\\u00eaa\\u2019n\\u0131n \\u00e7izimleriyle...<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m b\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cH. G. Wells\\u2019in yazd\\u0131klar\\u0131 insan\\u0131 kendine hayran b\\u0131rakan ve hi\\u00e7bir zaman tam olarak kavrayamayaca\\u011f\\u0131m\\u0131z t\\u00fcrden.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013Orson Welles<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cBay Wells\\u2019in eserleri zaman\\u0131n eskitemeyece\\u011fi ve ger\\u00e7ekle\\u015fmesi pek de imk\\u00e2ns\\u0131z olmayan hik\\u00e2yeler anlat\\u0131yor.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Jules Verne-<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cHer nesil <em>D\\u00fcnyalar Sava\\u015f\\u0131<\\\/em>\\u2019n\\u0131 kendi deneyimlerinin \\u0131\\u015f\\u0131\\u011f\\u0131nda yeniden okuyup yeni bir \\u015feyler \\u00f6\\u011frenebilir.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Arthur C. Clarke-<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p><strong>H. G. Wells<\\\/strong>, bilimkurgunun atas\\u0131, t\\u00fcre ad\\u0131n\\u0131 alt\\u0131n harflerle yazd\\u0131rm\\u0131\\u015f en b\\u00fcy\\u00fck yazarlardan. <em>Zaman Makinesi, G\\u00f6r\\u00fcnmez Adam, Doktor Moreau\\u2019nun Adas\\u0131<\\\/em> gibi eserleri ve d\\u00fc\\u015f\\u00fcnceleriyle \\u00e2deta zaman\\u0131n \\u00f6tesinden gelen bir yazar olan Wells, <em>D\\u00fcnyalar Sava\\u015f\\u0131<\\\/em>\\u2019nda istila alt\\u0131ndaki umutsuz ve \\u00e7aresiz bir gezegenin hik\\u00e2yesini anlat\\u0131yor: D\\u00fcnya\\u2019n\\u0131n.<\\\/p>\\r\\n\\r\\n<p>G\\u00f6ky\\u00fcz\\u00fcnden \\u0130ngiltere\\u2019nin g\\u00fcneyine d\\u00fc\\u015fen silindirlerin yaratt\\u0131\\u011f\\u0131 merak hemen sonra yerini korkuya b\\u0131rakm\\u0131\\u015ft\\u0131r. D\\u00fcnya, Mars\\u2019tan gelen canl\\u0131lar\\u0131n istilas\\u0131 alt\\u0131ndad\\u0131r. Hen\\u00fcz ne oldu\\u011funu anlayamadan Marsl\\u0131lar taraf\\u0131ndan katledilmeye ba\\u015flayan insanlar, var g\\u00fc\\u00e7leriyle kar\\u015f\\u0131l\\u0131k vermeye ve direnmeye \\u00e7al\\u0131\\u015f\\u0131rlar.<\\\/p>\\r\\n\\r\\n<p>Uzayl\\u0131lar\\u0131n kontrol\\u00fc alt\\u0131ndaki \\u0130ngiltere\\u2019de ads\\u0131z anlat\\u0131c\\u0131n\\u0131n tan\\u0131kl\\u0131klar\\u0131, insanl\\u0131\\u011f\\u0131n kayg\\u0131 verici \\u00fcmitsizli\\u011finin ve hayatta kalma m\\u00fccadelesinin karanl\\u0131k bir portresini \\u00e7izer. \\u0130nsanl\\u0131\\u011f\\u0131n D\\u00fcnya \\u00fczerindeki binlerce y\\u0131ll\\u0131k h\\u00fck\\u00fcmdarl\\u0131\\u011f\\u0131 son mu bulacakt\\u0131r, yoksa bir kurtulu\\u015f ihtimali var m\\u0131d\\u0131r?<\\\/p>\\r\\n\\r\\n<p>Arthur C. Clarke\\u2019\\u0131n \\u00f6ns\\u00f6z\\u00fcyle, Henrique Alvim Corr\\u00eaa\\u2019n\\u0131n \\u00e7izimleriyle...<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m b\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4207,\"user_id\":10,\"original_name\":\"Vathek\",\"printing_date\":\"2015-01-01 13:09:06\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/vathek-kapak-1533895746.png\",\"image_settings\":{\"id\":4207,\"path\":\"\\\/images\\\/books\\\/2018\\\/08\\\/10\\\/13\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":69765,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":30507,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":11777,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2626,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1568,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3194,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":32916,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":33618,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":13380,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2648,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1240,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3338,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-08-10 13:09:06\",\"updated_at\":\"2019-04-10 10:56:45\",\"name\":\"Vathek\",\"slug\":\"vathek\",\"sub_name\":null,\"description\":\"<p style=\\\"text-align: center;\\\">Vathek'in gotik edebiyat dahilinde de\\u011ferlendirilmesini sa\\u011flayan en \\u00f6nemli \\u00f6zelliklerinden biri, Ayd\\u0131nlanmac\\u0131 umudun yerine gotik umutsuzlu\\u011fu yerle\\u015ftirmesidir. Kutsal (ve tabii ki yasak) bilginin pe\\u015fine d\\u00fc\\u015fen, d\\u00fcnyevi g\\u00f6steri\\u015finin temsili olan zevk saraylar\\u0131n\\u0131n taht\\u0131nda otururken o me\\u015fhur Faustvari umudu ta\\u015f\\u0131yan halife, arzusunun a\\u015f\\u0131r\\u0131l\\u0131\\u011f\\u0131 sonucunda Tanr\\u0131'n\\u0131n en de\\u011ferli arma\\u011fan\\u0131n\\u0131 yitirir: Umudu\\u2026 Zaten, yazar\\u0131n tasvir etti\\u011fi \\u015fekliyle Vathek'in vard\\u0131\\u011f\\u0131 yer, daha sonra bir\\u00e7ok gotik edebiyat karakterinin de gidece\\u011fi, hatta gitmek i\\u00e7in \\u00e7ok u\\u011fra\\u015faca\\u011f\\u0131 bir yerdir. Cehennemin \\u015eark salonunda Vathek tek ba\\u015f\\u0131na beklemektedir.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Do\\u011fu romanslar\\u0131 konusunda bir uzman olan Beckford, atmosferi g\\u00f6r\\u00fclmemi\\u015f bir hassasiyetle ele al\\u0131yor ve \\u015fatafat d\\u00fc\\u015fk\\u00fcnl\\u00fc\\u011f\\u00fcn\\u00fc, ince bir k\\u00f6t\\u00fcl\\u00fc\\u011f\\u00fc, medeni bir kalle\\u015fli\\u011fi etkili bir \\u015fekilde yans\\u0131t\\u0131yor.\\\"<br \\\/>\\r\\n-H. P. Lovecraft-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Beckford'\\u0131n Yeralt\\u0131 Ate\\u015fi saray\\u0131, edebiyat\\u0131n ilk korkun\\u00e7 cehennemidir. Hat\\u0131rlad\\u0131\\u011f\\u0131m kadar\\u0131yla da Vathek'ten \\u00f6nce yaz\\u0131lm\\u0131\\u015f hi\\u00e7bir eserin 'tekinsiz' oldu\\u011fu s\\u00f6ylenemez.\\\"<br \\\/>\\r\\n-Jorge Luis Borges-<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\">Vathek'in gotik edebiyat dahilinde de\\u011ferlendirilmesini sa\\u011flayan en \\u00f6nemli \\u00f6zelliklerinden biri, Ayd\\u0131nlanmac\\u0131 umudun yerine gotik umutsuzlu\\u011fu yerle\\u015ftirmesidir. Kutsal (ve tabii ki yasak) bilginin pe\\u015fine d\\u00fc\\u015fen, d\\u00fcnyevi g\\u00f6steri\\u015finin temsili olan zevk saraylar\\u0131n\\u0131n taht\\u0131nda otururken o me\\u015fhur Faustvari umudu ta\\u015f\\u0131yan halife, arzusunun a\\u015f\\u0131r\\u0131l\\u0131\\u011f\\u0131 sonucunda Tanr\\u0131'n\\u0131n en de\\u011ferli arma\\u011fan\\u0131n\\u0131 yitirir: Umudu\\u2026 Zaten, yazar\\u0131n tasvir etti\\u011fi \\u015fekliyle Vathek'in vard\\u0131\\u011f\\u0131 yer, daha sonra bir\\u00e7ok gotik edebiyat karakterinin de gidece\\u011fi, hatta gitmek i\\u00e7in \\u00e7ok u\\u011fra\\u015faca\\u011f\\u0131 bir yerdir. Cehennemin \\u015eark salonunda Vathek tek ba\\u015f\\u0131na beklemektedir.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Do\\u011fu romanslar\\u0131 konusunda bir uzman olan Beckford, atmosferi g\\u00f6r\\u00fclmemi\\u015f bir hassasiyetle ele al\\u0131yor ve \\u015fatafat d\\u00fc\\u015fk\\u00fcnl\\u00fc\\u011f\\u00fcn\\u00fc, ince bir k\\u00f6t\\u00fcl\\u00fc\\u011f\\u00fc, medeni bir kalle\\u015fli\\u011fi etkili bir \\u015fekilde yans\\u0131t\\u0131yor.\\\"<br \\\/>\\r\\n-H. P. Lovecraft-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Beckford'\\u0131n Yeralt\\u0131 Ate\\u015fi saray\\u0131, edebiyat\\u0131n ilk korkun\\u00e7 cehennemidir. Hat\\u0131rlad\\u0131\\u011f\\u0131m kadar\\u0131yla da Vathek'ten \\u00f6nce yaz\\u0131lm\\u0131\\u015f hi\\u00e7bir eserin 'tekinsiz' oldu\\u011fu s\\u00f6ylenemez.\\\"<br \\\/>\\r\\n-Jorge Luis Borges-<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4207,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5729,\"book_id\":4207,\"locale\":\"en\",\"name\":\"Vathek\",\"slug\":\"vathek\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":5728,\"book_id\":4207,\"locale\":\"tr\",\"name\":\"Vathek\",\"slug\":\"vathek\",\"sub_name\":null,\"description\":\"<p style=\\\"text-align: center;\\\">Vathek'in gotik edebiyat dahilinde de\\u011ferlendirilmesini sa\\u011flayan en \\u00f6nemli \\u00f6zelliklerinden biri, Ayd\\u0131nlanmac\\u0131 umudun yerine gotik umutsuzlu\\u011fu yerle\\u015ftirmesidir. Kutsal (ve tabii ki yasak) bilginin pe\\u015fine d\\u00fc\\u015fen, d\\u00fcnyevi g\\u00f6steri\\u015finin temsili olan zevk saraylar\\u0131n\\u0131n taht\\u0131nda otururken o me\\u015fhur Faustvari umudu ta\\u015f\\u0131yan halife, arzusunun a\\u015f\\u0131r\\u0131l\\u0131\\u011f\\u0131 sonucunda Tanr\\u0131'n\\u0131n en de\\u011ferli arma\\u011fan\\u0131n\\u0131 yitirir: Umudu\\u2026 Zaten, yazar\\u0131n tasvir etti\\u011fi \\u015fekliyle Vathek'in vard\\u0131\\u011f\\u0131 yer, daha sonra bir\\u00e7ok gotik edebiyat karakterinin de gidece\\u011fi, hatta gitmek i\\u00e7in \\u00e7ok u\\u011fra\\u015faca\\u011f\\u0131 bir yerdir. Cehennemin \\u015eark salonunda Vathek tek ba\\u015f\\u0131na beklemektedir.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Do\\u011fu romanslar\\u0131 konusunda bir uzman olan Beckford, atmosferi g\\u00f6r\\u00fclmemi\\u015f bir hassasiyetle ele al\\u0131yor ve \\u015fatafat d\\u00fc\\u015fk\\u00fcnl\\u00fc\\u011f\\u00fcn\\u00fc, ince bir k\\u00f6t\\u00fcl\\u00fc\\u011f\\u00fc, medeni bir kalle\\u015fli\\u011fi etkili bir \\u015fekilde yans\\u0131t\\u0131yor.\\\"<br \\\/>\\r\\n-H. P. Lovecraft-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Beckford'\\u0131n Yeralt\\u0131 Ate\\u015fi saray\\u0131, edebiyat\\u0131n ilk korkun\\u00e7 cehennemidir. Hat\\u0131rlad\\u0131\\u011f\\u0131m kadar\\u0131yla da Vathek'ten \\u00f6nce yaz\\u0131lm\\u0131\\u015f hi\\u00e7bir eserin 'tekinsiz' oldu\\u011fu s\\u00f6ylenemez.\\\"<br \\\/>\\r\\n-Jorge Luis Borges-<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\">Vathek'in gotik edebiyat dahilinde de\\u011ferlendirilmesini sa\\u011flayan en \\u00f6nemli \\u00f6zelliklerinden biri, Ayd\\u0131nlanmac\\u0131 umudun yerine gotik umutsuzlu\\u011fu yerle\\u015ftirmesidir. Kutsal (ve tabii ki yasak) bilginin pe\\u015fine d\\u00fc\\u015fen, d\\u00fcnyevi g\\u00f6steri\\u015finin temsili olan zevk saraylar\\u0131n\\u0131n taht\\u0131nda otururken o me\\u015fhur Faustvari umudu ta\\u015f\\u0131yan halife, arzusunun a\\u015f\\u0131r\\u0131l\\u0131\\u011f\\u0131 sonucunda Tanr\\u0131'n\\u0131n en de\\u011ferli arma\\u011fan\\u0131n\\u0131 yitirir: Umudu\\u2026 Zaten, yazar\\u0131n tasvir etti\\u011fi \\u015fekliyle Vathek'in vard\\u0131\\u011f\\u0131 yer, daha sonra bir\\u00e7ok gotik edebiyat karakterinin de gidece\\u011fi, hatta gitmek i\\u00e7in \\u00e7ok u\\u011fra\\u015faca\\u011f\\u0131 bir yerdir. Cehennemin \\u015eark salonunda Vathek tek ba\\u015f\\u0131na beklemektedir.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Do\\u011fu romanslar\\u0131 konusunda bir uzman olan Beckford, atmosferi g\\u00f6r\\u00fclmemi\\u015f bir hassasiyetle ele al\\u0131yor ve \\u015fatafat d\\u00fc\\u015fk\\u00fcnl\\u00fc\\u011f\\u00fcn\\u00fc, ince bir k\\u00f6t\\u00fcl\\u00fc\\u011f\\u00fc, medeni bir kalle\\u015fli\\u011fi etkili bir \\u015fekilde yans\\u0131t\\u0131yor.\\\"<br \\\/>\\r\\n-H. P. Lovecraft-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Beckford'\\u0131n Yeralt\\u0131 Ate\\u015fi saray\\u0131, edebiyat\\u0131n ilk korkun\\u00e7 cehennemidir. 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14:49:30\",\"updated_at\":\"2019-04-10 10:57:04\",\"name\":\"\\u0130skandinav Mitolojisi\",\"slug\":\"iskandinav-mitolojisi\",\"sub_name\":null,\"description\":\"<p>Neil Gaiman, eserlerinde fantastik diyarlar yarat\\u0131rken kadim mitolojilerden her zaman ilham alan bir yazar olmu\\u015ftur. \\u015eimdi ise dikkatini bu diyarlar\\u0131n kayna\\u011f\\u0131na y\\u00f6neltiyor ve destans\\u0131 kuzey masallar\\u0131n\\u0131 kendine has \\u00fcslubuyla anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p><em>\\u0130skandinav Mitolojisi<\\\/em>\\u2019nde yazar m\\u00fchim \\u0130skandinav tanr\\u0131lar\\u0131n\\u0131 tasavvur ederken mitlerin asl\\u0131na sad\\u0131k kal\\u0131yor: Odin, Y\\u00fcceler Y\\u00fccesi, bilge, c\\u00fcretk\\u00e2r ve kurnaz. Thor, Odin\\u2019in o\\u011flu, muazzam kudretine ra\\u011fmen tanr\\u0131lar\\u0131n en bilgesi oldu\\u011fu s\\u00f6ylenemez. Ve Loki, Odin\\u2019in kan karde\\u015fi, oyunbaz ve \\u00f6n\\u00fcnde kimsenin duramad\\u0131\\u011f\\u0131 bir d\\u00fczenbaz.<\\\/p>\\r\\n\\r\\n<p>Gaiman, eski \\u00e7a\\u011fa bu ait hik\\u00e2yeleri t\\u0131pk\\u0131 bir romanc\\u0131 gibi ele al\\u0131yor; hik\\u00e2yeler efsanevi dokuz \\u00e2lemin yarat\\u0131l\\u0131\\u015f\\u0131ndan ba\\u015fl\\u0131yor ve tanr\\u0131lar\\u0131n, c\\u00fccelerin, devlerin maceralar\\u0131yla devam ediyor. Thor\\u2019un \\u00e7ekicinin nas\\u0131l \\u00e7al\\u0131nd\\u0131\\u011f\\u0131ndan, i\\u00e7enlere \\u015fairane ilhamlar veren bal \\u015farab\\u0131n\\u0131n kayna\\u011f\\u0131n\\u0131n ne oldu\\u011funa kadar pek \\u00e7ok mit Gaiman\\u2019\\u0131n n\\u00fcktedan c\\u00fcmleleriyle yeniden hayat buluyor. En nihayetinde her \\u015fey tanr\\u0131lar\\u0131n alacakaranl\\u0131\\u011f\\u0131nda doru\\u011fa \\u00e7\\u0131k\\u0131yor: Ragnar\\u00f6k\\u2019te\\u2026<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cGaiman\\u2019\\u0131n her zamanki gibi yal\\u0131n ve su gibi akan kelimeleri orta\\u00e7a\\u011f metinlerinin dramatik g\\u00fcc\\u00fcn\\u00fc yans\\u0131tmay\\u0131 ba\\u015far\\u0131yor. Hik\\u00e2yeleri anlatma tarz\\u0131 yediden yetmi\\u015fe herkese uygun ve bu hem yerinde hem de ak\\u0131ll\\u0131ca bir hamle.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013 Ursula K. Le Guin -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201c<em>\\u0130skandinav Mitolojisi<\\\/em>\\u2019nde Gaiman eski mitleri \\u00f6yle canl\\u0131 anlatm\\u0131\\u015f ki okurken yatak odam Valhalla\\u2019ya d\\u00f6n\\u00fc\\u015fecek sanmaya ba\\u015flad\\u0131m. C\\u00fcceler, devler ve yarat\\u0131klar da dahil t\\u00fcm \\u0130skandinav panteonunu bir film ya da roman gibi i\\u015fliyor. Ne yalan s\\u00f6yleyeyim, kendime g\\u00f6\\u011f\\u00fcs z\\u0131rh\\u0131 sipari\\u015f etmeme \\u015fu kadar kald\\u0131. Takdiminde Gaiman\\u2019\\u0131n da dedi\\u011fi gibi, bu \\u00f6yk\\u00fcler d\\u00fcnyay\\u0131 yaratan ate\\u015f ve buzdan ba\\u015flay\\u0131p d\\u00fcnyay\\u0131 sona erdiren ate\\u015f ve buza giden yolculu\\u011fu anlat\\u0131yor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Lidia Yuknavitch -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cBu kitap sayesinde, \\u00e7ocukken severek okudu\\u011fum mitler yeni nesle, ba\\u015ftan ke\\u015ffedilmek \\u00fczere anlat\\u0131lacak. Ne de olsa, tekrar anlat\\u0131lamayan \\u00f6yk\\u00fcler unutulmaya mahkumdur ve her neslin bu mitleri yeniden ke\\u015ffetmesi ve anlamas\\u0131 gerekir.<\\\/p>\\r\\n\\r\\n<p>- Joanne Harris -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Neil Gaiman, eserlerinde fantastik diyarlar yarat\\u0131rken kadim mitolojilerden her zaman ilham alan bir yazar olmu\\u015ftur. \\u015eimdi ise dikkatini bu diyarlar\\u0131n kayna\\u011f\\u0131na y\\u00f6neltiyor ve destans\\u0131 kuzey masallar\\u0131n\\u0131 kendine has \\u00fcslubuyla anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p><em>\\u0130skandinav Mitolojisi<\\\/em>\\u2019nde yazar m\\u00fchim \\u0130skandinav tanr\\u0131lar\\u0131n\\u0131 tasavvur ederken mitlerin asl\\u0131na sad\\u0131k kal\\u0131yor: Odin, Y\\u00fcceler Y\\u00fccesi, bilge, c\\u00fcretk\\u00e2r ve kurnaz. Thor, Odin\\u2019in o\\u011flu, muazzam kudretine ra\\u011fmen tanr\\u0131lar\\u0131n en bilgesi oldu\\u011fu s\\u00f6ylenemez. Ve Loki, Odin\\u2019in kan karde\\u015fi, oyunbaz ve \\u00f6n\\u00fcnde kimsenin duramad\\u0131\\u011f\\u0131 bir d\\u00fczenbaz.<\\\/p>\\r\\n\\r\\n<p>Gaiman, eski \\u00e7a\\u011fa bu ait hik\\u00e2yeleri t\\u0131pk\\u0131 bir romanc\\u0131 gibi ele al\\u0131yor; hik\\u00e2yeler efsanevi dokuz \\u00e2lemin yarat\\u0131l\\u0131\\u015f\\u0131ndan ba\\u015fl\\u0131yor ve tanr\\u0131lar\\u0131n, c\\u00fccelerin, devlerin maceralar\\u0131yla devam ediyor. Thor\\u2019un \\u00e7ekicinin nas\\u0131l \\u00e7al\\u0131nd\\u0131\\u011f\\u0131ndan, i\\u00e7enlere \\u015fairane ilhamlar veren bal \\u015farab\\u0131n\\u0131n kayna\\u011f\\u0131n\\u0131n ne oldu\\u011funa kadar pek \\u00e7ok mit Gaiman\\u2019\\u0131n n\\u00fcktedan c\\u00fcmleleriyle yeniden hayat buluyor. En nihayetinde her \\u015fey tanr\\u0131lar\\u0131n alacakaranl\\u0131\\u011f\\u0131nda doru\\u011fa \\u00e7\\u0131k\\u0131yor: Ragnar\\u00f6k\\u2019te\\u2026<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cGaiman\\u2019\\u0131n her zamanki gibi yal\\u0131n ve su gibi akan kelimeleri orta\\u00e7a\\u011f metinlerinin dramatik g\\u00fcc\\u00fcn\\u00fc yans\\u0131tmay\\u0131 ba\\u015far\\u0131yor. Hik\\u00e2yeleri anlatma tarz\\u0131 yediden yetmi\\u015fe herkese uygun ve bu hem yerinde hem de ak\\u0131ll\\u0131ca bir hamle.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013 Ursula K. Le Guin -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201c<em>\\u0130skandinav Mitolojisi<\\\/em>\\u2019nde Gaiman eski mitleri \\u00f6yle canl\\u0131 anlatm\\u0131\\u015f ki okurken yatak odam Valhalla\\u2019ya d\\u00f6n\\u00fc\\u015fecek sanmaya ba\\u015flad\\u0131m. C\\u00fcceler, devler ve yarat\\u0131klar da dahil t\\u00fcm \\u0130skandinav panteonunu bir film ya da roman gibi i\\u015fliyor. Ne yalan s\\u00f6yleyeyim, kendime g\\u00f6\\u011f\\u00fcs z\\u0131rh\\u0131 sipari\\u015f etmeme \\u015fu kadar kald\\u0131. Takdiminde Gaiman\\u2019\\u0131n da dedi\\u011fi gibi, bu \\u00f6yk\\u00fcler d\\u00fcnyay\\u0131 yaratan ate\\u015f ve buzdan ba\\u015flay\\u0131p d\\u00fcnyay\\u0131 sona erdiren ate\\u015f ve buza giden yolculu\\u011fu anlat\\u0131yor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Lidia Yuknavitch -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cBu kitap sayesinde, \\u00e7ocukken severek okudu\\u011fum mitler yeni nesle, ba\\u015ftan ke\\u015ffedilmek \\u00fczere anlat\\u0131lacak. Ne de olsa, tekrar anlat\\u0131lamayan \\u00f6yk\\u00fcler unutulmaya mahkumdur ve her neslin bu mitleri yeniden ke\\u015ffetmesi ve anlamas\\u0131 gerekir.