Oz (Adam Fawer)

{"id":31,"user_id":null,"first_name":"Adam","last_name":"Fawer","slug":"adam-fawer","link":"https:\/\/twitter.com\/adamfawer","birth_date":"1970-12-31 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11:41:46","updated_at":"2020-01-06 03:50:02","allRelations":"[{\"id\":109,\"user_id\":null,\"original_name\":\"Oz\",\"printing_date\":\"2016-06-30 16:37:00\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/1479594726i.jpeg\",\"image_settings\":{\"id\":109,\"path\":\"\\\/images\\\/books\\\/2016\\\/11\\\/13\\\/13\\\/\",\"versions\":[{\"ext\":\"jpeg\",\"size\":31265,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":21922,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":9971,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2626,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1448,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3245,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":18196,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":18318,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":8900,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2268,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1090,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3044,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":34,\"follower_count\":7,\"rate_count\":7,\"rate_average\":7.6,\"created_at\":\"2016-11-13 13:54:43\",\"updated_at\":\"2020-02-18 03:30:02\",\"name\":\"Oz\",\"slug\":\"oz\",\"sub_name\":\"\",\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":31,\"personable_id\":109,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":4995,\"book_id\":109,\"locale\":\"en\",\"name\":\"Oz\",\"slug\":\"oz-1\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":106,\"book_id\":109,\"locale\":\"tr\",\"name\":\"Oz\",\"slug\":\"oz\",\"sub_name\":\"\",\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":130,\"user_id\":null,\"original_name\":\"Improbable\",\"printing_date\":\"2015-06-30 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13:29:40\",\"updated_at\":\"2020-02-17 03:30:02\",\"name\":\"Olas\\u0131l\\u0131ks\\u0131z\",\"slug\":\"olasiliksiz\",\"sub_name\":\"\",\"description\":\"<p>Bir sabah, y\\u0131llard\\u0131r g\\u00f6rmedi\\u011finiz bir arkada\\u015f\\u0131n\\u0131z\\u0131 d\\u00fc\\u015f\\u00fcnerek uyand\\u0131n\\u0131z. Bir saat sonra, onunla sokakta kar\\u015f\\u0131la\\u015ft\\u0131n\\u0131z. Sizce bu sadece bir tesad\\u00fcf m\\u00fc, yoksa \\u00e7ok daha farkl\\u0131 bir anlam\\u0131 olabilir mi? Siz hi\\u00e7 Loto\\u2019da b\\u00fcy\\u00fck ikramiyeyi kazanmad\\u0131n\\u0131z. Ama birileri kazan\\u0131yor. Hem de s\\u00fcrekli! Onlar sizden daha m\\u0131 \\u015fansl\\u0131lar? \\u015eans nedir ger\\u00e7ekten? \\u0130\\u00e7inizde b\\u00fct\\u00fcn paray\\u0131 k\\u0131rm\\u0131z\\u0131ya yat\\u0131rman\\u0131z gerekti\\u011fini s\\u00f6yleyen bir his var. Bu his bir \\u00f6ng\\u00f6r\\u00fc m\\u00fcd\\u00fcr? Yoksa daha fazlas\\u0131 m\\u0131? Yolda gidiyorsunuz. Kafan\\u0131z\\u0131 \\u00e7evirip yandaki k\\u00fc\\u00e7\\u00fck parkta bakt\\u0131n\\u0131z ve bir anda bu an\\u0131 daha \\u00f6nce de ya\\u015fam\\u0131\\u015f oldu\\u011funuzu hissettiniz. Evet, Deja Vu. Sizce nedir Deja Vu; Ge\\u00e7mi\\u015f mi, r\\u00fcya m\\u0131 yoksa gelece\\u011fi mi g\\u00f6r\\u00fcyorsunuz? E\\u011fer siz de kontrol\\u00fcn kimde oldu\\u011funu merak ediyorsan\\u0131z, \\u2018Olas\\u0131l\\u0131ks\\u0131z\\u2019 tam size g\\u00f6re bir roman\\u2026(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Bir sabah, y\\u0131llard\\u0131r g\\u00f6rmedi\\u011finiz bir arkada\\u015f\\u0131n\\u0131z\\u0131 d\\u00fc\\u015f\\u00fcnerek uyand\\u0131n\\u0131z. Bir saat sonra, onunla sokakta kar\\u015f\\u0131la\\u015ft\\u0131n\\u0131z. Sizce bu sadece bir tesad\\u00fcf m\\u00fc, yoksa \\u00e7ok daha farkl\\u0131 bir anlam\\u0131 olabilir mi? Siz hi\\u00e7 Loto\\u2019da b\\u00fcy\\u00fck ikramiyeyi kazanmad\\u0131n\\u0131z. Ama birileri kazan\\u0131yor. Hem de s\\u00fcrekli! Onlar sizden daha m\\u0131 \\u015fansl\\u0131lar? \\u015eans nedir ger\\u00e7ekten? \\u0130\\u00e7inizde b\\u00fct\\u00fcn paray\\u0131 k\\u0131rm\\u0131z\\u0131ya yat\\u0131rman\\u0131z gerekti\\u011fini s\\u00f6yleyen bir his var. Bu his bir \\u00f6ng\\u00f6r\\u00fc m\\u00fcd\\u00fcr? Yoksa daha fazlas\\u0131 m\\u0131? Yolda gidiyorsunuz. Kafan\\u0131z\\u0131 \\u00e7evirip yandaki k\\u00fc\\u00e7\\u00fck parkta bakt\\u0131n\\u0131z ve bir anda bu an\\u0131 daha \\u00f6nce de ya\\u015fam\\u0131\\u015f oldu\\u011funuzu hissettiniz. Evet, Deja Vu. Sizce nedir Deja Vu; Ge\\u00e7mi\\u015f mi, r\\u00fcya m\\u0131 yoksa gelece\\u011fi mi g\\u00f6r\\u00fcyorsunuz? E\\u011fer siz de kontrol\\u00fcn kimde oldu\\u011funu merak ediyorsan\\u0131z, \\u2018Olas\\u0131l\\u0131ks\\u0131z\\u2019 tam size g\\u00f6re bir roman\\u2026(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":31,\"personable_id\":130,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5002,\"book_id\":130,\"locale\":\"en\",\"name\":\"Improbable\",\"slug\":\"improbable\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":127,\"book_id\":130,\"locale\":\"tr\",\"name\":\"Olas\\u0131l\\u0131ks\\u0131z\",\"slug\":\"olasiliksiz\",\"sub_name\":\"\",\"description\":\"<p>Bir sabah, y\\u0131llard\\u0131r g\\u00f6rmedi\\u011finiz bir arkada\\u015f\\u0131n\\u0131z\\u0131 d\\u00fc\\u015f\\u00fcnerek uyand\\u0131n\\u0131z. Bir saat sonra, onunla sokakta kar\\u015f\\u0131la\\u015ft\\u0131n\\u0131z. Sizce bu sadece bir tesad\\u00fcf m\\u00fc, yoksa \\u00e7ok daha farkl\\u0131 bir anlam\\u0131 olabilir mi? Siz hi\\u00e7 Loto\\u2019da b\\u00fcy\\u00fck ikramiyeyi kazanmad\\u0131n\\u0131z. Ama birileri kazan\\u0131yor. Hem de s\\u00fcrekli! Onlar sizden daha m\\u0131 \\u015fansl\\u0131lar? \\u015eans nedir ger\\u00e7ekten? \\u0130\\u00e7inizde b\\u00fct\\u00fcn paray\\u0131 k\\u0131rm\\u0131z\\u0131ya yat\\u0131rman\\u0131z gerekti\\u011fini s\\u00f6yleyen bir his var. Bu his bir \\u00f6ng\\u00f6r\\u00fc m\\u00fcd\\u00fcr? Yoksa daha fazlas\\u0131 m\\u0131? Yolda gidiyorsunuz. Kafan\\u0131z\\u0131 \\u00e7evirip yandaki k\\u00fc\\u00e7\\u00fck parkta bakt\\u0131n\\u0131z ve bir anda bu an\\u0131 daha \\u00f6nce de ya\\u015fam\\u0131\\u015f oldu\\u011funuzu hissettiniz. Evet, Deja Vu. Sizce nedir Deja Vu; Ge\\u00e7mi\\u015f mi, r\\u00fcya m\\u0131 yoksa gelece\\u011fi mi g\\u00f6r\\u00fcyorsunuz? E\\u011fer siz de kontrol\\u00fcn kimde oldu\\u011funu merak ediyorsan\\u0131z, \\u2018Olas\\u0131l\\u0131ks\\u0131z\\u2019 tam size g\\u00f6re bir roman\\u2026(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Bir sabah, y\\u0131llard\\u0131r g\\u00f6rmedi\\u011finiz bir arkada\\u015f\\u0131n\\u0131z\\u0131 d\\u00fc\\u015f\\u00fcnerek uyand\\u0131n\\u0131z. Bir saat sonra, onunla sokakta kar\\u015f\\u0131la\\u015ft\\u0131n\\u0131z. Sizce bu sadece bir tesad\\u00fcf m\\u00fc, yoksa \\u00e7ok daha farkl\\u0131 bir anlam\\u0131 olabilir mi? Siz hi\\u00e7 Loto\\u2019da b\\u00fcy\\u00fck ikramiyeyi kazanmad\\u0131n\\u0131z. Ama birileri kazan\\u0131yor. Hem de s\\u00fcrekli! Onlar sizden daha m\\u0131 \\u015fansl\\u0131lar? \\u015eans nedir ger\\u00e7ekten? \\u0130\\u00e7inizde b\\u00fct\\u00fcn paray\\u0131 k\\u0131rm\\u0131z\\u0131ya yat\\u0131rman\\u0131z gerekti\\u011fini s\\u00f6yleyen bir his var. Bu his bir \\u00f6ng\\u00f6r\\u00fc m\\u00fcd\\u00fcr? Yoksa daha fazlas\\u0131 m\\u0131? Yolda gidiyorsunuz. Kafan\\u0131z\\u0131 \\u00e7evirip yandaki k\\u00fc\\u00e7\\u00fck parkta bakt\\u0131n\\u0131z ve bir anda bu an\\u0131 daha \\u00f6nce de ya\\u015fam\\u0131\\u015f oldu\\u011funuzu hissettiniz. Evet, Deja Vu. Sizce nedir Deja Vu; Ge\\u00e7mi\\u015f mi, r\\u00fcya m\\u0131 yoksa gelece\\u011fi mi g\\u00f6r\\u00fcyorsunuz? E\\u011fer siz de kontrol\\u00fcn kimde oldu\\u011funu merak ediyorsan\\u0131z, \\u2018Olas\\u0131l\\u0131ks\\u0131z\\u2019 tam size g\\u00f6re bir roman\\u2026(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":222,\"user_id\":10,\"original_name\":\"Empathy\",\"printing_date\":\"2008-01-01 16:23:47\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/1484747079i.png\",\"image_settings\":{\"id\":222,\"path\":\"\\\/images\\\/books\\\/2017\\\/01\\\/18\\\/13\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":53421,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":18436,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":7172,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":1884,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1197,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2268,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":16844,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":17992,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7078,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1622,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":806,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2048,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":39,\"follower_count\":12,\"rate_count\":11,\"rate_average\":8.4,\"created_at\":\"2017-01-18 13:44:39\",\"updated_at\":\"2020-02-13 03:30:02\",\"name\":\"Empati\",\"slug\":\"empati\",\"sub_name\":\"\",\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":31,\"personable_id\":222,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":4962,\"book_id\":222,\"locale\":\"en\",\"name\":\"Empathy\",\"slug\":\"empathy\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":211,\"book_id\":222,\"locale\":\"tr\",\"name\":\"Empati\",\"slug\":\"empati\",\"sub_name\":\"\",\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null}]}]","bio":"<p>\u00dcnl\u00fc romanc\u0131 Adam Fawer, 1970 y\u0131l\u0131nda New York' da do\u011fdu. Pennsylvania \u00dcniversitesinde lisans ve lisans\u00fcst\u00fc derecelerini tamamlad\u0131. Stanford Graduate School Business'da MBA'ni yapt\u0131. Kariyeri s\u0131ras\u0131nda Sony Music, J.P. Morgan ve About.com gibi \u015firketlerde \u00e7al\u0131\u015ft\u0131. \u0130lk roman\u0131 \"Olas\u0131l\u0131ks\u0131z\" ola\u011fan\u00fcst\u00fc bir ba\u015far\u0131 kazand\u0131. 18 dile \u00e7evrilen roman uzun s\u00fcre \u00e7ok satanlar listelerinde kald\u0131. En iyi ilk roman dal\u0131nda (2006) Internationel Thriller Writers \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131. Amerikal\u0131 macera romanc\u0131s\u0131 Clive Cussler, \"Olas\u0131l\u0131ks\u0131z\" roman\u0131 i\u00e7in \"Olas\u0131l\u0131ks\u0131z demek yetersiz kalacakt\u0131r. \u0130nsan\u0131 adeta b\u00fcy\u00fcs\u00fc alt\u0131na alan bu hikayede, Adam Fawer, bilim, felsefe, entrika ve maceradan ortaya bir ba\u015fyap\u0131t \u00e7\u0131karm\u0131\u015f\" demi\u015ftir. 2008 y\u0131l\u0131nda ikinci kitab\u0131 \"Empati\" \u00e7\u0131km\u0131\u015ft\u0131r. Empati; Almanca, Japonca ve T\u00fcrk\u00e7e yay\u0131mlanm\u0131\u015ft\u0131r. \u00dc\u00e7\u00fcnc\u00fc roman\u0131 \"Oz\" 2016'da T\u00fcrk\u00e7e olarak yay\u0131mlanm\u0131\u015f, ancak olumsuz ele\u015ftiriler alm\u0131\u015f, di\u011fer eserleri kadar ilgi g\u00f6rmemi\u015ftir. New York'da ya\u015famakta olan Adam Fawer'in yazarl\u0131k kariyerine ba\u015flamas\u0131n\u0131n ilgin\u00e7 bir hikayesi vard\u0131r. Bir g\u00fcn \u00fcniversiteden arkada\u015f\u0131n\u0131n aray\u0131p kanser oldu\u011fu haberini vermesi ile Fawer hayatta yapmak istedi\u011fi i\u015fi yapmad\u0131\u011f\u0131n\u0131 fark eder. Arkada\u015f\u0131 kanserin son evresindedir. Bu durum ona insan\u0131n hayattan istediklerini elde etmesi gerekti\u011fini hat\u0131rlat\u0131r. Bunu arkada\u015f\u0131yla payla\u015f\u0131r. bir dergide edit\u00f6r olan arkada\u015f\u0131 ile birlikte her g\u00fcn beraber yazmaya karar verirler. \u0130lk kitab\u0131 ile Uluslararas\u0131 \u00fcne ula\u015fan Fawer, iyi gelir elde etti\u011fi kurumsal \u015firketten ayr\u0131l\u0131r. art\u0131k kendini tam zamanl\u0131 yazar olarak ifade eder.<\/p>","static_content":"<p>\u00dcnl\u00fc romanc\u0131 Adam Fawer, 1970 y\u0131l\u0131nda New York' da do\u011fdu. Pennsylvania \u00dcniversitesinde lisans ve lisans\u00fcst\u00fc derecelerini tamamlad\u0131. Stanford Graduate School Business'da MBA'ni yapt\u0131. Kariyeri s\u0131ras\u0131nda Sony Music, J.P. Morgan ve About.com gibi \u015firketlerde \u00e7al\u0131\u015ft\u0131. \u0130lk roman\u0131 \"Olas\u0131l\u0131ks\u0131z\" ola\u011fan\u00fcst\u00fc bir ba\u015far\u0131 kazand\u0131. 18 dile \u00e7evrilen roman uzun s\u00fcre \u00e7ok satanlar listelerinde kald\u0131. En iyi ilk roman dal\u0131nda (2006) Internationel Thriller Writers \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131. Amerikal\u0131 macera romanc\u0131s\u0131 Clive Cussler, \"Olas\u0131l\u0131ks\u0131z\" roman\u0131 i\u00e7in \"Olas\u0131l\u0131ks\u0131z demek yetersiz kalacakt\u0131r. \u0130nsan\u0131 adeta b\u00fcy\u00fcs\u00fc alt\u0131na alan bu hikayede, Adam Fawer, bilim, felsefe, entrika ve maceradan ortaya bir ba\u015fyap\u0131t \u00e7\u0131karm\u0131\u015f\" demi\u015ftir. 2008 y\u0131l\u0131nda ikinci kitab\u0131 \"Empati\" \u00e7\u0131km\u0131\u015ft\u0131r. Empati; Almanca, Japonca ve T\u00fcrk\u00e7e yay\u0131mlanm\u0131\u015ft\u0131r. \u00dc\u00e7\u00fcnc\u00fc roman\u0131 \"Oz\" 2016'da T\u00fcrk\u00e7e olarak yay\u0131mlanm\u0131\u015f, ancak olumsuz ele\u015ftiriler alm\u0131\u015f, di\u011fer eserleri kadar ilgi g\u00f6rmemi\u015ftir. New York'da ya\u015famakta olan Adam Fawer'in yazarl\u0131k kariyerine ba\u015flamas\u0131n\u0131n ilgin\u00e7 bir hikayesi vard\u0131r. Bir g\u00fcn \u00fcniversiteden arkada\u015f\u0131n\u0131n aray\u0131p kanser oldu\u011fu haberini vermesi ile Fawer hayatta yapmak istedi\u011fi i\u015fi yapmad\u0131\u011f\u0131n\u0131 fark eder. Arkada\u015f\u0131 kanserin son evresindedir. Bu durum ona insan\u0131n hayattan istediklerini elde etmesi gerekti\u011fini hat\u0131rlat\u0131r. 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Bir saat sonra, onunla sokakta kar\u015f\u0131la\u015ft\u0131n\u0131z. Sizce bu sadece bir tesad\u00fcf m\u00fc, yoksa \u00e7ok daha farkl\u0131 bir anlam\u0131 olabilir mi? Siz hi\u00e7 Loto\u2019da b\u00fcy\u00fck ikramiyeyi kazanmad\u0131n\u0131z. Ama birileri kazan\u0131yor. Hem de s\u00fcrekli! Onlar sizden daha m\u0131 \u015fansl\u0131lar? \u015eans nedir ger\u00e7ekten? \u0130\u00e7inizde b\u00fct\u00fcn paray\u0131 k\u0131rm\u0131z\u0131ya yat\u0131rman\u0131z gerekti\u011fini s\u00f6yleyen bir his var. Bu his bir \u00f6ng\u00f6r\u00fc m\u00fcd\u00fcr? Yoksa daha fazlas\u0131 m\u0131? Yolda gidiyorsunuz. Kafan\u0131z\u0131 \u00e7evirip yandaki k\u00fc\u00e7\u00fck parkta bakt\u0131n\u0131z ve bir anda bu an\u0131 daha \u00f6nce de ya\u015fam\u0131\u015f oldu\u011funuzu hissettiniz. Evet, Deja Vu. Sizce nedir Deja Vu; Ge\u00e7mi\u015f mi, r\u00fcya m\u0131 yoksa gelece\u011fi mi g\u00f6r\u00fcyorsunuz? E\u011fer siz de kontrol\u00fcn kimde oldu\u011funu merak ediyorsan\u0131z, \u2018Olas\u0131l\u0131ks\u0131z\u2019 tam size g\u00f6re bir roman\u2026(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>Bir sabah, y\u0131llard\u0131r g\u00f6rmedi\u011finiz bir arkada\u015f\u0131n\u0131z\u0131 d\u00fc\u015f\u00fcnerek uyand\u0131n\u0131z. Bir saat sonra, onunla sokakta kar\u015f\u0131la\u015ft\u0131n\u0131z. Sizce bu sadece bir tesad\u00fcf m\u00fc, yoksa \u00e7ok daha farkl\u0131 bir anlam\u0131 olabilir mi? Siz hi\u00e7 Loto\u2019da b\u00fcy\u00fck ikramiyeyi kazanmad\u0131n\u0131z. Ama birileri kazan\u0131yor. Hem de s\u00fcrekli! Onlar sizden daha m\u0131 \u015fansl\u0131lar? \u015eans nedir ger\u00e7ekten? \u0130\u00e7inizde b\u00fct\u00fcn paray\u0131 k\u0131rm\u0131z\u0131ya yat\u0131rman\u0131z gerekti\u011fini s\u00f6yleyen bir his var. Bu his bir \u00f6ng\u00f6r\u00fc m\u00fcd\u00fcr? Yoksa daha fazlas\u0131 m\u0131? Yolda gidiyorsunuz. 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Siz hi\u00e7 Loto\u2019da b\u00fcy\u00fck ikramiyeyi kazanmad\u0131n\u0131z. Ama birileri kazan\u0131yor. Hem de s\u00fcrekli! Onlar sizden daha m\u0131 \u015fansl\u0131lar? \u015eans nedir ger\u00e7ekten? \u0130\u00e7inizde b\u00fct\u00fcn paray\u0131 k\u0131rm\u0131z\u0131ya yat\u0131rman\u0131z gerekti\u011fini s\u00f6yleyen bir his var. Bu his bir \u00f6ng\u00f6r\u00fc m\u00fcd\u00fcr? Yoksa daha fazlas\u0131 m\u0131? Yolda gidiyorsunuz. Kafan\u0131z\u0131 \u00e7evirip yandaki k\u00fc\u00e7\u00fck parkta bakt\u0131n\u0131z ve bir anda bu an\u0131 daha \u00f6nce de ya\u015fam\u0131\u015f oldu\u011funuzu hissettiniz. Evet, Deja Vu. Sizce nedir Deja Vu; Ge\u00e7mi\u015f mi, r\u00fcya m\u0131 yoksa gelece\u011fi mi g\u00f6r\u00fcyorsunuz? 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Pennsylvania \u00dcniversitesinde lisans ve lisans\u00fcst\u00fc derecelerini tamamlad\u0131. Stanford Graduate School Business'da MBA'ni yapt\u0131. Kariyeri s\u0131ras\u0131nda Sony Music, J.P. Morgan ve About.com gibi \u015firketlerde \u00e7al\u0131\u015ft\u0131. \u0130lk roman\u0131 \"Olas\u0131l\u0131ks\u0131z\" ola\u011fan\u00fcst\u00fc bir ba\u015far\u0131 kazand\u0131. 18 dile \u00e7evrilen roman uzun s\u00fcre \u00e7ok satanlar listelerinde kald\u0131. En iyi ilk roman dal\u0131nda (2006) Internationel Thriller Writers \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131. Amerikal\u0131 macera romanc\u0131s\u0131 Clive Cussler, \"Olas\u0131l\u0131ks\u0131z\" roman\u0131 i\u00e7in \"Olas\u0131l\u0131ks\u0131z demek yetersiz kalacakt\u0131r. \u0130nsan\u0131 adeta b\u00fcy\u00fcs\u00fc alt\u0131na alan bu hikayede, Adam Fawer, bilim, felsefe, entrika ve maceradan ortaya bir ba\u015fyap\u0131t \u00e7\u0131karm\u0131\u015f\" demi\u015ftir. 2008 y\u0131l\u0131nda ikinci kitab\u0131 \"Empati\" \u00e7\u0131km\u0131\u015ft\u0131r. Empati; Almanca, Japonca ve T\u00fcrk\u00e7e yay\u0131mlanm\u0131\u015ft\u0131r. \u00dc\u00e7\u00fcnc\u00fc roman\u0131 \"Oz\" 2016'da T\u00fcrk\u00e7e olarak yay\u0131mlanm\u0131\u015f, ancak olumsuz ele\u015ftiriler alm\u0131\u015f, di\u011fer eserleri kadar ilgi g\u00f6rmemi\u015ftir. New York'da ya\u015famakta olan Adam Fawer'in yazarl\u0131k kariyerine ba\u015flamas\u0131n\u0131n ilgin\u00e7 bir hikayesi vard\u0131r. Bir g\u00fcn \u00fcniversiteden arkada\u015f\u0131n\u0131n aray\u0131p kanser oldu\u011fu haberini vermesi ile Fawer hayatta yapmak istedi\u011fi i\u015fi yapmad\u0131\u011f\u0131n\u0131 fark eder. Arkada\u015f\u0131 kanserin son evresindedir. Bu durum ona insan\u0131n hayattan istediklerini elde etmesi gerekti\u011fini hat\u0131rlat\u0131r. Bunu arkada\u015f\u0131yla payla\u015f\u0131r. bir dergide edit\u00f6r olan arkada\u015f\u0131 ile birlikte her g\u00fcn beraber yazmaya karar verirler. \u0130lk kitab\u0131 ile Uluslararas\u0131 \u00fcne ula\u015fan Fawer, iyi gelir elde etti\u011fi kurumsal \u015firketten ayr\u0131l\u0131r. art\u0131k kendini tam zamanl\u0131 yazar olarak ifade eder.<\/p>","static_content":"<p>\u00dcnl\u00fc romanc\u0131 Adam Fawer, 1970 y\u0131l\u0131nda New York' da do\u011fdu. Pennsylvania \u00dcniversitesinde lisans ve lisans\u00fcst\u00fc derecelerini tamamlad\u0131. Stanford Graduate School Business'da MBA'ni yapt\u0131. Kariyeri s\u0131ras\u0131nda Sony Music, J.P. Morgan ve About.com gibi \u015firketlerde \u00e7al\u0131\u015ft\u0131. \u0130lk roman\u0131 \"Olas\u0131l\u0131ks\u0131z\" ola\u011fan\u00fcst\u00fc bir ba\u015far\u0131 kazand\u0131. 18 dile \u00e7evrilen roman uzun s\u00fcre \u00e7ok satanlar listelerinde kald\u0131. En iyi ilk roman dal\u0131nda (2006) Internationel Thriller Writers \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131. Amerikal\u0131 macera romanc\u0131s\u0131 Clive Cussler, \"Olas\u0131l\u0131ks\u0131z\" roman\u0131 i\u00e7in \"Olas\u0131l\u0131ks\u0131z demek yetersiz kalacakt\u0131r. \u0130nsan\u0131 adeta b\u00fcy\u00fcs\u00fc alt\u0131na alan bu hikayede, Adam Fawer, bilim, felsefe, entrika ve maceradan ortaya bir ba\u015fyap\u0131t \u00e7\u0131karm\u0131\u015f\" demi\u015ftir. 2008 y\u0131l\u0131nda ikinci kitab\u0131 \"Empati\" \u00e7\u0131km\u0131\u015ft\u0131r. Empati; Almanca, Japonca ve T\u00fcrk\u00e7e yay\u0131mlanm\u0131\u015ft\u0131r. \u00dc\u00e7\u00fcnc\u00fc roman\u0131 \"Oz\" 2016'da T\u00fcrk\u00e7e olarak yay\u0131mlanm\u0131\u015f, ancak olumsuz ele\u015ftiriler alm\u0131\u015f, di\u011fer eserleri kadar ilgi g\u00f6rmemi\u015ftir. New York'da ya\u015famakta olan Adam Fawer'in yazarl\u0131k kariyerine ba\u015flamas\u0131n\u0131n ilgin\u00e7 bir hikayesi vard\u0131r. Bir g\u00fcn \u00fcniversiteden arkada\u015f\u0131n\u0131n aray\u0131p kanser oldu\u011fu haberini vermesi ile Fawer hayatta yapmak istedi\u011fi i\u015fi yapmad\u0131\u011f\u0131n\u0131 fark eder. Arkada\u015f\u0131 kanserin son evresindedir. Bu durum ona insan\u0131n hayattan istediklerini elde etmesi gerekti\u011fini hat\u0131rlat\u0131r. Bunu arkada\u015f\u0131yla payla\u015f\u0131r. bir dergide edit\u00f6r olan arkada\u015f\u0131 ile birlikte her g\u00fcn beraber yazmaya karar verirler. \u0130lk kitab\u0131 ile Uluslararas\u0131 \u00fcne ula\u015fan Fawer, iyi gelir elde etti\u011fi kurumsal \u015firketten ayr\u0131l\u0131r. art\u0131k kendini tam zamanl\u0131 yazar olarak ifade eder.<\/p>","meta_title":"","meta_description":""}]}

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&nbsp;<\\\/p>\\r\\n\\r\\n<p>Ard\\u0131ndan gelen bedbaht y\\u0131llar: \\u0130ttihat\\u00e7\\u0131lar\\u0131n zaferi, \\u00f6l\\u00fcm ve ac\\u0131 dolu isyanlar; s\\u00fcrg\\u00fcn, sevdiklerinin \\u00f6l\\u00fcm\\u00fc, yoksulluk, sava\\u015flar, devletin y\\u0131k\\u0131l\\u0131\\u015f\\u0131 ve yeni Cumhuriyet\\u2026 Ve b\\u00fct\\u00fcn bunlar\\u0131 derinden ya\\u015fayan vakur Tahsin Pa\\u015fa.<\\\/p>\\r\\n\\r\\n<p>Bahad\\u0131r Yeni\\u015fehirlio\\u011flu, bu asil ya\\u015fam \\u00f6yk\\u00fcs\\u00fcn\\u00fc Tahsin Pa\\u015fa\\u2019n\\u0131n kendi g\\u00f6z\\u00fcnden bug\\u00fcne aktar\\u0131yor.&nbsp;<em>H\\u00fcnkar\\u0131m<\\\/em>&nbsp;ak\\u0131c\\u0131 \\u00fcslubu ve ustal\\u0131kl\\u0131 kurgusuyla&nbsp;Tahsin Pa\\u015fa\\u2019n\\u0131n \\u00f6zel hayat\\u0131n\\u0131 ve siyasi m\\u00fccadelesini t\\u00fcm \\u00e7\\u0131plakl\\u0131\\u011f\\u0131yla okurlara sunuyor.&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Sultan Abd\\u00fclhamid\\u2019in dostu, s\\u0131r kutusu\\u00a0Tahsin Pa\\u015fa\\u2019n\\u0131n roman\\u0131:\\u00a0<em>H\\u00fcnkar\\u0131m<\\\/em>...<\\\/p>\\r\\n\\r\\n<p>T\\u00fcrkiye\\u2019de ve d\\u00fcnyada b\\u00fcy\\u00fck bir ilgiyle takip edilen\\u00a0<em>Payitaht<\\\/em>\\u00a0dizisinin Tahsin Pa\\u015fa\\u2019s\\u0131\\u00a0Bahad\\u0131r Yeni\\u015fehirlio\\u011flu, Tahsin Pa\\u015fa\\u2019n\\u0131n unutturulmu\\u015f hayat\\u0131n\\u0131 romanla\\u015ft\\u0131rd\\u0131.\\u00a0<\\\/p>\\r\\n\\r\\n<p>Osmanl\\u0131 \\u0130mparatorlu\\u011fu \\u00f6l\\u00fcm kal\\u0131m sava\\u015f\\u0131nda.\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u00e7 ve d\\u0131\\u015f mihraklar\\u0131n tek bir amac\\u0131 var; Ulu Hakan Abd\\u00fclhamid\\u2019i devirmek.\\u00a0<\\\/p>\\r\\n\\r\\n<p>Sultan Abd\\u00fclhamid\\u2019in \\u00e7evresinde g\\u00fcvenebilece\\u011fi tek bir ki\\u015fi bile yoktu ta ki Tahsin Pa\\u015fa\\u2019y\\u0131 bulana kadar.\\u00a0<\\\/p>\\r\\n\\r\\n<p>Tahsin Pa\\u015fa, a\\u015fktan ve muhabbetten anlayan, devletine ve H\\u00fcnkar\\u0131na sonsuz sadakatle ba\\u011fl\\u0131, iyi bir e\\u011fitim ve aile terbiyesinden ge\\u00e7mi\\u015f bir devlet adam\\u0131.<\\\/p>\\r\\n\\r\\n<p>H\\u00fcnkar'\\u0131n Tahsin\\u2019e sonsuz g\\u00fcveni ile Tahsin\\u2019in H\\u00fcnkar'\\u0131na sonsuz sadakati\\u2026<\\\/p>\\r\\n\\r\\n<p>Ve herkesi k\\u0131skand\\u0131ran bir s\\u0131rda\\u015fl\\u0131k, dostluk, karde\\u015flik\\u2026<\\\/p>\\r\\n\\r\\n<p>Osmanl\\u0131 Bankas\\u0131 bask\\u0131n\\u0131,\\u00a0Y\\u0131ld\\u0131z suikast\\u0131,\\u00a0Siyonistlerin emelleri do\\u011frultusunda kurgulanm\\u0131\\u015f planlar,\\u00a031 Mart\\u2019a uzanan g\\u00fcnler\\u00a0ve bu\\u00a0iki vatanseverin, devletin ve milletin bekas\\u0131 i\\u00e7in verdi\\u011fi destans\\u0131 m\\u00fccadele.\\u00a0 \\u00a0<\\\/p>\\r\\n\\r\\n<p>Ard\\u0131ndan gelen bedbaht y\\u0131llar: \\u0130ttihat\\u00e7\\u0131lar\\u0131n zaferi, \\u00f6l\\u00fcm ve ac\\u0131 dolu isyanlar; s\\u00fcrg\\u00fcn, sevdiklerinin \\u00f6l\\u00fcm\\u00fc, yoksulluk, sava\\u015flar, devletin y\\u0131k\\u0131l\\u0131\\u015f\\u0131 ve yeni Cumhuriyet\\u2026 Ve b\\u00fct\\u00fcn bunlar\\u0131 derinden ya\\u015fayan vakur Tahsin Pa\\u015fa.<\\\/p>\\r\\n\\r\\n<p>Bahad\\u0131r Yeni\\u015fehirlio\\u011flu, bu asil ya\\u015fam \\u00f6yk\\u00fcs\\u00fcn\\u00fc Tahsin Pa\\u015fa\\u2019n\\u0131n kendi g\\u00f6z\\u00fcnden bug\\u00fcne aktar\\u0131yor.\\u00a0<em>H\\u00fcnkar\\u0131m<\\\/em>\\u00a0ak\\u0131c\\u0131 \\u00fcslubu ve ustal\\u0131kl\\u0131 kurgusuyla\\u00a0Tahsin Pa\\u015fa\\u2019n\\u0131n \\u00f6zel hayat\\u0131n\\u0131 ve siyasi m\\u00fccadelesini t\\u00fcm \\u00e7\\u0131plakl\\u0131\\u011f\\u0131yla okurlara sunuyor.\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1407,\"personable_id\":4303,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5885,\"book_id\":4303,\"locale\":\"tr\",\"name\":\"H\\u00fcnkar\\u0131m\",\"slug\":\"hunkarim\",\"sub_name\":\"Bir Tahsin Pa\\u015fa Roman\\u0131\",\"description\":\"<p>Sultan Abd\\u00fclhamid\\u2019in dostu, s\\u0131r kutusu&nbsp;Tahsin Pa\\u015fa\\u2019n\\u0131n roman\\u0131:&nbsp;<em>H\\u00fcnkar\\u0131m<\\\/em>...<\\\/p>\\r\\n\\r\\n<p>T\\u00fcrkiye\\u2019de ve d\\u00fcnyada b\\u00fcy\\u00fck bir ilgiyle takip edilen&nbsp;<em>Payitaht<\\\/em>&nbsp;dizisinin Tahsin Pa\\u015fa\\u2019s\\u0131&nbsp;Bahad\\u0131r Yeni\\u015fehirlio\\u011flu, Tahsin Pa\\u015fa\\u2019n\\u0131n unutturulmu\\u015f hayat\\u0131n\\u0131 romanla\\u015ft\\u0131rd\\u0131.&nbsp;<\\\/p>\\r\\n\\r\\n<p>Osmanl\\u0131 \\u0130mparatorlu\\u011fu \\u00f6l\\u00fcm kal\\u0131m sava\\u015f\\u0131nda.&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u00e7 ve d\\u0131\\u015f mihraklar\\u0131n tek bir amac\\u0131 var; Ulu Hakan Abd\\u00fclhamid\\u2019i devirmek.&nbsp;<\\\/p>\\r\\n\\r\\n<p>Sultan Abd\\u00fclhamid\\u2019in \\u00e7evresinde g\\u00fcvenebilece\\u011fi tek bir ki\\u015fi bile yoktu ta ki Tahsin Pa\\u015fa\\u2019y\\u0131 bulana kadar.&nbsp;<\\\/p>\\r\\n\\r\\n<p>Tahsin Pa\\u015fa, a\\u015fktan ve muhabbetten anlayan, devletine ve H\\u00fcnkar\\u0131na sonsuz sadakatle ba\\u011fl\\u0131, iyi bir e\\u011fitim ve aile terbiyesinden ge\\u00e7mi\\u015f bir devlet adam\\u0131.<\\\/p>\\r\\n\\r\\n<p>H\\u00fcnkar'\\u0131n Tahsin\\u2019e sonsuz g\\u00fcveni ile Tahsin\\u2019in H\\u00fcnkar'\\u0131na sonsuz sadakati\\u2026<\\\/p>\\r\\n\\r\\n<p>Ve herkesi k\\u0131skand\\u0131ran bir s\\u0131rda\\u015fl\\u0131k, dostluk, karde\\u015flik\\u2026<\\\/p>\\r\\n\\r\\n<p>Osmanl\\u0131 Bankas\\u0131 bask\\u0131n\\u0131,&nbsp;Y\\u0131ld\\u0131z suikast\\u0131,&nbsp;Siyonistlerin emelleri do\\u011frultusunda kurgulanm\\u0131\\u015f planlar,&nbsp;31 Mart\\u2019a uzanan g\\u00fcnler&nbsp;ve bu&nbsp;iki vatanseverin, devletin ve milletin bekas\\u0131 i\\u00e7in verdi\\u011fi destans\\u0131 m\\u00fccadele.&nbsp; &nbsp;<\\\/p>\\r\\n\\r\\n<p>Ard\\u0131ndan gelen bedbaht y\\u0131llar: \\u0130ttihat\\u00e7\\u0131lar\\u0131n zaferi, \\u00f6l\\u00fcm ve ac\\u0131 dolu isyanlar; s\\u00fcrg\\u00fcn, sevdiklerinin \\u00f6l\\u00fcm\\u00fc, yoksulluk, sava\\u015flar, devletin y\\u0131k\\u0131l\\u0131\\u015f\\u0131 ve yeni Cumhuriyet\\u2026 Ve b\\u00fct\\u00fcn bunlar\\u0131 derinden ya\\u015fayan vakur Tahsin Pa\\u015fa.<\\\/p>\\r\\n\\r\\n<p>Bahad\\u0131r Yeni\\u015fehirlio\\u011flu, bu asil ya\\u015fam \\u00f6yk\\u00fcs\\u00fcn\\u00fc Tahsin Pa\\u015fa\\u2019n\\u0131n kendi g\\u00f6z\\u00fcnden bug\\u00fcne aktar\\u0131yor.&nbsp;<em>H\\u00fcnkar\\u0131m<\\\/em>&nbsp;ak\\u0131c\\u0131 \\u00fcslubu ve ustal\\u0131kl\\u0131 kurgusuyla&nbsp;Tahsin Pa\\u015fa\\u2019n\\u0131n \\u00f6zel hayat\\u0131n\\u0131 ve siyasi m\\u00fccadelesini t\\u00fcm \\u00e7\\u0131plakl\\u0131\\u011f\\u0131yla okurlara sunuyor.&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Sultan Abd\\u00fclhamid\\u2019in dostu, s\\u0131r kutusu\\u00a0Tahsin Pa\\u015fa\\u2019n\\u0131n roman\\u0131:\\u00a0<em>H\\u00fcnkar\\u0131m<\\\/em>...<\\\/p>\\r\\n\\r\\n<p>T\\u00fcrkiye\\u2019de ve d\\u00fcnyada b\\u00fcy\\u00fck bir ilgiyle takip edilen\\u00a0<em>Payitaht<\\\/em>\\u00a0dizisinin Tahsin Pa\\u015fa\\u2019s\\u0131\\u00a0Bahad\\u0131r Yeni\\u015fehirlio\\u011flu, Tahsin Pa\\u015fa\\u2019n\\u0131n unutturulmu\\u015f hayat\\u0131n\\u0131 romanla\\u015ft\\u0131rd\\u0131.\\u00a0<\\\/p>\\r\\n\\r\\n<p>Osmanl\\u0131 \\u0130mparatorlu\\u011fu \\u00f6l\\u00fcm kal\\u0131m sava\\u015f\\u0131nda.\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u00e7 ve d\\u0131\\u015f mihraklar\\u0131n tek bir amac\\u0131 var; Ulu Hakan Abd\\u00fclhamid\\u2019i devirmek.\\u00a0<\\\/p>\\r\\n\\r\\n<p>Sultan Abd\\u00fclhamid\\u2019in \\u00e7evresinde g\\u00fcvenebilece\\u011fi tek bir ki\\u015fi bile yoktu ta ki Tahsin Pa\\u015fa\\u2019y\\u0131 bulana kadar.\\u00a0<\\\/p>\\r\\n\\r\\n<p>Tahsin Pa\\u015fa, a\\u015fktan ve muhabbetten anlayan, devletine ve H\\u00fcnkar\\u0131na sonsuz sadakatle ba\\u011fl\\u0131, iyi bir e\\u011fitim ve aile terbiyesinden ge\\u00e7mi\\u015f bir devlet adam\\u0131.<\\\/p>\\r\\n\\r\\n<p>H\\u00fcnkar'\\u0131n Tahsin\\u2019e sonsuz g\\u00fcveni ile Tahsin\\u2019in H\\u00fcnkar'\\u0131na sonsuz sadakati\\u2026<\\\/p>\\r\\n\\r\\n<p>Ve herkesi k\\u0131skand\\u0131ran bir s\\u0131rda\\u015fl\\u0131k, dostluk, karde\\u015flik\\u2026<\\\/p>\\r\\n\\r\\n<p>Osmanl\\u0131 Bankas\\u0131 bask\\u0131n\\u0131,\\u00a0Y\\u0131ld\\u0131z suikast\\u0131,\\u00a0Siyonistlerin emelleri do\\u011frultusunda kurgulanm\\u0131\\u015f planlar,\\u00a031 Mart\\u2019a uzanan g\\u00fcnler\\u00a0ve bu\\u00a0iki vatanseverin, devletin ve milletin bekas\\u0131 i\\u00e7in verdi\\u011fi destans\\u0131 m\\u00fccadele.\\u00a0 \\u00a0<\\\/p>\\r\\n\\r\\n<p>Ard\\u0131ndan gelen bedbaht y\\u0131llar: \\u0130ttihat\\u00e7\\u0131lar\\u0131n zaferi, \\u00f6l\\u00fcm ve ac\\u0131 dolu isyanlar; s\\u00fcrg\\u00fcn, sevdiklerinin \\u00f6l\\u00fcm\\u00fc, yoksulluk, sava\\u015flar, devletin y\\u0131k\\u0131l\\u0131\\u015f\\u0131 ve yeni Cumhuriyet\\u2026 Ve b\\u00fct\\u00fcn bunlar\\u0131 derinden ya\\u015fayan vakur Tahsin Pa\\u015fa.<\\\/p>\\r\\n\\r\\n<p>Bahad\\u0131r Yeni\\u015fehirlio\\u011flu, bu asil ya\\u015fam \\u00f6yk\\u00fcs\\u00fcn\\u00fc Tahsin Pa\\u015fa\\u2019n\\u0131n kendi g\\u00f6z\\u00fcnden bug\\u00fcne aktar\\u0131yor.\\u00a0<em>H\\u00fcnkar\\u0131m<\\\/em>\\u00a0ak\\u0131c\\u0131 \\u00fcslubu ve ustal\\u0131kl\\u0131 kurgusuyla\\u00a0Tahsin Pa\\u015fa\\u2019n\\u0131n \\u00f6zel hayat\\u0131n\\u0131 ve siyasi m\\u00fccadelesini t\\u00fcm \\u00e7\\u0131plakl\\u0131\\u011f\\u0131yla okurlara sunuyor.\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4327,\"user_id\":10,\"original_name\":\"Cezas\\u0131z E\\u011fitim 2\",\"printing_date\":\"2018-10-02 15:34:06\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/cezasiz-egitim-2-kapak-1537792446.png\",\"image_settings\":{\"id\":4327,\"path\":\"\\\/images\\\/books\\\/2018\\\/09\\\/24\\\/15\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":59696,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":25461,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":10634,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2617,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1549,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2856,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":24758,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":26030,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":11442,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2692,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1290,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2900,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-09-24 15:34:06\",\"updated_at\":\"2019-04-10 10:57:07\",\"name\":\"Cezas\\u0131z E\\u011fitim 2\",\"slug\":\"cezasiz-egitim-2\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1407,\"personable_id\":4327,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5916,\"book_id\":4327,\"locale\":\"tr\",\"name\":\"Cezas\\u0131z E\\u011fitim 2\",\"slug\":\"cezasiz-egitim-2\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4498,\"user_id\":10,\"original_name\":\"Light Up Your Heart\",\"printing_date\":\"2017-01-01 14:00:30\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/light-up-your-heart-kapak-1539860430.png\",\"image_settings\":{\"id\":4498,\"path\":\"\\\/images\\\/books\\\/2018\\\/10\\\/18\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":53181,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":23357,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":10287,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2692,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1592,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3016,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":19600,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":21020,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":9718,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2556,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1310,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2910,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-10-18 14:00:30\",\"updated_at\":\"2019-04-10 10:57:38\",\"name\":\"Dirilt Kalbini\",\"slug\":\"dirilt-kalbini\",\"sub_name\":null,\"description\":\"<p>\\u201cTeknolojinin \\u00f6n\\u00fcm\\u00fcze serdi\\u011fi s\\u0131n\\u0131rs\\u0131z imk\\u00e2nlar\\u0131 d\\u00fc\\u015f\\u00fcnd\\u00fc\\u011f\\u00fcm\\u00fczde, bug\\u00fcn\\u00fcn insan\\u0131n\\u0131 yakalayabilmek i\\u00e7in samimi ve bilgece bir \\u00fcsluba ihtiyac\\u0131m\\u0131z var. Gen\\u00e7lerimizin art\\u0131k eski, kal\\u0131n kitaplar\\u0131 kar\\u0131\\u015ft\\u0131r\\u0131p kafa yoracak ne vakitleri var, ne de istekleri. \\u0130sl\\u00e2m\\u2019\\u0131n ilkelerini ve g\\u00fczelliklerini, tahrif etmeden ama muhatab\\u0131 taltif ederek sunmam\\u0131z gerekiyor. Buna \\u2018din dilinin restorasyonu\\u2019 dememiz caiz olursa e\\u011fer, yapmam\\u0131z gereken tam da bu.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>T\\u00fcrkiye kamuoyunun yak\\u0131ndan&nbsp;<strong>tan\\u0131d\\u0131\\u011f\\u0131 Nouman Ali Khan<\\\/strong>, \\u00e7izmeye \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131m \\u00e7er\\u00e7eveyi ger\\u00e7ek anlamda dolduran bir isim.&nbsp;\\u0130sl\\u00e2m ve Kur\\u2019\\u00e2n hakk\\u0131ndaki derin bilgisini keyifli ve bilgece bir \\u00fcslupla dile getirip, bunu yaparken kendi hayat\\u0131ndan aktard\\u0131\\u011f\\u0131 s\\u0131cak ve s\\u0131ra d\\u0131\\u015f\\u0131 anekdotlarla okurunun ilgisini her an canl\\u0131 tutabiliyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p><strong>Nouman Ali Khan<\\\/strong>\\u2019\\u0131n&nbsp;<em><strong>Dirilt Kalbini<\\\/strong><\\\/em>&nbsp;ad\\u0131yla T\\u00fcrk\\u00e7eye kazand\\u0131r\\u0131lan elinizdeki ilk kitab\\u0131, g\\u00fcn\\u00fcm\\u00fcze dair baz\\u0131 meseleler hakk\\u0131nda Kur\\u2019\\u00e2n ayetlerinden dam\\u0131tt\\u0131\\u011f\\u0131 k\\u0131ymetli dersler i\\u00e7eriyor. Ayetlerin sadece mesaj\\u0131n\\u0131 de\\u011fil, ayetlerde ge\\u00e7en ifadelerin dil \\u00f6zelliklerini de laf aras\\u0131nda aktar\\u0131yor. Kelimelerin anlamlar\\u0131, anlamlar aras\\u0131ndaki ho\\u015f n\\u00fcanslar, bunlar\\u0131n ayetlere katt\\u0131\\u011f\\u0131 derinlik ve zenginlik\\u2026 B\\u00fct\\u00fcn bunlar, okuyucuyu hem anlat\\u0131lan konuya hem de bir b\\u00fct\\u00fcn olarak Kur\\u2019\\u00e2n\\u2019\\u0131n harikul\\u00e2de \\u00fcslubuna yakla\\u015ft\\u0131r\\u0131yor, \\u0131s\\u0131nd\\u0131r\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>Dirilt Kalbini<\\\/strong><\\\/em>\\u2019yi okurken, \\u015fu ayet hep hat\\u0131r\\u0131n\\u0131zda olsun, zira ayette anlat\\u0131lan \\u015feyin ayniyle tezah\\u00fcr etti\\u011fini g\\u00f6receksiniz:<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u2018Allah, hikmeti diledi\\u011fine verir. Kime hikmet verilmi\\u015fse, ona \\u00e7ok b\\u00fcy\\u00fck bir hayr verilmi\\u015f demektir. Bunu ancak, temiz ak\\u0131l sahipleri d\\u00fc\\u015f\\u00fcn\\u00fcp anlar.