<\\\/p>\\r\\n\\r\\n<p>- Joanne Harris -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4309,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5893,\"book_id\":4309,\"locale\":\"en\",\"name\":\"Norse Mythology\",\"slug\":\"norse-mythology\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":5892,\"book_id\":4309,\"locale\":\"tr\",\"name\":\"\\u0130skandinav Mitolojisi\",\"slug\":\"iskandinav-mitolojisi\",\"sub_name\":null,\"description\":\"<p>Neil Gaiman, eserlerinde fantastik diyarlar yarat\\u0131rken kadim mitolojilerden her zaman ilham alan bir yazar olmu\\u015ftur. \\u015eimdi ise dikkatini bu diyarlar\\u0131n kayna\\u011f\\u0131na y\\u00f6neltiyor ve destans\\u0131 kuzey masallar\\u0131n\\u0131 kendine has \\u00fcslubuyla anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p><em>\\u0130skandinav Mitolojisi<\\\/em>\\u2019nde yazar m\\u00fchim \\u0130skandinav tanr\\u0131lar\\u0131n\\u0131 tasavvur ederken mitlerin asl\\u0131na sad\\u0131k kal\\u0131yor: Odin, Y\\u00fcceler Y\\u00fccesi, bilge, c\\u00fcretk\\u00e2r ve kurnaz. Thor, Odin\\u2019in o\\u011flu, muazzam kudretine ra\\u011fmen tanr\\u0131lar\\u0131n en bilgesi oldu\\u011fu s\\u00f6ylenemez. Ve Loki, Odin\\u2019in kan karde\\u015fi, oyunbaz ve \\u00f6n\\u00fcnde kimsenin duramad\\u0131\\u011f\\u0131 bir d\\u00fczenbaz.<\\\/p>\\r\\n\\r\\n<p>Gaiman, eski \\u00e7a\\u011fa bu ait hik\\u00e2yeleri t\\u0131pk\\u0131 bir romanc\\u0131 gibi ele al\\u0131yor; hik\\u00e2yeler efsanevi dokuz \\u00e2lemin yarat\\u0131l\\u0131\\u015f\\u0131ndan ba\\u015fl\\u0131yor ve tanr\\u0131lar\\u0131n, c\\u00fccelerin, devlerin maceralar\\u0131yla devam ediyor. Thor\\u2019un \\u00e7ekicinin nas\\u0131l \\u00e7al\\u0131nd\\u0131\\u011f\\u0131ndan, i\\u00e7enlere \\u015fairane ilhamlar veren bal \\u015farab\\u0131n\\u0131n kayna\\u011f\\u0131n\\u0131n ne oldu\\u011funa kadar pek \\u00e7ok mit Gaiman\\u2019\\u0131n n\\u00fcktedan c\\u00fcmleleriyle yeniden hayat buluyor. En nihayetinde her \\u015fey tanr\\u0131lar\\u0131n alacakaranl\\u0131\\u011f\\u0131nda doru\\u011fa \\u00e7\\u0131k\\u0131yor: Ragnar\\u00f6k\\u2019te\\u2026<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cGaiman\\u2019\\u0131n her zamanki gibi yal\\u0131n ve su gibi akan kelimeleri orta\\u00e7a\\u011f metinlerinin dramatik g\\u00fcc\\u00fcn\\u00fc yans\\u0131tmay\\u0131 ba\\u015far\\u0131yor. Hik\\u00e2yeleri anlatma tarz\\u0131 yediden yetmi\\u015fe herkese uygun ve bu hem yerinde hem de ak\\u0131ll\\u0131ca bir hamle.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013 Ursula K. Le Guin -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201c<em>\\u0130skandinav Mitolojisi<\\\/em>\\u2019nde Gaiman eski mitleri \\u00f6yle canl\\u0131 anlatm\\u0131\\u015f ki okurken yatak odam Valhalla\\u2019ya d\\u00f6n\\u00fc\\u015fecek sanmaya ba\\u015flad\\u0131m. C\\u00fcceler, devler ve yarat\\u0131klar da dahil t\\u00fcm \\u0130skandinav panteonunu bir film ya da roman gibi i\\u015fliyor. Ne yalan s\\u00f6yleyeyim, kendime g\\u00f6\\u011f\\u00fcs z\\u0131rh\\u0131 sipari\\u015f etmeme \\u015fu kadar kald\\u0131. Takdiminde Gaiman\\u2019\\u0131n da dedi\\u011fi gibi, bu \\u00f6yk\\u00fcler d\\u00fcnyay\\u0131 yaratan ate\\u015f ve buzdan ba\\u015flay\\u0131p d\\u00fcnyay\\u0131 sona erdiren ate\\u015f ve buza giden yolculu\\u011fu anlat\\u0131yor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Lidia Yuknavitch -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cBu kitap sayesinde, \\u00e7ocukken severek okudu\\u011fum mitler yeni nesle, ba\\u015ftan ke\\u015ffedilmek \\u00fczere anlat\\u0131lacak. Ne de olsa, tekrar anlat\\u0131lamayan \\u00f6yk\\u00fcler unutulmaya mahkumdur ve her neslin bu mitleri yeniden ke\\u015ffetmesi ve anlamas\\u0131 gerekir.<\\\/p>\\r\\n\\r\\n<p>- Joanne Harris -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Neil Gaiman, eserlerinde fantastik diyarlar yarat\\u0131rken kadim mitolojilerden her zaman ilham alan bir yazar olmu\\u015ftur. \\u015eimdi ise dikkatini bu diyarlar\\u0131n kayna\\u011f\\u0131na y\\u00f6neltiyor ve destans\\u0131 kuzey masallar\\u0131n\\u0131 kendine has \\u00fcslubuyla anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p><em>\\u0130skandinav Mitolojisi<\\\/em>\\u2019nde yazar m\\u00fchim \\u0130skandinav tanr\\u0131lar\\u0131n\\u0131 tasavvur ederken mitlerin asl\\u0131na sad\\u0131k kal\\u0131yor: Odin, Y\\u00fcceler Y\\u00fccesi, bilge, c\\u00fcretk\\u00e2r ve kurnaz. Thor, Odin\\u2019in o\\u011flu, muazzam kudretine ra\\u011fmen tanr\\u0131lar\\u0131n en bilgesi oldu\\u011fu s\\u00f6ylenemez. Ve Loki, Odin\\u2019in kan karde\\u015fi, oyunbaz ve \\u00f6n\\u00fcnde kimsenin duramad\\u0131\\u011f\\u0131 bir d\\u00fczenbaz.<\\\/p>\\r\\n\\r\\n<p>Gaiman, eski \\u00e7a\\u011fa bu ait hik\\u00e2yeleri t\\u0131pk\\u0131 bir romanc\\u0131 gibi ele al\\u0131yor; hik\\u00e2yeler efsanevi dokuz \\u00e2lemin yarat\\u0131l\\u0131\\u015f\\u0131ndan ba\\u015fl\\u0131yor ve tanr\\u0131lar\\u0131n, c\\u00fccelerin, devlerin maceralar\\u0131yla devam ediyor. Thor\\u2019un \\u00e7ekicinin nas\\u0131l \\u00e7al\\u0131nd\\u0131\\u011f\\u0131ndan, i\\u00e7enlere \\u015fairane ilhamlar veren bal \\u015farab\\u0131n\\u0131n kayna\\u011f\\u0131n\\u0131n ne oldu\\u011funa kadar pek \\u00e7ok mit Gaiman\\u2019\\u0131n n\\u00fcktedan c\\u00fcmleleriyle yeniden hayat buluyor. En nihayetinde her \\u015fey tanr\\u0131lar\\u0131n alacakaranl\\u0131\\u011f\\u0131nda doru\\u011fa \\u00e7\\u0131k\\u0131yor: Ragnar\\u00f6k\\u2019te\\u2026<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cGaiman\\u2019\\u0131n her zamanki gibi yal\\u0131n ve su gibi akan kelimeleri orta\\u00e7a\\u011f metinlerinin dramatik g\\u00fcc\\u00fcn\\u00fc yans\\u0131tmay\\u0131 ba\\u015far\\u0131yor. Hik\\u00e2yeleri anlatma tarz\\u0131 yediden yetmi\\u015fe herkese uygun ve bu hem yerinde hem de ak\\u0131ll\\u0131ca bir hamle.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013 Ursula K. Le Guin -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201c<em>\\u0130skandinav Mitolojisi<\\\/em>\\u2019nde Gaiman eski mitleri \\u00f6yle canl\\u0131 anlatm\\u0131\\u015f ki okurken yatak odam Valhalla\\u2019ya d\\u00f6n\\u00fc\\u015fecek sanmaya ba\\u015flad\\u0131m. C\\u00fcceler, devler ve yarat\\u0131klar da dahil t\\u00fcm \\u0130skandinav panteonunu bir film ya da roman gibi i\\u015fliyor. Ne yalan s\\u00f6yleyeyim, kendime g\\u00f6\\u011f\\u00fcs z\\u0131rh\\u0131 sipari\\u015f etmeme \\u015fu kadar kald\\u0131. Takdiminde Gaiman\\u2019\\u0131n da dedi\\u011fi gibi, bu \\u00f6yk\\u00fcler d\\u00fcnyay\\u0131 yaratan ate\\u015f ve buzdan ba\\u015flay\\u0131p d\\u00fcnyay\\u0131 sona erdiren ate\\u015f ve buza giden yolculu\\u011fu anlat\\u0131yor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Lidia Yuknavitch -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cBu kitap sayesinde, \\u00e7ocukken severek okudu\\u011fum mitler yeni nesle, ba\\u015ftan ke\\u015ffedilmek \\u00fczere anlat\\u0131lacak. Ne de olsa, tekrar anlat\\u0131lamayan \\u00f6yk\\u00fcler unutulmaya mahkumdur ve her neslin bu mitleri yeniden ke\\u015ffetmesi ve anlamas\\u0131 gerekir.<\\\/p>\\r\\n\\r\\n<p>- Joanne Harris -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4310,\"user_id\":10,\"original_name\":\"\\u0130yi Aile Yoktur\",\"printing_date\":\"2018-09-21 14:50:44\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/iyi-aile-yoktur-kapak-1537357827.png\",\"image_settings\":{\"id\":4310,\"path\":\"\\\/images\\\/books\\\/2018\\\/09\\\/19\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":56075,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":16992,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":7584,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2227,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1390,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2787,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":14776,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":15578,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":6966,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1878,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":990,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2522,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-09-19 14:50:27\",\"updated_at\":\"2019-04-10 10:57:04\",\"name\":\"\\u0130yi Aile Yoktur\",\"slug\":\"iyi-aile-yoktur\",\"sub_name\":null,\"description\":\"<p>\\u0130yi aile yoktur. Ya da paradoks \\u015fu ki iyi aile, \\\"\\u0130yi aile yoktur\\\" d\\u00fcsturuyla hareket edebilen ailedir.<\\\/p>\\r\\n\\r\\n<p>\\u0130nsanlar \\u00e7ocuk sahibi oldu\\u011funda fark\\u0131nda olmadan kendi \\u00e7ocuklu\\u011funa dair hisleri ya\\u015far. \\u00c7ocu\\u011fumuzla ili\\u015fkimiz, anne-babam\\u0131zla ili\\u015fkimizin devam\\u0131d\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u00c7ocu\\u011fumuzla do\\u011fru ba\\u011f kurma, kendi \\u00e7ocuklu\\u011fumuzu ve i\\u00e7imizdeki \\u00e7ocu\\u011fu tamir etmekle olur. Her insan\\u0131n i\\u00e7inde anne, baba, \\u00e7ocuk vard\\u0131r ve g\\u00fc\\u00e7l\\u00fc psikoloji asl\\u0131nda, i\\u00e7imizdeki \\u00e7ocu\\u011fun g\\u00fc\\u00e7l\\u00fc oldu\\u011fu, sayg\\u0131 g\\u00f6rd\\u00fc\\u011f\\u00fc psikolojidir.<\\\/p>\\r\\n\\r\\n<p><em>\\u0130yi Aile Yoktur<\\\/em> sadece&nbsp; anne-babalar de\\u011fil, \\u00e7ocukluk ge\\u00e7irmi\\u015f ve kendisini daha iyi anlamak isteyen her ya\\u015fta insan i\\u00e7in yaz\\u0131ld\\u0131.<\\\/p>\\r\\n\\r\\n<p>Bu kitab\\u0131n sundu\\u011fu farkl\\u0131 bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla, neden ac\\u0131 \\u00e7ekti\\u011fimiz, sevilmeyi neden isteyip sevgiyi kaybetti\\u011fimizde neden \\u00fcz\\u00fcld\\u00fc\\u011f\\u00fcm\\u00fcz, i\\u015flerimizi neden erteledi\\u011fimiz gibi kendimize dair bir\\u00e7ok \\u015feyin alt\\u0131ndaki nedeni yepyeni bir g\\u00f6zle, \\u015fa\\u015fk\\u0131nl\\u0131kla ke\\u015ffedeceksiniz.<\\\/p>\\r\\n\\r\\n<p>\\u0130ngiltere\\u2019de Essex \\u00dcniversitesi\\u2019nde Psikanaliz y\\u00fcksek lisans\\u0131 yapan, Avrupa ve Amerika\\u2019da psikoloji alan\\u0131nda konferanslarda tebli\\u011fler sunan ve \\u00e7ocukluk at\\u00f6lyeleriyle ebeveynlerle bulu\\u015fan Nihan Kaya, y\\u0131llarca s\\u00fcren \\u00e7al\\u0131\\u015fmalar\\u0131n\\u0131 bu kitapta derliyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u0130yi aile yoktur. Ya da paradoks \\u015fu ki iyi aile, \\\"\\u0130yi aile yoktur\\\" d\\u00fcsturuyla hareket edebilen ailedir.<\\\/p>\\r\\n\\r\\n<p>\\u0130nsanlar \\u00e7ocuk sahibi oldu\\u011funda fark\\u0131nda olmadan kendi \\u00e7ocuklu\\u011funa dair hisleri ya\\u015far. \\u00c7ocu\\u011fumuzla ili\\u015fkimiz, anne-babam\\u0131zla ili\\u015fkimizin devam\\u0131d\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u00c7ocu\\u011fumuzla do\\u011fru ba\\u011f kurma, kendi \\u00e7ocuklu\\u011fumuzu ve i\\u00e7imizdeki \\u00e7ocu\\u011fu tamir etmekle olur. Her insan\\u0131n i\\u00e7inde anne, baba, \\u00e7ocuk vard\\u0131r ve g\\u00fc\\u00e7l\\u00fc psikoloji asl\\u0131nda, i\\u00e7imizdeki \\u00e7ocu\\u011fun g\\u00fc\\u00e7l\\u00fc oldu\\u011fu, sayg\\u0131 g\\u00f6rd\\u00fc\\u011f\\u00fc psikolojidir.<\\\/p>\\r\\n\\r\\n<p><em>\\u0130yi Aile Yoktur<\\\/em> sadece\\u00a0 anne-babalar de\\u011fil, \\u00e7ocukluk ge\\u00e7irmi\\u015f ve kendisini daha iyi anlamak isteyen her ya\\u015fta insan i\\u00e7in yaz\\u0131ld\\u0131.<\\\/p>\\r\\n\\r\\n<p>Bu kitab\\u0131n sundu\\u011fu farkl\\u0131 bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla, neden ac\\u0131 \\u00e7ekti\\u011fimiz, sevilmeyi neden isteyip sevgiyi kaybetti\\u011fimizde neden \\u00fcz\\u00fcld\\u00fc\\u011f\\u00fcm\\u00fcz, i\\u015flerimizi neden erteledi\\u011fimiz gibi kendimize dair bir\\u00e7ok \\u015feyin alt\\u0131ndaki nedeni yepyeni bir g\\u00f6zle, \\u015fa\\u015fk\\u0131nl\\u0131kla ke\\u015ffedeceksiniz.<\\\/p>\\r\\n\\r\\n<p>\\u0130ngiltere\\u2019de Essex \\u00dcniversitesi\\u2019nde Psikanaliz y\\u00fcksek lisans\\u0131 yapan, Avrupa ve Amerika\\u2019da psikoloji alan\\u0131nda konferanslarda tebli\\u011fler sunan ve \\u00e7ocukluk at\\u00f6lyeleriyle ebeveynlerle bulu\\u015fan Nihan Kaya, y\\u0131llarca s\\u00fcren \\u00e7al\\u0131\\u015fmalar\\u0131n\\u0131 bu kitapta derliyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4310,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5894,\"book_id\":4310,\"locale\":\"tr\",\"name\":\"\\u0130yi Aile Yoktur\",\"slug\":\"iyi-aile-yoktur\",\"sub_name\":null,\"description\":\"<p>\\u0130yi aile yoktur. Ya da paradoks \\u015fu ki iyi aile, \\\"\\u0130yi aile yoktur\\\" d\\u00fcsturuyla hareket edebilen ailedir.<\\\/p>\\r\\n\\r\\n<p>\\u0130nsanlar \\u00e7ocuk sahibi oldu\\u011funda fark\\u0131nda olmadan kendi \\u00e7ocuklu\\u011funa dair hisleri ya\\u015far. \\u00c7ocu\\u011fumuzla ili\\u015fkimiz, anne-babam\\u0131zla ili\\u015fkimizin devam\\u0131d\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u00c7ocu\\u011fumuzla do\\u011fru ba\\u011f kurma, kendi \\u00e7ocuklu\\u011fumuzu ve i\\u00e7imizdeki \\u00e7ocu\\u011fu tamir etmekle olur. Her insan\\u0131n i\\u00e7inde anne, baba, \\u00e7ocuk vard\\u0131r ve g\\u00fc\\u00e7l\\u00fc psikoloji asl\\u0131nda, i\\u00e7imizdeki \\u00e7ocu\\u011fun g\\u00fc\\u00e7l\\u00fc oldu\\u011fu, sayg\\u0131 g\\u00f6rd\\u00fc\\u011f\\u00fc psikolojidir.<\\\/p>\\r\\n\\r\\n<p><em>\\u0130yi Aile Yoktur<\\\/em> sadece&nbsp; anne-babalar de\\u011fil, \\u00e7ocukluk ge\\u00e7irmi\\u015f ve kendisini daha iyi anlamak isteyen her ya\\u015fta insan i\\u00e7in yaz\\u0131ld\\u0131.<\\\/p>\\r\\n\\r\\n<p>Bu kitab\\u0131n sundu\\u011fu farkl\\u0131 bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla, neden ac\\u0131 \\u00e7ekti\\u011fimiz, sevilmeyi neden isteyip sevgiyi kaybetti\\u011fimizde neden \\u00fcz\\u00fcld\\u00fc\\u011f\\u00fcm\\u00fcz, i\\u015flerimizi neden erteledi\\u011fimiz gibi kendimize dair bir\\u00e7ok \\u015feyin alt\\u0131ndaki nedeni yepyeni bir g\\u00f6zle, \\u015fa\\u015fk\\u0131nl\\u0131kla ke\\u015ffedeceksiniz.<\\\/p>\\r\\n\\r\\n<p>\\u0130ngiltere\\u2019de Essex \\u00dcniversitesi\\u2019nde Psikanaliz y\\u00fcksek lisans\\u0131 yapan, Avrupa ve Amerika\\u2019da psikoloji alan\\u0131nda konferanslarda tebli\\u011fler sunan ve \\u00e7ocukluk at\\u00f6lyeleriyle ebeveynlerle bulu\\u015fan Nihan Kaya, y\\u0131llarca s\\u00fcren \\u00e7al\\u0131\\u015fmalar\\u0131n\\u0131 bu kitapta derliyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u0130yi aile yoktur. Ya da paradoks \\u015fu ki iyi aile, \\\"\\u0130yi aile yoktur\\\" d\\u00fcsturuyla hareket edebilen ailedir.<\\\/p>\\r\\n\\r\\n<p>\\u0130nsanlar \\u00e7ocuk sahibi oldu\\u011funda fark\\u0131nda olmadan kendi \\u00e7ocuklu\\u011funa dair hisleri ya\\u015far. \\u00c7ocu\\u011fumuzla ili\\u015fkimiz, anne-babam\\u0131zla ili\\u015fkimizin devam\\u0131d\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u00c7ocu\\u011fumuzla do\\u011fru ba\\u011f kurma, kendi \\u00e7ocuklu\\u011fumuzu ve i\\u00e7imizdeki \\u00e7ocu\\u011fu tamir etmekle olur. Her insan\\u0131n i\\u00e7inde anne, baba, \\u00e7ocuk vard\\u0131r ve g\\u00fc\\u00e7l\\u00fc psikoloji asl\\u0131nda, i\\u00e7imizdeki \\u00e7ocu\\u011fun g\\u00fc\\u00e7l\\u00fc oldu\\u011fu, sayg\\u0131 g\\u00f6rd\\u00fc\\u011f\\u00fc psikolojidir.<\\\/p>\\r\\n\\r\\n<p><em>\\u0130yi Aile Yoktur<\\\/em> sadece\\u00a0 anne-babalar de\\u011fil, \\u00e7ocukluk ge\\u00e7irmi\\u015f ve kendisini daha iyi anlamak isteyen her ya\\u015fta insan i\\u00e7in yaz\\u0131ld\\u0131.<\\\/p>\\r\\n\\r\\n<p>Bu kitab\\u0131n sundu\\u011fu farkl\\u0131 bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla, neden ac\\u0131 \\u00e7ekti\\u011fimiz, sevilmeyi neden isteyip sevgiyi kaybetti\\u011fimizde neden \\u00fcz\\u00fcld\\u00fc\\u011f\\u00fcm\\u00fcz, i\\u015flerimizi neden erteledi\\u011fimiz gibi kendimize dair bir\\u00e7ok \\u015feyin alt\\u0131ndaki nedeni yepyeni bir g\\u00f6zle, \\u015fa\\u015fk\\u0131nl\\u0131kla ke\\u015ffedeceksiniz.<\\\/p>\\r\\n\\r\\n<p>\\u0130ngiltere\\u2019de Essex \\u00dcniversitesi\\u2019nde Psikanaliz y\\u00fcksek lisans\\u0131 yapan, Avrupa ve Amerika\\u2019da psikoloji alan\\u0131nda konferanslarda tebli\\u011fler sunan ve \\u00e7ocukluk at\\u00f6lyeleriyle ebeveynlerle bulu\\u015fan Nihan Kaya, y\\u0131llarca s\\u00fcren \\u00e7al\\u0131\\u015fmalar\\u0131n\\u0131 bu kitapta derliyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4329,\"user_id\":10,\"original_name\":\"Amatka\",\"printing_date\":\"2018-09-28 15:45:03\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/amatka-kapak-1537792839.png\",\"image_settings\":{\"id\":4329,\"path\":\"\\\/images\\\/books\\\/2018\\\/09\\\/24\\\/15\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":83845,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":33781,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":12125,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2658,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1515,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3226,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":36994,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":38420,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":13852,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2728,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1212,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3408,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-09-24 15:40:39\",\"updated_at\":\"2019-04-10 10:57:08\",\"name\":\"Amatka\",\"slug\":\"amatka\",\"sub_name\":null,\"description\":\"<p>Dille \\u015fekillenen bir d\\u00fcnyada ge\\u00e7en, Margaret Atwood ve Ursula K. Le Guin gelene\\u011finde bir \\u00e7\\u0131k\\u0131\\u015f roman\\u0131.