\\u2019 (Bakara, 269)\\u201d&nbsp;&nbsp;<\\\/p>\\r\\n\\r\\n<p>Taha K\\u0131l\\u0131n\\u00e7<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cTeknolojinin \\u00f6n\\u00fcm\\u00fcze serdi\\u011fi s\\u0131n\\u0131rs\\u0131z imk\\u00e2nlar\\u0131 d\\u00fc\\u015f\\u00fcnd\\u00fc\\u011f\\u00fcm\\u00fczde, bug\\u00fcn\\u00fcn insan\\u0131n\\u0131 yakalayabilmek i\\u00e7in samimi ve bilgece bir \\u00fcsluba ihtiyac\\u0131m\\u0131z var. Gen\\u00e7lerimizin art\\u0131k eski, kal\\u0131n kitaplar\\u0131 kar\\u0131\\u015ft\\u0131r\\u0131p kafa yoracak ne vakitleri var, ne de istekleri. \\u0130sl\\u00e2m\\u2019\\u0131n ilkelerini ve g\\u00fczelliklerini, tahrif etmeden ama muhatab\\u0131 taltif ederek sunmam\\u0131z gerekiyor. Buna \\u2018din dilinin restorasyonu\\u2019 dememiz caiz olursa e\\u011fer, yapmam\\u0131z gereken tam da bu.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>T\\u00fcrkiye kamuoyunun yak\\u0131ndan\\u00a0<strong>tan\\u0131d\\u0131\\u011f\\u0131 Nouman Ali Khan<\\\/strong>, \\u00e7izmeye \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131m \\u00e7er\\u00e7eveyi ger\\u00e7ek anlamda dolduran bir isim.\\u00a0\\u0130sl\\u00e2m ve Kur\\u2019\\u00e2n hakk\\u0131ndaki derin bilgisini keyifli ve bilgece bir \\u00fcslupla dile getirip, bunu yaparken kendi hayat\\u0131ndan aktard\\u0131\\u011f\\u0131 s\\u0131cak ve s\\u0131ra d\\u0131\\u015f\\u0131 anekdotlarla okurunun ilgisini her an canl\\u0131 tutabiliyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p><strong>Nouman Ali Khan<\\\/strong>\\u2019\\u0131n\\u00a0<em><strong>Dirilt Kalbini<\\\/strong><\\\/em>\\u00a0ad\\u0131yla T\\u00fcrk\\u00e7eye kazand\\u0131r\\u0131lan elinizdeki ilk kitab\\u0131, g\\u00fcn\\u00fcm\\u00fcze dair baz\\u0131 meseleler hakk\\u0131nda Kur\\u2019\\u00e2n ayetlerinden dam\\u0131tt\\u0131\\u011f\\u0131 k\\u0131ymetli dersler i\\u00e7eriyor. Ayetlerin sadece mesaj\\u0131n\\u0131 de\\u011fil, ayetlerde ge\\u00e7en ifadelerin dil \\u00f6zelliklerini de laf aras\\u0131nda aktar\\u0131yor. Kelimelerin anlamlar\\u0131, anlamlar aras\\u0131ndaki ho\\u015f n\\u00fcanslar, bunlar\\u0131n ayetlere katt\\u0131\\u011f\\u0131 derinlik ve zenginlik\\u2026 B\\u00fct\\u00fcn bunlar, okuyucuyu hem anlat\\u0131lan konuya hem de bir b\\u00fct\\u00fcn olarak Kur\\u2019\\u00e2n\\u2019\\u0131n harikul\\u00e2de \\u00fcslubuna yakla\\u015ft\\u0131r\\u0131yor, \\u0131s\\u0131nd\\u0131r\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>Dirilt Kalbini<\\\/strong><\\\/em>\\u2019yi okurken, \\u015fu ayet hep hat\\u0131r\\u0131n\\u0131zda olsun, zira ayette anlat\\u0131lan \\u015feyin ayniyle tezah\\u00fcr etti\\u011fini g\\u00f6receksiniz:<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u2018Allah, hikmeti diledi\\u011fine verir. Kime hikmet verilmi\\u015fse, ona \\u00e7ok b\\u00fcy\\u00fck bir hayr verilmi\\u015f demektir. Bunu ancak, temiz ak\\u0131l sahipleri d\\u00fc\\u015f\\u00fcn\\u00fcp anlar.\\u2019 (Bakara, 269)\\u201d\\u00a0\\u00a0<\\\/p>\\r\\n\\r\\n<p>Taha K\\u0131l\\u0131n\\u00e7<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1407,\"personable_id\":4498,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6180,\"book_id\":4498,\"locale\":\"en\",\"name\":\"Light Up Your Heart\",\"slug\":\"light-up-your-heart\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":6179,\"book_id\":4498,\"locale\":\"tr\",\"name\":\"Dirilt Kalbini\",\"slug\":\"dirilt-kalbini\",\"sub_name\":null,\"description\":\"<p>\\u201cTeknolojinin \\u00f6n\\u00fcm\\u00fcze serdi\\u011fi s\\u0131n\\u0131rs\\u0131z imk\\u00e2nlar\\u0131 d\\u00fc\\u015f\\u00fcnd\\u00fc\\u011f\\u00fcm\\u00fczde, bug\\u00fcn\\u00fcn insan\\u0131n\\u0131 yakalayabilmek i\\u00e7in samimi ve bilgece bir \\u00fcsluba ihtiyac\\u0131m\\u0131z var. Gen\\u00e7lerimizin art\\u0131k eski, kal\\u0131n kitaplar\\u0131 kar\\u0131\\u015ft\\u0131r\\u0131p kafa yoracak ne vakitleri var, ne de istekleri. \\u0130sl\\u00e2m\\u2019\\u0131n ilkelerini ve g\\u00fczelliklerini, tahrif etmeden ama muhatab\\u0131 taltif ederek sunmam\\u0131z gerekiyor. Buna \\u2018din dilinin restorasyonu\\u2019 dememiz caiz olursa e\\u011fer, yapmam\\u0131z gereken tam da bu.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>T\\u00fcrkiye kamuoyunun yak\\u0131ndan&nbsp;<strong>tan\\u0131d\\u0131\\u011f\\u0131 Nouman Ali Khan<\\\/strong>, \\u00e7izmeye \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131m \\u00e7er\\u00e7eveyi ger\\u00e7ek anlamda dolduran bir isim.&nbsp;\\u0130sl\\u00e2m ve Kur\\u2019\\u00e2n hakk\\u0131ndaki derin bilgisini keyifli ve bilgece bir \\u00fcslupla dile getirip, bunu yaparken kendi hayat\\u0131ndan aktard\\u0131\\u011f\\u0131 s\\u0131cak ve s\\u0131ra d\\u0131\\u015f\\u0131 anekdotlarla okurunun ilgisini her an canl\\u0131 tutabiliyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p><strong>Nouman Ali Khan<\\\/strong>\\u2019\\u0131n&nbsp;<em><strong>Dirilt Kalbini<\\\/strong><\\\/em>&nbsp;ad\\u0131yla T\\u00fcrk\\u00e7eye kazand\\u0131r\\u0131lan elinizdeki ilk kitab\\u0131, g\\u00fcn\\u00fcm\\u00fcze dair baz\\u0131 meseleler hakk\\u0131nda Kur\\u2019\\u00e2n ayetlerinden dam\\u0131tt\\u0131\\u011f\\u0131 k\\u0131ymetli dersler i\\u00e7eriyor. Ayetlerin sadece mesaj\\u0131n\\u0131 de\\u011fil, ayetlerde ge\\u00e7en ifadelerin dil \\u00f6zelliklerini de laf aras\\u0131nda aktar\\u0131yor. Kelimelerin anlamlar\\u0131, anlamlar aras\\u0131ndaki ho\\u015f n\\u00fcanslar, bunlar\\u0131n ayetlere katt\\u0131\\u011f\\u0131 derinlik ve zenginlik\\u2026 B\\u00fct\\u00fcn bunlar, okuyucuyu hem anlat\\u0131lan konuya hem de bir b\\u00fct\\u00fcn olarak Kur\\u2019\\u00e2n\\u2019\\u0131n harikul\\u00e2de \\u00fcslubuna yakla\\u015ft\\u0131r\\u0131yor, \\u0131s\\u0131nd\\u0131r\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>Dirilt Kalbini<\\\/strong><\\\/em>\\u2019yi okurken, \\u015fu ayet hep hat\\u0131r\\u0131n\\u0131zda olsun, zira ayette anlat\\u0131lan \\u015feyin ayniyle tezah\\u00fcr etti\\u011fini g\\u00f6receksiniz:<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u2018Allah, hikmeti diledi\\u011fine verir. Kime hikmet verilmi\\u015fse, ona \\u00e7ok b\\u00fcy\\u00fck bir hayr verilmi\\u015f demektir. Bunu ancak, temiz ak\\u0131l sahipleri d\\u00fc\\u015f\\u00fcn\\u00fcp anlar.\\u2019 (Bakara, 269)\\u201d&nbsp;&nbsp;<\\\/p>\\r\\n\\r\\n<p>Taha K\\u0131l\\u0131n\\u00e7<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cTeknolojinin \\u00f6n\\u00fcm\\u00fcze serdi\\u011fi s\\u0131n\\u0131rs\\u0131z imk\\u00e2nlar\\u0131 d\\u00fc\\u015f\\u00fcnd\\u00fc\\u011f\\u00fcm\\u00fczde, bug\\u00fcn\\u00fcn insan\\u0131n\\u0131 yakalayabilmek i\\u00e7in samimi ve bilgece bir \\u00fcsluba ihtiyac\\u0131m\\u0131z var. Gen\\u00e7lerimizin art\\u0131k eski, kal\\u0131n kitaplar\\u0131 kar\\u0131\\u015ft\\u0131r\\u0131p kafa yoracak ne vakitleri var, ne de istekleri. \\u0130sl\\u00e2m\\u2019\\u0131n ilkelerini ve g\\u00fczelliklerini, tahrif etmeden ama muhatab\\u0131 taltif ederek sunmam\\u0131z gerekiyor. Buna \\u2018din dilinin restorasyonu\\u2019 dememiz caiz olursa e\\u011fer, yapmam\\u0131z gereken tam da bu.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>T\\u00fcrkiye kamuoyunun yak\\u0131ndan\\u00a0<strong>tan\\u0131d\\u0131\\u011f\\u0131 Nouman Ali Khan<\\\/strong>, \\u00e7izmeye \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131m \\u00e7er\\u00e7eveyi ger\\u00e7ek anlamda dolduran bir isim.\\u00a0\\u0130sl\\u00e2m ve Kur\\u2019\\u00e2n hakk\\u0131ndaki derin bilgisini keyifli ve bilgece bir \\u00fcslupla dile getirip, bunu yaparken kendi hayat\\u0131ndan aktard\\u0131\\u011f\\u0131 s\\u0131cak ve s\\u0131ra d\\u0131\\u015f\\u0131 anekdotlarla okurunun ilgisini her an canl\\u0131 tutabiliyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p><strong>Nouman Ali Khan<\\\/strong>\\u2019\\u0131n\\u00a0<em><strong>Dirilt Kalbini<\\\/strong><\\\/em>\\u00a0ad\\u0131yla T\\u00fcrk\\u00e7eye kazand\\u0131r\\u0131lan elinizdeki ilk kitab\\u0131, g\\u00fcn\\u00fcm\\u00fcze dair baz\\u0131 meseleler hakk\\u0131nda Kur\\u2019\\u00e2n ayetlerinden dam\\u0131tt\\u0131\\u011f\\u0131 k\\u0131ymetli dersler i\\u00e7eriyor. Ayetlerin sadece mesaj\\u0131n\\u0131 de\\u011fil, ayetlerde ge\\u00e7en ifadelerin dil \\u00f6zelliklerini de laf aras\\u0131nda aktar\\u0131yor. Kelimelerin anlamlar\\u0131, anlamlar aras\\u0131ndaki ho\\u015f n\\u00fcanslar, bunlar\\u0131n ayetlere katt\\u0131\\u011f\\u0131 derinlik ve zenginlik\\u2026 B\\u00fct\\u00fcn bunlar, okuyucuyu hem anlat\\u0131lan konuya hem de bir b\\u00fct\\u00fcn olarak Kur\\u2019\\u00e2n\\u2019\\u0131n harikul\\u00e2de \\u00fcslubuna yakla\\u015ft\\u0131r\\u0131yor, \\u0131s\\u0131nd\\u0131r\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>Dirilt Kalbini<\\\/strong><\\\/em>\\u2019yi okurken, \\u015fu ayet hep hat\\u0131r\\u0131n\\u0131zda olsun, zira ayette anlat\\u0131lan \\u015feyin ayniyle tezah\\u00fcr etti\\u011fini g\\u00f6receksiniz:<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u2018Allah, hikmeti diledi\\u011fine verir. Kime hikmet verilmi\\u015fse, ona \\u00e7ok b\\u00fcy\\u00fck bir hayr verilmi\\u015f demektir. Bunu ancak, temiz ak\\u0131l sahipleri d\\u00fc\\u015f\\u00fcn\\u00fcp anlar.\\u2019 (Bakara, 269)\\u201d\\u00a0\\u00a0<\\\/p>\\r\\n\\r\\n<p>Taha K\\u0131l\\u0131n\\u00e7<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4510,\"user_id\":10,\"original_name\":\"100 Soruda Milli M\\u00fccadele\",\"printing_date\":\"2018-11-06 11:38:44\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/100-soruda-milli-mucadele-kapak-1540543124.png\",\"image_settings\":{\"id\":4510,\"path\":\"\\\/images\\\/books\\\/2018\\\/10\\\/26\\\/11\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":57717,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":24234,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":10965,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2855,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1719,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3150,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":20948,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":22434,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":10330,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2738,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1442,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2940,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-10-26 11:38:44\",\"updated_at\":\"2019-04-10 10:57:40\",\"name\":\"100 Soruda Milli M\\u00fccadele\",\"slug\":\"100-soruda-milli-mucadele\",\"sub_name\":null,\"description\":\"<p>Do\\u00e7. Dr. Ali Satan, Cumhuriyet tarihi ile ilgili k\\u0131y\\u0131da kalm\\u0131\\u015f bilgileri derliyor ve yeni bir tarih penceresi a\\u00e7\\u0131yor.<em>100 Soruda Mill\\u00ee M\\u00fccadele&nbsp;<\\\/em>adl\\u0131 bu \\u00e7al\\u0131\\u015fmas\\u0131nda, Kurtulu\\u015f Sava\\u015f\\u0131\\u2019n\\u0131n safahat\\u0131n\\u0131 kronolojik olarak anlat\\u0131yor. T\\u00fcrk tarihinin en \\u00f6nemli d\\u00f6n\\u00fcm noktalar\\u0131ndan biri olan Mill\\u00ee M\\u00fccadele d\\u00f6nemi hakk\\u0131nda piyasada mevcut hamaset dolu kitaplar\\u0131n aksine akademik bilgi ve belgelere dayanarak haz\\u0131rlanan bu kitap \\u00f6zenle se\\u00e7ilmi\\u015f ve merak uyand\\u0131r\\u0131c\\u0131 100 soru ve bunlara verilen dikkat \\u00e7ekici ve doyurucu bilgileri i\\u00e7eren cevaplar\\u0131 ak\\u0131c\\u0131 bir \\u00fcslupla okuyuculara aktar\\u0131yor.<\\\/p>\\r\\n\\r\\n<ul>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; *&nbsp;Mill\\u00ee M\\u00fccadele nas\\u0131l ve ne zaman ba\\u015flad\\u0131?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Mustafa Kemal Pa\\u015fa\\u2019n\\u0131n Samsun\\u2019a \\u00e7\\u0131kmas\\u0131 Osmanl\\u0131 Genelkurmay\\u0131\\u2019n\\u0131n operasyonu muydu?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; *&nbsp;Mondros\\u2019ta verilen gizli mektupta neler yaz\\u0131yordu?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;M\\u00fcdafaa-i hukuk cemiyetlerini kimler kurdu?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Sultan Vahdeddin ile Mustafa Kemal Pa\\u015fa aras\\u0131ndaki telgraf trafi\\u011finin i\\u00e7eri\\u011fi neydi?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Erzurum, Sivas Kongreleri ve Amasya G\\u00f6r\\u00fc\\u015fmelerinin arkaplan\\u0131 nedir?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;TBMM\\u2019nin a\\u00e7\\u0131lmas\\u0131 III. Me\\u015frutiyet\\u2019in ilan\\u0131 m\\u0131d\\u0131r?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Sakarya Sava\\u015f\\u0131 neden d\\u00f6n\\u00fcm noktas\\u0131d\\u0131r?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Alevilerin, Bekta\\u015filerin ve Mevlevilerin Mill\\u00ee M\\u00fccadele\\u2019deki rol\\u00fc neydi?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Mudanya M\\u00fctarekesi \\u00f6ncesinde \\u0130zmir\\u2019e gelen arabulucu mason kimdi?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Mill\\u00ee M\\u00fccadele\\u2019de T\\u00fcrkistan ve K\\u0131br\\u0131s T\\u00fcrklerinin katk\\u0131lar\\u0131 nelerdir?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Mill\\u00ee M\\u00fccadele\\u2019de firar edenler olmu\\u015f mudur?<\\\/li>\\r\\n<\\\/ul>\\r\\n\\r\\n<p>Ali Satan bu kitapta, Mondros Ate\\u015fkes Antla\\u015fmas\\u0131\\u2019ndan Mudanya M\\u00fctarekesi\\u2019ne kadar T\\u00fcrkiye\\u2019nin panoramas\\u0131n\\u0131 \\u00e7\\u0131kar\\u0131yor.&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Do\\u00e7. Dr. Ali Satan, Cumhuriyet tarihi ile ilgili k\\u0131y\\u0131da kalm\\u0131\\u015f bilgileri derliyor ve yeni bir tarih penceresi a\\u00e7\\u0131yor.<em>100 Soruda Mill\\u00ee M\\u00fccadele\\u00a0<\\\/em>adl\\u0131 bu \\u00e7al\\u0131\\u015fmas\\u0131nda, Kurtulu\\u015f Sava\\u015f\\u0131\\u2019n\\u0131n safahat\\u0131n\\u0131 kronolojik olarak anlat\\u0131yor. T\\u00fcrk tarihinin en \\u00f6nemli d\\u00f6n\\u00fcm noktalar\\u0131ndan biri olan Mill\\u00ee M\\u00fccadele d\\u00f6nemi hakk\\u0131nda piyasada mevcut hamaset dolu kitaplar\\u0131n aksine akademik bilgi ve belgelere dayanarak haz\\u0131rlanan bu kitap \\u00f6zenle se\\u00e7ilmi\\u015f ve merak uyand\\u0131r\\u0131c\\u0131 100 soru ve bunlara verilen dikkat \\u00e7ekici ve doyurucu bilgileri i\\u00e7eren cevaplar\\u0131 ak\\u0131c\\u0131 bir \\u00fcslupla okuyuculara aktar\\u0131yor.<\\\/p>\\r\\n\\r\\n<ul>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 *\\u00a0Mill\\u00ee M\\u00fccadele nas\\u0131l ve ne zaman ba\\u015flad\\u0131?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Mustafa Kemal Pa\\u015fa\\u2019n\\u0131n Samsun\\u2019a \\u00e7\\u0131kmas\\u0131 Osmanl\\u0131 Genelkurmay\\u0131\\u2019n\\u0131n operasyonu muydu?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 *\\u00a0Mondros\\u2019ta verilen gizli mektupta neler yaz\\u0131yordu?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0M\\u00fcdafaa-i hukuk cemiyetlerini kimler kurdu?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Sultan Vahdeddin ile Mustafa Kemal Pa\\u015fa aras\\u0131ndaki telgraf trafi\\u011finin i\\u00e7eri\\u011fi neydi?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Erzurum, Sivas Kongreleri ve Amasya G\\u00f6r\\u00fc\\u015fmelerinin arkaplan\\u0131 nedir?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0TBMM\\u2019nin a\\u00e7\\u0131lmas\\u0131 III. Me\\u015frutiyet\\u2019in ilan\\u0131 m\\u0131d\\u0131r?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Sakarya Sava\\u015f\\u0131 neden d\\u00f6n\\u00fcm noktas\\u0131d\\u0131r?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Alevilerin, Bekta\\u015filerin ve Mevlevilerin Mill\\u00ee M\\u00fccadele\\u2019deki rol\\u00fc neydi?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Mudanya M\\u00fctarekesi \\u00f6ncesinde \\u0130zmir\\u2019e gelen arabulucu mason kimdi?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Mill\\u00ee M\\u00fccadele\\u2019de T\\u00fcrkistan ve K\\u0131br\\u0131s T\\u00fcrklerinin katk\\u0131lar\\u0131 nelerdir?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Mill\\u00ee M\\u00fccadele\\u2019de firar edenler olmu\\u015f mudur?<\\\/li>\\r\\n<\\\/ul>\\r\\n\\r\\n<p>Ali Satan bu kitapta, Mondros Ate\\u015fkes Antla\\u015fmas\\u0131\\u2019ndan Mudanya M\\u00fctarekesi\\u2019ne kadar T\\u00fcrkiye\\u2019nin panoramas\\u0131n\\u0131 \\u00e7\\u0131kar\\u0131yor.\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1407,\"personable_id\":4510,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6200,\"book_id\":4510,\"locale\":\"tr\",\"name\":\"100 Soruda Milli M\\u00fccadele\",\"slug\":\"100-soruda-milli-mucadele\",\"sub_name\":null,\"description\":\"<p>Do\\u00e7. Dr. Ali Satan, Cumhuriyet tarihi ile ilgili k\\u0131y\\u0131da kalm\\u0131\\u015f bilgileri derliyor ve yeni bir tarih penceresi a\\u00e7\\u0131yor.<em>100 Soruda Mill\\u00ee M\\u00fccadele&nbsp;<\\\/em>adl\\u0131 bu \\u00e7al\\u0131\\u015fmas\\u0131nda, Kurtulu\\u015f Sava\\u015f\\u0131\\u2019n\\u0131n safahat\\u0131n\\u0131 kronolojik olarak anlat\\u0131yor. T\\u00fcrk tarihinin en \\u00f6nemli d\\u00f6n\\u00fcm noktalar\\u0131ndan biri olan Mill\\u00ee M\\u00fccadele d\\u00f6nemi hakk\\u0131nda piyasada mevcut hamaset dolu kitaplar\\u0131n aksine akademik bilgi ve belgelere dayanarak haz\\u0131rlanan bu kitap \\u00f6zenle se\\u00e7ilmi\\u015f ve merak uyand\\u0131r\\u0131c\\u0131 100 soru ve bunlara verilen dikkat \\u00e7ekici ve doyurucu bilgileri i\\u00e7eren cevaplar\\u0131 ak\\u0131c\\u0131 bir \\u00fcslupla okuyuculara aktar\\u0131yor.<\\\/p>\\r\\n\\r\\n<ul>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; *&nbsp;Mill\\u00ee M\\u00fccadele nas\\u0131l ve ne zaman ba\\u015flad\\u0131?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Mustafa Kemal Pa\\u015fa\\u2019n\\u0131n Samsun\\u2019a \\u00e7\\u0131kmas\\u0131 Osmanl\\u0131 Genelkurmay\\u0131\\u2019n\\u0131n operasyonu muydu?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; *&nbsp;Mondros\\u2019ta verilen gizli mektupta neler yaz\\u0131yordu?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;M\\u00fcdafaa-i hukuk cemiyetlerini kimler kurdu?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Sultan Vahdeddin ile Mustafa Kemal Pa\\u015fa aras\\u0131ndaki telgraf trafi\\u011finin i\\u00e7eri\\u011fi neydi?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Erzurum, Sivas Kongreleri ve Amasya G\\u00f6r\\u00fc\\u015fmelerinin arkaplan\\u0131 nedir?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;TBMM\\u2019nin a\\u00e7\\u0131lmas\\u0131 III. Me\\u015frutiyet\\u2019in ilan\\u0131 m\\u0131d\\u0131r?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Sakarya Sava\\u015f\\u0131 neden d\\u00f6n\\u00fcm noktas\\u0131d\\u0131r?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Alevilerin, Bekta\\u015filerin ve Mevlevilerin Mill\\u00ee M\\u00fccadele\\u2019deki rol\\u00fc neydi?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Mudanya M\\u00fctarekesi \\u00f6ncesinde \\u0130zmir\\u2019e gelen arabulucu mason kimdi?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Mill\\u00ee M\\u00fccadele\\u2019de T\\u00fcrkistan ve K\\u0131br\\u0131s T\\u00fcrklerinin katk\\u0131lar\\u0131 nelerdir?<\\\/li>\\r\\n\\t<li>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*&nbsp;Mill\\u00ee M\\u00fccadele\\u2019de firar edenler olmu\\u015f mudur?<\\\/li>\\r\\n<\\\/ul>\\r\\n\\r\\n<p>Ali Satan bu kitapta, Mondros Ate\\u015fkes Antla\\u015fmas\\u0131\\u2019ndan Mudanya M\\u00fctarekesi\\u2019ne kadar T\\u00fcrkiye\\u2019nin panoramas\\u0131n\\u0131 \\u00e7\\u0131kar\\u0131yor.&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Do\\u00e7. Dr. Ali Satan, Cumhuriyet tarihi ile ilgili k\\u0131y\\u0131da kalm\\u0131\\u015f bilgileri derliyor ve yeni bir tarih penceresi a\\u00e7\\u0131yor.<em>100 Soruda Mill\\u00ee M\\u00fccadele\\u00a0<\\\/em>adl\\u0131 bu \\u00e7al\\u0131\\u015fmas\\u0131nda, Kurtulu\\u015f Sava\\u015f\\u0131\\u2019n\\u0131n safahat\\u0131n\\u0131 kronolojik olarak anlat\\u0131yor. T\\u00fcrk tarihinin en \\u00f6nemli d\\u00f6n\\u00fcm noktalar\\u0131ndan biri olan Mill\\u00ee M\\u00fccadele d\\u00f6nemi hakk\\u0131nda piyasada mevcut hamaset dolu kitaplar\\u0131n aksine akademik bilgi ve belgelere dayanarak haz\\u0131rlanan bu kitap \\u00f6zenle se\\u00e7ilmi\\u015f ve merak uyand\\u0131r\\u0131c\\u0131 100 soru ve bunlara verilen dikkat \\u00e7ekici ve doyurucu bilgileri i\\u00e7eren cevaplar\\u0131 ak\\u0131c\\u0131 bir \\u00fcslupla okuyuculara aktar\\u0131yor.<\\\/p>\\r\\n\\r\\n<ul>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 *\\u00a0Mill\\u00ee M\\u00fccadele nas\\u0131l ve ne zaman ba\\u015flad\\u0131?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Mustafa Kemal Pa\\u015fa\\u2019n\\u0131n Samsun\\u2019a \\u00e7\\u0131kmas\\u0131 Osmanl\\u0131 Genelkurmay\\u0131\\u2019n\\u0131n operasyonu muydu?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 *\\u00a0Mondros\\u2019ta verilen gizli mektupta neler yaz\\u0131yordu?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0M\\u00fcdafaa-i hukuk cemiyetlerini kimler kurdu?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Sultan Vahdeddin ile Mustafa Kemal Pa\\u015fa aras\\u0131ndaki telgraf trafi\\u011finin i\\u00e7eri\\u011fi neydi?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Erzurum, Sivas Kongreleri ve Amasya G\\u00f6r\\u00fc\\u015fmelerinin arkaplan\\u0131 nedir?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0TBMM\\u2019nin a\\u00e7\\u0131lmas\\u0131 III. Me\\u015frutiyet\\u2019in ilan\\u0131 m\\u0131d\\u0131r?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Sakarya Sava\\u015f\\u0131 neden d\\u00f6n\\u00fcm noktas\\u0131d\\u0131r?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Alevilerin, Bekta\\u015filerin ve Mevlevilerin Mill\\u00ee M\\u00fccadele\\u2019deki rol\\u00fc neydi?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Mudanya M\\u00fctarekesi \\u00f6ncesinde \\u0130zmir\\u2019e gelen arabulucu mason kimdi?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Mill\\u00ee M\\u00fccadele\\u2019de T\\u00fcrkistan ve K\\u0131br\\u0131s T\\u00fcrklerinin katk\\u0131lar\\u0131 nelerdir?<\\\/li>\\r\\n\\t<li>\\u00a0 \\u00a0 \\u00a0 \\u00a0 \\u00a0*\\u00a0Mill\\u00ee M\\u00fccadele\\u2019de firar edenler olmu\\u015f mudur?<\\\/li>\\r\\n<\\\/ul>\\r\\n\\r\\n<p>Ali Satan bu kitapta, Mondros Ate\\u015fkes Antla\\u015fmas\\u0131\\u2019ndan Mudanya M\\u00fctarekesi\\u2019ne kadar T\\u00fcrkiye\\u2019nin panoramas\\u0131n\\u0131 \\u00e7\\u0131kar\\u0131yor.\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4515,\"user_id\":10,\"original_name\":\"Frankenstein in Baghdad\",\"printing_date\":\"2018-11-06 13:47:24\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/frankenstein-in-baghdad-kapak-1540550844.png\",\"image_settings\":{\"id\":4515,\"path\":\"\\\/images\\\/books\\\/2018\\\/10\\\/26\\\/13\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":75782,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":35236,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":13950,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3193,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1707,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3951,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":33014,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":34140,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":14086,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":3182,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1458,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":4152,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-10-26 13:46:57\",\"updated_at\":\"2019-04-10 10:57:41\",\"name\":\"Frankenstein Ba\\u011fdat'ta\",\"slug\":\"frankenstein-bagdatta\",\"sub_name\":null,\"description\":\"<p>\\u201cBa\\u011fdat\\u2019\\u0131n yeni edebi y\\u0131ld\\u0131z\\u0131\\u201d (The New York Times) olarak an\\u0131lan Ahmed Saadavi\\u2019nin kaleminden&nbsp;Frankenstein Ba\\u011fdat\\u2019ta, modern Irak\\u2019\\u0131n ger\\u00e7ek\\u00fcst\\u00fc ger\\u00e7ekli\\u011fini, korku ve kara mizah\\u0131 harmanlayarak edebiyatla zirveye ta\\u015f\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>ABD i\\u015fgali alt\\u0131ndaki Ba\\u011fdat\\u2019\\u0131n y\\u0131k\\u0131nt\\u0131lar\\u0131 aras\\u0131ndaki tuhaf sakinlerinden Hadi bo\\u015f zamanlar\\u0131n\\u0131 kahvehanelerde hik\\u00e2yeler anlatarak ge\\u00e7iren bir eskicidir.&nbsp; Y\\u0131k\\u0131k evlerden, \\u00e7\\u00f6p y\\u0131\\u011f\\u0131nlar\\u0131ndan, patlama alanlar\\u0131ndan toplad\\u0131\\u011f\\u0131 d\\u00f6k\\u00fcnt\\u00fclerin yan\\u0131nda \\u00e7ok tuhaf \\u015feyler de vard\\u0131r asl\\u0131nda: Ceset par\\u00e7alar\\u0131\\u2026<br \\\/>\\r\\nBu par\\u00e7alar\\u0131 bir ceset yaratmak i\\u00e7in bir araya getirmekteki as\\u0131l amac\\u0131 -iddias\\u0131na g\\u00f6re- h\\u00fck\\u00fcmetin bunlar\\u0131 insan olarak tan\\u0131mas\\u0131 ve hak ettikleri bir defin vermesidir.&nbsp;<br \\\/>\\r\\nFakat bir g\\u00fcn ceset kaybolur ve hemen ard\\u0131ndan \\u00fcrk\\u00fct\\u00fcc\\u00fc cinayetler dalgas\\u0131 \\u015fehri kas\\u0131p kavurmaya ba\\u015flar. \\u0130fadelere g\\u00f6re katil vurulsa da yaralanmaz, \\u00f6lmez; \\u00fcstelik korkun\\u00e7 g\\u00f6r\\u00fcn\\u00fcml\\u00fc bir canavara benzemektedir. Ve i\\u015fte b\\u00f6ylece Hadi, hayatta kalabilmek i\\u00e7in insan v\\u00fccuduna ihtiya\\u00e7 duyan bir canavar yaratt\\u0131\\u011f\\u0131n\\u0131n fark\\u0131na var\\u0131r \\u2013 ge\\u00e7mi\\u015f hesaplar\\u0131n pe\\u015fine d\\u00fc\\u015fen bir intikam makinesi.<\\\/p>\\r\\n\\r\\n<p>&nbsp;Uluslararas\\u0131 Arap Kurgu \\u00d6d\\u00fcl\\u00fc<\\\/p>\\r\\n\\r\\n<p>&nbsp;Uluslararas\\u0131 Man Booker \\u00d6d\\u00fcl\\u00fc finalisti<\\\/p>\\r\\n\\r\\n<p>&nbsp;Fransa B\\u00fcy\\u00fck Fantastik Kurgu \\u00d6d\\u00fcl\\u00fc<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;\\u201cMary Shelley\\u2019nin kaleme ald\\u0131\\u011f\\u0131 Frankenstein\\u2019dan iki y\\u00fcz y\\u0131l sonra, bu canavar\\u0131n say\\u0131s\\u0131z varyasyonu&nbsp;yarat\\u0131ld\\u0131- ama bunlardan yaln\\u0131zca birka\\u00e7\\u0131, Ahmed Saadavi\\u2019nin&nbsp;Frankenstein Ba\\u011fdat\\u2019ta&nbsp;roman\\u0131nda&nbsp;hayat verdi\\u011fi canavar kadar vah\\u015fi ya da politik olarak do\\u011fru.\\u201d<\\\/p>\\r\\n\\r\\n<p>-&nbsp; Gregory Cowles,&nbsp;The New York&nbsp;Times&nbsp; -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u00c7ap\\u0131c\\u0131 ve ger\\u00e7ek\\u00fcst\\u00fc... \\u00d6zg\\u00fcvenli ve sanr\\u0131l\\u0131... Kara mizah ve korkunun m\\u00fckemmel kar\\u0131\\u015f\\u0131m\\u0131... Saadavi,&nbsp;do\\u011fa\\u00fcst\\u00fc, korkun\\u00e7 ve s\\u0131radan ayr\\u0131nt\\u0131lar\\u0131 m\\u00fcthi\\u015f bir etkiyle harmanl\\u0131yor. Hem sesinde hem de&nbsp;vizyonunda bir yenilik var. Irak\\u2019ta ya\\u015fananlar manevi bir felaketti, bir \\u00e7\\u00f6k\\u00fc\\u015ft\\u00fc- ve bu cesur ve dahice&nbsp;bir roman, bu fikri benimsiyor ve t\\u00fcm olas\\u0131l\\u0131klar\\u0131 masaya yat\\u0131r\\u0131yor. \\u201d<\\\/p>\\r\\n\\r\\n<p>-&nbsp;&nbsp;Dwight Garner,&nbsp;The New York&nbsp;Times -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cB\\u00fcy\\u00fck bir ba\\u015far\\u0131... Ger\\u00e7ek\\u00fcst\\u00fc, b\\u00fcy\\u00fcleyici ve dokunakl\\u0131... Ortado\\u011fu mezhep\\u00e7ili\\u011fi ve jeopolitik&nbsp;ahmakl\\u0131klar\\u0131n vahim portresi, abs\\u00fcrt bir ahlak anlay\\u0131\\u015f\\u0131 ve bir korku fantazyas\\u0131... Garip, \\u015fiddetli ve&nbsp;komik.\\u201d<\\\/p>\\r\\n\\r\\n<p>&nbsp;- Sarah Perry,&nbsp;The Guardian -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cAhmed Saadavi 11 Eyl\\u00fcl sonras\\u0131 Irak\\u2019ta karanl\\u0131k, m\\u00fcthi\\u015f bir metaforu ele al\\u0131yor ve Gabriel Garc\\u00eda&nbsp;M\\u00e1rquez\\u2019in sesiyle sava\\u015f\\u0131n kal\\u0131nt\\u0131lar\\u0131 aras\\u0131nda ya\\u015fam m\\u00fccadelesi veren insanl\\u0131\\u011fa bir a\\u015fk \\u015fark\\u0131s\\u0131&nbsp;s\\u00f6yl\\u00fcyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>&nbsp;&nbsp;-&nbsp;Lea Carpenter -&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cSaadavi, 2005 y\\u0131l\\u0131ndaki Ba\\u011fdat\\u2019\\u0131n gotik ger\\u00e7ekli\\u011fini \\u00f6yle bir anlat\\u0131yor ki roman ger\\u00e7ek\\u00fcst\\u00fc bir boyuta&nbsp;ge\\u00e7ti\\u011finde bile neredeyse hi\\u00e7 \\u015fa\\u015f\\u0131rtm\\u0131yor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- The New Yorker&nbsp; -&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cBu \\u00fcrk\\u00fct\\u00fcc\\u00fc roman, Irak\\u2019\\u0131 evi olarak tan\\u0131mayanlar\\u0131n yaratt\\u0131\\u011f\\u0131 \\u015fiddetin tahribat\\u0131n\\u0131 g\\u00f6zler \\u00f6n\\u00fcne&nbsp;seriyor. Kadim bir duygunun \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 d\\u0131\\u015fa vurumu: G\\u00f6ze g\\u00f6z intikam, t\\u00fcm d\\u00fcnyay\\u0131 k\\u00f6rle\\u015ftirir.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p>-&nbsp; Kirkus Reviews -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<div>\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n<\\\/div>\",\"static_content\":\"<p>\\u201cBa\\u011fdat\\u2019\\u0131n yeni edebi y\\u0131ld\\u0131z\\u0131\\u201d (The New York Times) olarak an\\u0131lan Ahmed Saadavi\\u2019nin kaleminden\\u00a0Frankenstein Ba\\u011fdat\\u2019ta, modern Irak\\u2019\\u0131n ger\\u00e7ek\\u00fcst\\u00fc ger\\u00e7ekli\\u011fini, korku ve kara mizah\\u0131 harmanlayarak edebiyatla zirveye ta\\u015f\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>ABD i\\u015fgali alt\\u0131ndaki Ba\\u011fdat\\u2019\\u0131n y\\u0131k\\u0131nt\\u0131lar\\u0131 aras\\u0131ndaki tuhaf sakinlerinden Hadi bo\\u015f zamanlar\\u0131n\\u0131 kahvehanelerde hik\\u00e2yeler anlatarak ge\\u00e7iren bir eskicidir.\\u00a0 Y\\u0131k\\u0131k evlerden, \\u00e7\\u00f6p y\\u0131\\u011f\\u0131nlar\\u0131ndan, patlama alanlar\\u0131ndan toplad\\u0131\\u011f\\u0131 d\\u00f6k\\u00fcnt\\u00fclerin yan\\u0131nda \\u00e7ok tuhaf \\u015feyler de vard\\u0131r asl\\u0131nda: Ceset par\\u00e7alar\\u0131\\u2026<br \\\/>\\r\\nBu par\\u00e7alar\\u0131 bir ceset yaratmak i\\u00e7in bir araya getirmekteki as\\u0131l amac\\u0131 -iddias\\u0131na g\\u00f6re- h\\u00fck\\u00fcmetin bunlar\\u0131 insan olarak tan\\u0131mas\\u0131 ve hak ettikleri bir defin vermesidir.\\u00a0<br \\\/>\\r\\nFakat bir g\\u00fcn ceset kaybolur ve hemen ard\\u0131ndan \\u00fcrk\\u00fct\\u00fcc\\u00fc cinayetler dalgas\\u0131 \\u015fehri kas\\u0131p kavurmaya ba\\u015flar. \\u0130fadelere g\\u00f6re katil vurulsa da yaralanmaz, \\u00f6lmez; \\u00fcstelik korkun\\u00e7 g\\u00f6r\\u00fcn\\u00fcml\\u00fc bir canavara benzemektedir. Ve i\\u015fte b\\u00f6ylece Hadi, hayatta kalabilmek i\\u00e7in insan v\\u00fccuduna ihtiya\\u00e7 duyan bir canavar yaratt\\u0131\\u011f\\u0131n\\u0131n fark\\u0131na var\\u0131r \\u2013 ge\\u00e7mi\\u015f hesaplar\\u0131n pe\\u015fine d\\u00fc\\u015fen bir intikam makinesi.<\\\/p>\\r\\n\\r\\n<p>\\u00a0Uluslararas\\u0131 Arap Kurgu \\u00d6d\\u00fcl\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00a0Uluslararas\\u0131 Man Booker \\u00d6d\\u00fcl\\u00fc finalisti<\\\/p>\\r\\n\\r\\n<p>\\u00a0Fransa B\\u00fcy\\u00fck Fantastik Kurgu \\u00d6d\\u00fcl\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0\\u201cMary Shelley\\u2019nin kaleme ald\\u0131\\u011f\\u0131 Frankenstein\\u2019dan iki y\\u00fcz y\\u0131l sonra, bu canavar\\u0131n say\\u0131s\\u0131z varyasyonu\\u00a0yarat\\u0131ld\\u0131- ama bunlardan yaln\\u0131zca birka\\u00e7\\u0131, Ahmed Saadavi\\u2019nin\\u00a0Frankenstein Ba\\u011fdat\\u2019ta\\u00a0roman\\u0131nda\\u00a0hayat verdi\\u011fi canavar kadar vah\\u015fi ya da politik olarak do\\u011fru.\\u201d<\\\/p>\\r\\n\\r\\n<p>-\\u00a0 Gregory Cowles,\\u00a0The New York\\u00a0Times\\u00a0 -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u00c7ap\\u0131c\\u0131 ve ger\\u00e7ek\\u00fcst\\u00fc... \\u00d6zg\\u00fcvenli ve sanr\\u0131l\\u0131... Kara mizah ve korkunun m\\u00fckemmel kar\\u0131\\u015f\\u0131m\\u0131... Saadavi,\\u00a0do\\u011fa\\u00fcst\\u00fc, korkun\\u00e7 ve s\\u0131radan ayr\\u0131nt\\u0131lar\\u0131 m\\u00fcthi\\u015f bir etkiyle harmanl\\u0131yor. Hem sesinde hem de\\u00a0vizyonunda bir yenilik var. Irak\\u2019ta ya\\u015fananlar manevi bir felaketti, bir \\u00e7\\u00f6k\\u00fc\\u015ft\\u00fc- ve bu cesur ve dahice\\u00a0bir roman, bu fikri benimsiyor ve t\\u00fcm olas\\u0131l\\u0131klar\\u0131 masaya yat\\u0131r\\u0131yor. \\u201d<\\\/p>\\r\\n\\r\\n<p>-\\u00a0\\u00a0Dwight Garner,\\u00a0The New York\\u00a0Times -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cB\\u00fcy\\u00fck bir ba\\u015far\\u0131... Ger\\u00e7ek\\u00fcst\\u00fc, b\\u00fcy\\u00fcleyici ve dokunakl\\u0131... Ortado\\u011fu mezhep\\u00e7ili\\u011fi ve jeopolitik\\u00a0ahmakl\\u0131klar\\u0131n vahim portresi, abs\\u00fcrt bir ahlak anlay\\u0131\\u015f\\u0131 ve bir korku fantazyas\\u0131... Garip, \\u015fiddetli ve\\u00a0komik.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u00a0- Sarah Perry,\\u00a0The Guardian -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cAhmed Saadavi 11 Eyl\\u00fcl sonras\\u0131 Irak\\u2019ta karanl\\u0131k, m\\u00fcthi\\u015f bir metaforu ele al\\u0131yor ve Gabriel Garc\\u00eda\\u00a0M\\u00e1rquez\\u2019in sesiyle sava\\u015f\\u0131n kal\\u0131nt\\u0131lar\\u0131 aras\\u0131nda ya\\u015fam m\\u00fccadelesi veren insanl\\u0131\\u011fa bir a\\u015fk \\u015fark\\u0131s\\u0131\\u00a0s\\u00f6yl\\u00fcyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u00a0\\u00a0-\\u00a0Lea Carpenter -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cSaadavi, 2005 y\\u0131l\\u0131ndaki Ba\\u011fdat\\u2019\\u0131n gotik ger\\u00e7ekli\\u011fini \\u00f6yle bir anlat\\u0131yor ki roman ger\\u00e7ek\\u00fcst\\u00fc bir boyuta\\u00a0ge\\u00e7ti\\u011finde bile neredeyse hi\\u00e7 \\u015fa\\u015f\\u0131rtm\\u0131yor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- The New Yorker\\u00a0 -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cBu \\u00fcrk\\u00fct\\u00fcc\\u00fc roman, Irak\\u2019\\u0131 evi olarak tan\\u0131mayanlar\\u0131n yaratt\\u0131\\u011f\\u0131 \\u015fiddetin tahribat\\u0131n\\u0131 g\\u00f6zler \\u00f6n\\u00fcne\\u00a0seriyor. Kadim bir duygunun \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 d\\u0131\\u015fa vurumu: G\\u00f6ze g\\u00f6z intikam, t\\u00fcm d\\u00fcnyay\\u0131 k\\u00f6rle\\u015ftirir.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p>-\\u00a0 Kirkus Reviews -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<div>\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n<\\\/div>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1407,\"personable_id\":4515,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6208,\"book_id\":4515,\"locale\":\"en\",\"name\":\"Frankenstein in Baghdad\",\"slug\":\"frankenstein-in-baghdad\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":6207,\"book_id\":4515,\"locale\":\"tr\",\"name\":\"Frankenstein Ba\\u011fdat'ta\",\"slug\":\"frankenstein-bagdatta\",\"sub_name\":null,\"description\":\"<p>\\u201cBa\\u011fdat\\u2019\\u0131n yeni edebi y\\u0131ld\\u0131z\\u0131\\u201d (The New York Times) olarak an\\u0131lan Ahmed Saadavi\\u2019nin kaleminden&nbsp;Frankenstein Ba\\u011fdat\\u2019ta, modern Irak\\u2019\\u0131n ger\\u00e7ek\\u00fcst\\u00fc ger\\u00e7ekli\\u011fini, korku ve kara mizah\\u0131 harmanlayarak edebiyatla zirveye ta\\u015f\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>ABD i\\u015fgali alt\\u0131ndaki Ba\\u011fdat\\u2019\\u0131n y\\u0131k\\u0131nt\\u0131lar\\u0131 aras\\u0131ndaki tuhaf sakinlerinden Hadi bo\\u015f zamanlar\\u0131n\\u0131 kahvehanelerde hik\\u00e2yeler anlatarak ge\\u00e7iren bir eskicidir.&nbsp; Y\\u0131k\\u0131k evlerden, \\u00e7\\u00f6p y\\u0131\\u011f\\u0131nlar\\u0131ndan, patlama alanlar\\u0131ndan toplad\\u0131\\u011f\\u0131 d\\u00f6k\\u00fcnt\\u00fclerin yan\\u0131nda \\u00e7ok tuhaf \\u015feyler de vard\\u0131r asl\\u0131nda: Ceset par\\u00e7alar\\u0131\\u2026<br \\\/>\\r\\nBu par\\u00e7alar\\u0131 bir ceset yaratmak i\\u00e7in bir araya getirmekteki as\\u0131l amac\\u0131 -iddias\\u0131na g\\u00f6re- h\\u00fck\\u00fcmetin bunlar\\u0131 insan olarak tan\\u0131mas\\u0131 ve hak ettikleri bir defin vermesidir.&nbsp;<br \\\/>\\r\\nFakat bir g\\u00fcn ceset kaybolur ve hemen ard\\u0131ndan \\u00fcrk\\u00fct\\u00fcc\\u00fc cinayetler dalgas\\u0131 \\u015fehri kas\\u0131p kavurmaya ba\\u015flar. \\u0130fadelere g\\u00f6re katil vurulsa da yaralanmaz, \\u00f6lmez; \\u00fcstelik korkun\\u00e7 g\\u00f6r\\u00fcn\\u00fcml\\u00fc bir canavara benzemektedir. Ve i\\u015fte b\\u00f6ylece Hadi, hayatta kalabilmek i\\u00e7in insan v\\u00fccuduna ihtiya\\u00e7 duyan bir canavar yaratt\\u0131\\u011f\\u0131n\\u0131n fark\\u0131na var\\u0131r \\u2013 ge\\u00e7mi\\u015f hesaplar\\u0131n pe\\u015fine d\\u00fc\\u015fen bir intikam makinesi.