<\\\/p>\\r\\n\\r\\n<p>Vanja, \\u015fehir hakk\\u0131nda bilgi toplamak i\\u00e7in k\\u0131\\u015f kolonisi Amatka\\u2019ya g\\u00f6nderilir. Amatka\\u2019ya ad\\u0131m atar atmaz baz\\u0131 tuhafl\\u0131klar\\u0131 fark etmeye ba\\u015flar: \\u0130nsanlar garip davran\\u0131yorlard\\u0131r ve \\u015fehir sakinleri h\\u00fck\\u00fcmet kar\\u015f\\u0131t\\u0131 d\\u00fc\\u015f\\u00fcncelere kar\\u015f\\u0131 izlenmektedir.<\\\/p>\\r\\n\\r\\n<p>Amatka\\u2019da k\\u0131sa bir s\\u00fcre kalmay\\u0131 planlayan Vanja, ev arkada\\u015f\\u0131 Nina\\u2019ya a\\u015f\\u0131k olunca ziyaretini uzatmaya karar verir. Burada, koloninin tehlike alt\\u0131nda oldu\\u011funu ve h\\u00fck\\u00fcmetin bunu halk\\u0131ndan gizledi\\u011fini \\u00f6\\u011frendi\\u011finde kendi ara\\u015ft\\u0131rmas\\u0131na ba\\u015flayacak ve kendini b\\u00fcy\\u00fck bir tehlikenin i\\u00e7inde bulacakt\\u0131r.<\\\/p>\\r\\n\\r\\n<p>Amatka\\u2019n\\u0131n distopik d\\u00fcnyas\\u0131nda insan dilinin ger\\u00e7ekli\\u011fi de\\u011fi\\u015ftirme g\\u00fcc\\u00fc vard\\u0131r. Objeler, binalar ve geri kalan her \\u015fey s\\u00fcrekli isimlendirilip bu isimler tekrar edilmezse yok olma tehlikesiyle kar\\u015f\\u0131 kar\\u015f\\u0131yad\\u0131r. Bask\\u0131c\\u0131 bir kolonide k\\u0131s\\u0131l\\u0131 kalan Vanya\\u2019n\\u0131n da lisan\\u0131 kullanarak kendini \\u00f6zg\\u00fcr k\\u0131lmay\\u0131 arzulamas\\u0131 ger\\u00e7ekli\\u011fi bile tehdit edecektir.<\\\/p>\\r\\n\\r\\n<p>Zeplin\\u2019in \\u0130sve\\u00e7li yazar\\u0131 Karin Tidbeck ilk roman\\u0131 Amatka\\u2019yla 1984\\u2019\\u00fc and\\u0131ran bir d\\u00fcnya yarat\\u0131p toplum kontrol\\u00fc, de\\u011fi\\u015fim korkusu, dilin g\\u00fcc\\u00fc ve devrimler \\u00fczerine sembollerle dolu politik bir masal anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u201cAmatka harika bir k\\u0131sa hik\\u00e2ye yazar\\u0131n\\u0131n daha da harika bir romanc\\u0131 oldu\\u011funu ortaya koyuyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Jeff Vandermeer<\\\/p>\\r\\n\\r\\n<p>\\u201cBu kitab\\u0131 kesinlikle almal\\u0131s\\u0131n\\u0131z.\\u201d -Ann Leckie<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Dille \\u015fekillenen bir d\\u00fcnyada ge\\u00e7en, Margaret Atwood ve Ursula K. Le Guin gelene\\u011finde bir \\u00e7\\u0131k\\u0131\\u015f roman\\u0131.<\\\/p>\\r\\n\\r\\n<p>Vanja, \\u015fehir hakk\\u0131nda bilgi toplamak i\\u00e7in k\\u0131\\u015f kolonisi Amatka\\u2019ya g\\u00f6nderilir. Amatka\\u2019ya ad\\u0131m atar atmaz baz\\u0131 tuhafl\\u0131klar\\u0131 fark etmeye ba\\u015flar: \\u0130nsanlar garip davran\\u0131yorlard\\u0131r ve \\u015fehir sakinleri h\\u00fck\\u00fcmet kar\\u015f\\u0131t\\u0131 d\\u00fc\\u015f\\u00fcncelere kar\\u015f\\u0131 izlenmektedir.<\\\/p>\\r\\n\\r\\n<p>Amatka\\u2019da k\\u0131sa bir s\\u00fcre kalmay\\u0131 planlayan Vanja, ev arkada\\u015f\\u0131 Nina\\u2019ya a\\u015f\\u0131k olunca ziyaretini uzatmaya karar verir. Burada, koloninin tehlike alt\\u0131nda oldu\\u011funu ve h\\u00fck\\u00fcmetin bunu halk\\u0131ndan gizledi\\u011fini \\u00f6\\u011frendi\\u011finde kendi ara\\u015ft\\u0131rmas\\u0131na ba\\u015flayacak ve kendini b\\u00fcy\\u00fck bir tehlikenin i\\u00e7inde bulacakt\\u0131r.<\\\/p>\\r\\n\\r\\n<p>Amatka\\u2019n\\u0131n distopik d\\u00fcnyas\\u0131nda insan dilinin ger\\u00e7ekli\\u011fi de\\u011fi\\u015ftirme g\\u00fcc\\u00fc vard\\u0131r. Objeler, binalar ve geri kalan her \\u015fey s\\u00fcrekli isimlendirilip bu isimler tekrar edilmezse yok olma tehlikesiyle kar\\u015f\\u0131 kar\\u015f\\u0131yad\\u0131r. Bask\\u0131c\\u0131 bir kolonide k\\u0131s\\u0131l\\u0131 kalan Vanya\\u2019n\\u0131n da lisan\\u0131 kullanarak kendini \\u00f6zg\\u00fcr k\\u0131lmay\\u0131 arzulamas\\u0131 ger\\u00e7ekli\\u011fi bile tehdit edecektir.<\\\/p>\\r\\n\\r\\n<p>Zeplin\\u2019in \\u0130sve\\u00e7li yazar\\u0131 Karin Tidbeck ilk roman\\u0131 Amatka\\u2019yla 1984\\u2019\\u00fc and\\u0131ran bir d\\u00fcnya yarat\\u0131p toplum kontrol\\u00fc, de\\u011fi\\u015fim korkusu, dilin g\\u00fcc\\u00fc ve devrimler \\u00fczerine sembollerle dolu politik bir masal anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u201cAmatka harika bir k\\u0131sa hik\\u00e2ye yazar\\u0131n\\u0131n daha da harika bir romanc\\u0131 oldu\\u011funu ortaya koyuyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Jeff Vandermeer<\\\/p>\\r\\n\\r\\n<p>\\u201cBu kitab\\u0131 kesinlikle almal\\u0131s\\u0131n\\u0131z.\\u201d -Ann Leckie<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4329,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5919,\"book_id\":4329,\"locale\":\"en\",\"name\":\"Amatka\",\"slug\":\"amatka\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":5918,\"book_id\":4329,\"locale\":\"tr\",\"name\":\"Amatka\",\"slug\":\"amatka\",\"sub_name\":null,\"description\":\"<p>Dille \\u015fekillenen bir d\\u00fcnyada ge\\u00e7en, Margaret Atwood ve Ursula K. Le Guin gelene\\u011finde bir \\u00e7\\u0131k\\u0131\\u015f roman\\u0131.<\\\/p>\\r\\n\\r\\n<p>Vanja, \\u015fehir hakk\\u0131nda bilgi toplamak i\\u00e7in k\\u0131\\u015f kolonisi Amatka\\u2019ya g\\u00f6nderilir. Amatka\\u2019ya ad\\u0131m atar atmaz baz\\u0131 tuhafl\\u0131klar\\u0131 fark etmeye ba\\u015flar: \\u0130nsanlar garip davran\\u0131yorlard\\u0131r ve \\u015fehir sakinleri h\\u00fck\\u00fcmet kar\\u015f\\u0131t\\u0131 d\\u00fc\\u015f\\u00fcncelere kar\\u015f\\u0131 izlenmektedir.<\\\/p>\\r\\n\\r\\n<p>Amatka\\u2019da k\\u0131sa bir s\\u00fcre kalmay\\u0131 planlayan Vanja, ev arkada\\u015f\\u0131 Nina\\u2019ya a\\u015f\\u0131k olunca ziyaretini uzatmaya karar verir. Burada, koloninin tehlike alt\\u0131nda oldu\\u011funu ve h\\u00fck\\u00fcmetin bunu halk\\u0131ndan gizledi\\u011fini \\u00f6\\u011frendi\\u011finde kendi ara\\u015ft\\u0131rmas\\u0131na ba\\u015flayacak ve kendini b\\u00fcy\\u00fck bir tehlikenin i\\u00e7inde bulacakt\\u0131r.<\\\/p>\\r\\n\\r\\n<p>Amatka\\u2019n\\u0131n distopik d\\u00fcnyas\\u0131nda insan dilinin ger\\u00e7ekli\\u011fi de\\u011fi\\u015ftirme g\\u00fcc\\u00fc vard\\u0131r. Objeler, binalar ve geri kalan her \\u015fey s\\u00fcrekli isimlendirilip bu isimler tekrar edilmezse yok olma tehlikesiyle kar\\u015f\\u0131 kar\\u015f\\u0131yad\\u0131r. Bask\\u0131c\\u0131 bir kolonide k\\u0131s\\u0131l\\u0131 kalan Vanya\\u2019n\\u0131n da lisan\\u0131 kullanarak kendini \\u00f6zg\\u00fcr k\\u0131lmay\\u0131 arzulamas\\u0131 ger\\u00e7ekli\\u011fi bile tehdit edecektir.<\\\/p>\\r\\n\\r\\n<p>Zeplin\\u2019in \\u0130sve\\u00e7li yazar\\u0131 Karin Tidbeck ilk roman\\u0131 Amatka\\u2019yla 1984\\u2019\\u00fc and\\u0131ran bir d\\u00fcnya yarat\\u0131p toplum kontrol\\u00fc, de\\u011fi\\u015fim korkusu, dilin g\\u00fcc\\u00fc ve devrimler \\u00fczerine sembollerle dolu politik bir masal anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u201cAmatka harika bir k\\u0131sa hik\\u00e2ye yazar\\u0131n\\u0131n daha da harika bir romanc\\u0131 oldu\\u011funu ortaya koyuyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Jeff Vandermeer<\\\/p>\\r\\n\\r\\n<p>\\u201cBu kitab\\u0131 kesinlikle almal\\u0131s\\u0131n\\u0131z.\\u201d -Ann Leckie<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Dille \\u015fekillenen bir d\\u00fcnyada ge\\u00e7en, Margaret Atwood ve Ursula K. Le Guin gelene\\u011finde bir \\u00e7\\u0131k\\u0131\\u015f roman\\u0131.<\\\/p>\\r\\n\\r\\n<p>Vanja, \\u015fehir hakk\\u0131nda bilgi toplamak i\\u00e7in k\\u0131\\u015f kolonisi Amatka\\u2019ya g\\u00f6nderilir. Amatka\\u2019ya ad\\u0131m atar atmaz baz\\u0131 tuhafl\\u0131klar\\u0131 fark etmeye ba\\u015flar: \\u0130nsanlar garip davran\\u0131yorlard\\u0131r ve \\u015fehir sakinleri h\\u00fck\\u00fcmet kar\\u015f\\u0131t\\u0131 d\\u00fc\\u015f\\u00fcncelere kar\\u015f\\u0131 izlenmektedir.<\\\/p>\\r\\n\\r\\n<p>Amatka\\u2019da k\\u0131sa bir s\\u00fcre kalmay\\u0131 planlayan Vanja, ev arkada\\u015f\\u0131 Nina\\u2019ya a\\u015f\\u0131k olunca ziyaretini uzatmaya karar verir. 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Yazar, Afrika\\u2019n\\u0131n en b\\u00fcy\\u00fck iki kalecisinin yeti\\u015fti\\u011fi Kamerun\\u2019un Bassa b\\u00f6lgesine ve 1986 \\u015eampiyon Kul\\u00fcpler Kupas\\u0131 finalinde d\\u00f6rt penalt\\u0131 kurtararak tarih yazan Steaua B\\u00fckre\\u015f kalecisi Helmuth Duckadam\\u2019la konu\\u015fmak i\\u00e7in Romanya\\u2019ya yolculuk ediyor. Wilson \\u015fahane taktik ve teknik bilgileriyle, kalecili\\u011fin di\\u011fer on pozisyondan nas\\u0131l farkl\\u0131 bir yerde oldu\\u011funu en ince ayr\\u0131nt\\u0131s\\u0131na kadar aktar\\u0131yor.<\\\/p>\\r\\n\\r\\n<p><em>Yabanc\\u0131, <\\\/em>futbolun en gizemli \\u015fahsiyetleri olan kalecilerin kusursuz hik\\u00e2yesi.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cKaleci yaln\\u0131z bir kartal, esrarengiz bir adam, son kurtar\\u0131c\\u0131d\\u0131r.\\u201d \\u2013Vladimir Nabokov<\\\/p>\\r\\n\\r\\n<p>Albert Camus, Arthur Conan Doyle, Yevgeny Yevtu\\u015fenko, Julian Barnes ve Nabokov\\u2026 yolu kalecilik pozisyonundan ge\\u00e7en s\\u0131rad\\u0131\\u015f\\u0131 karakterlerden baz\\u0131lar\\u0131.<\\\/p>\\r\\n\\r\\n<p>Jonathan Wilson, futbolun \\u201cyaln\\u0131z\\u201d adamlar\\u0131n\\u0131n k\\u00fclt\\u00fcrel tarihini ve futbol sahas\\u0131ndaki evrimini kendine has \\u00fcslubuyla, edebiyat d\\u00fcnyas\\u0131ndan isimlerin de hik\\u00e2yeleriyle birlikte anlat\\u0131yor. 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Bu ger\\u00e7ek, onu antropologlar\\u0131n yirminci y\\u00fczy\\u0131lda yazd\\u0131\\u011f\\u0131 en \\u00f6nemli&nbsp; teori kitaplar\\u0131 aras\\u0131na yerle\\u015ftiriyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2014Richard Fardon Do\\u011fu ve Afrika Ara\\u015ft\\u0131rmalar\\u0131 Okulu-<\\\/p>\\r\\n\\r\\n<p>&nbsp;\\u201cDo\\u011fal Semboller\\u2026 Durkheim gelene\\u011finin b\\u00fcy\\u00fck yap\\u0131tlar\\u0131ndan biri.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2014Times Literary Supplement-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"margin-left:0cm; margin-right:0cm\\\">Mary Douglas, Do\\u011fal Semboller\\u2019de olduk\\u00e7a heyecanl\\u0131 bir dil ve yakla\\u015f\\u0131mla rit\\u00fcelin modern d\\u00fcnyada h\\u00e2l\\u00e2 \\u00e7ok \\u00f6nemli bir yer tuttu\\u011funu iddia ediyor. \\u00d6zellikle yirminci y\\u00fczy\\u0131l\\u0131n ikinci yar\\u0131s\\u0131nda toplumsal yap\\u0131larda ve bireysel tav\\u0131rlarda formellikten uzakla\\u015f\\u0131ld\\u0131\\u011f\\u0131 ve rit\\u00fcelin hor g\\u00f6r\\u00fcld\\u00fc\\u011f\\u00fc g\\u00f6zleminden yola \\u00e7\\u0131kan Douglas, ger\\u00e7ekte bir d\\u00fczen, bir hiyerar\\u015fi, bir s\\u0131n\\u0131rlama d\\u00fcrt\\u00fcs\\u00fcn\\u00fcn ve team\\u00fcl\\u00fcn\\u00fcn insan varolu\\u015funa her zaman e\\u015flik etti\\u011fini savunuyor.\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cDo\\u011fal Semboller bug\\u00fcn de Mary Douglas\\u2019\\u0131n d\\u00fc\\u015f\\u00fcncesini anlamay\\u0131 sa\\u011flayan en \\u00f6nemli yap\\u0131t. 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Yoksa kendine tapan kad\\u0131n S\\u00e2r\\u00e2\\u2019n\\u0131n dedi\\u011fi gibi insan kendisinden ba\\u015fkas\\u0131n\\u0131 sevemez mi?<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Suat Dervi\\u015f\\u2019in Gece Postas\\u0131 gazetesinde 1947 y\\u0131l\\u0131nda tefrika ettirdi\\u011fi ve b\\u00fcy\\u00fck ilgi g\\u00f6ren Kendine Tapan Kad\\u0131n ilk kez kitap olarak okurla bulu\\u015fuyor. Fosforlu Cevriye\\u2019den hemen \\u00f6nce kaleme al\\u0131nan Kendine Tapan Kad\\u0131n, s\\u0131n\\u0131f \\u00e7at\\u0131\\u015fmas\\u0131n\\u0131, insani h\\u0131rslar\\u0131n ve \\u00e7\\u0131karlar\\u0131n toplumda a\\u00e7t\\u0131\\u011f\\u0131 b\\u00fcy\\u00fck yaralar\\u0131 b\\u00fct\\u00fcn \\u00e7arp\\u0131c\\u0131l\\u0131\\u011f\\u0131 ve cesaretiyle ortaya koyuyor. Gen\\u00e7 bir kad\\u0131n\\u0131n \\u00e7ocuklu\\u011funda a\\u00e7\\u0131lan derin bir yara onu nas\\u0131l bir zalime d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcr ve en b\\u00fcy\\u00fck zarar\\u0131 yine nas\\u0131l kendisine verir ad\\u0131m ad\\u0131m g\\u00f6steriyor Dervi\\u015f.<\\\/p>\\r\\n\\r\\n<p>Titiz ve yo\\u011fun ar\\u015fiv \\u00e7al\\u0131\\u015fmalar\\u0131yla ortaya \\u00e7\\u0131kar\\u0131lan Suat Dervi\\u015f k\\u00fclliyat\\u0131n\\u0131n mihenk ta\\u015flar\\u0131ndan biri olan Kendine Tapan Kad\\u0131n yetmi\\u015f bir sene sonra okurla bulu\\u015fuyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cKendine Tapan Kad\\u0131n\\u2019\\u0131 -ger\\u00e7ekten soluk solu\\u011fa- okuyup bitirdi\\u011fimde, bu yaz, A\\u011fustosta, kendi kendime \\u201cUnutulmayacak bir roman!\\u201d dedim. Anlat\\u0131\\u015f\\u0131yla, ele ald\\u0131\\u011f\\u0131 sorunla, baz\\u0131 benzersiz sahneleriyle, kurgusuyla, Hele Etmeyezli S\\u00e2r\\u00e2\\u2019s\\u0131yla.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013SEL\\u0130M \\u0130LER\\u0130-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Selim \\u0130leri\\u2019nin \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u0130ki insan\\u0131n birbirini sevmesi m\\u00fcmk\\u00fcn m\\u00fcd\\u00fcr? Yoksa kendine tapan kad\\u0131n S\\u00e2r\\u00e2\\u2019n\\u0131n dedi\\u011fi gibi insan kendisinden ba\\u015fkas\\u0131n\\u0131 sevemez mi?<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Suat Dervi\\u015f\\u2019in Gece Postas\\u0131 gazetesinde 1947 y\\u0131l\\u0131nda tefrika ettirdi\\u011fi ve b\\u00fcy\\u00fck ilgi g\\u00f6ren Kendine Tapan Kad\\u0131n ilk kez kitap olarak okurla bulu\\u015fuyor. Fosforlu Cevriye\\u2019den hemen \\u00f6nce kaleme al\\u0131nan Kendine Tapan Kad\\u0131n, s\\u0131n\\u0131f \\u00e7at\\u0131\\u015fmas\\u0131n\\u0131, insani h\\u0131rslar\\u0131n ve \\u00e7\\u0131karlar\\u0131n toplumda a\\u00e7t\\u0131\\u011f\\u0131 b\\u00fcy\\u00fck yaralar\\u0131 b\\u00fct\\u00fcn \\u00e7arp\\u0131c\\u0131l\\u0131\\u011f\\u0131 ve cesaretiyle ortaya koyuyor. Gen\\u00e7 bir kad\\u0131n\\u0131n \\u00e7ocuklu\\u011funda a\\u00e7\\u0131lan derin bir yara onu nas\\u0131l bir zalime d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcr ve en b\\u00fcy\\u00fck zarar\\u0131 yine nas\\u0131l kendisine verir ad\\u0131m ad\\u0131m g\\u00f6steriyor Dervi\\u015f.<\\\/p>\\r\\n\\r\\n<p>Titiz ve yo\\u011fun ar\\u015fiv \\u00e7al\\u0131\\u015fmalar\\u0131yla ortaya \\u00e7\\u0131kar\\u0131lan Suat Dervi\\u015f k\\u00fclliyat\\u0131n\\u0131n mihenk ta\\u015flar\\u0131ndan biri olan Kendine Tapan Kad\\u0131n yetmi\\u015f bir sene sonra okurla bulu\\u015fuyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cKendine Tapan Kad\\u0131n\\u2019\\u0131 -ger\\u00e7ekten soluk solu\\u011fa- okuyup bitirdi\\u011fimde, bu yaz, A\\u011fustosta, kendi kendime \\u201cUnutulmayacak bir roman!\\u201d dedim. Anlat\\u0131\\u015f\\u0131yla, ele ald\\u0131\\u011f\\u0131 sorunla, baz\\u0131 benzersiz sahneleriyle, kurgusuyla, Hele Etmeyezli S\\u00e2r\\u00e2\\u2019s\\u0131yla.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013SEL\\u0130M \\u0130LER\\u0130-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4465,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6133,\"book_id\":4465,\"locale\":\"tr\",\"name\":\"Kendine Tapan Kad\\u0131n\",\"slug\":\"kendine-tapan-kadin\",\"sub_name\":null,\"description\":\"<p>Selim \\u0130leri\\u2019nin \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u0130ki insan\\u0131n birbirini sevmesi m\\u00fcmk\\u00fcn m\\u00fcd\\u00fcr? Yoksa kendine tapan kad\\u0131n S\\u00e2r\\u00e2\\u2019n\\u0131n dedi\\u011fi gibi insan kendisinden ba\\u015fkas\\u0131n\\u0131 sevemez mi?<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Suat Dervi\\u015f\\u2019in Gece Postas\\u0131 gazetesinde 1947 y\\u0131l\\u0131nda tefrika ettirdi\\u011fi ve b\\u00fcy\\u00fck ilgi g\\u00f6ren Kendine Tapan Kad\\u0131n ilk kez kitap olarak okurla bulu\\u015fuyor. Fosforlu Cevriye\\u2019den hemen \\u00f6nce kaleme al\\u0131nan Kendine Tapan Kad\\u0131n, s\\u0131n\\u0131f \\u00e7at\\u0131\\u015fmas\\u0131n\\u0131, insani h\\u0131rslar\\u0131n ve \\u00e7\\u0131karlar\\u0131n toplumda a\\u00e7t\\u0131\\u011f\\u0131 b\\u00fcy\\u00fck yaralar\\u0131 b\\u00fct\\u00fcn \\u00e7arp\\u0131c\\u0131l\\u0131\\u011f\\u0131 ve cesaretiyle ortaya koyuyor. Gen\\u00e7 bir kad\\u0131n\\u0131n \\u00e7ocuklu\\u011funda a\\u00e7\\u0131lan derin bir yara onu nas\\u0131l bir zalime d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcr ve en b\\u00fcy\\u00fck zarar\\u0131 yine nas\\u0131l kendisine verir ad\\u0131m ad\\u0131m g\\u00f6steriyor Dervi\\u015f.<\\\/p>\\r\\n\\r\\n<p>Titiz ve yo\\u011fun ar\\u015fiv \\u00e7al\\u0131\\u015fmalar\\u0131yla ortaya \\u00e7\\u0131kar\\u0131lan Suat Dervi\\u015f k\\u00fclliyat\\u0131n\\u0131n mihenk ta\\u015flar\\u0131ndan biri olan Kendine Tapan Kad\\u0131n yetmi\\u015f bir sene sonra okurla bulu\\u015fuyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cKendine Tapan Kad\\u0131n\\u2019\\u0131 -ger\\u00e7ekten soluk solu\\u011fa- okuyup bitirdi\\u011fimde, bu yaz, A\\u011fustosta, kendi kendime \\u201cUnutulmayacak bir roman!\\u201d dedim. Anlat\\u0131\\u015f\\u0131yla, ele ald\\u0131\\u011f\\u0131 sorunla, baz\\u0131 benzersiz sahneleriyle, kurgusuyla, Hele Etmeyezli S\\u00e2r\\u00e2\\u2019s\\u0131yla.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013SEL\\u0130M \\u0130LER\\u0130-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Selim \\u0130leri\\u2019nin \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u0130ki insan\\u0131n birbirini sevmesi m\\u00fcmk\\u00fcn m\\u00fcd\\u00fcr? Yoksa kendine tapan kad\\u0131n S\\u00e2r\\u00e2\\u2019n\\u0131n dedi\\u011fi gibi insan kendisinden ba\\u015fkas\\u0131n\\u0131 sevemez mi?<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Suat Dervi\\u015f\\u2019in Gece Postas\\u0131 gazetesinde 1947 y\\u0131l\\u0131nda tefrika ettirdi\\u011fi ve b\\u00fcy\\u00fck ilgi g\\u00f6ren Kendine Tapan Kad\\u0131n ilk kez kitap olarak okurla bulu\\u015fuyor. Fosforlu Cevriye\\u2019den hemen \\u00f6nce kaleme al\\u0131nan Kendine Tapan Kad\\u0131n, s\\u0131n\\u0131f \\u00e7at\\u0131\\u015fmas\\u0131n\\u0131, insani h\\u0131rslar\\u0131n ve \\u00e7\\u0131karlar\\u0131n toplumda a\\u00e7t\\u0131\\u011f\\u0131 b\\u00fcy\\u00fck yaralar\\u0131 b\\u00fct\\u00fcn \\u00e7arp\\u0131c\\u0131l\\u0131\\u011f\\u0131 ve cesaretiyle ortaya koyuyor. Gen\\u00e7 bir kad\\u0131n\\u0131n \\u00e7ocuklu\\u011funda a\\u00e7\\u0131lan derin bir yara onu nas\\u0131l bir zalime d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcr ve en b\\u00fcy\\u00fck zarar\\u0131 yine nas\\u0131l kendisine verir ad\\u0131m ad\\u0131m g\\u00f6steriyor Dervi\\u015f.<\\\/p>\\r\\n\\r\\n<p>Titiz ve yo\\u011fun ar\\u015fiv \\u00e7al\\u0131\\u015fmalar\\u0131yla ortaya \\u00e7\\u0131kar\\u0131lan Suat Dervi\\u015f k\\u00fclliyat\\u0131n\\u0131n mihenk ta\\u015flar\\u0131ndan biri olan Kendine Tapan Kad\\u0131n yetmi\\u015f bir sene sonra okurla bulu\\u015fuyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cKendine Tapan Kad\\u0131n\\u2019\\u0131 -ger\\u00e7ekten soluk solu\\u011fa- okuyup bitirdi\\u011fimde, bu yaz, A\\u011fustosta, kendi kendime \\u201cUnutulmayacak bir roman!\\u201d dedim. Anlat\\u0131\\u015f\\u0131yla, ele ald\\u0131\\u011f\\u0131 sorunla, baz\\u0131 benzersiz sahneleriyle, kurgusuyla, Hele Etmeyezli S\\u00e2r\\u00e2\\u2019s\\u0131yla.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013SEL\\u0130M \\u0130LER\\u0130-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4476,\"user_id\":10,\"original_name\":\"Hi\\u00e7biri\",\"printing_date\":\"2018-10-19 16:09:33\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/hicbiri-kapak-1539695373.png\",\"image_settings\":{\"id\":4476,\"path\":\"\\\/images\\\/books\\\/2018\\\/10\\\/16\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":49141,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17693,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":7335,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2038,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1217,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2438,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":15222,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":16006,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":6738,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1752,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":830,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2150,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-10-16 16:09:33\",\"updated_at\":\"2019-04-10 10:57:34\",\"name\":\"Hi\\u00e7biri\",\"slug\":\"hicbiri\",\"sub_name\":null,\"description\":\"<p>Ay\\u015feg\\u00fcl Utku G\\u00fcnayd\\u0131n\\u2019\\u0131n \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Suat Dervi\\u015f, ger\\u00e7ek sevginin \\u00f6nemini ve sevgisizli\\u011fin insan ve toplumu ne hale getirdi\\u011fini t\\u00fcm ger\\u00e7ekli\\u011fiyle anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>1923 y\\u0131l\\u0131nda K\\u00fct\\u00fcphane-i Sudi Ne\\u015friyat\\u0131 taraf\\u0131ndan bas\\u0131lan <em>Hi\\u00e7biri,<\\\/em> insani ili\\u015fkilerin, yaln\\u0131zl\\u0131\\u011f\\u0131n, hayal k\\u0131r\\u0131kl\\u0131klar\\u0131n\\u0131n ortaya \\u00e7\\u0131kard\\u0131\\u011f\\u0131 ruh hallerini derinlemesine tahlil ederek karakterlerini kuruyor. Ablas\\u0131 Hamiyet Dervi\\u015f\\u2019le olan ili\\u015fkilerinden de beslenen romanda Suat Dervi\\u015f, yer yer kendini bir roman karakterine d\\u00f6n\\u00fc\\u015ft\\u00fcrmekten \\u00e7ekinmiyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cDervi\\u015f, karakterleri \\u00fczerinden kad\\u0131n\\u0131n ger\\u00e7ek anlamda ya\\u015famamas\\u0131 ve hayat\\u0131n i\\u00e7ine girememesi sorunlar\\u0131n\\u0131 dile getirmi\\u015ftir.\\u201d\\u00ad<\\\/p>\\r\\n\\r\\n<p>\\u2013 AY\\u015eEG\\u00dcL UTKU G\\u00dcNAYDIN-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ay\\u015feg\\u00fcl Utku G\\u00fcnayd\\u0131n\\u2019\\u0131n \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Suat Dervi\\u015f, ger\\u00e7ek sevginin \\u00f6nemini ve sevgisizli\\u011fin insan ve toplumu ne hale getirdi\\u011fini t\\u00fcm ger\\u00e7ekli\\u011fiyle anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>1923 y\\u0131l\\u0131nda K\\u00fct\\u00fcphane-i Sudi Ne\\u015friyat\\u0131 taraf\\u0131ndan bas\\u0131lan <em>Hi\\u00e7biri,<\\\/em> insani ili\\u015fkilerin, yaln\\u0131zl\\u0131\\u011f\\u0131n, hayal k\\u0131r\\u0131kl\\u0131klar\\u0131n\\u0131n ortaya \\u00e7\\u0131kard\\u0131\\u011f\\u0131 ruh hallerini derinlemesine tahlil ederek karakterlerini kuruyor. Ablas\\u0131 Hamiyet Dervi\\u015f\\u2019le olan ili\\u015fkilerinden de beslenen romanda Suat Dervi\\u015f, yer yer kendini bir roman karakterine d\\u00f6n\\u00fc\\u015ft\\u00fcrmekten \\u00e7ekinmiyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cDervi\\u015f, karakterleri \\u00fczerinden kad\\u0131n\\u0131n ger\\u00e7ek anlamda ya\\u015famamas\\u0131 ve hayat\\u0131n i\\u00e7ine girememesi sorunlar\\u0131n\\u0131 dile getirmi\\u015ftir.\\u201d\\u00ad<\\\/p>\\r\\n\\r\\n<p>\\u2013 AY\\u015eEG\\u00dcL UTKU G\\u00dcNAYDIN-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4476,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6146,\"book_id\":4476,\"locale\":\"tr\",\"name\":\"Hi\\u00e7biri\",\"slug\":\"hicbiri\",\"sub_name\":null,\"description\":\"<p>Ay\\u015feg\\u00fcl Utku G\\u00fcnayd\\u0131n\\u2019\\u0131n \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Suat Dervi\\u015f, ger\\u00e7ek sevginin \\u00f6nemini ve sevgisizli\\u011fin insan ve toplumu ne hale getirdi\\u011fini t\\u00fcm ger\\u00e7ekli\\u011fiyle anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>1923 y\\u0131l\\u0131nda K\\u00fct\\u00fcphane-i Sudi Ne\\u015friyat\\u0131 taraf\\u0131ndan bas\\u0131lan <em>Hi\\u00e7biri,<\\\/em> insani ili\\u015fkilerin, yaln\\u0131zl\\u0131\\u011f\\u0131n, hayal k\\u0131r\\u0131kl\\u0131klar\\u0131n\\u0131n ortaya \\u00e7\\u0131kard\\u0131\\u011f\\u0131 ruh hallerini derinlemesine tahlil ederek karakterlerini kuruyor. Ablas\\u0131 Hamiyet Dervi\\u015f\\u2019le olan ili\\u015fkilerinden de beslenen romanda Suat Dervi\\u015f, yer yer kendini bir roman karakterine d\\u00f6n\\u00fc\\u015ft\\u00fcrmekten \\u00e7ekinmiyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cDervi\\u015f, karakterleri \\u00fczerinden kad\\u0131n\\u0131n ger\\u00e7ek anlamda ya\\u015famamas\\u0131 ve hayat\\u0131n i\\u00e7ine girememesi sorunlar\\u0131n\\u0131 dile getirmi\\u015ftir.\\u201d\\u00ad<\\\/p>\\r\\n\\r\\n<p>\\u2013 AY\\u015eEG\\u00dcL UTKU G\\u00dcNAYDIN-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ay\\u015feg\\u00fcl Utku G\\u00fcnayd\\u0131n\\u2019\\u0131n \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Suat Dervi\\u015f, ger\\u00e7ek sevginin \\u00f6nemini ve sevgisizli\\u011fin insan ve toplumu ne hale getirdi\\u011fini t\\u00fcm ger\\u00e7ekli\\u011fiyle anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>1923 y\\u0131l\\u0131nda K\\u00fct\\u00fcphane-i Sudi Ne\\u015friyat\\u0131 taraf\\u0131ndan bas\\u0131lan <em>Hi\\u00e7biri,<\\\/em> insani ili\\u015fkilerin, yaln\\u0131zl\\u0131\\u011f\\u0131n, hayal k\\u0131r\\u0131kl\\u0131klar\\u0131n\\u0131n ortaya \\u00e7\\u0131kard\\u0131\\u011f\\u0131 ruh hallerini derinlemesine tahlil ederek karakterlerini kuruyor. 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Sadelikten ve ak\\u0131c\\u0131l\\u0131ktan vazge\\u00e7meyen Dervi\\u015f \\u201cedebiyat yapmadan\\u201d edebiyat yap\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>1939 y\\u0131l\\u0131nda Haber gazetesinde tefrika edildi\\u011finde ses getiren metin bug\\u00fcnk\\u00fc sosyal ve ekonomik u\\u00e7urumlar\\u0131n da \\u00e7ok uza\\u011f\\u0131na d\\u00fc\\u015fm\\u00fcyor. Suat Dervi\\u015f\\u2019in \\u201830\\u2019lardan itibaren \\u00fcretti\\u011fi toplumcu ger\\u00e7ek\\u00e7i metinler ele\\u015ftirmenler taraf\\u0131ndan y\\u0131llar i\\u00e7inde g\\u00f6rmezden gelinmi\\u015f olsa da b\\u00fct\\u00fcn canl\\u0131l\\u0131\\u011f\\u0131 ve ger\\u00e7ek\\u00e7ili\\u011fiyle seneler sonra bile anlam\\u0131n\\u0131 ve \\u00f6nemini koruyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cHen\\u00fcz s\\u0131n\\u0131flar aras\\u0131ndaki makas\\u0131n son derecelerine kadar a\\u00e7\\u0131lmad\\u0131\\u011f\\u0131 1930\\u2019larda Suat Dervi\\u015f, \\u0130stanbul\\u2019un Bir Gecesi ile, Adalet A\\u011fao\\u011flu\\u2019nun Bir D\\u00fc\\u011f\\u00fcn Gecesi roman\\u0131yla 1970\\u2019lerde yapt\\u0131\\u011f\\u0131n\\u0131n bir benzerini yapar. Yazar, bir d\\u00fc\\u011f\\u00fcn etraf\\u0131nda T\\u00fcrkiye\\u2019nin \\u00e7arp\\u0131k kapitalistle\\u015fmesinin g\\u00fcndelik tarihini sunar.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013\\u00c7\\u0130MEN G\\u00dcNAY ERKOL-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u00c7imen G\\u00fcnay Erkol\\u2019un \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Suat Dervi\\u015f, her bir karakterin trajediye d\\u00f6nm\\u00fc\\u015f hayat\\u0131n\\u0131 \\u00e7arp\\u0131c\\u0131 ve apa\\u00e7\\u0131k bir dille anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u0130stanbul\\u2019un Bir Gecesi s\\u0131radan bir gecenin farkl\\u0131 s\\u0131n\\u0131ftan insanlarca nas\\u0131l ya\\u015fand\\u0131\\u011f\\u0131n\\u0131, bir yanda tek sefer giyece\\u011fi bir elbiseye servet \\u00f6deyen kaymak tabakadan bir kad\\u0131nla, di\\u011fer yanda o\\u011fluna kan paras\\u0131 bulmak i\\u00e7in bedenini satan veremli bir anneyi anlat\\u0131yor. Sadelikten ve ak\\u0131c\\u0131l\\u0131ktan vazge\\u00e7meyen Dervi\\u015f \\u201cedebiyat yapmadan\\u201d edebiyat yap\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>1939 y\\u0131l\\u0131nda Haber gazetesinde tefrika edildi\\u011finde ses getiren metin bug\\u00fcnk\\u00fc sosyal ve ekonomik u\\u00e7urumlar\\u0131n da \\u00e7ok uza\\u011f\\u0131na d\\u00fc\\u015fm\\u00fcyor. Suat Dervi\\u015f\\u2019in \\u201830\\u2019lardan itibaren \\u00fcretti\\u011fi toplumcu ger\\u00e7ek\\u00e7i metinler ele\\u015ftirmenler taraf\\u0131ndan y\\u0131llar i\\u00e7inde g\\u00f6rmezden gelinmi\\u015f olsa da b\\u00fct\\u00fcn canl\\u0131l\\u0131\\u011f\\u0131 ve ger\\u00e7ek\\u00e7ili\\u011fiyle seneler sonra bile anlam\\u0131n\\u0131 ve \\u00f6nemini koruyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cHen\\u00fcz s\\u0131n\\u0131flar aras\\u0131ndaki makas\\u0131n son derecelerine kadar a\\u00e7\\u0131lmad\\u0131\\u011f\\u0131 1930\\u2019larda Suat Dervi\\u015f, \\u0130stanbul\\u2019un Bir Gecesi ile, Adalet A\\u011fao\\u011flu\\u2019nun Bir D\\u00fc\\u011f\\u00fcn Gecesi roman\\u0131yla 1970\\u2019lerde yapt\\u0131\\u011f\\u0131n\\u0131n bir benzerini yapar. Yazar, bir d\\u00fc\\u011f\\u00fcn etraf\\u0131nda T\\u00fcrkiye\\u2019nin \\u00e7arp\\u0131k kapitalistle\\u015fmesinin g\\u00fcndelik tarihini sunar.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013\\u00c7\\u0130MEN G\\u00dcNAY ERKOL-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4477,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6147,\"book_id\":4477,\"locale\":\"tr\",\"name\":\"\\u0130stanbul'un Bir Gecesi\",\"slug\":\"istanbulun-bir-gecesi\",\"sub_name\":null,\"description\":\"<p>\\u00c7imen G\\u00fcnay Erkol\\u2019un \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Suat Dervi\\u015f, her bir karakterin trajediye d\\u00f6nm\\u00fc\\u015f hayat\\u0131n\\u0131 \\u00e7arp\\u0131c\\u0131 ve apa\\u00e7\\u0131k bir dille anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u0130stanbul\\u2019un Bir Gecesi s\\u0131radan bir gecenin farkl\\u0131 s\\u0131n\\u0131ftan insanlarca nas\\u0131l ya\\u015fand\\u0131\\u011f\\u0131n\\u0131, bir yanda tek sefer giyece\\u011fi bir elbiseye servet \\u00f6deyen kaymak tabakadan bir kad\\u0131nla, di\\u011fer yanda o\\u011fluna kan paras\\u0131 bulmak i\\u00e7in bedenini satan veremli bir anneyi anlat\\u0131yor. Sadelikten ve ak\\u0131c\\u0131l\\u0131ktan vazge\\u00e7meyen Dervi\\u015f \\u201cedebiyat yapmadan\\u201d edebiyat yap\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>1939 y\\u0131l\\u0131nda Haber gazetesinde tefrika edildi\\u011finde ses getiren metin bug\\u00fcnk\\u00fc sosyal ve ekonomik u\\u00e7urumlar\\u0131n da \\u00e7ok uza\\u011f\\u0131na d\\u00fc\\u015fm\\u00fcyor. Suat Dervi\\u015f\\u2019in \\u201830\\u2019lardan itibaren \\u00fcretti\\u011fi toplumcu ger\\u00e7ek\\u00e7i metinler ele\\u015ftirmenler taraf\\u0131ndan y\\u0131llar i\\u00e7inde g\\u00f6rmezden gelinmi\\u015f olsa da b\\u00fct\\u00fcn canl\\u0131l\\u0131\\u011f\\u0131 ve ger\\u00e7ek\\u00e7ili\\u011fiyle seneler sonra bile anlam\\u0131n\\u0131 ve \\u00f6nemini koruyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cHen\\u00fcz s\\u0131n\\u0131flar aras\\u0131ndaki makas\\u0131n son derecelerine kadar a\\u00e7\\u0131lmad\\u0131\\u011f\\u0131 1930\\u2019larda Suat Dervi\\u015f, \\u0130stanbul\\u2019un Bir Gecesi ile, Adalet A\\u011fao\\u011flu\\u2019nun Bir D\\u00fc\\u011f\\u00fcn Gecesi roman\\u0131yla 1970\\u2019lerde yapt\\u0131\\u011f\\u0131n\\u0131n bir benzerini yapar. Yazar, bir d\\u00fc\\u011f\\u00fcn etraf\\u0131nda T\\u00fcrkiye\\u2019nin \\u00e7arp\\u0131k kapitalistle\\u015fmesinin g\\u00fcndelik tarihini sunar.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013\\u00c7\\u0130MEN G\\u00dcNAY ERKOL-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u00c7imen G\\u00fcnay Erkol\\u2019un \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Suat Dervi\\u015f, her bir karakterin trajediye d\\u00f6nm\\u00fc\\u015f hayat\\u0131n\\u0131 \\u00e7arp\\u0131c\\u0131 ve apa\\u00e7\\u0131k bir dille anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u0130stanbul\\u2019un Bir Gecesi s\\u0131radan bir gecenin farkl\\u0131 s\\u0131n\\u0131ftan insanlarca nas\\u0131l ya\\u015fand\\u0131\\u011f\\u0131n\\u0131, bir yanda tek sefer giyece\\u011fi bir elbiseye servet \\u00f6deyen kaymak tabakadan bir kad\\u0131nla, di\\u011fer yanda o\\u011fluna kan paras\\u0131 bulmak i\\u00e7in bedenini satan veremli bir anneyi anlat\\u0131yor. Sadelikten ve ak\\u0131c\\u0131l\\u0131ktan vazge\\u00e7meyen Dervi\\u015f \\u201cedebiyat yapmadan\\u201d edebiyat yap\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>1939 y\\u0131l\\u0131nda Haber gazetesinde tefrika edildi\\u011finde ses getiren metin bug\\u00fcnk\\u00fc sosyal ve ekonomik u\\u00e7urumlar\\u0131n da \\u00e7ok uza\\u011f\\u0131na d\\u00fc\\u015fm\\u00fcyor. Suat Dervi\\u015f\\u2019in \\u201830\\u2019lardan itibaren \\u00fcretti\\u011fi toplumcu ger\\u00e7ek\\u00e7i metinler ele\\u015ftirmenler taraf\\u0131ndan y\\u0131llar i\\u00e7inde g\\u00f6rmezden gelinmi\\u015f olsa da b\\u00fct\\u00fcn canl\\u0131l\\u0131\\u011f\\u0131 ve ger\\u00e7ek\\u00e7ili\\u011fiyle seneler sonra bile anlam\\u0131n\\u0131 ve \\u00f6nemini koruyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cHen\\u00fcz s\\u0131n\\u0131flar aras\\u0131ndaki makas\\u0131n son derecelerine kadar a\\u00e7\\u0131lmad\\u0131\\u011f\\u0131 1930\\u2019larda Suat Dervi\\u015f, \\u0130stanbul\\u2019un Bir Gecesi ile, Adalet A\\u011fao\\u011flu\\u2019nun Bir D\\u00fc\\u011f\\u00fcn Gecesi roman\\u0131yla 1970\\u2019lerde yapt\\u0131\\u011f\\u0131n\\u0131n bir benzerini yapar. Yazar, bir d\\u00fc\\u011f\\u00fcn etraf\\u0131nda T\\u00fcrkiye\\u2019nin \\u00e7arp\\u0131k kapitalistle\\u015fmesinin g\\u00fcndelik tarihini sunar.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013\\u00c7\\u0130MEN G\\u00dcNAY ERKOL-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4478,\"user_id\":10,\"original_name\":\"Bu Roman Olan \\u015eeylerin Roman\\u0131d\\u0131r\",\"printing_date\":\"2018-10-19 16:11:51\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/bu-roman-olan-seylerin-romanidir-kapak-1539695511.png\",\"image_settings\":{\"id\":4478,\"path\":\"\\\/images\\\/books\\\/2018\\\/10\\\/16\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":53300,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":21161,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":8183,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2135,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1208,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2672,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":18122,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":19462,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7810,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1898,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":844,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2492,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-10-16 16:11:51\",\"updated_at\":\"2019-04-10 10:57:34\",\"name\":\"Bu Roman Olan \\u015eeylerin Roman\\u0131d\\u0131r\",\"slug\":\"bu-roman-olan-seylerin-romanidir\",\"sub_name\":null,\"description\":\"<p>Menek\\u015fe Toprak\\u2019\\u0131n \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Bir dokuma fabrikas\\u0131nda s\\u00f6m\\u00fcr\\u00fclen, b\\u00fct\\u00fcn haklar\\u0131 gasp edilmi\\u015f bir avu\\u00e7 insan\\u0131n hayat\\u0131n\\u0131n anlat\\u0131ld\\u0131\\u011f\\u0131 roman toplumcu ger\\u00e7ek\\u00e7i \\u00e7izgide yay\\u0131mlanan ilk kitaplardan.