<\\\/p>\\r\\n\\r\\n<p>&nbsp;Uluslararas\\u0131 Arap Kurgu \\u00d6d\\u00fcl\\u00fc<\\\/p>\\r\\n\\r\\n<p>&nbsp;Uluslararas\\u0131 Man Booker \\u00d6d\\u00fcl\\u00fc finalisti<\\\/p>\\r\\n\\r\\n<p>&nbsp;Fransa B\\u00fcy\\u00fck Fantastik Kurgu \\u00d6d\\u00fcl\\u00fc<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;\\u201cMary Shelley\\u2019nin kaleme ald\\u0131\\u011f\\u0131 Frankenstein\\u2019dan iki y\\u00fcz y\\u0131l sonra, bu canavar\\u0131n say\\u0131s\\u0131z varyasyonu&nbsp;yarat\\u0131ld\\u0131- ama bunlardan yaln\\u0131zca birka\\u00e7\\u0131, Ahmed Saadavi\\u2019nin&nbsp;Frankenstein Ba\\u011fdat\\u2019ta&nbsp;roman\\u0131nda&nbsp;hayat verdi\\u011fi canavar kadar vah\\u015fi ya da politik olarak do\\u011fru.\\u201d<\\\/p>\\r\\n\\r\\n<p>-&nbsp; Gregory Cowles,&nbsp;The New York&nbsp;Times&nbsp; -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u00c7ap\\u0131c\\u0131 ve ger\\u00e7ek\\u00fcst\\u00fc... \\u00d6zg\\u00fcvenli ve sanr\\u0131l\\u0131... Kara mizah ve korkunun m\\u00fckemmel kar\\u0131\\u015f\\u0131m\\u0131... Saadavi,&nbsp;do\\u011fa\\u00fcst\\u00fc, korkun\\u00e7 ve s\\u0131radan ayr\\u0131nt\\u0131lar\\u0131 m\\u00fcthi\\u015f bir etkiyle harmanl\\u0131yor. Hem sesinde hem de&nbsp;vizyonunda bir yenilik var. Irak\\u2019ta ya\\u015fananlar manevi bir felaketti, bir \\u00e7\\u00f6k\\u00fc\\u015ft\\u00fc- ve bu cesur ve dahice&nbsp;bir roman, bu fikri benimsiyor ve t\\u00fcm olas\\u0131l\\u0131klar\\u0131 masaya yat\\u0131r\\u0131yor. \\u201d<\\\/p>\\r\\n\\r\\n<p>-&nbsp;&nbsp;Dwight Garner,&nbsp;The New York&nbsp;Times -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cB\\u00fcy\\u00fck bir ba\\u015far\\u0131... Ger\\u00e7ek\\u00fcst\\u00fc, b\\u00fcy\\u00fcleyici ve dokunakl\\u0131... Ortado\\u011fu mezhep\\u00e7ili\\u011fi ve jeopolitik&nbsp;ahmakl\\u0131klar\\u0131n vahim portresi, abs\\u00fcrt bir ahlak anlay\\u0131\\u015f\\u0131 ve bir korku fantazyas\\u0131... Garip, \\u015fiddetli ve&nbsp;komik.\\u201d<\\\/p>\\r\\n\\r\\n<p>&nbsp;- Sarah Perry,&nbsp;The Guardian -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cAhmed Saadavi 11 Eyl\\u00fcl sonras\\u0131 Irak\\u2019ta karanl\\u0131k, m\\u00fcthi\\u015f bir metaforu ele al\\u0131yor ve Gabriel Garc\\u00eda&nbsp;M\\u00e1rquez\\u2019in sesiyle sava\\u015f\\u0131n kal\\u0131nt\\u0131lar\\u0131 aras\\u0131nda ya\\u015fam m\\u00fccadelesi veren insanl\\u0131\\u011fa bir a\\u015fk \\u015fark\\u0131s\\u0131&nbsp;s\\u00f6yl\\u00fcyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>&nbsp;&nbsp;-&nbsp;Lea Carpenter -&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cSaadavi, 2005 y\\u0131l\\u0131ndaki Ba\\u011fdat\\u2019\\u0131n gotik ger\\u00e7ekli\\u011fini \\u00f6yle bir anlat\\u0131yor ki roman ger\\u00e7ek\\u00fcst\\u00fc bir boyuta&nbsp;ge\\u00e7ti\\u011finde bile neredeyse hi\\u00e7 \\u015fa\\u015f\\u0131rtm\\u0131yor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- The New Yorker&nbsp; -&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cBu \\u00fcrk\\u00fct\\u00fcc\\u00fc roman, Irak\\u2019\\u0131 evi olarak tan\\u0131mayanlar\\u0131n yaratt\\u0131\\u011f\\u0131 \\u015fiddetin tahribat\\u0131n\\u0131 g\\u00f6zler \\u00f6n\\u00fcne&nbsp;seriyor. Kadim bir duygunun \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 d\\u0131\\u015fa vurumu: G\\u00f6ze g\\u00f6z intikam, t\\u00fcm d\\u00fcnyay\\u0131 k\\u00f6rle\\u015ftirir.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p>-&nbsp; Kirkus Reviews -&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<div>\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n<\\\/div>\",\"static_content\":\"<p>\\u201cBa\\u011fdat\\u2019\\u0131n yeni edebi y\\u0131ld\\u0131z\\u0131\\u201d (The New York Times) olarak an\\u0131lan Ahmed Saadavi\\u2019nin kaleminden\\u00a0Frankenstein Ba\\u011fdat\\u2019ta, modern Irak\\u2019\\u0131n ger\\u00e7ek\\u00fcst\\u00fc ger\\u00e7ekli\\u011fini, korku ve kara mizah\\u0131 harmanlayarak edebiyatla zirveye ta\\u015f\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>ABD i\\u015fgali alt\\u0131ndaki Ba\\u011fdat\\u2019\\u0131n y\\u0131k\\u0131nt\\u0131lar\\u0131 aras\\u0131ndaki tuhaf sakinlerinden Hadi bo\\u015f zamanlar\\u0131n\\u0131 kahvehanelerde hik\\u00e2yeler anlatarak ge\\u00e7iren bir eskicidir.\\u00a0 Y\\u0131k\\u0131k evlerden, \\u00e7\\u00f6p y\\u0131\\u011f\\u0131nlar\\u0131ndan, patlama alanlar\\u0131ndan toplad\\u0131\\u011f\\u0131 d\\u00f6k\\u00fcnt\\u00fclerin yan\\u0131nda \\u00e7ok tuhaf \\u015feyler de vard\\u0131r asl\\u0131nda: Ceset par\\u00e7alar\\u0131\\u2026<br \\\/>\\r\\nBu par\\u00e7alar\\u0131 bir ceset yaratmak i\\u00e7in bir araya getirmekteki as\\u0131l amac\\u0131 -iddias\\u0131na g\\u00f6re- h\\u00fck\\u00fcmetin bunlar\\u0131 insan olarak tan\\u0131mas\\u0131 ve hak ettikleri bir defin vermesidir.\\u00a0<br \\\/>\\r\\nFakat bir g\\u00fcn ceset kaybolur ve hemen ard\\u0131ndan \\u00fcrk\\u00fct\\u00fcc\\u00fc cinayetler dalgas\\u0131 \\u015fehri kas\\u0131p kavurmaya ba\\u015flar. \\u0130fadelere g\\u00f6re katil vurulsa da yaralanmaz, \\u00f6lmez; \\u00fcstelik korkun\\u00e7 g\\u00f6r\\u00fcn\\u00fcml\\u00fc bir canavara benzemektedir. Ve i\\u015fte b\\u00f6ylece Hadi, hayatta kalabilmek i\\u00e7in insan v\\u00fccuduna ihtiya\\u00e7 duyan bir canavar yaratt\\u0131\\u011f\\u0131n\\u0131n fark\\u0131na var\\u0131r \\u2013 ge\\u00e7mi\\u015f hesaplar\\u0131n pe\\u015fine d\\u00fc\\u015fen bir intikam makinesi.<\\\/p>\\r\\n\\r\\n<p>\\u00a0Uluslararas\\u0131 Arap Kurgu \\u00d6d\\u00fcl\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00a0Uluslararas\\u0131 Man Booker \\u00d6d\\u00fcl\\u00fc finalisti<\\\/p>\\r\\n\\r\\n<p>\\u00a0Fransa B\\u00fcy\\u00fck Fantastik Kurgu \\u00d6d\\u00fcl\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0\\u201cMary Shelley\\u2019nin kaleme ald\\u0131\\u011f\\u0131 Frankenstein\\u2019dan iki y\\u00fcz y\\u0131l sonra, bu canavar\\u0131n say\\u0131s\\u0131z varyasyonu\\u00a0yarat\\u0131ld\\u0131- ama bunlardan yaln\\u0131zca birka\\u00e7\\u0131, Ahmed Saadavi\\u2019nin\\u00a0Frankenstein Ba\\u011fdat\\u2019ta\\u00a0roman\\u0131nda\\u00a0hayat verdi\\u011fi canavar kadar vah\\u015fi ya da politik olarak do\\u011fru.\\u201d<\\\/p>\\r\\n\\r\\n<p>-\\u00a0 Gregory Cowles,\\u00a0The New York\\u00a0Times\\u00a0 -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u00c7ap\\u0131c\\u0131 ve ger\\u00e7ek\\u00fcst\\u00fc... \\u00d6zg\\u00fcvenli ve sanr\\u0131l\\u0131... Kara mizah ve korkunun m\\u00fckemmel kar\\u0131\\u015f\\u0131m\\u0131... Saadavi,\\u00a0do\\u011fa\\u00fcst\\u00fc, korkun\\u00e7 ve s\\u0131radan ayr\\u0131nt\\u0131lar\\u0131 m\\u00fcthi\\u015f bir etkiyle harmanl\\u0131yor. Hem sesinde hem de\\u00a0vizyonunda bir yenilik var. Irak\\u2019ta ya\\u015fananlar manevi bir felaketti, bir \\u00e7\\u00f6k\\u00fc\\u015ft\\u00fc- ve bu cesur ve dahice\\u00a0bir roman, bu fikri benimsiyor ve t\\u00fcm olas\\u0131l\\u0131klar\\u0131 masaya yat\\u0131r\\u0131yor. \\u201d<\\\/p>\\r\\n\\r\\n<p>-\\u00a0\\u00a0Dwight Garner,\\u00a0The New York\\u00a0Times -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cB\\u00fcy\\u00fck bir ba\\u015far\\u0131... Ger\\u00e7ek\\u00fcst\\u00fc, b\\u00fcy\\u00fcleyici ve dokunakl\\u0131... Ortado\\u011fu mezhep\\u00e7ili\\u011fi ve jeopolitik\\u00a0ahmakl\\u0131klar\\u0131n vahim portresi, abs\\u00fcrt bir ahlak anlay\\u0131\\u015f\\u0131 ve bir korku fantazyas\\u0131... Garip, \\u015fiddetli ve\\u00a0komik.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u00a0- Sarah Perry,\\u00a0The Guardian -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cAhmed Saadavi 11 Eyl\\u00fcl sonras\\u0131 Irak\\u2019ta karanl\\u0131k, m\\u00fcthi\\u015f bir metaforu ele al\\u0131yor ve Gabriel Garc\\u00eda\\u00a0M\\u00e1rquez\\u2019in sesiyle sava\\u015f\\u0131n kal\\u0131nt\\u0131lar\\u0131 aras\\u0131nda ya\\u015fam m\\u00fccadelesi veren insanl\\u0131\\u011fa bir a\\u015fk \\u015fark\\u0131s\\u0131\\u00a0s\\u00f6yl\\u00fcyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u00a0\\u00a0-\\u00a0Lea Carpenter -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cSaadavi, 2005 y\\u0131l\\u0131ndaki Ba\\u011fdat\\u2019\\u0131n gotik ger\\u00e7ekli\\u011fini \\u00f6yle bir anlat\\u0131yor ki roman ger\\u00e7ek\\u00fcst\\u00fc bir boyuta\\u00a0ge\\u00e7ti\\u011finde bile neredeyse hi\\u00e7 \\u015fa\\u015f\\u0131rtm\\u0131yor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- The New Yorker\\u00a0 -\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cBu \\u00fcrk\\u00fct\\u00fcc\\u00fc roman, Irak\\u2019\\u0131 evi olarak tan\\u0131mayanlar\\u0131n yaratt\\u0131\\u011f\\u0131 \\u015fiddetin tahribat\\u0131n\\u0131 g\\u00f6zler \\u00f6n\\u00fcne\\u00a0seriyor. 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Kendimizi manev\\u00ee olarak temizlemek i\\u00e7in, \\u00f6nce bu ger\\u00e7e\\u011fin fark\\u0131na varmam\\u0131z gerekiyor. \\u0130\\u015fte elinizdeki, tamamen bununla ilgili bir kitap: Kalbi ar\\u0131nd\\u0131rman\\u0131n ve kurtulu\\u015fun el kitab\\u0131.\\\"<\\\/span><br \\\/>\\r\\n<br \\\/>\\r\\n<span lang=\\\"TR\\\">Neredeyse tamam\\u0131yla d\\u0131\\u015f g\\u00f6r\\u00fcn\\u00fc\\u015f ve maddiyat oda\\u011f\\u0131nda seyreden g\\u00fcn\\u00fcm\\u00fcz\\u00fcn d\\u00fcnyas\\u0131, manev\\u00ee geli\\u015fime daha fazla ihtiya\\u00e7 duyar hale geldi. \\u0130nsano\\u011flunu bo\\u015flu\\u011fa s\\u00fcr\\u00fckleyen as\\u0131l neden ise manev\\u00ee dayanak noktalar\\u0131n\\u0131n kaybolmas\\u0131 sonucunda nefsin isteklerinin do\\u011fru y\\u00f6nlendirilemeyip kalbin kibir, cimrilik, d\\u00fc\\u015fmanl\\u0131k duygusu gibi bir\\u00e7ok olumsuz nitelik taraf\\u0131ndan ku\\u015fat\\u0131lm\\u0131\\u015f olmas\\u0131.&nbsp;<br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130\\u015fte; ABD'deki ilk M\\u00fcsl\\u00fcman be\\u015fer\\u00ee ilimler \\u00fcniversitesi olan Zaytuna College'in kurucusu, din\\u00ee meseleleri samimiyetle, ulema-halk ayr\\u0131m\\u0131 yapmadan anlatabilen, ayn\\u0131 zamanda sosyal bilimlere dair entelekt\\u00fcel birikimi ve disiplinleraras\\u0131 metoduyla, kadim \\u0130slam gelene\\u011fini esas alan bir \\u00e2lim ve mutasavv\\u0131f olan Hamza Yusuf, bu anlam aray\\u0131\\u015f\\u0131na ket vuran kalb\\u00ee rahats\\u0131zl\\u0131klar\\u0131 irdeliyor. Kendisi de \\u00f6nemli bir \\u00e2lim olan \\u0130mam Mevl\\u00fcd\\u2019\\u00fcn manzum eserinden yola \\u00e7\\u0131karak, kalbin manev\\u00ee hastal\\u0131klar\\u0131n\\u0131 te\\u015fhis edip bu hastal\\u0131klara Kur\\u2019\\u00e2n, gelenek ve ilim eksenli s\\u00fcrd\\u00fcr\\u00fclebilir tedavi y\\u00f6ntemleri \\u00f6neriyor.<\\\/span><\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p><span lang=\\\"TR\\\">\\\"Kalbi kararm\\u0131\\u015f olanlar zulmederler; buna kar\\u015f\\u0131l\\u0131k, saf kalpli kimseler kendilerine zulmedeni affetmekle kalmaz, onu itibar ve ahlaken y\\u00fckseltirler. Kendimizi manev\\u00ee olarak temizlemek i\\u00e7in, \\u00f6nce bu ger\\u00e7e\\u011fin fark\\u0131na varmam\\u0131z gerekiyor. \\u0130\\u015fte elinizdeki, tamamen bununla ilgili bir kitap: Kalbi ar\\u0131nd\\u0131rman\\u0131n ve kurtulu\\u015fun el kitab\\u0131.\\\"<\\\/span><br \\\/>\\r\\n<br \\\/>\\r\\n<span lang=\\\"TR\\\">Neredeyse tamam\\u0131yla d\\u0131\\u015f g\\u00f6r\\u00fcn\\u00fc\\u015f ve maddiyat oda\\u011f\\u0131nda seyreden g\\u00fcn\\u00fcm\\u00fcz\\u00fcn d\\u00fcnyas\\u0131, manev\\u00ee geli\\u015fime daha fazla ihtiya\\u00e7 duyar hale geldi. \\u0130nsano\\u011flunu bo\\u015flu\\u011fa s\\u00fcr\\u00fckleyen as\\u0131l neden ise manev\\u00ee dayanak noktalar\\u0131n\\u0131n kaybolmas\\u0131 sonucunda nefsin isteklerinin do\\u011fru y\\u00f6nlendirilemeyip kalbin kibir, cimrilik, d\\u00fc\\u015fmanl\\u0131k duygusu gibi bir\\u00e7ok olumsuz nitelik taraf\\u0131ndan ku\\u015fat\\u0131lm\\u0131\\u015f olmas\\u0131.\\u00a0<br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130\\u015fte; ABD'deki ilk M\\u00fcsl\\u00fcman be\\u015fer\\u00ee ilimler \\u00fcniversitesi olan Zaytuna College'in kurucusu, din\\u00ee meseleleri samimiyetle, ulema-halk ayr\\u0131m\\u0131 yapmadan anlatabilen, ayn\\u0131 zamanda sosyal bilimlere dair entelekt\\u00fcel birikimi ve disiplinleraras\\u0131 metoduyla, kadim \\u0130slam gelene\\u011fini esas alan bir \\u00e2lim ve mutasavv\\u0131f olan Hamza Yusuf, bu anlam aray\\u0131\\u015f\\u0131na ket vuran kalb\\u00ee rahats\\u0131zl\\u0131klar\\u0131 irdeliyor. Kendisi de \\u00f6nemli bir \\u00e2lim olan \\u0130mam Mevl\\u00fcd\\u2019\\u00fcn manzum eserinden yola \\u00e7\\u0131karak, kalbin manev\\u00ee hastal\\u0131klar\\u0131n\\u0131 te\\u015fhis edip bu hastal\\u0131klara Kur\\u2019\\u00e2n, gelenek ve ilim eksenli s\\u00fcrd\\u00fcr\\u00fclebilir tedavi y\\u00f6ntemleri \\u00f6neriyor.<\\\/span><\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":5393,\"user_id\":10,\"original_name\":\"The Waiter\",\"printing_date\":\"2019-05-07 09:46:48\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/the-waiter-kapak-1557125208.png\",\"image_settings\":{\"id\":5393,\"path\":\"\\\/images\\\/books\\\/2019\\\/05\\\/06\\\/09\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":137196,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":18092,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":7839,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2189,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1270,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2502,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":15062,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":16108,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7346,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2056,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":944,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2362,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-05-06 09:46:48\",\"updated_at\":\"2019-05-06 09:46:48\",\"name\":\"Garson\",\"slug\":\"garson\",\"sub_name\":\"\",\"description\":\"<p>Hills isimli as\\u0131rl\\u0131k bir Avrupa restoran\\u0131nda, orta ya\\u015fl\\u0131 bir garson i\\u015finin de\\u011fi\\u015fmez y\\u00f6nleriyle gurur duyuyor: Kusursuz bir \\u00fcniforma, bir \\u00f6rnek masa \\u00f6rt\\u00fcleri, m\\u00fcdavimleri ve d\\u00fczenli ak\\u015fam yemekleri. H\\u0131nz\\u0131r ve onun kalbur\\u00fcst\\u00fc konuklar\\u0131, alkolik akt\\u00f6r ve arkada\\u015flar\\u0131, bir sanat simsar\\u0131, Garson\\u2019un yeg\\u00e2ne arkada\\u015f\\u0131 Edgar ve k\\u00fc\\u00e7\\u00fck k\\u0131z\\u0131 Anna. Ve tabii ki \\u015eef Garson, Bar Sorumlusu, A\\u015f\\u00e7\\u0131. Bu kendi istikrarl\\u0131 ritmiyle ya\\u015fayan evrende, masalar aras\\u0131nda herhangi bir temas yoktur... Ta ki g\\u00fczel ve bak\\u0131ml\\u0131 bir gen\\u00e7 kad\\u0131n kap\\u0131dan i\\u00e7eri girip restoran\\u0131n ve temsil etti\\u011fi her \\u015feyin hassas dengesini bozana dek...<\\\/p>\\r\\n\\r\\n<p>Garson Avrupa\\u2019n\\u0131n son y\\u00fczy\\u0131l\\u0131n\\u0131, o b\\u00fcy\\u00fck resmi tek mek\\u00e2n ve sakinleriyle \\u00f6zetleyen b\\u00fcy\\u00fcleyici bir hik\\u00e2ye. Her \\u015fey olmas\\u0131 gerekti\\u011fi haliyle olmas\\u0131 gerekti\\u011fi yerdeyken -en az\\u0131ndan Garson\\u2019a g\\u00f6re- bir \\u015feyler de\\u011fi\\u015fmeye ba\\u015flad\\u0131\\u011f\\u0131nda y\\u00fckselen endi\\u015fe, b\\u00fct\\u00fcn d\\u00fczeni alt\\u00fcst etmeye yetiyor. Asl\\u0131nda, ko\\u015fullar g\\u00f6z \\u00f6n\\u00fcnde bulunduruldu\\u011funda, endi\\u015fe belki de en mant\\u0131kl\\u0131 tepki... &nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cFaldbakken\\u2019in roman\\u0131, daha \\u00f6nce birka\\u00e7 kez okudu\\u011funuz, ancak asla bitmi\\u015f hissetmedi\\u011finiz bir klasik gibi. Hi\\u00e7bir zaman o dile, ayr\\u0131nt\\u0131lara doymu\\u015f hissetmezsiniz, \\u00e7ok zekice kurgulanm\\u0131\\u015flard\\u0131r \\u00e7\\u00fcnk\\u00fc. Garson da yeniden okumak i\\u00e7in memnuniyetle kitapl\\u0131kta tutaca\\u011f\\u0131n\\u0131z epik bir eser.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013Litteratursiden <\\\/strong><\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cEskiden g\\u00f6rkemli g\\u00fcnler g\\u00f6rm\\u00fc\\u015f bir Oslo restoran\\u0131nda ge\\u00e7en, zekice, melankolik ve hicivli bir roman. Wes Anderson hayranlar\\u0131 buna bay\\u0131lacak.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013The Globe and Mail <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cTad\\u0131na doyulmaz zenginlikte bir hik\\u00e2ye.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013Mail on Sunday <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cMervyn Peake ve Wes Anderson\\u2019\\u0131 d\\u00fc\\u015f\\u00fcn\\u00fcn, \\u015fimdi bunu Nathanael West\\u2019in duygusuz tuhafl\\u0131\\u011f\\u0131yla bulu\\u015fturun: \\u015ea\\u015f\\u0131rt\\u0131c\\u0131, ilgin\\u00e7 ve e\\u011flenceli bir roman.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>&nbsp;\\u2013Kirkus Reviews <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cGarson, Oslo\\u2019daki Hills adl\\u0131 b\\u00fcy\\u00fck ve eski bir restoranda, \\u00e7ok \\u015fahane yemekler boyunca tecr\\u00fcbeli bir garson taraf\\u0131ndan anlat\\u0131lan, iddial\\u0131 bir hik\\u00e2ye\\u2026 Faldbakken\\u2019in hik\\u00e2yesi, restoran taraf\\u0131ndan temsil edilen \\u2018eski d\\u00fcnya\\u2019y\\u0131 iyisiyle k\\u00f6t\\u00fcs\\u00fcyle if\\u015fa ederken bu \\u00f6zneyi zekice ve \\u00e7arp\\u0131c\\u0131 bir romana d\\u00f6n\\u00fc\\u015f\\u00fcyor.