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Bu Roman Olan \\u015eeylerin Roman\\u0131d\\u0131r, Tan gazetesinde 1937 y\\u0131l\\u0131nda tefrika edilmeye ba\\u015fland\\u0131\\u011f\\u0131nda toplumcu ger\\u00e7ek\\u00e7i roman pop\\u00fcler bir t\\u00fcr de\\u011fildi. Hatta k\\u00f6y ve ta\\u015fran\\u0131n d\\u0131\\u015f\\u0131na \\u00e7\\u0131k\\u0131p \\u015fehir hayat\\u0131n\\u0131, kenar mahalleleri, fabrikalar\\u0131 anlatan roman yok denecek kadar azd\\u0131. Suat Dervi\\u015f\\u2019i \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131 gazete muhabir olarak Sovyetlere g\\u00f6nderdi\\u011finde roman\\u0131 yar\\u0131m bir \\u015fekilde, taslaklar\\u0131yla Kemal Tahir\\u2019e b\\u0131rakm\\u0131\\u015f, son k\\u0131sm\\u0131n\\u0131 Kemal Tahir tamamlam\\u0131\\u015ft\\u0131r. Tren yolculu\\u011fu s\\u0131ras\\u0131nda iki kal\\u0131n defter yaz\\u0131p yollad\\u0131ysa da gazete tefrikan\\u0131n yeterince ilgi g\\u00f6rmedi\\u011fini s\\u00f6yleyerek Kemal Tahir\\u2019in sonu yazmas\\u0131n\\u0131 istemi\\u015ftir.<\\\/p>\\r\\n\\r\\n<p>Bu ko\\u015fullar alt\\u0131nda yaz\\u0131lan ve okurla bulu\\u015fan roman seksen bir sene sonra ilk kez Suat Dervi\\u015f ad\\u0131yla kitapla\\u015f\\u0131yor. D\\u00fcnden bug\\u00fcne ko\\u015fullarda ve s\\u00f6m\\u00fcr\\u00fclen bir avu\\u00e7 insan\\u0131n hayat\\u0131nda bir \\u015fey de\\u011fi\\u015fmedi\\u011fini g\\u00f6zler \\u00f6n\\u00fcne seren Dervi\\u015f, zaman\\u0131 a\\u015fan \\u00f6ng\\u00f6r\\u00fcs\\u00fc ve tahlilleriyle b\\u00fcy\\u00fck bir yazar oldu\\u011funu g\\u00f6steriyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cDervi\\u015f, 1930\\u2019lar\\u0131n yoksullu\\u011funu, \\u0130stanbul\\u2019un i\\u015f\\u00e7i mahallesi olan Edirnekap\\u0131 civar\\u0131n\\u0131 \\u00f6yle sahici anlat\\u0131r, \\u00f6yle \\u00e7arp\\u0131c\\u0131 resmeder ki yer yer Emile Zola\\u2019n\\u0131n Germinal roman\\u0131ndaki maden i\\u015f\\u00e7ilerini, bazen de John Steinbeck\\u2019in bu romandan iki y\\u0131l sonra yay\\u0131mlanan Gazap \\u00dcz\\u00fcmleri\\u2019ndeki mevsimlik i\\u015f\\u00e7ileri g\\u00f6r\\u00fcr gibi olursunuz.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013MENEK\\u015eE TOPRAK-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Menek\\u015fe Toprak\\u2019\\u0131n \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Bir dokuma fabrikas\\u0131nda s\\u00f6m\\u00fcr\\u00fclen, b\\u00fct\\u00fcn haklar\\u0131 gasp edilmi\\u015f bir avu\\u00e7 insan\\u0131n hayat\\u0131n\\u0131n anlat\\u0131ld\\u0131\\u011f\\u0131 roman toplumcu ger\\u00e7ek\\u00e7i \\u00e7izgide yay\\u0131mlanan ilk kitaplardan.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Bu Roman Olan \\u015eeylerin Roman\\u0131d\\u0131r, Tan gazetesinde 1937 y\\u0131l\\u0131nda tefrika edilmeye ba\\u015fland\\u0131\\u011f\\u0131nda toplumcu ger\\u00e7ek\\u00e7i roman pop\\u00fcler bir t\\u00fcr de\\u011fildi. Hatta k\\u00f6y ve ta\\u015fran\\u0131n d\\u0131\\u015f\\u0131na \\u00e7\\u0131k\\u0131p \\u015fehir hayat\\u0131n\\u0131, kenar mahalleleri, fabrikalar\\u0131 anlatan roman yok denecek kadar azd\\u0131. Suat Dervi\\u015f\\u2019i \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131 gazete muhabir olarak Sovyetlere g\\u00f6nderdi\\u011finde roman\\u0131 yar\\u0131m bir \\u015fekilde, taslaklar\\u0131yla Kemal Tahir\\u2019e b\\u0131rakm\\u0131\\u015f, son k\\u0131sm\\u0131n\\u0131 Kemal Tahir tamamlam\\u0131\\u015ft\\u0131r. Tren yolculu\\u011fu s\\u0131ras\\u0131nda iki kal\\u0131n defter yaz\\u0131p yollad\\u0131ysa da gazete tefrikan\\u0131n yeterince ilgi g\\u00f6rmedi\\u011fini s\\u00f6yleyerek Kemal Tahir\\u2019in sonu yazmas\\u0131n\\u0131 istemi\\u015ftir.<\\\/p>\\r\\n\\r\\n<p>Bu ko\\u015fullar alt\\u0131nda yaz\\u0131lan ve okurla bulu\\u015fan roman seksen bir sene sonra ilk kez Suat Dervi\\u015f ad\\u0131yla kitapla\\u015f\\u0131yor. D\\u00fcnden bug\\u00fcne ko\\u015fullarda ve s\\u00f6m\\u00fcr\\u00fclen bir avu\\u00e7 insan\\u0131n hayat\\u0131nda bir \\u015fey de\\u011fi\\u015fmedi\\u011fini g\\u00f6zler \\u00f6n\\u00fcne seren Dervi\\u015f, zaman\\u0131 a\\u015fan \\u00f6ng\\u00f6r\\u00fcs\\u00fc ve tahlilleriyle b\\u00fcy\\u00fck bir yazar oldu\\u011funu g\\u00f6steriyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cDervi\\u015f, 1930\\u2019lar\\u0131n yoksullu\\u011funu, \\u0130stanbul\\u2019un i\\u015f\\u00e7i mahallesi olan Edirnekap\\u0131 civar\\u0131n\\u0131 \\u00f6yle sahici anlat\\u0131r, \\u00f6yle \\u00e7arp\\u0131c\\u0131 resmeder ki yer yer Emile Zola\\u2019n\\u0131n Germinal roman\\u0131ndaki maden i\\u015f\\u00e7ilerini, bazen de John Steinbeck\\u2019in bu romandan iki y\\u0131l sonra yay\\u0131mlanan Gazap \\u00dcz\\u00fcmleri\\u2019ndeki mevsimlik i\\u015f\\u00e7ileri g\\u00f6r\\u00fcr gibi olursunuz.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013MENEK\\u015eE TOPRAK-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4478,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6148,\"book_id\":4478,\"locale\":\"tr\",\"name\":\"Bu Roman Olan \\u015eeylerin Roman\\u0131d\\u0131r\",\"slug\":\"bu-roman-olan-seylerin-romanidir\",\"sub_name\":null,\"description\":\"<p>Menek\\u015fe Toprak\\u2019\\u0131n \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Bir dokuma fabrikas\\u0131nda s\\u00f6m\\u00fcr\\u00fclen, b\\u00fct\\u00fcn haklar\\u0131 gasp edilmi\\u015f bir avu\\u00e7 insan\\u0131n hayat\\u0131n\\u0131n anlat\\u0131ld\\u0131\\u011f\\u0131 roman toplumcu ger\\u00e7ek\\u00e7i \\u00e7izgide yay\\u0131mlanan ilk kitaplardan.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Bu Roman Olan \\u015eeylerin Roman\\u0131d\\u0131r, Tan gazetesinde 1937 y\\u0131l\\u0131nda tefrika edilmeye ba\\u015fland\\u0131\\u011f\\u0131nda toplumcu ger\\u00e7ek\\u00e7i roman pop\\u00fcler bir t\\u00fcr de\\u011fildi. Hatta k\\u00f6y ve ta\\u015fran\\u0131n d\\u0131\\u015f\\u0131na \\u00e7\\u0131k\\u0131p \\u015fehir hayat\\u0131n\\u0131, kenar mahalleleri, fabrikalar\\u0131 anlatan roman yok denecek kadar azd\\u0131. Suat Dervi\\u015f\\u2019i \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131 gazete muhabir olarak Sovyetlere g\\u00f6nderdi\\u011finde roman\\u0131 yar\\u0131m bir \\u015fekilde, taslaklar\\u0131yla Kemal Tahir\\u2019e b\\u0131rakm\\u0131\\u015f, son k\\u0131sm\\u0131n\\u0131 Kemal Tahir tamamlam\\u0131\\u015ft\\u0131r. Tren yolculu\\u011fu s\\u0131ras\\u0131nda iki kal\\u0131n defter yaz\\u0131p yollad\\u0131ysa da gazete tefrikan\\u0131n yeterince ilgi g\\u00f6rmedi\\u011fini s\\u00f6yleyerek Kemal Tahir\\u2019in sonu yazmas\\u0131n\\u0131 istemi\\u015ftir.<\\\/p>\\r\\n\\r\\n<p>Bu ko\\u015fullar alt\\u0131nda yaz\\u0131lan ve okurla bulu\\u015fan roman seksen bir sene sonra ilk kez Suat Dervi\\u015f ad\\u0131yla kitapla\\u015f\\u0131yor. D\\u00fcnden bug\\u00fcne ko\\u015fullarda ve s\\u00f6m\\u00fcr\\u00fclen bir avu\\u00e7 insan\\u0131n hayat\\u0131nda bir \\u015fey de\\u011fi\\u015fmedi\\u011fini g\\u00f6zler \\u00f6n\\u00fcne seren Dervi\\u015f, zaman\\u0131 a\\u015fan \\u00f6ng\\u00f6r\\u00fcs\\u00fc ve tahlilleriyle b\\u00fcy\\u00fck bir yazar oldu\\u011funu g\\u00f6steriyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cDervi\\u015f, 1930\\u2019lar\\u0131n yoksullu\\u011funu, \\u0130stanbul\\u2019un i\\u015f\\u00e7i mahallesi olan Edirnekap\\u0131 civar\\u0131n\\u0131 \\u00f6yle sahici anlat\\u0131r, \\u00f6yle \\u00e7arp\\u0131c\\u0131 resmeder ki yer yer Emile Zola\\u2019n\\u0131n Germinal roman\\u0131ndaki maden i\\u015f\\u00e7ilerini, bazen de John Steinbeck\\u2019in bu romandan iki y\\u0131l sonra yay\\u0131mlanan Gazap \\u00dcz\\u00fcmleri\\u2019ndeki mevsimlik i\\u015f\\u00e7ileri g\\u00f6r\\u00fcr gibi olursunuz.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013MENEK\\u015eE TOPRAK-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Menek\\u015fe Toprak\\u2019\\u0131n \\u00f6ns\\u00f6z\\u00fc,<\\\/p>\\r\\n\\r\\n<p>Serdar Soydan\\u2019\\u0131n titizlikle haz\\u0131rlad\\u0131\\u011f\\u0131 kronolojik biyografisiyle<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Bir dokuma fabrikas\\u0131nda s\\u00f6m\\u00fcr\\u00fclen, b\\u00fct\\u00fcn haklar\\u0131 gasp edilmi\\u015f bir avu\\u00e7 insan\\u0131n hayat\\u0131n\\u0131n anlat\\u0131ld\\u0131\\u011f\\u0131 roman toplumcu ger\\u00e7ek\\u00e7i \\u00e7izgide yay\\u0131mlanan ilk kitaplardan.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Bu Roman Olan \\u015eeylerin Roman\\u0131d\\u0131r, Tan gazetesinde 1937 y\\u0131l\\u0131nda tefrika edilmeye ba\\u015fland\\u0131\\u011f\\u0131nda toplumcu ger\\u00e7ek\\u00e7i roman pop\\u00fcler bir t\\u00fcr de\\u011fildi. Hatta k\\u00f6y ve ta\\u015fran\\u0131n d\\u0131\\u015f\\u0131na \\u00e7\\u0131k\\u0131p \\u015fehir hayat\\u0131n\\u0131, kenar mahalleleri, fabrikalar\\u0131 anlatan roman yok denecek kadar azd\\u0131. Suat Dervi\\u015f\\u2019i \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131 gazete muhabir olarak Sovyetlere g\\u00f6nderdi\\u011finde roman\\u0131 yar\\u0131m bir \\u015fekilde, taslaklar\\u0131yla Kemal Tahir\\u2019e b\\u0131rakm\\u0131\\u015f, son k\\u0131sm\\u0131n\\u0131 Kemal Tahir tamamlam\\u0131\\u015ft\\u0131r. Tren yolculu\\u011fu s\\u0131ras\\u0131nda iki kal\\u0131n defter yaz\\u0131p yollad\\u0131ysa da gazete tefrikan\\u0131n yeterince ilgi g\\u00f6rmedi\\u011fini s\\u00f6yleyerek Kemal Tahir\\u2019in sonu yazmas\\u0131n\\u0131 istemi\\u015ftir.<\\\/p>\\r\\n\\r\\n<p>Bu ko\\u015fullar alt\\u0131nda yaz\\u0131lan ve okurla bulu\\u015fan roman seksen bir sene sonra ilk kez Suat Dervi\\u015f ad\\u0131yla kitapla\\u015f\\u0131yor. D\\u00fcnden bug\\u00fcne ko\\u015fullarda ve s\\u00f6m\\u00fcr\\u00fclen bir avu\\u00e7 insan\\u0131n hayat\\u0131nda bir \\u015fey de\\u011fi\\u015fmedi\\u011fini g\\u00f6zler \\u00f6n\\u00fcne seren Dervi\\u015f, zaman\\u0131 a\\u015fan \\u00f6ng\\u00f6r\\u00fcs\\u00fc ve tahlilleriyle b\\u00fcy\\u00fck bir yazar oldu\\u011funu g\\u00f6steriyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cDervi\\u015f, 1930\\u2019lar\\u0131n yoksullu\\u011funu, \\u0130stanbul\\u2019un i\\u015f\\u00e7i mahallesi olan Edirnekap\\u0131 civar\\u0131n\\u0131 \\u00f6yle sahici anlat\\u0131r, \\u00f6yle \\u00e7arp\\u0131c\\u0131 resmeder ki yer yer Emile Zola\\u2019n\\u0131n Germinal roman\\u0131ndaki maden i\\u015f\\u00e7ilerini, bazen de John Steinbeck\\u2019in bu romandan iki y\\u0131l sonra yay\\u0131mlanan Gazap \\u00dcz\\u00fcmleri\\u2019ndeki mevsimlik i\\u015f\\u00e7ileri g\\u00f6r\\u00fcr gibi olursunuz.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u2013MENEK\\u015eE TOPRAK-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4479,\"user_id\":10,\"original_name\":\"Brave New World Revisited\",\"printing_date\":\"2018-10-19 16:14:15\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/brave-new-world-revisited-kapak-1539695655.png\",\"image_settings\":{\"id\":4479,\"path\":\"\\\/images\\\/books\\\/2018\\\/10\\\/16\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":71437,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":21431,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":8370,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2205,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1424,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2506,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":19330,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":21268,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7824,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1952,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1028,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2284,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":6,\"follower_count\":2,\"rate_count\":1,\"rate_average\":9,\"created_at\":\"2018-10-16 16:14:15\",\"updated_at\":\"2020-02-24 03:30:11\",\"name\":\"Cesur Yeni D\\u00fcnyay\\u0131 Ziyaret\",\"slug\":\"cesur-yeni-dunyayi-ziyaret\",\"sub_name\":null,\"description\":\"<p>Yirminci y\\u00fczy\\u0131lda hem edebiyata hem de felsefeye b\\u00fcy\\u00fck katk\\u0131lar sa\\u011flayan, ba\\u015fta <em>Cesur Yeni D\\u00fcnya<\\\/em>, <em>Alg\\u0131n\\u0131n Kap\\u0131lar\\u0131<\\\/em> ve <em>Ada<\\\/em> olmak \\u00fczere yazd\\u0131\\u011f\\u0131 elli kadar kitapla yaln\\u0131zca \\u00e7a\\u011f\\u0131n\\u0131 de\\u011fil \\u00e7a\\u011fda\\u015flar\\u0131n\\u0131 da derinden etkileyen, d\\u00f6neminin en \\u00f6nemli entelekt\\u00fcellerden \\u0130ngiliz yazar Aldous Huxley, yedi kez de Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc\\u2019ne aday g\\u00f6sterildi. Ba\\u015fyap\\u0131t\\u0131 <em>Cesur Yeni D\\u00fcnya<\\\/em>\\u2019n\\u0131n g\\u00fcncelli\\u011fini sorgulayan ve panoramas\\u0131n\\u0131 \\u00e7\\u0131karan <em>Cesur Yeni D\\u00fcnyay\\u0131 Ziyaret, <\\\/em>Huxley\\u2019nin kaynak eserinin bir sa\\u011flamas\\u0131 niteli\\u011finde.<\\\/p>\\r\\n\\r\\n<p><em>Cesur Yeni D\\u00fcnya<\\\/em>\\u2019dan yakla\\u015f\\u0131k otuz sene sonra yay\\u0131mlanan eser, romandaki kehanetlerin ne \\u00f6l\\u00e7\\u00fcde ger\\u00e7ekle\\u015fti\\u011fini mercek alt\\u0131na al\\u0131yor. Roman\\u0131 yazarkenki \\u00f6ng\\u00f6r\\u00fclerinin izini s\\u00fcren Huxley, d\\u00fcnyan\\u0131n, tasavvur etti\\u011fi distopyaya \\u00e7ok daha b\\u00fcy\\u00fck bir h\\u0131zla d\\u00f6n\\u00fc\\u015ft\\u00fc\\u011f\\u00fc sonucuna var\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>N\\u00fcfus art\\u0131\\u015f\\u0131ndan uyu\\u015fturucu kullan\\u0131m\\u0131na kadar pek \\u00e7ok konuda fikirlerini belirten Huxley, bu kitab\\u0131yla birlikte <em>Cesur Yeni D\\u00fcnya<\\\/em>\\u2019y\\u0131 yeniden ele al\\u0131rken bir di\\u011fer roman\\u0131 <em>Ada<\\\/em> i\\u00e7in de k\\u00f6pr\\u00fcler kuruyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cHuxley\\u2019nin uzak bir gelece\\u011fe dair satirik \\u00f6ng\\u00f6r\\u00fclerinin bu kadar k\\u0131sa s\\u00fcrede ger\\u00e7e\\u011fe d\\u00f6n\\u00fc\\u015ft\\u00fc\\u011f\\u00fcn\\u00fc ke\\u015ffetmek deh\\u015fet verici.\\u201d<\\\/p>\\r\\n\\r\\n<p>-New York TImes-<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u00c7a\\u011f\\u0131m\\u0131z\\u0131n belirsizli\\u011finde bize kim oldu\\u011fumuzu g\\u00f6steren \\u015feylerden biri de Huxley\\u2019nin dehas\\u0131d\\u0131r.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Margaret Atwood-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Yirminci y\\u00fczy\\u0131lda hem edebiyata hem de felsefeye b\\u00fcy\\u00fck katk\\u0131lar sa\\u011flayan, ba\\u015fta <em>Cesur Yeni D\\u00fcnya<\\\/em>, <em>Alg\\u0131n\\u0131n Kap\\u0131lar\\u0131<\\\/em> ve <em>Ada<\\\/em> olmak \\u00fczere yazd\\u0131\\u011f\\u0131 elli kadar kitapla yaln\\u0131zca \\u00e7a\\u011f\\u0131n\\u0131 de\\u011fil \\u00e7a\\u011fda\\u015flar\\u0131n\\u0131 da derinden etkileyen, d\\u00f6neminin en \\u00f6nemli entelekt\\u00fcellerden \\u0130ngiliz yazar Aldous Huxley, yedi kez de Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc\\u2019ne aday g\\u00f6sterildi. Ba\\u015fyap\\u0131t\\u0131 <em>Cesur Yeni D\\u00fcnya<\\\/em>\\u2019n\\u0131n g\\u00fcncelli\\u011fini sorgulayan ve panoramas\\u0131n\\u0131 \\u00e7\\u0131karan <em>Cesur Yeni D\\u00fcnyay\\u0131 Ziyaret, <\\\/em>Huxley\\u2019nin kaynak eserinin bir sa\\u011flamas\\u0131 niteli\\u011finde.<\\\/p>\\r\\n\\r\\n<p><em>Cesur Yeni D\\u00fcnya<\\\/em>\\u2019dan yakla\\u015f\\u0131k otuz sene sonra yay\\u0131mlanan eser, romandaki kehanetlerin ne \\u00f6l\\u00e7\\u00fcde ger\\u00e7ekle\\u015fti\\u011fini mercek alt\\u0131na al\\u0131yor. Roman\\u0131 yazarkenki \\u00f6ng\\u00f6r\\u00fclerinin izini s\\u00fcren Huxley, d\\u00fcnyan\\u0131n, tasavvur etti\\u011fi distopyaya \\u00e7ok daha b\\u00fcy\\u00fck bir h\\u0131zla d\\u00f6n\\u00fc\\u015ft\\u00fc\\u011f\\u00fc sonucuna var\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>N\\u00fcfus art\\u0131\\u015f\\u0131ndan uyu\\u015fturucu kullan\\u0131m\\u0131na kadar pek \\u00e7ok konuda fikirlerini belirten Huxley, bu kitab\\u0131yla birlikte <em>Cesur Yeni D\\u00fcnya<\\\/em>\\u2019y\\u0131 yeniden ele al\\u0131rken bir di\\u011fer roman\\u0131 <em>Ada<\\\/em> i\\u00e7in de k\\u00f6pr\\u00fcler kuruyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cHuxley\\u2019nin uzak bir gelece\\u011fe dair satirik \\u00f6ng\\u00f6r\\u00fclerinin bu kadar k\\u0131sa s\\u00fcrede ger\\u00e7e\\u011fe d\\u00f6n\\u00fc\\u015ft\\u00fc\\u011f\\u00fcn\\u00fc ke\\u015ffetmek deh\\u015fet verici.\\u201d<\\\/p>\\r\\n\\r\\n<p>-New York TImes-<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u00c7a\\u011f\\u0131m\\u0131z\\u0131n belirsizli\\u011finde bize kim oldu\\u011fumuzu g\\u00f6steren \\u015feylerden biri de Huxley\\u2019nin dehas\\u0131d\\u0131r.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Margaret Atwood-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4479,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6150,\"book_id\":4479,\"locale\":\"en\",\"name\":\"Brave New World Revisited\",\"slug\":\"brave-new-world-revisited\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":6149,\"book_id\":4479,\"locale\":\"tr\",\"name\":\"Cesur Yeni D\\u00fcnyay\\u0131 Ziyaret\",\"slug\":\"cesur-yeni-dunyayi-ziyaret\",\"sub_name\":null,\"description\":\"<p>Yirminci y\\u00fczy\\u0131lda hem edebiyata hem de felsefeye b\\u00fcy\\u00fck katk\\u0131lar sa\\u011flayan, ba\\u015fta <em>Cesur Yeni D\\u00fcnya<\\\/em>, <em>Alg\\u0131n\\u0131n Kap\\u0131lar\\u0131<\\\/em> ve <em>Ada<\\\/em> olmak \\u00fczere yazd\\u0131\\u011f\\u0131 elli kadar kitapla yaln\\u0131zca \\u00e7a\\u011f\\u0131n\\u0131 de\\u011fil \\u00e7a\\u011fda\\u015flar\\u0131n\\u0131 da derinden etkileyen, d\\u00f6neminin en \\u00f6nemli entelekt\\u00fcellerden \\u0130ngiliz yazar Aldous Huxley, yedi kez de Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc\\u2019ne aday g\\u00f6sterildi. Ba\\u015fyap\\u0131t\\u0131 <em>Cesur Yeni D\\u00fcnya<\\\/em>\\u2019n\\u0131n g\\u00fcncelli\\u011fini sorgulayan ve panoramas\\u0131n\\u0131 \\u00e7\\u0131karan <em>Cesur Yeni D\\u00fcnyay\\u0131 Ziyaret, <\\\/em>Huxley\\u2019nin kaynak eserinin bir sa\\u011flamas\\u0131 niteli\\u011finde.<\\\/p>\\r\\n\\r\\n<p><em>Cesur Yeni D\\u00fcnya<\\\/em>\\u2019dan yakla\\u015f\\u0131k otuz sene sonra yay\\u0131mlanan eser, romandaki kehanetlerin ne \\u00f6l\\u00e7\\u00fcde ger\\u00e7ekle\\u015fti\\u011fini mercek alt\\u0131na al\\u0131yor. Roman\\u0131 yazarkenki \\u00f6ng\\u00f6r\\u00fclerinin izini s\\u00fcren Huxley, d\\u00fcnyan\\u0131n, tasavvur etti\\u011fi distopyaya \\u00e7ok daha b\\u00fcy\\u00fck bir h\\u0131zla d\\u00f6n\\u00fc\\u015ft\\u00fc\\u011f\\u00fc sonucuna var\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>N\\u00fcfus art\\u0131\\u015f\\u0131ndan uyu\\u015fturucu kullan\\u0131m\\u0131na kadar pek \\u00e7ok konuda fikirlerini belirten Huxley, bu kitab\\u0131yla birlikte <em>Cesur Yeni D\\u00fcnya<\\\/em>\\u2019y\\u0131 yeniden ele al\\u0131rken bir di\\u011fer roman\\u0131 <em>Ada<\\\/em> i\\u00e7in de k\\u00f6pr\\u00fcler kuruyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cHuxley\\u2019nin uzak bir gelece\\u011fe dair satirik \\u00f6ng\\u00f6r\\u00fclerinin bu kadar k\\u0131sa s\\u00fcrede ger\\u00e7e\\u011fe d\\u00f6n\\u00fc\\u015ft\\u00fc\\u011f\\u00fcn\\u00fc ke\\u015ffetmek deh\\u015fet verici.\\u201d<\\\/p>\\r\\n\\r\\n<p>-New York TImes-<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u00c7a\\u011f\\u0131m\\u0131z\\u0131n belirsizli\\u011finde bize kim oldu\\u011fumuzu g\\u00f6steren \\u015feylerden biri de Huxley\\u2019nin dehas\\u0131d\\u0131r.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Margaret Atwood-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Yirminci y\\u00fczy\\u0131lda hem edebiyata hem de felsefeye b\\u00fcy\\u00fck katk\\u0131lar sa\\u011flayan, ba\\u015fta <em>Cesur Yeni D\\u00fcnya<\\\/em>, <em>Alg\\u0131n\\u0131n Kap\\u0131lar\\u0131<\\\/em> ve <em>Ada<\\\/em> olmak \\u00fczere yazd\\u0131\\u011f\\u0131 elli kadar kitapla yaln\\u0131zca \\u00e7a\\u011f\\u0131n\\u0131 de\\u011fil \\u00e7a\\u011fda\\u015flar\\u0131n\\u0131 da derinden etkileyen, d\\u00f6neminin en \\u00f6nemli entelekt\\u00fcellerden \\u0130ngiliz yazar Aldous Huxley, yedi kez de Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc\\u2019ne aday g\\u00f6sterildi. Ba\\u015fyap\\u0131t\\u0131 <em>Cesur Yeni D\\u00fcnya<\\\/em>\\u2019n\\u0131n g\\u00fcncelli\\u011fini sorgulayan ve panoramas\\u0131n\\u0131 \\u00e7\\u0131karan <em>Cesur Yeni D\\u00fcnyay\\u0131 Ziyaret, <\\\/em>Huxley\\u2019nin kaynak eserinin bir sa\\u011flamas\\u0131 niteli\\u011finde.<\\\/p>\\r\\n\\r\\n<p><em>Cesur Yeni D\\u00fcnya<\\\/em>\\u2019dan yakla\\u015f\\u0131k otuz sene sonra yay\\u0131mlanan eser, romandaki kehanetlerin ne \\u00f6l\\u00e7\\u00fcde ger\\u00e7ekle\\u015fti\\u011fini mercek alt\\u0131na al\\u0131yor. Roman\\u0131 yazarkenki \\u00f6ng\\u00f6r\\u00fclerinin izini s\\u00fcren Huxley, d\\u00fcnyan\\u0131n, tasavvur etti\\u011fi distopyaya \\u00e7ok daha b\\u00fcy\\u00fck bir h\\u0131zla d\\u00f6n\\u00fc\\u015ft\\u00fc\\u011f\\u00fc sonucuna var\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>N\\u00fcfus art\\u0131\\u015f\\u0131ndan uyu\\u015fturucu kullan\\u0131m\\u0131na kadar pek \\u00e7ok konuda fikirlerini belirten Huxley, bu kitab\\u0131yla birlikte <em>Cesur Yeni D\\u00fcnya<\\\/em>\\u2019y\\u0131 yeniden ele al\\u0131rken bir di\\u011fer roman\\u0131 <em>Ada<\\\/em> i\\u00e7in de k\\u00f6pr\\u00fcler kuruyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cHuxley\\u2019nin uzak bir gelece\\u011fe dair satirik \\u00f6ng\\u00f6r\\u00fclerinin bu kadar k\\u0131sa s\\u00fcrede ger\\u00e7e\\u011fe d\\u00f6n\\u00fc\\u015ft\\u00fc\\u011f\\u00fcn\\u00fc ke\\u015ffetmek deh\\u015fet verici.\\u201d<\\\/p>\\r\\n\\r\\n<p>-New York TImes-<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u00c7a\\u011f\\u0131m\\u0131z\\u0131n belirsizli\\u011finde bize kim oldu\\u011fumuzu g\\u00f6steren \\u015feylerden biri de Huxley\\u2019nin dehas\\u0131d\\u0131r.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Margaret Atwood-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4480,\"user_id\":10,\"original_name\":\"No Country for Old Men\",\"printing_date\":\"2018-10-19 16:16:51\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/no-country-for-old-men-kapak-1539695811.png\",\"image_settings\":{\"id\":4480,\"path\":\"\\\/images\\\/books\\\/2018\\\/10\\\/16\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":51335,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":11659,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":5010,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":1710,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1159,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":1727,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":9356,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":9520,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":4200,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1274,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":726,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":1330,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-10-16 16:16:30\",\"updated_at\":\"2019-04-10 10:57:35\",\"name\":\"\\u0130htiyarlara Yer Yok\",\"slug\":\"ihtiyarlara-yer-yok\",\"sub_name\":null,\"description\":\"<p>Modern Amerikan edebiyat\\u0131n\\u0131n en \\u00f6nemli yazarlar\\u0131ndan biri olan, s\\u0131kl\\u0131kla Herman Melville ve William Faulkner gibi ustalarla k\\u0131yaslanan Cormac McCarthy kariyeri boyunca G\\u00fcney goti\\u011fi, Western ve postapokaliptik t\\u00fcrlerde verdi\\u011fi birbirinden ba\\u015far\\u0131l\\u0131 eserlerle Pulitzer, National Book, National Book Critics Circle ve MacArthur Fellowship gibi \\u00f6d\\u00fcllerin sahibi oldu. 2007 y\\u0131l\\u0131nda Coen Karde\\u015fler taraf\\u0131ndan sinemaya uyarlanan <em>\\u0130htiyarlara Yer Yok<\\\/em> ise \\u201cEn \\u0130yi Film\\u201d ba\\u015fta olmak \\u00fczere d\\u00f6rt dalda Oscar kazand\\u0131.<\\\/p>\\r\\n\\r\\n<p>Rio Grande yak\\u0131nlar\\u0131nda avlanan Llewlyn Moss, bir \\u015feylerin ters gitti\\u011fi belli olan bir \\u00e7at\\u0131\\u015fma b\\u00f6lgesine rast gelir. \\u00c7at\\u0131\\u015fmadan geriye kalanlar aras\\u0131nda cesetler ve kilolarca eroinin yan\\u0131 s\\u0131ra bir \\u00e7anta dolusu para da vard\\u0131r. Moss\\u2019un kader \\u00e7izgisi verece\\u011fi karar \\u00fczerine burada \\u00e7atallanacak ve deyim yerindeyse bir \\u00f6l\\u00fcm mele\\u011fi pe\\u015fine tak\\u0131lacakt\\u0131r.<\\\/p>\\r\\n\\r\\n<p>Kutsal kitaplar kadar kadim, g\\u00fcnl\\u00fck olaylar kadar deh\\u015fet verici konulara e\\u011filen <em>\\u0130htiyarlara Yer Yok<\\\/em>, kader, adalet, ahlak ve a\\u00e7g\\u00f6zl\\u00fcl\\u00fck \\u00fczerine yaz\\u0131lm\\u0131\\u015f modern bir klasik.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cMcCarthy kelimeleri \\u00f6ylesine g\\u00fczel kullan\\u0131yor ki s\\u0131radan bir iyi-k\\u00f6t\\u00fc \\u00e7at\\u0131\\u015fmas\\u0131n\\u0131 birinci s\\u0131n\\u0131f bir edebiyat eserine d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>-AnnIe Proulx-<\\\/p>\\r\\n\\r\\n<p>\\u201cAmerikan Y\\u00fcceli\\u011finin pragmatik bir gelene\\u011fi varsa, Cormac McCarthy\\u2019nin kurgular\\u0131 bunun zirvesidir.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Harold Bloom-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Modern Amerikan edebiyat\\u0131n\\u0131n en \\u00f6nemli yazarlar\\u0131ndan biri olan, s\\u0131kl\\u0131kla Herman Melville ve William Faulkner gibi ustalarla k\\u0131yaslanan Cormac McCarthy kariyeri boyunca G\\u00fcney goti\\u011fi, Western ve postapokaliptik t\\u00fcrlerde verdi\\u011fi birbirinden ba\\u015far\\u0131l\\u0131 eserlerle Pulitzer, National Book, National Book Critics Circle ve MacArthur Fellowship gibi \\u00f6d\\u00fcllerin sahibi oldu. 2007 y\\u0131l\\u0131nda Coen Karde\\u015fler taraf\\u0131ndan sinemaya uyarlanan <em>\\u0130htiyarlara Yer Yok<\\\/em> ise \\u201cEn \\u0130yi Film\\u201d ba\\u015fta olmak \\u00fczere d\\u00f6rt dalda Oscar kazand\\u0131.<\\\/p>\\r\\n\\r\\n<p>Rio Grande yak\\u0131nlar\\u0131nda avlanan Llewlyn Moss, bir \\u015feylerin ters gitti\\u011fi belli olan bir \\u00e7at\\u0131\\u015fma b\\u00f6lgesine rast gelir. \\u00c7at\\u0131\\u015fmadan geriye kalanlar aras\\u0131nda cesetler ve kilolarca eroinin yan\\u0131 s\\u0131ra bir \\u00e7anta dolusu para da vard\\u0131r. Moss\\u2019un kader \\u00e7izgisi verece\\u011fi karar \\u00fczerine burada \\u00e7atallanacak ve deyim yerindeyse bir \\u00f6l\\u00fcm mele\\u011fi pe\\u015fine tak\\u0131lacakt\\u0131r.<\\\/p>\\r\\n\\r\\n<p>Kutsal kitaplar kadar kadim, g\\u00fcnl\\u00fck olaylar kadar deh\\u015fet verici konulara e\\u011filen <em>\\u0130htiyarlara Yer Yok<\\\/em>, kader, adalet, ahlak ve a\\u00e7g\\u00f6zl\\u00fcl\\u00fck \\u00fczerine yaz\\u0131lm\\u0131\\u015f modern bir klasik.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cMcCarthy kelimeleri \\u00f6ylesine g\\u00fczel kullan\\u0131yor ki s\\u0131radan bir iyi-k\\u00f6t\\u00fc \\u00e7at\\u0131\\u015fmas\\u0131n\\u0131 birinci s\\u0131n\\u0131f bir edebiyat eserine d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>-AnnIe Proulx-<\\\/p>\\r\\n\\r\\n<p>\\u201cAmerikan Y\\u00fcceli\\u011finin pragmatik bir gelene\\u011fi varsa, Cormac McCarthy\\u2019nin kurgular\\u0131 bunun zirvesidir.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Harold Bloom-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4480,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6152,\"book_id\":4480,\"locale\":\"en\",\"name\":\"No Country for Old Men\",\"slug\":\"no-country-for-old-men\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":6151,\"book_id\":4480,\"locale\":\"tr\",\"name\":\"\\u0130htiyarlara Yer Yok\",\"slug\":\"ihtiyarlara-yer-yok\",\"sub_name\":null,\"description\":\"<p>Modern Amerikan edebiyat\\u0131n\\u0131n en \\u00f6nemli yazarlar\\u0131ndan biri olan, s\\u0131kl\\u0131kla Herman Melville ve William Faulkner gibi ustalarla k\\u0131yaslanan Cormac McCarthy kariyeri boyunca G\\u00fcney goti\\u011fi, Western ve postapokaliptik t\\u00fcrlerde verdi\\u011fi birbirinden ba\\u015far\\u0131l\\u0131 eserlerle Pulitzer, National Book, National Book Critics Circle ve MacArthur Fellowship gibi \\u00f6d\\u00fcllerin sahibi oldu. 2007 y\\u0131l\\u0131nda Coen Karde\\u015fler taraf\\u0131ndan sinemaya uyarlanan <em>\\u0130htiyarlara Yer Yok<\\\/em> ise \\u201cEn \\u0130yi Film\\u201d ba\\u015fta olmak \\u00fczere d\\u00f6rt dalda Oscar kazand\\u0131.<\\\/p>\\r\\n\\r\\n<p>Rio Grande yak\\u0131nlar\\u0131nda avlanan Llewlyn Moss, bir \\u015feylerin ters gitti\\u011fi belli olan bir \\u00e7at\\u0131\\u015fma b\\u00f6lgesine rast gelir. \\u00c7at\\u0131\\u015fmadan geriye kalanlar aras\\u0131nda cesetler ve kilolarca eroinin yan\\u0131 s\\u0131ra bir \\u00e7anta dolusu para da vard\\u0131r. Moss\\u2019un kader \\u00e7izgisi verece\\u011fi karar \\u00fczerine burada \\u00e7atallanacak ve deyim yerindeyse bir \\u00f6l\\u00fcm mele\\u011fi pe\\u015fine tak\\u0131lacakt\\u0131r.<\\\/p>\\r\\n\\r\\n<p>Kutsal kitaplar kadar kadim, g\\u00fcnl\\u00fck olaylar kadar deh\\u015fet verici konulara e\\u011filen <em>\\u0130htiyarlara Yer Yok<\\\/em>, kader, adalet, ahlak ve a\\u00e7g\\u00f6zl\\u00fcl\\u00fck \\u00fczerine yaz\\u0131lm\\u0131\\u015f modern bir klasik.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cMcCarthy kelimeleri \\u00f6ylesine g\\u00fczel kullan\\u0131yor ki s\\u0131radan bir iyi-k\\u00f6t\\u00fc \\u00e7at\\u0131\\u015fmas\\u0131n\\u0131 birinci s\\u0131n\\u0131f bir edebiyat eserine d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>-AnnIe Proulx-<\\\/p>\\r\\n\\r\\n<p>\\u201cAmerikan Y\\u00fcceli\\u011finin pragmatik bir gelene\\u011fi varsa, Cormac McCarthy\\u2019nin kurgular\\u0131 bunun zirvesidir.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Harold Bloom-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Modern Amerikan edebiyat\\u0131n\\u0131n en \\u00f6nemli yazarlar\\u0131ndan biri olan, s\\u0131kl\\u0131kla Herman Melville ve William Faulkner gibi ustalarla k\\u0131yaslanan Cormac McCarthy kariyeri boyunca G\\u00fcney goti\\u011fi, Western ve postapokaliptik t\\u00fcrlerde verdi\\u011fi birbirinden ba\\u015far\\u0131l\\u0131 eserlerle Pulitzer, National Book, National Book Critics Circle ve MacArthur Fellowship gibi \\u00f6d\\u00fcllerin sahibi oldu. 2007 y\\u0131l\\u0131nda Coen Karde\\u015fler taraf\\u0131ndan sinemaya uyarlanan <em>\\u0130htiyarlara Yer Yok<\\\/em> ise \\u201cEn \\u0130yi Film\\u201d ba\\u015fta olmak \\u00fczere d\\u00f6rt dalda Oscar kazand\\u0131.<\\\/p>\\r\\n\\r\\n<p>Rio Grande yak\\u0131nlar\\u0131nda avlanan Llewlyn Moss, bir \\u015feylerin ters gitti\\u011fi belli olan bir \\u00e7at\\u0131\\u015fma b\\u00f6lgesine rast gelir. \\u00c7at\\u0131\\u015fmadan geriye kalanlar aras\\u0131nda cesetler ve kilolarca eroinin yan\\u0131 s\\u0131ra bir \\u00e7anta dolusu para da vard\\u0131r. Moss\\u2019un kader \\u00e7izgisi verece\\u011fi karar \\u00fczerine burada \\u00e7atallanacak ve deyim yerindeyse bir \\u00f6l\\u00fcm mele\\u011fi pe\\u015fine tak\\u0131lacakt\\u0131r.<\\\/p>\\r\\n\\r\\n<p>Kutsal kitaplar kadar kadim, g\\u00fcnl\\u00fck olaylar kadar deh\\u015fet verici konulara e\\u011filen <em>\\u0130htiyarlara Yer Yok<\\\/em>, kader, adalet, ahlak ve a\\u00e7g\\u00f6zl\\u00fcl\\u00fck \\u00fczerine yaz\\u0131lm\\u0131\\u015f modern bir klasik.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cMcCarthy kelimeleri \\u00f6ylesine g\\u00fczel kullan\\u0131yor ki s\\u0131radan bir iyi-k\\u00f6t\\u00fc \\u00e7at\\u0131\\u015fmas\\u0131n\\u0131 birinci s\\u0131n\\u0131f bir edebiyat eserine d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>-AnnIe Proulx-<\\\/p>\\r\\n\\r\\n<p>\\u201cAmerikan Y\\u00fcceli\\u011finin pragmatik bir gelene\\u011fi varsa, Cormac McCarthy\\u2019nin kurgular\\u0131 bunun zirvesidir.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Harold Bloom-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4481,\"user_id\":10,\"original_name\":\"J'irai cracher sur vos tombe\",\"printing_date\":\"2018-10-19 16:20:04\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/jirai-cracher-sur-vos-tombe-kapak-1539696004.png\",\"image_settings\":{\"id\":4481,\"path\":\"\\\/images\\\/books\\\/2018\\\/10\\\/16\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":68660,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":24519,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":9532,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2520,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1517,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2857,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":23092,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":24630,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":9618,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2304,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1152,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2800,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-10-16 16:20:04\",\"updated_at\":\"2019-04-10 10:57:35\",\"name\":\"Mezarlar\\u0131n\\u0131za T\\u00fck\\u00fcrece\\u011fim\",\"slug\":\"mezarlariniza-tukurecegim\",\"sub_name\":null,\"description\":\"<p>Otuz dokuz y\\u0131ll\\u0131k renkli ve verimli ya\\u015fam\\u0131 boyunca romanlar, \\u015fiirler, \\u015fark\\u0131 s\\u00f6zleri yazan, trompetten ve cazdan vazge\\u00e7meyen, oyunculuk, \\u015fark\\u0131c\\u0131l\\u0131k, mucitlikten de geri kalmayan ve do\\u011fal bir oyunbozan olan Boris Vian\\u2019\\u0131n meslek hayat\\u0131nda Frans\\u0131z Standartlar\\u0131 Enstit\\u00fcs\\u00fc\\u2019n\\u00fc se\\u00e7mi\\u015f olmas\\u0131 belki de sanat d\\u00fcnyas\\u0131n\\u0131n en parlak ironilerinden biridir. D\\u00f6nemin di\\u011fer baz\\u0131 isimleri gibi do\\u011fa\\u00e7lama ya\\u015fay\\u0131p eser veren Vian bug\\u00fcn as\\u0131l olarak yazar kimli\\u011fiyle ve antimilitarist bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla tan\\u0131n\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Vernon Sullivan m\\u00fcstear\\u0131yla kaleme al\\u0131nan ve bir \\u201cbeyaz zenci\\u201dnin intikam \\u00f6yk\\u00fcs\\u00fcn\\u00fc anlatan Mezarlar\\u0131n\\u0131za T\\u00fck\\u00fcrece\\u011fim, hakk\\u0131nda net bir yoruma var\\u0131lmas\\u0131 zor, a\\u00e7\\u0131k u\\u00e7lu yap\\u0131tlardan biri. \\u015eiddet ve erotizm duvar\\u0131n\\u0131 a\\u015farak bir rehabilitasyon, bir katharsis ya\\u015famak m\\u00fcmk\\u00fcn m\\u00fc?&nbsp; \\u201cHer \\u015fey\\u201di g\\u00f6r\\u00fcp tan\\u0131k oldu\\u011fu i\\u00e7in bir omuz silkme refleksi geli\\u015ftirmi\\u015f olan g\\u00fcn\\u00fcm\\u00fcz insan\\u0131 bu soruya ne yan\\u0131t verirse versin, kitaptan uyarlanan filmin galas\\u0131nda hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131na kap\\u0131larak kalp krizinden \\u00f6len Vian\\u2019\\u0131n yap\\u0131t\\u0131na sahip \\u00e7\\u0131kt\\u0131\\u011f\\u0131 ortada.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cMezarlar\\u0131n\\u0131za T\\u00fck\\u00fcrece\\u011fim me\\u015fhur Amerikan pulp\\u2019\\u0131yla Frans\\u0131z sado-erotizminin hararetli bir birle\\u015fimi.\\u201d -The Guardian-<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cBoris Vian e\\u015fi benzeri olmayan bir yazar.