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013Publishers Weekly&nbsp;<\\\/strong><\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Hills isimli as\\u0131rl\\u0131k bir Avrupa restoran\\u0131nda, orta ya\\u015fl\\u0131 bir garson i\\u015finin de\\u011fi\\u015fmez y\\u00f6nleriyle gurur duyuyor: Kusursuz bir \\u00fcniforma, bir \\u00f6rnek masa \\u00f6rt\\u00fcleri, m\\u00fcdavimleri ve d\\u00fczenli ak\\u015fam yemekleri. H\\u0131nz\\u0131r ve onun kalbur\\u00fcst\\u00fc konuklar\\u0131, alkolik akt\\u00f6r ve arkada\\u015flar\\u0131, bir sanat simsar\\u0131, Garson\\u2019un yeg\\u00e2ne arkada\\u015f\\u0131 Edgar ve k\\u00fc\\u00e7\\u00fck k\\u0131z\\u0131 Anna. Ve tabii ki \\u015eef Garson, Bar Sorumlusu, A\\u015f\\u00e7\\u0131. Bu kendi istikrarl\\u0131 ritmiyle ya\\u015fayan evrende, masalar aras\\u0131nda herhangi bir temas yoktur... Ta ki g\\u00fczel ve bak\\u0131ml\\u0131 bir gen\\u00e7 kad\\u0131n kap\\u0131dan i\\u00e7eri girip restoran\\u0131n ve temsil etti\\u011fi her \\u015feyin hassas dengesini bozana dek...<\\\/p>\\r\\n\\r\\n<p>Garson Avrupa\\u2019n\\u0131n son y\\u00fczy\\u0131l\\u0131n\\u0131, o b\\u00fcy\\u00fck resmi tek mek\\u00e2n ve sakinleriyle \\u00f6zetleyen b\\u00fcy\\u00fcleyici bir hik\\u00e2ye. Her \\u015fey olmas\\u0131 gerekti\\u011fi haliyle olmas\\u0131 gerekti\\u011fi yerdeyken -en az\\u0131ndan Garson\\u2019a g\\u00f6re- bir \\u015feyler de\\u011fi\\u015fmeye ba\\u015flad\\u0131\\u011f\\u0131nda y\\u00fckselen endi\\u015fe, b\\u00fct\\u00fcn d\\u00fczeni alt\\u00fcst etmeye yetiyor. Asl\\u0131nda, ko\\u015fullar g\\u00f6z \\u00f6n\\u00fcnde bulunduruldu\\u011funda, endi\\u015fe belki de en mant\\u0131kl\\u0131 tepki... \\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cFaldbakken\\u2019in roman\\u0131, daha \\u00f6nce birka\\u00e7 kez okudu\\u011funuz, ancak asla bitmi\\u015f hissetmedi\\u011finiz bir klasik gibi. Hi\\u00e7bir zaman o dile, ayr\\u0131nt\\u0131lara doymu\\u015f hissetmezsiniz, \\u00e7ok zekice kurgulanm\\u0131\\u015flard\\u0131r \\u00e7\\u00fcnk\\u00fc. Garson da yeniden okumak i\\u00e7in memnuniyetle kitapl\\u0131kta tutaca\\u011f\\u0131n\\u0131z epik bir eser.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013Litteratursiden <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cEskiden g\\u00f6rkemli g\\u00fcnler g\\u00f6rm\\u00fc\\u015f bir Oslo restoran\\u0131nda ge\\u00e7en, zekice, melankolik ve hicivli bir roman. Wes Anderson hayranlar\\u0131 buna bay\\u0131lacak.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013The Globe and Mail <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cTad\\u0131na doyulmaz zenginlikte bir hik\\u00e2ye.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013Mail on Sunday <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cMervyn Peake ve Wes Anderson\\u2019\\u0131 d\\u00fc\\u015f\\u00fcn\\u00fcn, \\u015fimdi bunu Nathanael West\\u2019in duygusuz tuhafl\\u0131\\u011f\\u0131yla bulu\\u015fturun: \\u015ea\\u015f\\u0131rt\\u0131c\\u0131, ilgin\\u00e7 ve e\\u011flenceli bir roman.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u00a0\\u2013Kirkus Reviews <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cGarson, Oslo\\u2019daki Hills adl\\u0131 b\\u00fcy\\u00fck ve eski bir restoranda, \\u00e7ok \\u015fahane yemekler boyunca tecr\\u00fcbeli bir garson taraf\\u0131ndan anlat\\u0131lan, iddial\\u0131 bir hik\\u00e2ye\\u2026 Faldbakken\\u2019in hik\\u00e2yesi, restoran taraf\\u0131ndan temsil edilen \\u2018eski d\\u00fcnya\\u2019y\\u0131 iyisiyle k\\u00f6t\\u00fcs\\u00fcyle if\\u015fa ederken bu \\u00f6zneyi zekice ve \\u00e7arp\\u0131c\\u0131 bir romana d\\u00f6n\\u00fc\\u015f\\u00fcyor.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013Publishers Weekly\\u00a0<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":5393,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":7593,\"book_id\":5393,\"locale\":\"en\",\"name\":\"The Waiter\",\"slug\":\"the-waiter\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":7592,\"book_id\":5393,\"locale\":\"tr\",\"name\":\"Garson\",\"slug\":\"garson\",\"sub_name\":\"\",\"description\":\"<p>Hills isimli as\\u0131rl\\u0131k bir Avrupa restoran\\u0131nda, orta ya\\u015fl\\u0131 bir garson i\\u015finin de\\u011fi\\u015fmez y\\u00f6nleriyle gurur duyuyor: Kusursuz bir \\u00fcniforma, bir \\u00f6rnek masa \\u00f6rt\\u00fcleri, m\\u00fcdavimleri ve d\\u00fczenli ak\\u015fam yemekleri. H\\u0131nz\\u0131r ve onun kalbur\\u00fcst\\u00fc konuklar\\u0131, alkolik akt\\u00f6r ve arkada\\u015flar\\u0131, bir sanat simsar\\u0131, Garson\\u2019un yeg\\u00e2ne arkada\\u015f\\u0131 Edgar ve k\\u00fc\\u00e7\\u00fck k\\u0131z\\u0131 Anna. Ve tabii ki \\u015eef Garson, Bar Sorumlusu, A\\u015f\\u00e7\\u0131. Bu kendi istikrarl\\u0131 ritmiyle ya\\u015fayan evrende, masalar aras\\u0131nda herhangi bir temas yoktur... Ta ki g\\u00fczel ve bak\\u0131ml\\u0131 bir gen\\u00e7 kad\\u0131n kap\\u0131dan i\\u00e7eri girip restoran\\u0131n ve temsil etti\\u011fi her \\u015feyin hassas dengesini bozana dek...<\\\/p>\\r\\n\\r\\n<p>Garson Avrupa\\u2019n\\u0131n son y\\u00fczy\\u0131l\\u0131n\\u0131, o b\\u00fcy\\u00fck resmi tek mek\\u00e2n ve sakinleriyle \\u00f6zetleyen b\\u00fcy\\u00fcleyici bir hik\\u00e2ye. Her \\u015fey olmas\\u0131 gerekti\\u011fi haliyle olmas\\u0131 gerekti\\u011fi yerdeyken -en az\\u0131ndan Garson\\u2019a g\\u00f6re- bir \\u015feyler de\\u011fi\\u015fmeye ba\\u015flad\\u0131\\u011f\\u0131nda y\\u00fckselen endi\\u015fe, b\\u00fct\\u00fcn d\\u00fczeni alt\\u00fcst etmeye yetiyor. Asl\\u0131nda, ko\\u015fullar g\\u00f6z \\u00f6n\\u00fcnde bulunduruldu\\u011funda, endi\\u015fe belki de en mant\\u0131kl\\u0131 tepki... &nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cFaldbakken\\u2019in roman\\u0131, daha \\u00f6nce birka\\u00e7 kez okudu\\u011funuz, ancak asla bitmi\\u015f hissetmedi\\u011finiz bir klasik gibi. Hi\\u00e7bir zaman o dile, ayr\\u0131nt\\u0131lara doymu\\u015f hissetmezsiniz, \\u00e7ok zekice kurgulanm\\u0131\\u015flard\\u0131r \\u00e7\\u00fcnk\\u00fc. Garson da yeniden okumak i\\u00e7in memnuniyetle kitapl\\u0131kta tutaca\\u011f\\u0131n\\u0131z epik bir eser.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013Litteratursiden <\\\/strong><\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u201cEskiden g\\u00f6rkemli g\\u00fcnler g\\u00f6rm\\u00fc\\u015f bir Oslo restoran\\u0131nda ge\\u00e7en, zekice, melankolik ve hicivli bir roman. Wes Anderson hayranlar\\u0131 buna bay\\u0131lacak.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013The Globe and Mail <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cTad\\u0131na doyulmaz zenginlikte bir hik\\u00e2ye.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013Mail on Sunday <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cMervyn Peake ve Wes Anderson\\u2019\\u0131 d\\u00fc\\u015f\\u00fcn\\u00fcn, \\u015fimdi bunu Nathanael West\\u2019in duygusuz tuhafl\\u0131\\u011f\\u0131yla bulu\\u015fturun: \\u015ea\\u015f\\u0131rt\\u0131c\\u0131, ilgin\\u00e7 ve e\\u011flenceli bir roman.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>&nbsp;\\u2013Kirkus Reviews <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cGarson, Oslo\\u2019daki Hills adl\\u0131 b\\u00fcy\\u00fck ve eski bir restoranda, \\u00e7ok \\u015fahane yemekler boyunca tecr\\u00fcbeli bir garson taraf\\u0131ndan anlat\\u0131lan, iddial\\u0131 bir hik\\u00e2ye\\u2026 Faldbakken\\u2019in hik\\u00e2yesi, restoran taraf\\u0131ndan temsil edilen \\u2018eski d\\u00fcnya\\u2019y\\u0131 iyisiyle k\\u00f6t\\u00fcs\\u00fcyle if\\u015fa ederken bu \\u00f6zneyi zekice ve \\u00e7arp\\u0131c\\u0131 bir romana d\\u00f6n\\u00fc\\u015f\\u00fcyor.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013Publishers Weekly&nbsp;<\\\/strong><\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Hills isimli as\\u0131rl\\u0131k bir Avrupa restoran\\u0131nda, orta ya\\u015fl\\u0131 bir garson i\\u015finin de\\u011fi\\u015fmez y\\u00f6nleriyle gurur duyuyor: Kusursuz bir \\u00fcniforma, bir \\u00f6rnek masa \\u00f6rt\\u00fcleri, m\\u00fcdavimleri ve d\\u00fczenli ak\\u015fam yemekleri. H\\u0131nz\\u0131r ve onun kalbur\\u00fcst\\u00fc konuklar\\u0131, alkolik akt\\u00f6r ve arkada\\u015flar\\u0131, bir sanat simsar\\u0131, Garson\\u2019un yeg\\u00e2ne arkada\\u015f\\u0131 Edgar ve k\\u00fc\\u00e7\\u00fck k\\u0131z\\u0131 Anna. Ve tabii ki \\u015eef Garson, Bar Sorumlusu, A\\u015f\\u00e7\\u0131. Bu kendi istikrarl\\u0131 ritmiyle ya\\u015fayan evrende, masalar aras\\u0131nda herhangi bir temas yoktur... Ta ki g\\u00fczel ve bak\\u0131ml\\u0131 bir gen\\u00e7 kad\\u0131n kap\\u0131dan i\\u00e7eri girip restoran\\u0131n ve temsil etti\\u011fi her \\u015feyin hassas dengesini bozana dek...<\\\/p>\\r\\n\\r\\n<p>Garson Avrupa\\u2019n\\u0131n son y\\u00fczy\\u0131l\\u0131n\\u0131, o b\\u00fcy\\u00fck resmi tek mek\\u00e2n ve sakinleriyle \\u00f6zetleyen b\\u00fcy\\u00fcleyici bir hik\\u00e2ye. Her \\u015fey olmas\\u0131 gerekti\\u011fi haliyle olmas\\u0131 gerekti\\u011fi yerdeyken -en az\\u0131ndan Garson\\u2019a g\\u00f6re- bir \\u015feyler de\\u011fi\\u015fmeye ba\\u015flad\\u0131\\u011f\\u0131nda y\\u00fckselen endi\\u015fe, b\\u00fct\\u00fcn d\\u00fczeni alt\\u00fcst etmeye yetiyor. Asl\\u0131nda, ko\\u015fullar g\\u00f6z \\u00f6n\\u00fcnde bulunduruldu\\u011funda, endi\\u015fe belki de en mant\\u0131kl\\u0131 tepki... \\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cFaldbakken\\u2019in roman\\u0131, daha \\u00f6nce birka\\u00e7 kez okudu\\u011funuz, ancak asla bitmi\\u015f hissetmedi\\u011finiz bir klasik gibi. Hi\\u00e7bir zaman o dile, ayr\\u0131nt\\u0131lara doymu\\u015f hissetmezsiniz, \\u00e7ok zekice kurgulanm\\u0131\\u015flard\\u0131r \\u00e7\\u00fcnk\\u00fc. Garson da yeniden okumak i\\u00e7in memnuniyetle kitapl\\u0131kta tutaca\\u011f\\u0131n\\u0131z epik bir eser.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013Litteratursiden <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u201cEskiden g\\u00f6rkemli g\\u00fcnler g\\u00f6rm\\u00fc\\u015f bir Oslo restoran\\u0131nda ge\\u00e7en, zekice, melankolik ve hicivli bir roman. Wes Anderson hayranlar\\u0131 buna bay\\u0131lacak.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013The Globe and Mail <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cTad\\u0131na doyulmaz zenginlikte bir hik\\u00e2ye.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013Mail on Sunday <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cMervyn Peake ve Wes Anderson\\u2019\\u0131 d\\u00fc\\u015f\\u00fcn\\u00fcn, \\u015fimdi bunu Nathanael West\\u2019in duygusuz tuhafl\\u0131\\u011f\\u0131yla bulu\\u015fturun: \\u015ea\\u015f\\u0131rt\\u0131c\\u0131, ilgin\\u00e7 ve e\\u011flenceli bir roman.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u00a0\\u2013Kirkus Reviews <\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cGarson, Oslo\\u2019daki Hills adl\\u0131 b\\u00fcy\\u00fck ve eski bir restoranda, \\u00e7ok \\u015fahane yemekler boyunca tecr\\u00fcbeli bir garson taraf\\u0131ndan anlat\\u0131lan, iddial\\u0131 bir hik\\u00e2ye\\u2026 Faldbakken\\u2019in hik\\u00e2yesi, restoran taraf\\u0131ndan temsil edilen \\u2018eski d\\u00fcnya\\u2019y\\u0131 iyisiyle k\\u00f6t\\u00fcs\\u00fcyle if\\u015fa ederken bu \\u00f6zneyi zekice ve \\u00e7arp\\u0131c\\u0131 bir romana d\\u00f6n\\u00fc\\u015f\\u00fcyor.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>\\u2013Publishers Weekly\\u00a0<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5412,\"user_id\":10,\"original_name\":\"Osmanl\\u0131 Devleti'nin K\\u0131sa Sosyal Tarihi\",\"printing_date\":\"2019-05-07 17:33:10\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/osmanli-devletinin-kisa-sosyal-tarihi-kapak-1557153190.png\",\"image_settings\":{\"id\":5412,\"path\":\"\\\/images\\\/books\\\/2019\\\/05\\\/06\\\/17\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":182055,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":28404,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":10452,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2464,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1421,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2726,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":28708,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":31290,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":10958,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2328,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1092,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2578,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-05-06 17:33:10\",\"updated_at\":\"2019-05-06 17:33:10\",\"name\":\"Osmanl\\u0131 Devleti'nin K\\u0131sa Sosyal Tarihi\",\"slug\":\"osmanli-devletinin-kisa-sosyal-tarihi\",\"sub_name\":\"\",\"description\":\"<p>Sosyal tarih denildi\\u011fi zaman akla gelen \\u00f6nemli tarih\\u00e7ilerden G. M. Trevelyan klasikle\\u015fmi\\u015f olan English Social History adl\\u0131 eserinde sosyal tarihi siyasi tarihin hari\\u00e7 b\\u0131rakt\\u0131\\u011f\\u0131 ya da unuttu\\u011fu insanlar\\u0131n tarihi olarak tan\\u0131mlar. Bunu yaparken, insanlar\\u0131 siyasetten ba\\u011f\\u0131ms\\u0131z d\\u00fc\\u015f\\u00fcnmenin zor oldu\\u011funu ve hele \\u0130ngiltere insan\\u0131 i\\u00e7in bunun daha zor oldu\\u011funu belirtir. Sosyal tarih olmaks\\u0131z\\u0131n iktisadi ve siyasi tarihin anla\\u015f\\u0131lamayaca\\u011f\\u0131n\\u0131 savunur. Bu s\\u00f6zleri Osmanl\\u0131 tarihi ve insan\\u0131na uyarlamam\\u0131z m\\u00fcmk\\u00fcnd\\u00fcr. Nitekim XX. y\\u00fczy\\u0131l\\u0131n ikinci yar\\u0131s\\u0131ndan itibaren Charles Issawi, Roger Owen, Halil \\u0130nalc\\u0131k, Donald Quataert, Nikolai Todorov gibi tarih\\u00e7i ve sosyal bilimciler \\u201cOsmanl\\u0131 sosyal ve ekonomik tarihinin\\u201d farkl\\u0131 d\\u00f6nemlerine ve b\\u00f6lgelerine \\u0131\\u015f\\u0131k tutmaya \\u00e7al\\u0131\\u015ft\\u0131lar. Bu \\u00e7al\\u0131\\u015fmalar\\u0131n hi\\u00e7birisi \\u201cdevlet\\u201di konu d\\u0131\\u015f\\u0131nda b\\u0131rakmam\\u0131\\u015ft\\u0131r. Bu \\u00e7al\\u0131\\u015fmalarda birinci ve ikinci elden nicel ve nitel veriler kullan\\u0131larak Osmanl\\u0131 toplumunun b\\u00fcrokrasiden ba\\u015fka di\\u011fer unsurlar\\u0131 da incelenmi\\u015ftir.<\\\/p>\\r\\n\\r\\n<p>Elinizdeki bu kitap, merhum Kemal Karpat\\u2019\\u0131n vefat\\u0131ndan k\\u0131sa bir s\\u00fcre \\u00f6nce ar\\u015fivini d\\u00fczenledi\\u011fi s\\u0131rada, ay\\u0131r\\u0131p yay\\u0131nevinin mutfa\\u011f\\u0131na g\\u00f6nderdi\\u011fi, bir y\\u00f6n\\u00fcyle yukar\\u0131da ismi verilen sosyal bilimcilerin takip etti\\u011fi metot ve verileri kullanmak suretiyle olu\\u015fturulmu\\u015f bir sosyal tarih \\u00e7al\\u0131\\u015fmas\\u0131d\\u0131r. Osmanl\\u0131 Devleti\\u2019nin devrald\\u0131\\u011f\\u0131 tarihsel miras ve co\\u011frafya \\u00fczerine kurdu\\u011fu \\u00f6zg\\u00fcn sosyo-politik, ekonomik, k\\u00fclt\\u00fcrel ve asker\\u00ee yap\\u0131lanmas\\u0131n\\u0131n bilhassa XVI. y\\u00fczy\\u0131l\\u0131n sonundan itibaren ya\\u015fad\\u0131\\u011f\\u0131 d\\u00f6n\\u00fc\\u015f\\u00fcm\\u00fcn sebepleri mukayeseli bir bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla tahlil edilmektedir. Karpat, kendisine has \\u00fcslubu ve metodolojisiyle Osmanl\\u0131 siyasas\\u0131 ve toplumsal yap\\u0131s\\u0131 \\u00fczerindeki temel dinamiklerin paradoksal de\\u011fi\\u015fimini genel y\\u00f6nleriyle tahlil ederken \\u00e7ok ilgin\\u00e7 ayr\\u0131nt\\u0131lara de\\u011finmek suretiyle hem bir b\\u00fct\\u00fcn halinde Osmanl\\u0131 tarihini incelemi\\u015f hem de birtak\\u0131m ayr\\u0131nt\\u0131lar\\u0131 da ihmal etmedi\\u011fini g\\u00f6stermi\\u015ftir. Merhum Kemal Karpat\\u2019\\u0131n 35 y\\u0131l \\u00f6nce haz\\u0131rlad\\u0131\\u011f\\u0131 bu kitab\\u0131 ne\\u015fretmekle h\\u00fcz\\u00fcnl\\u00fc bir sevin\\u00e7 ya\\u015famaktay\\u0131z.&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Sosyal tarih denildi\\u011fi zaman akla gelen \\u00f6nemli tarih\\u00e7ilerden G. M. Trevelyan klasikle\\u015fmi\\u015f olan English Social History adl\\u0131 eserinde sosyal tarihi siyasi tarihin hari\\u00e7 b\\u0131rakt\\u0131\\u011f\\u0131 ya da unuttu\\u011fu insanlar\\u0131n tarihi olarak tan\\u0131mlar. Bunu yaparken, insanlar\\u0131 siyasetten ba\\u011f\\u0131ms\\u0131z d\\u00fc\\u015f\\u00fcnmenin zor oldu\\u011funu ve hele \\u0130ngiltere insan\\u0131 i\\u00e7in bunun daha zor oldu\\u011funu belirtir. Sosyal tarih olmaks\\u0131z\\u0131n iktisadi ve siyasi tarihin anla\\u015f\\u0131lamayaca\\u011f\\u0131n\\u0131 savunur. Bu s\\u00f6zleri Osmanl\\u0131 tarihi ve insan\\u0131na uyarlamam\\u0131z m\\u00fcmk\\u00fcnd\\u00fcr. Nitekim XX. y\\u00fczy\\u0131l\\u0131n ikinci yar\\u0131s\\u0131ndan itibaren Charles Issawi, Roger Owen, Halil \\u0130nalc\\u0131k, Donald Quataert, Nikolai Todorov gibi tarih\\u00e7i ve sosyal bilimciler \\u201cOsmanl\\u0131 sosyal ve ekonomik tarihinin\\u201d farkl\\u0131 d\\u00f6nemlerine ve b\\u00f6lgelerine \\u0131\\u015f\\u0131k tutmaya \\u00e7al\\u0131\\u015ft\\u0131lar. Bu \\u00e7al\\u0131\\u015fmalar\\u0131n hi\\u00e7birisi \\u201cdevlet\\u201di konu d\\u0131\\u015f\\u0131nda b\\u0131rakmam\\u0131\\u015ft\\u0131r. Bu \\u00e7al\\u0131\\u015fmalarda birinci ve ikinci elden nicel ve nitel veriler kullan\\u0131larak Osmanl\\u0131 toplumunun b\\u00fcrokrasiden ba\\u015fka di\\u011fer unsurlar\\u0131 da incelenmi\\u015ftir.<\\\/p>\\r\\n\\r\\n<p>Elinizdeki bu kitap, merhum Kemal Karpat\\u2019\\u0131n vefat\\u0131ndan k\\u0131sa bir s\\u00fcre \\u00f6nce ar\\u015fivini d\\u00fczenledi\\u011fi s\\u0131rada, ay\\u0131r\\u0131p yay\\u0131nevinin mutfa\\u011f\\u0131na g\\u00f6nderdi\\u011fi, bir y\\u00f6n\\u00fcyle yukar\\u0131da ismi verilen sosyal bilimcilerin takip etti\\u011fi metot ve verileri kullanmak suretiyle olu\\u015fturulmu\\u015f bir sosyal tarih \\u00e7al\\u0131\\u015fmas\\u0131d\\u0131r. Osmanl\\u0131 Devleti\\u2019nin devrald\\u0131\\u011f\\u0131 tarihsel miras ve co\\u011frafya \\u00fczerine kurdu\\u011fu \\u00f6zg\\u00fcn sosyo-politik, ekonomik, k\\u00fclt\\u00fcrel ve asker\\u00ee yap\\u0131lanmas\\u0131n\\u0131n bilhassa XVI. y\\u00fczy\\u0131l\\u0131n sonundan itibaren ya\\u015fad\\u0131\\u011f\\u0131 d\\u00f6n\\u00fc\\u015f\\u00fcm\\u00fcn sebepleri mukayeseli bir bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla tahlil edilmektedir. Karpat, kendisine has \\u00fcslubu ve metodolojisiyle Osmanl\\u0131 siyasas\\u0131 ve toplumsal yap\\u0131s\\u0131 \\u00fczerindeki temel dinamiklerin paradoksal de\\u011fi\\u015fimini genel y\\u00f6nleriyle tahlil ederken \\u00e7ok ilgin\\u00e7 ayr\\u0131nt\\u0131lara de\\u011finmek suretiyle hem bir b\\u00fct\\u00fcn halinde Osmanl\\u0131 tarihini incelemi\\u015f hem de birtak\\u0131m ayr\\u0131nt\\u0131lar\\u0131 da ihmal etmedi\\u011fini g\\u00f6stermi\\u015ftir. Merhum Kemal Karpat\\u2019\\u0131n 35 y\\u0131l \\u00f6nce haz\\u0131rlad\\u0131\\u011f\\u0131 bu kitab\\u0131 ne\\u015fretmekle h\\u00fcz\\u00fcnl\\u00fc bir sevin\\u00e7 ya\\u015famaktay\\u0131z.\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":5412,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":7631,\"book_id\":5412,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":7630,\"book_id\":5412,\"locale\":\"tr\",\"name\":\"Osmanl\\u0131 Devleti'nin K\\u0131sa Sosyal Tarihi\",\"slug\":\"osmanli-devletinin-kisa-sosyal-tarihi\",\"sub_name\":\"\",\"description\":\"<p>Sosyal tarih denildi\\u011fi zaman akla gelen \\u00f6nemli tarih\\u00e7ilerden G. M. Trevelyan klasikle\\u015fmi\\u015f olan English Social History adl\\u0131 eserinde sosyal tarihi siyasi tarihin hari\\u00e7 b\\u0131rakt\\u0131\\u011f\\u0131 ya da unuttu\\u011fu insanlar\\u0131n tarihi olarak tan\\u0131mlar. Bunu yaparken, insanlar\\u0131 siyasetten ba\\u011f\\u0131ms\\u0131z d\\u00fc\\u015f\\u00fcnmenin zor oldu\\u011funu ve hele \\u0130ngiltere insan\\u0131 i\\u00e7in bunun daha zor oldu\\u011funu belirtir. Sosyal tarih olmaks\\u0131z\\u0131n iktisadi ve siyasi tarihin anla\\u015f\\u0131lamayaca\\u011f\\u0131n\\u0131 savunur. Bu s\\u00f6zleri Osmanl\\u0131 tarihi ve insan\\u0131na uyarlamam\\u0131z m\\u00fcmk\\u00fcnd\\u00fcr. Nitekim XX. y\\u00fczy\\u0131l\\u0131n ikinci yar\\u0131s\\u0131ndan itibaren Charles Issawi, Roger Owen, Halil \\u0130nalc\\u0131k, Donald Quataert, Nikolai Todorov gibi tarih\\u00e7i ve sosyal bilimciler \\u201cOsmanl\\u0131 sosyal ve ekonomik tarihinin\\u201d farkl\\u0131 d\\u00f6nemlerine ve b\\u00f6lgelerine \\u0131\\u015f\\u0131k tutmaya \\u00e7al\\u0131\\u015ft\\u0131lar. Bu \\u00e7al\\u0131\\u015fmalar\\u0131n hi\\u00e7birisi \\u201cdevlet\\u201di konu d\\u0131\\u015f\\u0131nda b\\u0131rakmam\\u0131\\u015ft\\u0131r. Bu \\u00e7al\\u0131\\u015fmalarda birinci ve ikinci elden nicel ve nitel veriler kullan\\u0131larak Osmanl\\u0131 toplumunun b\\u00fcrokrasiden ba\\u015fka di\\u011fer unsurlar\\u0131 da incelenmi\\u015ftir.<\\\/p>\\r\\n\\r\\n<p>Elinizdeki bu kitap, merhum Kemal Karpat\\u2019\\u0131n vefat\\u0131ndan k\\u0131sa bir s\\u00fcre \\u00f6nce ar\\u015fivini d\\u00fczenledi\\u011fi s\\u0131rada, ay\\u0131r\\u0131p yay\\u0131nevinin mutfa\\u011f\\u0131na g\\u00f6nderdi\\u011fi, bir y\\u00f6n\\u00fcyle yukar\\u0131da ismi verilen sosyal bilimcilerin takip etti\\u011fi metot ve verileri kullanmak suretiyle olu\\u015fturulmu\\u015f bir sosyal tarih \\u00e7al\\u0131\\u015fmas\\u0131d\\u0131r. Osmanl\\u0131 Devleti\\u2019nin devrald\\u0131\\u011f\\u0131 tarihsel miras ve co\\u011frafya \\u00fczerine kurdu\\u011fu \\u00f6zg\\u00fcn sosyo-politik, ekonomik, k\\u00fclt\\u00fcrel ve asker\\u00ee yap\\u0131lanmas\\u0131n\\u0131n bilhassa XVI. y\\u00fczy\\u0131l\\u0131n sonundan itibaren ya\\u015fad\\u0131\\u011f\\u0131 d\\u00f6n\\u00fc\\u015f\\u00fcm\\u00fcn sebepleri mukayeseli bir bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla tahlil edilmektedir. Karpat, kendisine has \\u00fcslubu ve metodolojisiyle Osmanl\\u0131 siyasas\\u0131 ve toplumsal yap\\u0131s\\u0131 \\u00fczerindeki temel dinamiklerin paradoksal de\\u011fi\\u015fimini genel y\\u00f6nleriyle tahlil ederken \\u00e7ok ilgin\\u00e7 ayr\\u0131nt\\u0131lara de\\u011finmek suretiyle hem bir b\\u00fct\\u00fcn halinde Osmanl\\u0131 tarihini incelemi\\u015f hem de birtak\\u0131m ayr\\u0131nt\\u0131lar\\u0131 da ihmal etmedi\\u011fini g\\u00f6stermi\\u015ftir. Merhum Kemal Karpat\\u2019\\u0131n 35 y\\u0131l \\u00f6nce haz\\u0131rlad\\u0131\\u011f\\u0131 bu kitab\\u0131 ne\\u015fretmekle h\\u00fcz\\u00fcnl\\u00fc bir sevin\\u00e7 ya\\u015famaktay\\u0131z.&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Sosyal tarih denildi\\u011fi zaman akla gelen \\u00f6nemli tarih\\u00e7ilerden G. M. Trevelyan klasikle\\u015fmi\\u015f olan English Social History adl\\u0131 eserinde sosyal tarihi siyasi tarihin hari\\u00e7 b\\u0131rakt\\u0131\\u011f\\u0131 ya da unuttu\\u011fu insanlar\\u0131n tarihi olarak tan\\u0131mlar. Bunu yaparken, insanlar\\u0131 siyasetten ba\\u011f\\u0131ms\\u0131z d\\u00fc\\u015f\\u00fcnmenin zor oldu\\u011funu ve hele \\u0130ngiltere insan\\u0131 i\\u00e7in bunun daha zor oldu\\u011funu belirtir. Sosyal tarih olmaks\\u0131z\\u0131n iktisadi ve siyasi tarihin anla\\u015f\\u0131lamayaca\\u011f\\u0131n\\u0131 savunur. Bu s\\u00f6zleri Osmanl\\u0131 tarihi ve insan\\u0131na uyarlamam\\u0131z m\\u00fcmk\\u00fcnd\\u00fcr. Nitekim XX. y\\u00fczy\\u0131l\\u0131n ikinci yar\\u0131s\\u0131ndan itibaren Charles Issawi, Roger Owen, Halil \\u0130nalc\\u0131k, Donald Quataert, Nikolai Todorov gibi tarih\\u00e7i ve sosyal bilimciler \\u201cOsmanl\\u0131 sosyal ve ekonomik tarihinin\\u201d farkl\\u0131 d\\u00f6nemlerine ve b\\u00f6lgelerine \\u0131\\u015f\\u0131k tutmaya \\u00e7al\\u0131\\u015ft\\u0131lar. Bu \\u00e7al\\u0131\\u015fmalar\\u0131n hi\\u00e7birisi \\u201cdevlet\\u201di konu d\\u0131\\u015f\\u0131nda b\\u0131rakmam\\u0131\\u015ft\\u0131r. Bu \\u00e7al\\u0131\\u015fmalarda birinci ve ikinci elden nicel ve nitel veriler kullan\\u0131larak Osmanl\\u0131 toplumunun b\\u00fcrokrasiden ba\\u015fka di\\u011fer unsurlar\\u0131 da incelenmi\\u015ftir.<\\\/p>\\r\\n\\r\\n<p>Elinizdeki bu kitap, merhum Kemal Karpat\\u2019\\u0131n vefat\\u0131ndan k\\u0131sa bir s\\u00fcre \\u00f6nce ar\\u015fivini d\\u00fczenledi\\u011fi s\\u0131rada, ay\\u0131r\\u0131p yay\\u0131nevinin mutfa\\u011f\\u0131na g\\u00f6nderdi\\u011fi, bir y\\u00f6n\\u00fcyle yukar\\u0131da ismi verilen sosyal bilimcilerin takip etti\\u011fi metot ve verileri kullanmak suretiyle olu\\u015fturulmu\\u015f bir sosyal tarih \\u00e7al\\u0131\\u015fmas\\u0131d\\u0131r. Osmanl\\u0131 Devleti\\u2019nin devrald\\u0131\\u011f\\u0131 tarihsel miras ve co\\u011frafya \\u00fczerine kurdu\\u011fu \\u00f6zg\\u00fcn sosyo-politik, ekonomik, k\\u00fclt\\u00fcrel ve asker\\u00ee yap\\u0131lanmas\\u0131n\\u0131n bilhassa XVI. y\\u00fczy\\u0131l\\u0131n sonundan itibaren ya\\u015fad\\u0131\\u011f\\u0131 d\\u00f6n\\u00fc\\u015f\\u00fcm\\u00fcn sebepleri mukayeseli bir bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla tahlil edilmektedir. Karpat, kendisine has \\u00fcslubu ve metodolojisiyle Osmanl\\u0131 siyasas\\u0131 ve toplumsal yap\\u0131s\\u0131 \\u00fczerindeki temel dinamiklerin paradoksal de\\u011fi\\u015fimini genel y\\u00f6nleriyle tahlil ederken \\u00e7ok ilgin\\u00e7 ayr\\u0131nt\\u0131lara de\\u011finmek suretiyle hem bir b\\u00fct\\u00fcn halinde Osmanl\\u0131 tarihini incelemi\\u015f hem de birtak\\u0131m ayr\\u0131nt\\u0131lar\\u0131 da ihmal etmedi\\u011fini g\\u00f6stermi\\u015ftir. Merhum Kemal Karpat\\u2019\\u0131n 35 y\\u0131l \\u00f6nce haz\\u0131rlad\\u0131\\u011f\\u0131 bu kitab\\u0131 ne\\u015fretmekle h\\u00fcz\\u00fcnl\\u00fc bir sevin\\u00e7 ya\\u015famaktay\\u0131z.\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5597,\"user_id\":10,\"original_name\":\"Dijital D\\u00fcnyada E-Beveyn Olmak\",\"printing_date\":\"2019-07-08 10:44:02\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/dijital-dunyada-e-beveyn-olmak-kapak-1561967042.png\",\"image_settings\":{\"id\":5597,\"path\":\"\\\/images\\\/books\\\/2019\\\/07\\\/01\\\/10\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":161266,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":36674,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":15819,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":4164,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2345,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":5155,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":21328,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":21328,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":10158,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2718,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1304,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3424,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-07-01 10:44:02\",\"updated_at\":\"2019-07-01 10:44:02\",\"name\":\"Dijital D\\u00fcnyada E-Beveyn Olmak\",\"slug\":\"dijital-dunyada-e-beveyn-olmak\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":5597,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8002,\"book_id\":5597,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8001,\"book_id\":5597,\"locale\":\"tr\",\"name\":\"Dijital D\\u00fcnyada E-Beveyn Olmak\",\"slug\":\"dijital-dunyada-e-beveyn-olmak\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5635,\"user_id\":10,\"original_name\":\"Is-slottet\",\"printing_date\":\"2019-07-05 12:44:52\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/is-slottet-kapak-1562751892.png\",\"image_settings\":{\"id\":5635,\"path\":\"\\\/images\\\/books\\\/2019\\\/07\\\/10\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":183334,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":37155,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":15419,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3810,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2197,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4441,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":23308,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":23308,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":10050,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2564,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1242,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2886,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-07-10 12:44:52\",\"updated_at\":\"2019-07-10 12:44:53\",\"name\":\"Buz Saray\\u0131\",\"slug\":\"buz-sarayi\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":5635,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8078,\"book_id\":5635,\"locale\":\"en\",\"name\":\"The Ice Palace\",\"slug\":\"the-ice-palace\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8077,\"book_id\":5635,\"locale\":\"tr\",\"name\":\"Buz Saray\\u0131\",\"slug\":\"buz-sarayi\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5659,\"user_id\":10,\"original_name\":\"The Leavers\",\"printing_date\":\"2019-01-01 14:55:12\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/the-leavers-kapak-1562759712.png\",\"image_settings\":{\"id\":5659,\"path\":\"\\\/images\\\/books\\\/2019\\\/07\\\/10\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":173490,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":41262,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17274,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3975,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2204,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4895,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":25692,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":25692,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":11552,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2712,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1360,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3368,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-07-10 14:55:12\",\"updated_at\":\"2019-07-10 14:55:12\",\"name\":\"Terk Edenler\",\"slug\":\"terk-edenler\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":5659,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8126,\"book_id\":5659,\"locale\":\"en\",\"name\":\"The Leavers\",\"slug\":\"the-leavers\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8125,\"book_id\":5659,\"locale\":\"tr\",\"name\":\"Terk Edenler\",\"slug\":\"terk-edenler\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5730,\"user_id\":10,\"original_name\":\"S\\u00f6zden Kalanlar\",\"printing_date\":\"2019-08-01 11:12:12\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/sozden-kalanlar-kapak-1564042332.png\",\"image_settings\":{\"id\":5730,\"path\":\"\\\/images\\\/books\\\/2019\\\/07\\\/25\\\/11\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":223406,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":52743,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":21410,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":4844,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2677,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":5534,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":36386,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":36386,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":14868,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":3170,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1502,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3748,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-07-25 11:12:12\",\"updated_at\":\"2019-07-25 11:12:12\",\"name\":\"S\\u00f6zden Kalanlar\",\"slug\":\"sozden-kalanlar\",\"sub_name\":\"\",\"description\":\"<p>\\u201cTarih\\u00e7i ses sanat\\u00e7\\u0131s\\u0131 gibi sa\\u011fda solda dola\\u015f\\u0131p konser tad\\u0131nda konu\\u015fmaz, belgeyle, vesikayla konu\\u015fur.\\u201d<\\\/p>\\r\\n\\r\\n<p>Y. Hakan Erdem<\\\/p>\\r\\n\\r\\n<p>Tarih, son d\\u00f6nemlerde geni\\u015f kitlelerin ilgisini \\u00e7ekmeye ba\\u015flad\\u0131. B\\u00f6ylece tarih yaz\\u0131m\\u0131n\\u0131n ba\\u015fl\\u0131ca sorular\\u0131 olan \\u201cTarih nedir?\\u201d, \\u201cTarih\\u00e7i kimdir?\\u201d, \\u201cTarihi do\\u011fru anlaman\\u0131n yollar\\u0131 nelerdir?\\u201d gibi temel sorular\\u0131n cevaplar\\u0131na daha fazla odaklan\\u0131r olduk.<\\\/p>\\r\\n\\r\\n<p>Y. Hakan Erdem, tarih ve tarih yaz\\u0131c\\u0131l\\u0131\\u011f\\u0131 alan\\u0131nda \\u00f6nemli \\u00e7al\\u0131\\u015fmalar ortaya koymu\\u015f bir isim. Sanki gizli bir elin m\\u00fcdahalesiyle toplumun tarih alg\\u0131s\\u0131n\\u0131n bozulup darmada\\u011f\\u0131n edildi\\u011fini ileri s\\u00fcren Erdem, kitaplar\\u0131nda, tatl\\u0131 tatl\\u0131 anlatan masalc\\u0131 tarih\\u00e7ileri, tarihi kutsalla\\u015ft\\u0131r\\u0131rken kendileri de kutsalla\\u015fan \\u201c\\u00fcstadlar\\u201d\\u0131 anlat\\u0131yor. Elinizdeki bu eserde, bir araya getirilen r\\u00f6portajlar\\u0131nda tarihsel metinlere ele\\u015ftirel a\\u00e7\\u0131dan bakarak onlardan ne gibi sorular \\u00fcretilebilece\\u011fini sorguluyor. Araban\\u0131n, cep telefonunun, ayakkab\\u0131n\\u0131n iyisini, iyi tatilin nerede yap\\u0131laca\\u011f\\u0131n\\u0131 \\u00f6\\u011frenen bir toplumun iyi tarihi ucuz ve k\\u00f6t\\u00fc tarihten ay\\u0131rmay\\u0131 da ba\\u015farabilece\\u011fini iddia ediyor.<\\\/p>\\r\\n\\r\\n<p>S\\u00f6zden Kalanlar&nbsp;isimli bu eser; Y. Hakan Erdem\\u2019in tarihe, tarih\\u00e7ilik mesle\\u011fine, tarih yaz\\u0131m\\u0131na, kurgu eserlerine ve \\u00e7e\\u015fitli konulara dair g\\u00f6r\\u00fc\\u015flerini i\\u00e7eren r\\u00f6portajlar\\u0131n\\u0131 bir araya getirerek tarihe merakl\\u0131 kitlelerin ve tarih \\u00f6\\u011frencilerinin ba\\u015fucu kitab\\u0131 olacak m\\u00fckemmel bir \\u00e7al\\u0131\\u015fma sunuyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cTarih\\u00e7i ses sanat\\u00e7\\u0131s\\u0131 gibi sa\\u011fda solda dola\\u015f\\u0131p konser tad\\u0131nda konu\\u015fmaz, belgeyle, vesikayla konu\\u015fur.\\u201d<\\\/p>\\r\\n\\r\\n<p>Y. Hakan Erdem<\\\/p>\\r\\n\\r\\n<p>Tarih, son d\\u00f6nemlerde geni\\u015f kitlelerin ilgisini \\u00e7ekmeye ba\\u015flad\\u0131. B\\u00f6ylece tarih yaz\\u0131m\\u0131n\\u0131n ba\\u015fl\\u0131ca sorular\\u0131 olan \\u201cTarih nedir?\\u201d, \\u201cTarih\\u00e7i kimdir?\\u201d, \\u201cTarihi do\\u011fru anlaman\\u0131n yollar\\u0131 nelerdir?\\u201d gibi temel sorular\\u0131n cevaplar\\u0131na daha fazla odaklan\\u0131r olduk.<\\\/p>\\r\\n\\r\\n<p>Y. Hakan Erdem, tarih ve tarih yaz\\u0131c\\u0131l\\u0131\\u011f\\u0131 alan\\u0131nda \\u00f6nemli \\u00e7al\\u0131\\u015fmalar ortaya koymu\\u015f bir isim. Sanki gizli bir elin m\\u00fcdahalesiyle toplumun tarih alg\\u0131s\\u0131n\\u0131n bozulup darmada\\u011f\\u0131n edildi\\u011fini ileri s\\u00fcren Erdem, kitaplar\\u0131nda, tatl\\u0131 tatl\\u0131 anlatan masalc\\u0131 tarih\\u00e7ileri, tarihi kutsalla\\u015ft\\u0131r\\u0131rken kendileri de kutsalla\\u015fan \\u201c\\u00fcstadlar\\u201d\\u0131 anlat\\u0131yor. Elinizdeki bu eserde, bir araya getirilen r\\u00f6portajlar\\u0131nda tarihsel metinlere ele\\u015ftirel a\\u00e7\\u0131dan bakarak onlardan ne gibi sorular \\u00fcretilebilece\\u011fini sorguluyor. Araban\\u0131n, cep telefonunun, ayakkab\\u0131n\\u0131n iyisini, iyi tatilin nerede yap\\u0131laca\\u011f\\u0131n\\u0131 \\u00f6\\u011frenen bir toplumun iyi tarihi ucuz ve k\\u00f6t\\u00fc tarihten ay\\u0131rmay\\u0131 da ba\\u015farabilece\\u011fini iddia ediyor.<\\\/p>\\r\\n\\r\\n<p>S\\u00f6zden Kalanlar\\u00a0isimli bu eser; Y. Hakan Erdem\\u2019in tarihe, tarih\\u00e7ilik mesle\\u011fine, tarih yaz\\u0131m\\u0131na, kurgu eserlerine ve \\u00e7e\\u015fitli konulara dair g\\u00f6r\\u00fc\\u015flerini i\\u00e7eren r\\u00f6portajlar\\u0131n\\u0131 bir araya getirerek tarihe merakl\\u0131 kitlelerin ve tarih \\u00f6\\u011frencilerinin ba\\u015fucu kitab\\u0131 olacak m\\u00fckemmel bir \\u00e7al\\u0131\\u015fma sunuyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":5730,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8268,\"book_id\":5730,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8267,\"book_id\":5730,\"locale\":\"tr\",\"name\":\"S\\u00f6zden Kalanlar\",\"slug\":\"sozden-kalanlar\",\"sub_name\":\"\",\"description\":\"<p>\\u201cTarih\\u00e7i ses sanat\\u00e7\\u0131s\\u0131 gibi sa\\u011fda solda dola\\u015f\\u0131p konser tad\\u0131nda konu\\u015fmaz, belgeyle, vesikayla konu\\u015fur.\\u201d<\\\/p>\\r\\n\\r\\n<p>Y. Hakan Erdem<\\\/p>\\r\\n\\r\\n<p>Tarih, son d\\u00f6nemlerde geni\\u015f kitlelerin ilgisini \\u00e7ekmeye ba\\u015flad\\u0131. B\\u00f6ylece tarih yaz\\u0131m\\u0131n\\u0131n ba\\u015fl\\u0131ca sorular\\u0131 olan \\u201cTarih nedir?\\u201d, \\u201cTarih\\u00e7i kimdir?\\u201d, \\u201cTarihi do\\u011fru anlaman\\u0131n yollar\\u0131 nelerdir?\\u201d gibi temel sorular\\u0131n cevaplar\\u0131na daha fazla odaklan\\u0131r olduk.