\\u201d<\\\/p>\\r\\n\\r\\n<p>-James SallIs-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Otuz dokuz y\\u0131ll\\u0131k renkli ve verimli ya\\u015fam\\u0131 boyunca romanlar, \\u015fiirler, \\u015fark\\u0131 s\\u00f6zleri yazan, trompetten ve cazdan vazge\\u00e7meyen, oyunculuk, \\u015fark\\u0131c\\u0131l\\u0131k, mucitlikten de geri kalmayan ve do\\u011fal bir oyunbozan olan Boris Vian\\u2019\\u0131n meslek hayat\\u0131nda Frans\\u0131z Standartlar\\u0131 Enstit\\u00fcs\\u00fc\\u2019n\\u00fc se\\u00e7mi\\u015f olmas\\u0131 belki de sanat d\\u00fcnyas\\u0131n\\u0131n en parlak ironilerinden biridir. D\\u00f6nemin di\\u011fer baz\\u0131 isimleri gibi do\\u011fa\\u00e7lama ya\\u015fay\\u0131p eser veren Vian bug\\u00fcn as\\u0131l olarak yazar kimli\\u011fiyle ve antimilitarist bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla tan\\u0131n\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Vernon Sullivan m\\u00fcstear\\u0131yla kaleme al\\u0131nan ve bir \\u201cbeyaz zenci\\u201dnin intikam \\u00f6yk\\u00fcs\\u00fcn\\u00fc anlatan Mezarlar\\u0131n\\u0131za T\\u00fck\\u00fcrece\\u011fim, hakk\\u0131nda net bir yoruma var\\u0131lmas\\u0131 zor, a\\u00e7\\u0131k u\\u00e7lu yap\\u0131tlardan biri. \\u015eiddet ve erotizm duvar\\u0131n\\u0131 a\\u015farak bir rehabilitasyon, bir katharsis ya\\u015famak m\\u00fcmk\\u00fcn m\\u00fc?\\u00a0 \\u201cHer \\u015fey\\u201di g\\u00f6r\\u00fcp tan\\u0131k oldu\\u011fu i\\u00e7in bir omuz silkme refleksi geli\\u015ftirmi\\u015f olan g\\u00fcn\\u00fcm\\u00fcz insan\\u0131 bu soruya ne yan\\u0131t verirse versin, kitaptan uyarlanan filmin galas\\u0131nda hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131na kap\\u0131larak kalp krizinden \\u00f6len Vian\\u2019\\u0131n yap\\u0131t\\u0131na sahip \\u00e7\\u0131kt\\u0131\\u011f\\u0131 ortada.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cMezarlar\\u0131n\\u0131za T\\u00fck\\u00fcrece\\u011fim me\\u015fhur Amerikan pulp\\u2019\\u0131yla Frans\\u0131z sado-erotizminin hararetli bir birle\\u015fimi.\\u201d -The Guardian-<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cBoris Vian e\\u015fi benzeri olmayan bir yazar.\\u201d<\\\/p>\\r\\n\\r\\n<p>-James SallIs-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4481,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6154,\"book_id\":4481,\"locale\":\"en\",\"name\":\"I Spit on Your Graves\",\"slug\":\"i-spit-on-your-graves\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":6153,\"book_id\":4481,\"locale\":\"tr\",\"name\":\"Mezarlar\\u0131n\\u0131za T\\u00fck\\u00fcrece\\u011fim\",\"slug\":\"mezarlariniza-tukurecegim\",\"sub_name\":null,\"description\":\"<p>Otuz dokuz y\\u0131ll\\u0131k renkli ve verimli ya\\u015fam\\u0131 boyunca romanlar, \\u015fiirler, \\u015fark\\u0131 s\\u00f6zleri yazan, trompetten ve cazdan vazge\\u00e7meyen, oyunculuk, \\u015fark\\u0131c\\u0131l\\u0131k, mucitlikten de geri kalmayan ve do\\u011fal bir oyunbozan olan Boris Vian\\u2019\\u0131n meslek hayat\\u0131nda Frans\\u0131z Standartlar\\u0131 Enstit\\u00fcs\\u00fc\\u2019n\\u00fc se\\u00e7mi\\u015f olmas\\u0131 belki de sanat d\\u00fcnyas\\u0131n\\u0131n en parlak ironilerinden biridir. D\\u00f6nemin di\\u011fer baz\\u0131 isimleri gibi do\\u011fa\\u00e7lama ya\\u015fay\\u0131p eser veren Vian bug\\u00fcn as\\u0131l olarak yazar kimli\\u011fiyle ve antimilitarist bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla tan\\u0131n\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Vernon Sullivan m\\u00fcstear\\u0131yla kaleme al\\u0131nan ve bir \\u201cbeyaz zenci\\u201dnin intikam \\u00f6yk\\u00fcs\\u00fcn\\u00fc anlatan Mezarlar\\u0131n\\u0131za T\\u00fck\\u00fcrece\\u011fim, hakk\\u0131nda net bir yoruma var\\u0131lmas\\u0131 zor, a\\u00e7\\u0131k u\\u00e7lu yap\\u0131tlardan biri. \\u015eiddet ve erotizm duvar\\u0131n\\u0131 a\\u015farak bir rehabilitasyon, bir katharsis ya\\u015famak m\\u00fcmk\\u00fcn m\\u00fc?&nbsp; \\u201cHer \\u015fey\\u201di g\\u00f6r\\u00fcp tan\\u0131k oldu\\u011fu i\\u00e7in bir omuz silkme refleksi geli\\u015ftirmi\\u015f olan g\\u00fcn\\u00fcm\\u00fcz insan\\u0131 bu soruya ne yan\\u0131t verirse versin, kitaptan uyarlanan filmin galas\\u0131nda hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131na kap\\u0131larak kalp krizinden \\u00f6len Vian\\u2019\\u0131n yap\\u0131t\\u0131na sahip \\u00e7\\u0131kt\\u0131\\u011f\\u0131 ortada.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cMezarlar\\u0131n\\u0131za T\\u00fck\\u00fcrece\\u011fim me\\u015fhur Amerikan pulp\\u2019\\u0131yla Frans\\u0131z sado-erotizminin hararetli bir birle\\u015fimi.\\u201d -The Guardian-<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cBoris Vian e\\u015fi benzeri olmayan bir yazar.\\u201d<\\\/p>\\r\\n\\r\\n<p>-James SallIs-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Otuz dokuz y\\u0131ll\\u0131k renkli ve verimli ya\\u015fam\\u0131 boyunca romanlar, \\u015fiirler, \\u015fark\\u0131 s\\u00f6zleri yazan, trompetten ve cazdan vazge\\u00e7meyen, oyunculuk, \\u015fark\\u0131c\\u0131l\\u0131k, mucitlikten de geri kalmayan ve do\\u011fal bir oyunbozan olan Boris Vian\\u2019\\u0131n meslek hayat\\u0131nda Frans\\u0131z Standartlar\\u0131 Enstit\\u00fcs\\u00fc\\u2019n\\u00fc se\\u00e7mi\\u015f olmas\\u0131 belki de sanat d\\u00fcnyas\\u0131n\\u0131n en parlak ironilerinden biridir. D\\u00f6nemin di\\u011fer baz\\u0131 isimleri gibi do\\u011fa\\u00e7lama ya\\u015fay\\u0131p eser veren Vian bug\\u00fcn as\\u0131l olarak yazar kimli\\u011fiyle ve antimilitarist bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla tan\\u0131n\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Vernon Sullivan m\\u00fcstear\\u0131yla kaleme al\\u0131nan ve bir \\u201cbeyaz zenci\\u201dnin intikam \\u00f6yk\\u00fcs\\u00fcn\\u00fc anlatan Mezarlar\\u0131n\\u0131za T\\u00fck\\u00fcrece\\u011fim, hakk\\u0131nda net bir yoruma var\\u0131lmas\\u0131 zor, a\\u00e7\\u0131k u\\u00e7lu yap\\u0131tlardan biri. \\u015eiddet ve erotizm duvar\\u0131n\\u0131 a\\u015farak bir rehabilitasyon, bir katharsis ya\\u015famak m\\u00fcmk\\u00fcn m\\u00fc?\\u00a0 \\u201cHer \\u015fey\\u201di g\\u00f6r\\u00fcp tan\\u0131k oldu\\u011fu i\\u00e7in bir omuz silkme refleksi geli\\u015ftirmi\\u015f olan g\\u00fcn\\u00fcm\\u00fcz insan\\u0131 bu soruya ne yan\\u0131t verirse versin, kitaptan uyarlanan filmin galas\\u0131nda hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131na kap\\u0131larak kalp krizinden \\u00f6len Vian\\u2019\\u0131n yap\\u0131t\\u0131na sahip \\u00e7\\u0131kt\\u0131\\u011f\\u0131 ortada.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cMezarlar\\u0131n\\u0131za T\\u00fck\\u00fcrece\\u011fim me\\u015fhur Amerikan pulp\\u2019\\u0131yla Frans\\u0131z sado-erotizminin hararetli bir birle\\u015fimi.\\u201d -The Guardian-<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cBoris Vian e\\u015fi benzeri olmayan bir yazar.\\u201d<\\\/p>\\r\\n\\r\\n<p>-James SallIs-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4519,\"user_id\":10,\"original_name\":\"Herland\",\"printing_date\":\"2018-11-02 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14:03:25\",\"updated_at\":\"2019-04-10 10:58:47\",\"name\":\"Yasa Kitab\\u0131 ve Yalanlar Kitab\\u0131\",\"slug\":\"yasa-kitabi-ve-yalanlar-kitabi\",\"sub_name\":null,\"description\":\"<p>\\u201cAleister Crowley, 20. y\\u00fczy\\u0131l\\u0131n en b\\u00fcy\\u00fck b\\u00fcy\\u00fcc\\u00fcs\\u00fcd\\u00fcr.\\u201d \\u2013Alan Moore<\\\/p>\\r\\n\\r\\n<p>Yirminci y\\u00fczy\\u0131l\\u0131n en tart\\u0131\\u015fmal\\u0131 \\u015fahsiyetlerinden biri olan \\u0130ngiliz ok\\u00fcltist Aleister Crowley pek \\u00e7oklar\\u0131na g\\u00f6re sahte bir peygamber hatta bir \\u015farlatanken, belirli bir kesim i\\u00e7in ise bir yol g\\u00f6stericiydi. Kurdu\\u011fu Thelema diniyle m\\u00fcritler toplayan yazar, s\\u0131rad\\u0131\\u015f\\u0131 b\\u00fcy\\u00fc \\u00f6\\u011fretileri ve dini rit\\u00fcelleriyle ya\\u015fam\\u0131\\u015f en b\\u00fcy\\u00fck ok\\u00fcltistler aras\\u0131nda kendine yer buldu. Crowley\\u2019nin tam manas\\u0131yla nas\\u0131l bir insan oldu\\u011funu s\\u00f6ylemek m\\u00fcmk\\u00fcn olmasa da \\u201cD\\u00fcnyan\\u0131n En K\\u00f6t\\u00fc \\u015e\\u00f6hretli Adam\\u0131\\u201d lakab\\u0131n\\u0131 hak edecek i\\u015fler yapt\\u0131\\u011f\\u0131 yads\\u0131namaz.<\\\/p>\\r\\n\\r\\n<p>Bu edisyonda Crowley\\u2019nin felsefesinin temelini olu\\u015fturan iki kitap birlikte yay\\u0131mlan\\u0131yor. \\u00dc\\u00e7 b\\u00f6l\\u00fcmden olu\\u015fan Yasa Kitab\\u0131\\u2019nda Crowley, kendisine Kahire\\u2019de Aiwass ad\\u0131ndaki kutsal bir varl\\u0131k taraf\\u0131nca dikte ettirildi\\u011fini iddia etti\\u011fi kurallar\\u0131 yaz\\u0131ya d\\u00f6k\\u00fcyor. Yalanlar Kitab\\u0131\\u2019nda ise Kabalistik \\u00f6\\u011fretideki kar\\u015f\\u0131l\\u0131klar\\u0131na g\\u00f6re numaraland\\u0131r\\u0131lan; talimatlardan, \\u015fiirlerden ve rit\\u00fcellerden olu\\u015fan 91 maddelik metinler bir araya geliyor. \\u0130ki kitaba da Crowley\\u2019nin y\\u0131llar sonra ekledi\\u011fi a\\u00e7\\u0131klay\\u0131c\\u0131 yorumlar ve tefsirler e\\u015flik ediyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cAleister Crowley, 20. y\\u00fczy\\u0131l\\u0131n en b\\u00fcy\\u00fck b\\u00fcy\\u00fcc\\u00fcs\\u00fcd\\u00fcr.\\u201d \\u2013Alan Moore<\\\/p>\\r\\n\\r\\n<p>Yirminci y\\u00fczy\\u0131l\\u0131n en tart\\u0131\\u015fmal\\u0131 \\u015fahsiyetlerinden biri olan \\u0130ngiliz ok\\u00fcltist Aleister Crowley pek \\u00e7oklar\\u0131na g\\u00f6re sahte bir peygamber hatta bir \\u015farlatanken, belirli bir kesim i\\u00e7in ise bir yol g\\u00f6stericiydi. Kurdu\\u011fu Thelema diniyle m\\u00fcritler toplayan yazar, s\\u0131rad\\u0131\\u015f\\u0131 b\\u00fcy\\u00fc \\u00f6\\u011fretileri ve dini rit\\u00fcelleriyle ya\\u015fam\\u0131\\u015f en b\\u00fcy\\u00fck ok\\u00fcltistler aras\\u0131nda kendine yer buldu. Crowley\\u2019nin tam manas\\u0131yla nas\\u0131l bir insan oldu\\u011funu s\\u00f6ylemek m\\u00fcmk\\u00fcn olmasa da \\u201cD\\u00fcnyan\\u0131n En K\\u00f6t\\u00fc \\u015e\\u00f6hretli Adam\\u0131\\u201d lakab\\u0131n\\u0131 hak edecek i\\u015fler yapt\\u0131\\u011f\\u0131 yads\\u0131namaz.<\\\/p>\\r\\n\\r\\n<p>Bu edisyonda Crowley\\u2019nin felsefesinin temelini olu\\u015fturan iki kitap birlikte yay\\u0131mlan\\u0131yor. \\u00dc\\u00e7 b\\u00f6l\\u00fcmden olu\\u015fan Yasa Kitab\\u0131\\u2019nda Crowley, kendisine Kahire\\u2019de Aiwass ad\\u0131ndaki kutsal bir varl\\u0131k taraf\\u0131nca dikte ettirildi\\u011fini iddia etti\\u011fi kurallar\\u0131 yaz\\u0131ya d\\u00f6k\\u00fcyor. Yalanlar Kitab\\u0131\\u2019nda ise Kabalistik \\u00f6\\u011fretideki kar\\u015f\\u0131l\\u0131klar\\u0131na g\\u00f6re numaraland\\u0131r\\u0131lan; talimatlardan, \\u015fiirlerden ve rit\\u00fcellerden olu\\u015fan 91 maddelik metinler bir araya geliyor. \\u0130ki kitaba da Crowley\\u2019nin y\\u0131llar sonra ekledi\\u011fi a\\u00e7\\u0131klay\\u0131c\\u0131 yorumlar ve tefsirler e\\u015flik ediyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4878,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6730,\"book_id\":4878,\"locale\":\"en\",\"name\":\"The Book of Lies\",\"slug\":\"the-book-of-lies\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":6729,\"book_id\":4878,\"locale\":\"tr\",\"name\":\"Yasa Kitab\\u0131 ve Yalanlar Kitab\\u0131\",\"slug\":\"yasa-kitabi-ve-yalanlar-kitabi\",\"sub_name\":null,\"description\":\"<p>\\u201cAleister Crowley, 20. y\\u00fczy\\u0131l\\u0131n en b\\u00fcy\\u00fck b\\u00fcy\\u00fcc\\u00fcs\\u00fcd\\u00fcr.\\u201d \\u2013Alan Moore<\\\/p>\\r\\n\\r\\n<p>Yirminci y\\u00fczy\\u0131l\\u0131n en tart\\u0131\\u015fmal\\u0131 \\u015fahsiyetlerinden biri olan \\u0130ngiliz ok\\u00fcltist Aleister Crowley pek \\u00e7oklar\\u0131na g\\u00f6re sahte bir peygamber hatta bir \\u015farlatanken, belirli bir kesim i\\u00e7in ise bir yol g\\u00f6stericiydi. Kurdu\\u011fu Thelema diniyle m\\u00fcritler toplayan yazar, s\\u0131rad\\u0131\\u015f\\u0131 b\\u00fcy\\u00fc \\u00f6\\u011fretileri ve dini rit\\u00fcelleriyle ya\\u015fam\\u0131\\u015f en b\\u00fcy\\u00fck ok\\u00fcltistler aras\\u0131nda kendine yer buldu. Crowley\\u2019nin tam manas\\u0131yla nas\\u0131l bir insan oldu\\u011funu s\\u00f6ylemek m\\u00fcmk\\u00fcn olmasa da \\u201cD\\u00fcnyan\\u0131n En K\\u00f6t\\u00fc \\u015e\\u00f6hretli Adam\\u0131\\u201d lakab\\u0131n\\u0131 hak edecek i\\u015fler yapt\\u0131\\u011f\\u0131 yads\\u0131namaz.<\\\/p>\\r\\n\\r\\n<p>Bu edisyonda Crowley\\u2019nin felsefesinin temelini olu\\u015fturan iki kitap birlikte yay\\u0131mlan\\u0131yor. \\u00dc\\u00e7 b\\u00f6l\\u00fcmden olu\\u015fan Yasa Kitab\\u0131\\u2019nda Crowley, kendisine Kahire\\u2019de Aiwass ad\\u0131ndaki kutsal bir varl\\u0131k taraf\\u0131nca dikte ettirildi\\u011fini iddia etti\\u011fi kurallar\\u0131 yaz\\u0131ya d\\u00f6k\\u00fcyor. Yalanlar Kitab\\u0131\\u2019nda ise Kabalistik \\u00f6\\u011fretideki kar\\u015f\\u0131l\\u0131klar\\u0131na g\\u00f6re numaraland\\u0131r\\u0131lan; talimatlardan, \\u015fiirlerden ve rit\\u00fcellerden olu\\u015fan 91 maddelik metinler bir araya geliyor. \\u0130ki kitaba da Crowley\\u2019nin y\\u0131llar sonra ekledi\\u011fi a\\u00e7\\u0131klay\\u0131c\\u0131 yorumlar ve tefsirler e\\u015flik ediyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cAleister Crowley, 20. y\\u00fczy\\u0131l\\u0131n en b\\u00fcy\\u00fck b\\u00fcy\\u00fcc\\u00fcs\\u00fcd\\u00fcr.\\u201d \\u2013Alan Moore<\\\/p>\\r\\n\\r\\n<p>Yirminci y\\u00fczy\\u0131l\\u0131n en tart\\u0131\\u015fmal\\u0131 \\u015fahsiyetlerinden biri olan \\u0130ngiliz ok\\u00fcltist Aleister Crowley pek \\u00e7oklar\\u0131na g\\u00f6re sahte bir peygamber hatta bir \\u015farlatanken, belirli bir kesim i\\u00e7in ise bir yol g\\u00f6stericiydi. Kurdu\\u011fu Thelema diniyle m\\u00fcritler toplayan yazar, s\\u0131rad\\u0131\\u015f\\u0131 b\\u00fcy\\u00fc \\u00f6\\u011fretileri ve dini rit\\u00fcelleriyle ya\\u015fam\\u0131\\u015f en b\\u00fcy\\u00fck ok\\u00fcltistler aras\\u0131nda kendine yer buldu. Crowley\\u2019nin tam manas\\u0131yla nas\\u0131l bir insan oldu\\u011funu s\\u00f6ylemek m\\u00fcmk\\u00fcn olmasa da \\u201cD\\u00fcnyan\\u0131n En K\\u00f6t\\u00fc \\u015e\\u00f6hretli Adam\\u0131\\u201d lakab\\u0131n\\u0131 hak edecek i\\u015fler yapt\\u0131\\u011f\\u0131 yads\\u0131namaz.<\\\/p>\\r\\n\\r\\n<p>Bu edisyonda Crowley\\u2019nin felsefesinin temelini olu\\u015fturan iki kitap birlikte yay\\u0131mlan\\u0131yor. \\u00dc\\u00e7 b\\u00f6l\\u00fcmden olu\\u015fan Yasa Kitab\\u0131\\u2019nda Crowley, kendisine Kahire\\u2019de Aiwass ad\\u0131ndaki kutsal bir varl\\u0131k taraf\\u0131nca dikte ettirildi\\u011fini iddia etti\\u011fi kurallar\\u0131 yaz\\u0131ya d\\u00f6k\\u00fcyor. Yalanlar Kitab\\u0131\\u2019nda ise Kabalistik \\u00f6\\u011fretideki kar\\u015f\\u0131l\\u0131klar\\u0131na g\\u00f6re numaraland\\u0131r\\u0131lan; talimatlardan, \\u015fiirlerden ve rit\\u00fcellerden olu\\u015fan 91 maddelik metinler bir araya geliyor. \\u0130ki kitaba da Crowley\\u2019nin y\\u0131llar sonra ekledi\\u011fi a\\u00e7\\u0131klay\\u0131c\\u0131 yorumlar ve tefsirler e\\u015flik ediyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4881,\"user_id\":10,\"original_name\":\"The Currents of Space\",\"printing_date\":\"2019-01-17 14:24:51\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/the-currents-of-space-kapak-1547551491.png\",\"image_settings\":{\"id\":4881,\"path\":\"\\\/images\\\/books\\\/2019\\\/01\\\/15\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":60350,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":31273,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":11384,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2649,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1511,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2871,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":34008,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":35728,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":12508,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2670,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1232,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2958,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-01-15 14:24:51\",\"updated_at\":\"2019-04-10 10:58:48\",\"name\":\"Uzay Ak\\u0131mlar\\u0131\",\"slug\":\"uzay-akimlari\",\"sub_name\":\"Galaktik \\u0130mparatorluk Serisi 2\",\"description\":\"<p>Florina gezegeninin y\\u00fckseklerine kurulmu\\u015f Y\\u00fcksek Kent'te Sark'\\u0131n Toprak Efendileri rahat ve bolluk i\\u00e7inde ya\\u015f\\u0131yorlard\\u0131. Y\\u00fcksek Kent'in g\\u00f6lgesinde de k\\u00f6yl\\u00fcler \\u00e7al\\u0131\\u015farak Sarkl\\u0131 efendilerini zengin eden \\\"kirt\\\" adl\\u0131 \\u00f6nemli bir maddeyi \\u00fcretmeyi ba\\u015fard\\u0131lar. \\u0130syan ise Florina i\\u00e7in unutulmu\\u015f bir kelimeydi. Fakat i\\u015f\\u00e7ilerin aras\\u0131nda ya\\u015fayan, haf\\u0131zas\\u0131n\\u0131 yitirmi\\u015f Rik isimli bir adam, kendisine iletilmesi i\\u00e7in verilen mesaj\\u0131 hat\\u0131rlay\\u0131nca gezegende i\\u015fler tersine d\\u00f6nmeye ba\\u015flayacakt\\u0131: Florina'daki herkes \\u00f6lecek. Toprak Efendileri ve Trantor \\u0130mparatorlu\\u011fu casuslar\\u0131 Rik'in pe\\u015fine d\\u00fc\\u015ferken Uzay Ak\\u0131mlar\\u0131 da Florina'ya y\\u0131k\\u0131m getirecekti.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Florina gezegeninin y\\u00fckseklerine kurulmu\\u015f Y\\u00fcksek Kent'te Sark'\\u0131n Toprak Efendileri rahat ve bolluk i\\u00e7inde ya\\u015f\\u0131yorlard\\u0131. Y\\u00fcksek Kent'in g\\u00f6lgesinde de k\\u00f6yl\\u00fcler \\u00e7al\\u0131\\u015farak Sarkl\\u0131 efendilerini zengin eden \\\"kirt\\\" adl\\u0131 \\u00f6nemli bir maddeyi \\u00fcretmeyi ba\\u015fard\\u0131lar. \\u0130syan ise Florina i\\u00e7in unutulmu\\u015f bir kelimeydi. Fakat i\\u015f\\u00e7ilerin aras\\u0131nda ya\\u015fayan, haf\\u0131zas\\u0131n\\u0131 yitirmi\\u015f Rik isimli bir adam, kendisine iletilmesi i\\u00e7in verilen mesaj\\u0131 hat\\u0131rlay\\u0131nca gezegende i\\u015fler tersine d\\u00f6nmeye ba\\u015flayacakt\\u0131: Florina'daki herkes \\u00f6lecek. Toprak Efendileri ve Trantor \\u0130mparatorlu\\u011fu casuslar\\u0131 Rik'in pe\\u015fine d\\u00fc\\u015ferken Uzay Ak\\u0131mlar\\u0131 da Florina'ya y\\u0131k\\u0131m getirecekti.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4881,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6735,\"book_id\":4881,\"locale\":\"en\",\"name\":\"The Currents of Space\",\"slug\":\"the-currents-of-space\",\"sub_name\":\"Galactic Empire\",\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":6734,\"book_id\":4881,\"locale\":\"tr\",\"name\":\"Uzay Ak\\u0131mlar\\u0131\",\"slug\":\"uzay-akimlari\",\"sub_name\":\"Galaktik \\u0130mparatorluk Serisi 2\",\"description\":\"<p>Florina gezegeninin y\\u00fckseklerine kurulmu\\u015f Y\\u00fcksek Kent'te Sark'\\u0131n Toprak Efendileri rahat ve bolluk i\\u00e7inde ya\\u015f\\u0131yorlard\\u0131. Y\\u00fcksek Kent'in g\\u00f6lgesinde de k\\u00f6yl\\u00fcler \\u00e7al\\u0131\\u015farak Sarkl\\u0131 efendilerini zengin eden \\\"kirt\\\" adl\\u0131 \\u00f6nemli bir maddeyi \\u00fcretmeyi ba\\u015fard\\u0131lar. \\u0130syan ise Florina i\\u00e7in unutulmu\\u015f bir kelimeydi. Fakat i\\u015f\\u00e7ilerin aras\\u0131nda ya\\u015fayan, haf\\u0131zas\\u0131n\\u0131 yitirmi\\u015f Rik isimli bir adam, kendisine iletilmesi i\\u00e7in verilen mesaj\\u0131 hat\\u0131rlay\\u0131nca gezegende i\\u015fler tersine d\\u00f6nmeye ba\\u015flayacakt\\u0131: Florina'daki herkes \\u00f6lecek. Toprak Efendileri ve Trantor \\u0130mparatorlu\\u011fu casuslar\\u0131 Rik'in pe\\u015fine d\\u00fc\\u015ferken Uzay Ak\\u0131mlar\\u0131 da Florina'ya y\\u0131k\\u0131m getirecekti.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Florina gezegeninin y\\u00fckseklerine kurulmu\\u015f Y\\u00fcksek Kent'te Sark'\\u0131n Toprak Efendileri rahat ve bolluk i\\u00e7inde ya\\u015f\\u0131yorlard\\u0131. Y\\u00fcksek Kent'in g\\u00f6lgesinde de k\\u00f6yl\\u00fcler \\u00e7al\\u0131\\u015farak Sarkl\\u0131 efendilerini zengin eden \\\"kirt\\\" adl\\u0131 \\u00f6nemli bir maddeyi \\u00fcretmeyi ba\\u015fard\\u0131lar. \\u0130syan ise Florina i\\u00e7in unutulmu\\u015f bir kelimeydi. Fakat i\\u015f\\u00e7ilerin aras\\u0131nda ya\\u015fayan, haf\\u0131zas\\u0131n\\u0131 yitirmi\\u015f Rik isimli bir adam, kendisine iletilmesi i\\u00e7in verilen mesaj\\u0131 hat\\u0131rlay\\u0131nca gezegende i\\u015fler tersine d\\u00f6nmeye ba\\u015flayacakt\\u0131: Florina'daki herkes \\u00f6lecek. Toprak Efendileri ve Trantor \\u0130mparatorlu\\u011fu casuslar\\u0131 Rik'in pe\\u015fine d\\u00fc\\u015ferken Uzay Ak\\u0131mlar\\u0131 da Florina'ya y\\u0131k\\u0131m getirecekti.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4885,\"user_id\":10,\"original_name\":\"M\\u00fczi\\u011fi Bo\\u011fan G\\u00fcr\\u00fclt\\u00fc\",\"printing_date\":\"2019-01-17 14:36:25\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/muzigi-bogan-gurultu-kapak-1547552185.png\",\"image_settings\":{\"id\":4885,\"path\":\"\\\/images\\\/books\\\/2019\\\/01\\\/15\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":70234,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":29442,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":10909,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2520,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1463,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2896,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":30366,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":31320,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":11816,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2408,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1118,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2892,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-01-15 14:36:26\",\"updated_at\":\"2019-04-10 10:58:48\",\"name\":\"M\\u00fczi\\u011fi Bo\\u011fan G\\u00fcr\\u00fclt\\u00fc\",\"slug\":\"muzigi-bogan-gurultu\",\"sub_name\":null,\"description\":\"<p>Osmanl\\u0131'n\\u0131n son d\\u00f6neminden g\\u00fcn\\u00fcm\\u00fcze \\u201cT\\u00fcrk musikisi\\u201d tart\\u0131\\u015fmalar\\u0131n\\u0131n zengin bir materyale dayanan geni\\u015f bir panoramas\\u0131 ve yorumu.<\\\/p>\\r\\n\\r\\n<p>Tarihyaz\\u0131m\\u0131nda \\\"uzun y\\u00fczy\\u0131l\\\" kavram\\u0131na a\\u015finay\\u0131z, ancak bu uzun y\\u00fczy\\u0131l\\u0131n daha da uzun olabilece\\u011fini, bitmek bilmeyebilece\\u011fini bug\\u00fcnk\\u00fc tart\\u0131\\u015fmalar\\u0131m\\u0131zdan hareketle daha iyi anl\\u0131yoruz.<\\\/p>\\r\\n\\r\\n<p>G\\u00fcne\\u015f Ayas, M\\u00fczi\\u011fi Bo\\u011fan G\\u00fcr\\u00fclt\\u00fc adl\\u0131 \\u00e7al\\u0131\\u015fmas\\u0131yla, Osmanl\\u0131 toplumunda geni\\u015f bir sosyal zemine yay\\u0131lan ve \\u00e7o\\u011fu zaman birle\\u015ftirici bir vazife g\\u00f6ren, hatta farkl\\u0131 dinlere mensup insanlar\\u0131n birlikte icra etti\\u011fi \\u201cmusiki\\u201dnin, \\u00f6zellikle Cumhuriyet\\u2019le birlikte ideolojik bir s\\u00f6ylemin par\\u00e7as\\u0131 haline geldi\\u011fini, yeniden tan\\u0131mlama giri\\u015fimleri aras\\u0131nda Do\\u011fu-Bat\\u0131-T\\u00fcrkl\\u00fck \\u00fc\\u00e7geninde kimli\\u011fini yitirdi\\u011fini, sular\\u0131n nispeten durulmas\\u0131n\\u0131n \\u00fcmit edildi\\u011fi y\\u0131llarda ise Zeki M\\u00fcren gibi ikonik bir ismin kariyerinin de g\\u00f6sterdi\\u011fi gibi y\\u00fcksek k\\u00fclt\\u00fcr-pop\\u00fcler k\\u00fclt\\u00fcr tart\\u0131\\u015fmalar\\u0131n\\u0131n ortas\\u0131nda kald\\u0131\\u011f\\u0131n\\u0131 ayr\\u0131nt\\u0131lar\\u0131yla g\\u00f6zler \\u00f6n\\u00fcne seriyor.<\\\/p>\\r\\n\\r\\n<p>\\\"\\u015eehrin k\\u00fclt\\u00fcr hayat\\u0131n\\u0131n ayr\\u0131lmaz bir par\\u00e7as\\u0131 olan Osmanl\\u0131 m\\u00fczi\\u011fi, Osmanl\\u0131 \\u015fehir toplumunu yatay ve dikey olarak birle\\u015ftiren bir \\u00fcst k\\u00fclt\\u00fcr diliyken, nas\\u0131l oldu da \\u00f6nce bir problem haline geldi, sonra da ad\\u0131m ad\\u0131m merkezdeki yerini kaybetti? Osmanl\\u0131-T\\u00fcrk m\\u00fczi\\u011fi... \\u00e7o\\u011fu zaman m\\u00fczi\\u011fin kendisiyle hi\\u00e7 ilgisi olmayan siyasal g\\u00fcndemlere hizmet eden bir ideolojik tart\\u0131\\u015fma konusu haline geldi. \\u00d6yle d\\u00f6nemler oldu ki, bu m\\u00fczik, icrac\\u0131lar\\u0131 ve dinleyicileriyle de\\u011fil, savunucular\\u0131 ve d\\u00fc\\u015fmanlar\\u0131yla an\\u0131l\\u0131r oldu... \\u0130deolojinin k\\u0131skac\\u0131nda m\\u00fczi\\u011fin sesi duyulmaz oldu.\\u201d<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Osmanl\\u0131'n\\u0131n son d\\u00f6neminden g\\u00fcn\\u00fcm\\u00fcze \\u201cT\\u00fcrk musikisi\\u201d tart\\u0131\\u015fmalar\\u0131n\\u0131n zengin bir materyale dayanan geni\\u015f bir panoramas\\u0131 ve yorumu.<\\\/p>\\r\\n\\r\\n<p>Tarihyaz\\u0131m\\u0131nda \\\"uzun y\\u00fczy\\u0131l\\\" kavram\\u0131na a\\u015finay\\u0131z, ancak bu uzun y\\u00fczy\\u0131l\\u0131n daha da uzun olabilece\\u011fini, bitmek bilmeyebilece\\u011fini bug\\u00fcnk\\u00fc tart\\u0131\\u015fmalar\\u0131m\\u0131zdan hareketle daha iyi anl\\u0131yoruz.<\\\/p>\\r\\n\\r\\n<p>G\\u00fcne\\u015f Ayas, M\\u00fczi\\u011fi Bo\\u011fan G\\u00fcr\\u00fclt\\u00fc adl\\u0131 \\u00e7al\\u0131\\u015fmas\\u0131yla, Osmanl\\u0131 toplumunda geni\\u015f bir sosyal zemine yay\\u0131lan ve \\u00e7o\\u011fu zaman birle\\u015ftirici bir vazife g\\u00f6ren, hatta farkl\\u0131 dinlere mensup insanlar\\u0131n birlikte icra etti\\u011fi \\u201cmusiki\\u201dnin, \\u00f6zellikle Cumhuriyet\\u2019le birlikte ideolojik bir s\\u00f6ylemin par\\u00e7as\\u0131 haline geldi\\u011fini, yeniden tan\\u0131mlama giri\\u015fimleri aras\\u0131nda Do\\u011fu-Bat\\u0131-T\\u00fcrkl\\u00fck \\u00fc\\u00e7geninde kimli\\u011fini yitirdi\\u011fini, sular\\u0131n nispeten durulmas\\u0131n\\u0131n \\u00fcmit edildi\\u011fi y\\u0131llarda ise Zeki M\\u00fcren gibi ikonik bir ismin kariyerinin de g\\u00f6sterdi\\u011fi gibi y\\u00fcksek k\\u00fclt\\u00fcr-pop\\u00fcler k\\u00fclt\\u00fcr tart\\u0131\\u015fmalar\\u0131n\\u0131n ortas\\u0131nda kald\\u0131\\u011f\\u0131n\\u0131 ayr\\u0131nt\\u0131lar\\u0131yla g\\u00f6zler \\u00f6n\\u00fcne seriyor.<\\\/p>\\r\\n\\r\\n<p>\\\"\\u015eehrin k\\u00fclt\\u00fcr hayat\\u0131n\\u0131n ayr\\u0131lmaz bir par\\u00e7as\\u0131 olan Osmanl\\u0131 m\\u00fczi\\u011fi, Osmanl\\u0131 \\u015fehir toplumunu yatay ve dikey olarak birle\\u015ftiren bir \\u00fcst k\\u00fclt\\u00fcr diliyken, nas\\u0131l oldu da \\u00f6nce bir problem haline geldi, sonra da ad\\u0131m ad\\u0131m merkezdeki yerini kaybetti? Osmanl\\u0131-T\\u00fcrk m\\u00fczi\\u011fi... \\u00e7o\\u011fu zaman m\\u00fczi\\u011fin kendisiyle hi\\u00e7 ilgisi olmayan siyasal g\\u00fcndemlere hizmet eden bir ideolojik tart\\u0131\\u015fma konusu haline geldi. \\u00d6yle d\\u00f6nemler oldu ki, bu m\\u00fczik, icrac\\u0131lar\\u0131 ve dinleyicileriyle de\\u011fil, savunucular\\u0131 ve d\\u00fc\\u015fmanlar\\u0131yla an\\u0131l\\u0131r oldu... \\u0130deolojinin k\\u0131skac\\u0131nda m\\u00fczi\\u011fin sesi duyulmaz oldu.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1412,\"personable_id\":4885,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6741,\"book_id\":4885,\"locale\":\"tr\",\"name\":\"M\\u00fczi\\u011fi Bo\\u011fan G\\u00fcr\\u00fclt\\u00fc\",\"slug\":\"muzigi-bogan-gurultu\",\"sub_name\":null,\"description\":\"<p>Osmanl\\u0131'n\\u0131n son d\\u00f6neminden g\\u00fcn\\u00fcm\\u00fcze \\u201cT\\u00fcrk musikisi\\u201d tart\\u0131\\u015fmalar\\u0131n\\u0131n zengin bir materyale dayanan geni\\u015f bir panoramas\\u0131 ve yorumu.<\\\/p>\\r\\n\\r\\n<p>Tarihyaz\\u0131m\\u0131nda \\\"uzun y\\u00fczy\\u0131l\\\" kavram\\u0131na a\\u015finay\\u0131z, ancak bu uzun y\\u00fczy\\u0131l\\u0131n daha da uzun olabilece\\u011fini, bitmek bilmeyebilece\\u011fini bug\\u00fcnk\\u00fc tart\\u0131\\u015fmalar\\u0131m\\u0131zdan hareketle daha iyi anl\\u0131yoruz.<\\\/p>\\r\\n\\r\\n<p>G\\u00fcne\\u015f Ayas, M\\u00fczi\\u011fi Bo\\u011fan G\\u00fcr\\u00fclt\\u00fc adl\\u0131 \\u00e7al\\u0131\\u015fmas\\u0131yla, Osmanl\\u0131 toplumunda geni\\u015f bir sosyal zemine yay\\u0131lan ve \\u00e7o\\u011fu zaman birle\\u015ftirici bir vazife g\\u00f6ren, hatta farkl\\u0131 dinlere mensup insanlar\\u0131n birlikte icra etti\\u011fi \\u201cmusiki\\u201dnin, \\u00f6zellikle Cumhuriyet\\u2019le birlikte ideolojik bir s\\u00f6ylemin par\\u00e7as\\u0131 haline geldi\\u011fini, yeniden tan\\u0131mlama giri\\u015fimleri aras\\u0131nda Do\\u011fu-Bat\\u0131-T\\u00fcrkl\\u00fck \\u00fc\\u00e7geninde kimli\\u011fini yitirdi\\u011fini, sular\\u0131n nispeten durulmas\\u0131n\\u0131n \\u00fcmit edildi\\u011fi y\\u0131llarda ise Zeki M\\u00fcren gibi ikonik bir ismin kariyerinin de g\\u00f6sterdi\\u011fi gibi y\\u00fcksek k\\u00fclt\\u00fcr-pop\\u00fcler k\\u00fclt\\u00fcr tart\\u0131\\u015fmalar\\u0131n\\u0131n ortas\\u0131nda kald\\u0131\\u011f\\u0131n\\u0131 ayr\\u0131nt\\u0131lar\\u0131yla g\\u00f6zler \\u00f6n\\u00fcne seriyor.<\\\/p>\\r\\n\\r\\n<p>\\\"\\u015eehrin k\\u00fclt\\u00fcr hayat\\u0131n\\u0131n ayr\\u0131lmaz bir par\\u00e7as\\u0131 olan Osmanl\\u0131 m\\u00fczi\\u011fi, Osmanl\\u0131 \\u015fehir toplumunu yatay ve dikey olarak birle\\u015ftiren bir \\u00fcst k\\u00fclt\\u00fcr diliyken, nas\\u0131l oldu da \\u00f6nce bir problem haline geldi, sonra da ad\\u0131m ad\\u0131m merkezdeki yerini kaybetti? Osmanl\\u0131-T\\u00fcrk m\\u00fczi\\u011fi... \\u00e7o\\u011fu zaman m\\u00fczi\\u011fin kendisiyle hi\\u00e7 ilgisi olmayan siyasal g\\u00fcndemlere hizmet eden bir ideolojik tart\\u0131\\u015fma konusu haline geldi. \\u00d6yle d\\u00f6nemler oldu ki, bu m\\u00fczik, icrac\\u0131lar\\u0131 ve dinleyicileriyle de\\u011fil, savunucular\\u0131 ve d\\u00fc\\u015fmanlar\\u0131yla an\\u0131l\\u0131r oldu... \\u0130deolojinin k\\u0131skac\\u0131nda m\\u00fczi\\u011fin sesi duyulmaz oldu.\\u201d<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Osmanl\\u0131'n\\u0131n son d\\u00f6neminden g\\u00fcn\\u00fcm\\u00fcze \\u201cT\\u00fcrk musikisi\\u201d tart\\u0131\\u015fmalar\\u0131n\\u0131n zengin bir materyale dayanan geni\\u015f bir panoramas\\u0131 ve yorumu.<\\\/p>\\r\\n\\r\\n<p>Tarihyaz\\u0131m\\u0131nda \\\"uzun y\\u00fczy\\u0131l\\\" kavram\\u0131na a\\u015finay\\u0131z, ancak bu uzun y\\u00fczy\\u0131l\\u0131n daha da uzun olabilece\\u011fini, bitmek bilmeyebilece\\u011fini bug\\u00fcnk\\u00fc tart\\u0131\\u015fmalar\\u0131m\\u0131zdan hareketle daha iyi anl\\u0131yoruz.<\\\/p>\\r\\n\\r\\n<p>G\\u00fcne\\u015f Ayas, M\\u00fczi\\u011fi Bo\\u011fan G\\u00fcr\\u00fclt\\u00fc adl\\u0131 \\u00e7al\\u0131\\u015fmas\\u0131yla, Osmanl\\u0131 toplumunda geni\\u015f bir sosyal zemine yay\\u0131lan ve \\u00e7o\\u011fu zaman birle\\u015ftirici bir vazife g\\u00f6ren, hatta farkl\\u0131 dinlere mensup insanlar\\u0131n birlikte icra etti\\u011fi \\u201cmusiki\\u201dnin, \\u00f6zellikle Cumhuriyet\\u2019le birlikte ideolojik bir s\\u00f6ylemin par\\u00e7as\\u0131 haline geldi\\u011fini, yeniden tan\\u0131mlama giri\\u015fimleri aras\\u0131nda Do\\u011fu-Bat\\u0131-T\\u00fcrkl\\u00fck \\u00fc\\u00e7geninde kimli\\u011fini yitirdi\\u011fini, sular\\u0131n nispeten durulmas\\u0131n\\u0131n \\u00fcmit edildi\\u011fi y\\u0131llarda ise Zeki M\\u00fcren gibi ikonik bir ismin kariyerinin de g\\u00f6sterdi\\u011fi gibi y\\u00fcksek k\\u00fclt\\u00fcr-pop\\u00fcler k\\u00fclt\\u00fcr tart\\u0131\\u015fmalar\\u0131n\\u0131n ortas\\u0131nda kald\\u0131\\u011f\\u0131n\\u0131 ayr\\u0131nt\\u0131lar\\u0131yla g\\u00f6zler \\u00f6n\\u00fcne seriyor.<\\\/p>\\r\\n\\r\\n<p>\\\"\\u015eehrin k\\u00fclt\\u00fcr hayat\\u0131n\\u0131n ayr\\u0131lmaz bir par\\u00e7as\\u0131 olan Osmanl\\u0131 m\\u00fczi\\u011fi, Osmanl\\u0131 \\u015fehir toplumunu yatay ve dikey olarak birle\\u015ftiren bir \\u00fcst k\\u00fclt\\u00fcr diliyken, nas\\u0131l oldu da \\u00f6nce bir problem haline geldi, sonra da ad\\u0131m ad\\u0131m merkezdeki yerini kaybetti? Osmanl\\u0131-T\\u00fcrk m\\u00fczi\\u011fi... \\u00e7o\\u011fu zaman m\\u00fczi\\u011fin kendisiyle hi\\u00e7 ilgisi olmayan siyasal g\\u00fcndemlere hizmet eden bir ideolojik tart\\u0131\\u015fma konusu haline geldi. \\u00d6yle d\\u00f6nemler oldu ki, bu m\\u00fczik, icrac\\u0131lar\\u0131 ve dinleyicileriyle de\\u011fil, savunucular\\u0131 ve d\\u00fc\\u015fmanlar\\u0131yla an\\u0131l\\u0131r oldu... \\u0130deolojinin k\\u0131skac\\u0131nda m\\u00fczi\\u011fin sesi duyulmaz oldu.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4891,\"user_id\":10,\"original_name\":\"The Martian Chronicles\",\"printing_date\":\"2018-01-01 13:50:33\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/the-martian-chronicles-kapak-1547722233.png\",\"image_settings\":{\"id\":4891,\"path\":\"\\\/images\\\/books\\\/2019\\\/01\\\/17\\\/13\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":43122,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":5372,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":2554,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":968,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":770,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":967,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":4366,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":4642,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":2040,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":446,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":262,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":468,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-01-17 13:50:34\",\"updated_at\":\"2019-04-10 10:58:49\",\"name\":\"Mars Y\\u0131ll\\u0131klar\\u0131\",\"slug\":\"mars-yilliklari\",\"sub_name\":null,\"description\":\"<p>\\u201cBradbury\\u2019nin \\u00f6yk\\u00fcleri ve romanlar\\u0131, edebiyat\\u0131m\\u0131z\\u0131n en nadide par\\u00e7alar\\u0131ndan. Ona sahip oldu\\u011fumuz i\\u00e7in \\u015fansl\\u0131y\\u0131z.\\u201d \\u2013Kim Stanley Robinson<\\\/p>\\r\\n\\r\\n<p>\\u201cBradbury\\u2019nin \\u00f6yk\\u00fcleri \\u00f6ylesine i\\u00e7inize i\\u015fliyor ki bir daha unutam\\u0131yorsunuz.\\u201d<\\\/p>\\r\\n\\r\\n<p>&nbsp;- Margaret Atwood -&nbsp;<\\\/p>\\r\\n\\r\\n<p>Ulusal Kitap \\u00d6d\\u00fcl\\u00fc<\\\/p>\\r\\n\\r\\n<p>Pulitzer Onur \\u00d6d\\u00fcl\\u00fc<\\\/p>\\r\\n\\r\\n<p>Ulusal Sanat Madalyas\\u0131<\\\/p>\\r\\n\\r\\n<p>\\u201cB\\u0130Z D\\u00dcNYALILAR, B\\u00dcY\\u00dcK VE G\\u00dcZEL \\u015eEYLER\\u0130 YIKMAK KONUSUNDA H\\u00dcNERL\\u0130Y\\u0130ZD\\u0130R.\\\"<\\\/p>\\r\\n\\r\\n<p>Ray Bradbury sadece bilimkurgunun de\\u011fil fantastik edebiyat\\u0131n ve korkunun da yirminci y\\u00fczy\\u0131ldaki ustalar\\u0131ndan biri. Bilimkurgunun \\u201ciyi edebiyat\\u201d da olabilece\\u011fini kan\\u0131tlayan belki de ilk yazar. 1950\\u2019de yay\\u0131mlanan <em>Mars Y\\u0131ll\\u0131klar\\u0131 <\\\/em>ise insana dair yaz\\u0131lm\\u0131\\u015f en naif ve en karanl\\u0131k eserlerden biri.<\\\/p>\\r\\n\\r\\n<p>\\u0130nsanl\\u0131k atom sava\\u015flar\\u0131n\\u0131n g\\u00f6lgesindeki, sorunlarla bo\\u011fu\\u015fan D\\u00fcnya\\u2019y\\u0131 terk etmek i\\u00e7in Mars\\u2019ta koloni kurmaya karar verir. \\u0130lk roketler umut dolu k\\u0131z\\u0131l gezegene ini\\u015f yapt\\u0131klar\\u0131nda yolcular hi\\u00e7 beklemedikleri sorunlarla kar\\u015f\\u0131 kar\\u015f\\u0131ya kal\\u0131r. Mars\\u2019ta yaln\\u0131z de\\u011fillerdir.<\\\/p>\\r\\n\\r\\n<p>Marsl\\u0131lar \\u015fekil de\\u011fi\\u015ftiren, zihin okuyan, belirli bir geli\\u015fmi\\u015flik seviyesine eri\\u015fmi\\u015f canl\\u0131lard\\u0131r ve gezegene gelen bu istenmeyen ziyaret\\u00e7iler i\\u00e7in orada yeni bir hayat kurmak hi\\u00e7 kolay olmayacakt\\u0131r. Bradbury\\u2019nin yer yer \\u00fcrk\\u00fct\\u00fcc\\u00fc yer yer dramatik anlat\\u0131m\\u0131 da burada sahne al\\u0131r. Irk\\u00e7\\u0131l\\u0131k ve h\\u00fcmanizm gibi fikirler Mars\\u2019ta kendine yer bulur. Yazar, \\u00e2deta tarihle ve insanl\\u0131kla y\\u00fczle\\u015fir.<\\\/p>\\r\\n\\r\\n<p>Bilimkurgu edebiyat\\u0131n\\u0131n en \\u00f6nemli eserler