<\\\/p>\\r\\n\\r\\n<p>Y. Hakan Erdem, tarih ve tarih yaz\\u0131c\\u0131l\\u0131\\u011f\\u0131 alan\\u0131nda \\u00f6nemli \\u00e7al\\u0131\\u015fmalar ortaya koymu\\u015f bir isim. Sanki gizli bir elin m\\u00fcdahalesiyle toplumun tarih alg\\u0131s\\u0131n\\u0131n bozulup darmada\\u011f\\u0131n edildi\\u011fini ileri s\\u00fcren Erdem, kitaplar\\u0131nda, tatl\\u0131 tatl\\u0131 anlatan masalc\\u0131 tarih\\u00e7ileri, tarihi kutsalla\\u015ft\\u0131r\\u0131rken kendileri de kutsalla\\u015fan \\u201c\\u00fcstadlar\\u201d\\u0131 anlat\\u0131yor. Elinizdeki bu eserde, bir araya getirilen r\\u00f6portajlar\\u0131nda tarihsel metinlere ele\\u015ftirel a\\u00e7\\u0131dan bakarak onlardan ne gibi sorular \\u00fcretilebilece\\u011fini sorguluyor. Araban\\u0131n, cep telefonunun, ayakkab\\u0131n\\u0131n iyisini, iyi tatilin nerede yap\\u0131laca\\u011f\\u0131n\\u0131 \\u00f6\\u011frenen bir toplumun iyi tarihi ucuz ve k\\u00f6t\\u00fc tarihten ay\\u0131rmay\\u0131 da ba\\u015farabilece\\u011fini iddia ediyor.<\\\/p>\\r\\n\\r\\n<p>S\\u00f6zden Kalanlar&nbsp;isimli bu eser; Y. Hakan Erdem\\u2019in tarihe, tarih\\u00e7ilik mesle\\u011fine, tarih yaz\\u0131m\\u0131na, kurgu eserlerine ve \\u00e7e\\u015fitli konulara dair g\\u00f6r\\u00fc\\u015flerini i\\u00e7eren r\\u00f6portajlar\\u0131n\\u0131 bir araya getirerek tarihe merakl\\u0131 kitlelerin ve tarih \\u00f6\\u011frencilerinin ba\\u015fucu kitab\\u0131 olacak m\\u00fckemmel bir \\u00e7al\\u0131\\u015fma sunuyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cTarih\\u00e7i ses sanat\\u00e7\\u0131s\\u0131 gibi sa\\u011fda solda dola\\u015f\\u0131p konser tad\\u0131nda konu\\u015fmaz, belgeyle, vesikayla konu\\u015fur.\\u201d<\\\/p>\\r\\n\\r\\n<p>Y. Hakan Erdem<\\\/p>\\r\\n\\r\\n<p>Tarih, son d\\u00f6nemlerde geni\\u015f kitlelerin ilgisini \\u00e7ekmeye ba\\u015flad\\u0131. B\\u00f6ylece tarih yaz\\u0131m\\u0131n\\u0131n ba\\u015fl\\u0131ca sorular\\u0131 olan \\u201cTarih nedir?\\u201d, \\u201cTarih\\u00e7i kimdir?\\u201d, \\u201cTarihi do\\u011fru anlaman\\u0131n yollar\\u0131 nelerdir?\\u201d gibi temel sorular\\u0131n cevaplar\\u0131na daha fazla odaklan\\u0131r olduk.<\\\/p>\\r\\n\\r\\n<p>Y. Hakan Erdem, tarih ve tarih yaz\\u0131c\\u0131l\\u0131\\u011f\\u0131 alan\\u0131nda \\u00f6nemli \\u00e7al\\u0131\\u015fmalar ortaya koymu\\u015f bir isim. Sanki gizli bir elin m\\u00fcdahalesiyle toplumun tarih alg\\u0131s\\u0131n\\u0131n bozulup darmada\\u011f\\u0131n edildi\\u011fini ileri s\\u00fcren Erdem, kitaplar\\u0131nda, tatl\\u0131 tatl\\u0131 anlatan masalc\\u0131 tarih\\u00e7ileri, tarihi kutsalla\\u015ft\\u0131r\\u0131rken kendileri de kutsalla\\u015fan \\u201c\\u00fcstadlar\\u201d\\u0131 anlat\\u0131yor. Elinizdeki bu eserde, bir araya getirilen r\\u00f6portajlar\\u0131nda tarihsel metinlere ele\\u015ftirel a\\u00e7\\u0131dan bakarak onlardan ne gibi sorular \\u00fcretilebilece\\u011fini sorguluyor. Araban\\u0131n, cep telefonunun, ayakkab\\u0131n\\u0131n iyisini, iyi tatilin nerede yap\\u0131laca\\u011f\\u0131n\\u0131 \\u00f6\\u011frenen bir toplumun iyi tarihi ucuz ve k\\u00f6t\\u00fc tarihten ay\\u0131rmay\\u0131 da ba\\u015farabilece\\u011fini iddia ediyor.<\\\/p>\\r\\n\\r\\n<p>S\\u00f6zden Kalanlar\\u00a0isimli bu eser; Y. Hakan Erdem\\u2019in tarihe, tarih\\u00e7ilik mesle\\u011fine, tarih yaz\\u0131m\\u0131na, kurgu eserlerine ve \\u00e7e\\u015fitli konulara dair g\\u00f6r\\u00fc\\u015flerini i\\u00e7eren r\\u00f6portajlar\\u0131n\\u0131 bir araya getirerek tarihe merakl\\u0131 kitlelerin ve tarih \\u00f6\\u011frencilerinin ba\\u015fucu kitab\\u0131 olacak m\\u00fckemmel bir \\u00e7al\\u0131\\u015fma sunuyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5753,\"user_id\":10,\"original_name\":\"Benoni\",\"printing_date\":\"2019-08-01 13:29:53\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/benoni-kapak-1564655393.png\",\"image_settings\":{\"id\":5753,\"path\":\"\\\/images\\\/books\\\/2019\\\/08\\\/01\\\/13\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":166396,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":49110,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":19024,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3930,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2225,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":5447,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":29738,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":29738,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":11932,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2456,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1244,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3394,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-08-01 13:29:53\",\"updated_at\":\"2019-08-01 13:29:53\",\"name\":\"Benoni\",\"slug\":\"benoni\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":5753,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8314,\"book_id\":5753,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8313,\"book_id\":5753,\"locale\":\"tr\",\"name\":\"Benoni\",\"slug\":\"benoni\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5823,\"user_id\":10,\"original_name\":\"B\\u0131rak ve Rahatla\",\"printing_date\":\"2019-09-05 16:01:28\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/birak-ve-rahatla-kapak-1566478888.png\",\"image_settings\":{\"id\":5823,\"path\":\"\\\/images\\\/books\\\/2019\\\/08\\\/22\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":155229,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":36493,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":15423,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":4516,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2482,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4723,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":19984,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":19984,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":8900,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2506,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1212,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2708,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-08-22 16:01:28\",\"updated_at\":\"2019-08-22 16:01:28\",\"name\":\"B\\u0131rak ve Rahatla\",\"slug\":\"birak-ve-rahatla\",\"sub_name\":\"Kendi Kendine Terapi\",\"description\":\"<p><strong>B\\u0131rak ve Rahatla<\\\/strong>&nbsp;Bazen \\u00f6yle anlar olur ki duygular\\u0131m\\u0131z\\u0131&nbsp;y\\u00f6netemeyiz...<br \\\/>\\r\\nDuygular\\u0131m\\u0131z bizi y\\u00f6netir\\u2026<br \\\/>\\r\\n\\u00d6fkemizle ba\\u015f etmekte zorluk \\u00e7eker; sevdiklerimizi k\\u0131rar, incitir, sonra pi\\u015fman oluruz\\u2026<br \\\/>\\r\\nKayg\\u0131lar\\u0131m\\u0131z ya\\u015fam\\u0131m\\u0131z\\u0131 esir al\\u0131r; ad\\u0131m atmakta zorluk \\u00e7eker, karars\\u0131zl\\u0131klar ya\\u015far\\u0131z\\u2026<br \\\/>\\r\\nSabah uyand\\u0131\\u011f\\u0131m\\u0131zda \\u2018iyi bir g\\u00fcn ge\\u00e7irmeye\\u2019 niyet eder; g\\u00fcn\\u00fc i\\u00e7 daralmalar\\u0131 ile kapat\\u0131r\\u0131z\\u2026<br \\\/>\\r\\n\\u0130yi d\\u00fc\\u015f\\u00fcnmek yetmez; iyi hissetmekte zorluk \\u00e7ekeriz...<br \\\/>\\r\\n\\u0130\\u00e7 seslerimiz bir t\\u00fcrl\\u00fc susmaz; hayata tebess\\u00fcm edemeyiz\\u2026<br \\\/>\\r\\nBir tela\\u015f, bir acelecilik i\\u00e7inde ya\\u015far; yery\\u00fcz\\u00fcn\\u00fc kendi g\\u00f6zlerimizle seyredemeyiz\\u2026<br \\\/>\\r\\nVe t\\u00fcm bunlar\\u0131n de\\u011fi\\u015fmeyece\\u011fine inan\\u0131r, kalitesiz bir ya\\u015fama kendimizi mahk\\u00fbm ederiz...<br \\\/>\\r\\nHalbuki, duygular\\u0131n zarara u\\u011fram\\u0131\\u015f yanlar\\u0131n\\u0131&nbsp;onarmak, onar\\u0131lm\\u0131\\u015f duygularla bir i\\u00e7 geni\\u015fli\\u011fi i\\u00e7inde ya\\u015famak m\\u00fcmk\\u00fcnd\\u00fcr\\u2026<br \\\/>\\r\\nDe\\u011fersizlik hislerimizden, yetersizliklerimizden, g\\u00fcvensizliklerimizden ve i\\u00e7imizde y\\u0131llar boyunca birikmi\\u015f t\\u00fcm ho\\u015fnutsuzluk duygular\\u0131ndan ar\\u0131nabilir,&nbsp;ruhsal \\u00f6zg\\u00fcrl\\u00fc\\u011f\\u00fcm\\u00fcze&nbsp;yeniden kavu\\u015fabiliriz\\u2026<br \\\/>\\r\\nAdem G\\u00fcne\\u015f,&nbsp;B\\u0131rak ve Rahatla\\u2019da kendimizi nas\\u0131l onarabilece\\u011fimizi anlat\\u0131yor\\u2026 Alt\\u0131 haftal\\u0131k bir program i\\u00e7erisinde \\u2018Duygusal Fark\\u0131ndal\\u0131k E\\u011fitimi\\u2019 sunuyor\\u2026<br \\\/>\\r\\nPeki ama nas\\u0131l?<br \\\/>\\r\\nTela\\u015fl\\u0131&nbsp;ya\\u015fam\\u0131&nbsp;b\\u0131rak\\u0131p&nbsp;biyolojik ritmi d\\u00fczenleyerek&nbsp;\\u2018sakinli\\u011fe\\u2019&nbsp;eri\\u015fmek\\u2026&nbsp;<br \\\/>\\r\\nBast\\u0131r\\u0131lm\\u0131\\u015f&nbsp;duygular\\u0131&nbsp;b\\u0131rak\\u0131p&nbsp;\\u2018ruhsal \\u00f6zg\\u00fcrl\\u00fc\\u011f\\u00fc\\u2019 hissetmek\\u2026<br \\\/>\\r\\nKayg\\u0131l\\u0131&nbsp;bedeni&nbsp;b\\u0131rak\\u0131p&nbsp;\\u2018i\\u00e7 geni\\u015fli\\u011fi\\u2019 elde etmek\\u2026<br \\\/>\\r\\nB\\u0131rak ve Rahatla,&nbsp;ge\\u00e7mi\\u015fini onarmak ve&nbsp;ger\\u00e7ek kendili\\u011fini&nbsp;bulmak isteyen herkes i\\u00e7in...<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p><strong>B\\u0131rak ve Rahatla<\\\/strong>\\u00a0Bazen \\u00f6yle anlar olur ki duygular\\u0131m\\u0131z\\u0131\\u00a0y\\u00f6netemeyiz...<br \\\/>\\r\\nDuygular\\u0131m\\u0131z bizi y\\u00f6netir\\u2026<br \\\/>\\r\\n\\u00d6fkemizle ba\\u015f etmekte zorluk \\u00e7eker; sevdiklerimizi k\\u0131rar, incitir, sonra pi\\u015fman oluruz\\u2026<br \\\/>\\r\\nKayg\\u0131lar\\u0131m\\u0131z ya\\u015fam\\u0131m\\u0131z\\u0131 esir al\\u0131r; ad\\u0131m atmakta zorluk \\u00e7eker, karars\\u0131zl\\u0131klar ya\\u015far\\u0131z\\u2026<br \\\/>\\r\\nSabah uyand\\u0131\\u011f\\u0131m\\u0131zda \\u2018iyi bir g\\u00fcn ge\\u00e7irmeye\\u2019 niyet eder; g\\u00fcn\\u00fc i\\u00e7 daralmalar\\u0131 ile kapat\\u0131r\\u0131z\\u2026<br \\\/>\\r\\n\\u0130yi d\\u00fc\\u015f\\u00fcnmek yetmez; iyi hissetmekte zorluk \\u00e7ekeriz...<br \\\/>\\r\\n\\u0130\\u00e7 seslerimiz bir t\\u00fcrl\\u00fc susmaz; hayata tebess\\u00fcm edemeyiz\\u2026<br \\\/>\\r\\nBir tela\\u015f, bir acelecilik i\\u00e7inde ya\\u015far; yery\\u00fcz\\u00fcn\\u00fc kendi g\\u00f6zlerimizle seyredemeyiz\\u2026<br \\\/>\\r\\nVe t\\u00fcm bunlar\\u0131n de\\u011fi\\u015fmeyece\\u011fine inan\\u0131r, kalitesiz bir ya\\u015fama kendimizi mahk\\u00fbm ederiz...<br \\\/>\\r\\nHalbuki, duygular\\u0131n zarara u\\u011fram\\u0131\\u015f yanlar\\u0131n\\u0131\\u00a0onarmak, onar\\u0131lm\\u0131\\u015f duygularla bir i\\u00e7 geni\\u015fli\\u011fi i\\u00e7inde ya\\u015famak m\\u00fcmk\\u00fcnd\\u00fcr\\u2026<br \\\/>\\r\\nDe\\u011fersizlik hislerimizden, yetersizliklerimizden, g\\u00fcvensizliklerimizden ve i\\u00e7imizde y\\u0131llar boyunca birikmi\\u015f t\\u00fcm ho\\u015fnutsuzluk duygular\\u0131ndan ar\\u0131nabilir,\\u00a0ruhsal \\u00f6zg\\u00fcrl\\u00fc\\u011f\\u00fcm\\u00fcze\\u00a0yeniden kavu\\u015fabiliriz\\u2026<br \\\/>\\r\\nAdem G\\u00fcne\\u015f,\\u00a0B\\u0131rak ve Rahatla\\u2019da kendimizi nas\\u0131l onarabilece\\u011fimizi anlat\\u0131yor\\u2026 Alt\\u0131 haftal\\u0131k bir program i\\u00e7erisinde \\u2018Duygusal Fark\\u0131ndal\\u0131k E\\u011fitimi\\u2019 sunuyor\\u2026<br \\\/>\\r\\nPeki ama nas\\u0131l?<br \\\/>\\r\\nTela\\u015fl\\u0131\\u00a0ya\\u015fam\\u0131\\u00a0b\\u0131rak\\u0131p\\u00a0biyolojik ritmi d\\u00fczenleyerek\\u00a0\\u2018sakinli\\u011fe\\u2019\\u00a0eri\\u015fmek\\u2026\\u00a0<br \\\/>\\r\\nBast\\u0131r\\u0131lm\\u0131\\u015f\\u00a0duygular\\u0131\\u00a0b\\u0131rak\\u0131p\\u00a0\\u2018ruhsal \\u00f6zg\\u00fcrl\\u00fc\\u011f\\u00fc\\u2019 hissetmek\\u2026<br \\\/>\\r\\nKayg\\u0131l\\u0131\\u00a0bedeni\\u00a0b\\u0131rak\\u0131p\\u00a0\\u2018i\\u00e7 geni\\u015fli\\u011fi\\u2019 elde etmek\\u2026<br \\\/>\\r\\nB\\u0131rak ve Rahatla,\\u00a0ge\\u00e7mi\\u015fini onarmak ve\\u00a0ger\\u00e7ek kendili\\u011fini\\u00a0bulmak isteyen herkes 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oluruz\\u2026<br \\\/>\\r\\nKayg\\u0131lar\\u0131m\\u0131z ya\\u015fam\\u0131m\\u0131z\\u0131 esir al\\u0131r; ad\\u0131m atmakta zorluk \\u00e7eker, karars\\u0131zl\\u0131klar ya\\u015far\\u0131z\\u2026<br \\\/>\\r\\nSabah uyand\\u0131\\u011f\\u0131m\\u0131zda \\u2018iyi bir g\\u00fcn ge\\u00e7irmeye\\u2019 niyet eder; g\\u00fcn\\u00fc i\\u00e7 daralmalar\\u0131 ile kapat\\u0131r\\u0131z\\u2026<br \\\/>\\r\\n\\u0130yi d\\u00fc\\u015f\\u00fcnmek yetmez; iyi hissetmekte zorluk \\u00e7ekeriz...<br \\\/>\\r\\n\\u0130\\u00e7 seslerimiz bir t\\u00fcrl\\u00fc susmaz; hayata tebess\\u00fcm edemeyiz\\u2026<br \\\/>\\r\\nBir tela\\u015f, bir acelecilik i\\u00e7inde ya\\u015far; yery\\u00fcz\\u00fcn\\u00fc kendi g\\u00f6zlerimizle seyredemeyiz\\u2026<br \\\/>\\r\\nVe t\\u00fcm bunlar\\u0131n de\\u011fi\\u015fmeyece\\u011fine inan\\u0131r, kalitesiz bir ya\\u015fama kendimizi mahk\\u00fbm ederiz...<br \\\/>\\r\\nHalbuki, duygular\\u0131n zarara u\\u011fram\\u0131\\u015f yanlar\\u0131n\\u0131&nbsp;onarmak, onar\\u0131lm\\u0131\\u015f duygularla bir i\\u00e7 geni\\u015fli\\u011fi i\\u00e7inde ya\\u015famak m\\u00fcmk\\u00fcnd\\u00fcr\\u2026<br \\\/>\\r\\nDe\\u011fersizlik hislerimizden, yetersizliklerimizden, g\\u00fcvensizliklerimizden ve i\\u00e7imizde y\\u0131llar boyunca birikmi\\u015f t\\u00fcm ho\\u015fnutsuzluk duygular\\u0131ndan ar\\u0131nabilir,&nbsp;ruhsal \\u00f6zg\\u00fcrl\\u00fc\\u011f\\u00fcm\\u00fcze&nbsp;yeniden kavu\\u015fabiliriz\\u2026<br \\\/>\\r\\nAdem G\\u00fcne\\u015f,&nbsp;B\\u0131rak ve Rahatla\\u2019da kendimizi nas\\u0131l onarabilece\\u011fimizi anlat\\u0131yor\\u2026 Alt\\u0131 haftal\\u0131k bir program i\\u00e7erisinde \\u2018Duygusal Fark\\u0131ndal\\u0131k E\\u011fitimi\\u2019 sunuyor\\u2026<br \\\/>\\r\\nPeki ama nas\\u0131l?<br \\\/>\\r\\nTela\\u015fl\\u0131&nbsp;ya\\u015fam\\u0131&nbsp;b\\u0131rak\\u0131p&nbsp;biyolojik ritmi d\\u00fczenleyerek&nbsp;\\u2018sakinli\\u011fe\\u2019&nbsp;eri\\u015fmek\\u2026&nbsp;<br \\\/>\\r\\nBast\\u0131r\\u0131lm\\u0131\\u015f&nbsp;duygular\\u0131&nbsp;b\\u0131rak\\u0131p&nbsp;\\u2018ruhsal \\u00f6zg\\u00fcrl\\u00fc\\u011f\\u00fc\\u2019 hissetmek\\u2026<br \\\/>\\r\\nKayg\\u0131l\\u0131&nbsp;bedeni&nbsp;b\\u0131rak\\u0131p&nbsp;\\u2018i\\u00e7 geni\\u015fli\\u011fi\\u2019 elde etmek\\u2026<br \\\/>\\r\\nB\\u0131rak ve Rahatla,&nbsp;ge\\u00e7mi\\u015fini onarmak ve&nbsp;ger\\u00e7ek kendili\\u011fini&nbsp;bulmak isteyen herkes i\\u00e7in...<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p><strong>B\\u0131rak ve Rahatla<\\\/strong>\\u00a0Bazen \\u00f6yle anlar olur ki duygular\\u0131m\\u0131z\\u0131\\u00a0y\\u00f6netemeyiz...<br \\\/>\\r\\nDuygular\\u0131m\\u0131z bizi y\\u00f6netir\\u2026<br \\\/>\\r\\n\\u00d6fkemizle ba\\u015f etmekte zorluk \\u00e7eker; sevdiklerimizi k\\u0131rar, incitir, sonra pi\\u015fman oluruz\\u2026<br \\\/>\\r\\nKayg\\u0131lar\\u0131m\\u0131z ya\\u015fam\\u0131m\\u0131z\\u0131 esir al\\u0131r; ad\\u0131m atmakta zorluk \\u00e7eker, karars\\u0131zl\\u0131klar ya\\u015far\\u0131z\\u2026<br \\\/>\\r\\nSabah uyand\\u0131\\u011f\\u0131m\\u0131zda \\u2018iyi bir g\\u00fcn ge\\u00e7irmeye\\u2019 niyet eder; g\\u00fcn\\u00fc i\\u00e7 daralmalar\\u0131 ile kapat\\u0131r\\u0131z\\u2026<br \\\/>\\r\\n\\u0130yi d\\u00fc\\u015f\\u00fcnmek yetmez; iyi hissetmekte zorluk \\u00e7ekeriz...<br \\\/>\\r\\n\\u0130\\u00e7 seslerimiz bir t\\u00fcrl\\u00fc susmaz; hayata tebess\\u00fcm edemeyiz\\u2026<br \\\/>\\r\\nBir tela\\u015f, bir acelecilik i\\u00e7inde ya\\u015far; yery\\u00fcz\\u00fcn\\u00fc kendi g\\u00f6zlerimizle seyredemeyiz\\u2026<br \\\/>\\r\\nVe t\\u00fcm bunlar\\u0131n de\\u011fi\\u015fmeyece\\u011fine inan\\u0131r, kalitesiz bir ya\\u015fama kendimizi mahk\\u00fbm ederiz...<br \\\/>\\r\\nHalbuki, duygular\\u0131n zarara u\\u011fram\\u0131\\u015f yanlar\\u0131n\\u0131\\u00a0onarmak, 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\\\/>\\r\\nBast\\u0131r\\u0131lm\\u0131\\u015f\\u00a0duygular\\u0131\\u00a0b\\u0131rak\\u0131p\\u00a0\\u2018ruhsal \\u00f6zg\\u00fcrl\\u00fc\\u011f\\u00fc\\u2019 hissetmek\\u2026<br \\\/>\\r\\nKayg\\u0131l\\u0131\\u00a0bedeni\\u00a0b\\u0131rak\\u0131p\\u00a0\\u2018i\\u00e7 geni\\u015fli\\u011fi\\u2019 elde etmek\\u2026<br \\\/>\\r\\nB\\u0131rak ve Rahatla,\\u00a0ge\\u00e7mi\\u015fini onarmak ve\\u00a0ger\\u00e7ek kendili\\u011fini\\u00a0bulmak isteyen herkes i\\u00e7in...<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5845,\"user_id\":10,\"original_name\":\"Dervis i Smrt\",\"printing_date\":\"2018-04-06 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13:02:03\",\"updated_at\":\"2019-09-24 13:02:03\",\"name\":\"Kay\\u0131 11\",\"slug\":\"kayi-11\",\"sub_name\":\"Elveda\",\"description\":\"<p>\\u201cFacialara ve olaylara kalkan olamad\\u0131m ise de paratoner vazifesi g\\u00f6rd\\u00fcm. B\\u00fct\\u00fcn musibetleri \\u00fczerime \\u00e7ektim. Kendimi feda ederek vatan\\u0131 kurtarmaya \\u00e7al\\u0131\\u015ft\\u0131m.\\u201d<\\\/p>\\r\\n\\r\\n<p>Sultan Vahideddin<\\\/p>\\r\\n\\r\\n<p>S\\u00f6\\u011f\\u00fct\\u2019te co\\u015fkuyla ba\\u015flayan Kay\\u0131 boyunun 6 as\\u0131rl\\u0131k hik\\u00e2yesi \\u0130stanbul\\u2019da h\\u00fcz\\u00fcnle sona eriyor\\u2026 Prof. Dr. Ahmet \\u015eim\\u015firgil,&nbsp;KAYI XI: Elveda&nbsp;kitab\\u0131yla okuru Osmanl\\u0131 \\u0130mparatorlu\\u011fu\\u2019nun son nefesini verdi\\u011fi en zor y\\u0131llara g\\u00f6t\\u00fcr\\u00fcyor.<\\\/p>\\r\\n\\r\\n<p>- Afrika\\u2019daki son Osmanl\\u0131 topra\\u011f\\u0131 Trablusgarp\\u2019\\u0131n elden \\u00e7\\u0131k\\u0131\\u015f\\u0131ndaki gafletler nelerdi?<br \\\/>\\r\\n- Balkanlarda tek kur\\u015fun at\\u0131lmadan terk edilen d\\u00f6rt as\\u0131rl\\u0131k yurtlar nerelerdi?<br \\\/>\\r\\n- Osmanl\\u0131 Devleti\\u2019ni I. Cihan Harbi\\u2019ne kimler, nas\\u0131l soktular?<br \\\/>\\r\\n- T\\u00fcrk tarihinin en hazin harek\\u00e2t\\u0131 Sar\\u0131kam\\u0131\\u015f\\u2019ta neler ya\\u015fand\\u0131?<br \\\/>\\r\\n- Araplar Osmanl\\u0131\\u2019ya ihanet etti mi?<br \\\/>\\r\\n- Filistin topraklar\\u0131 nas\\u0131l elden \\u00e7\\u0131kt\\u0131?<br \\\/>\\r\\n- \\u00c7anakkale ve Medine\\u2019de verilen destans\\u0131 m\\u00fccadele\\u2026<br \\\/>\\r\\n- \\u0130ngiliz ve Siyonistlerin Osmanl\\u0131\\u2019y\\u0131 par\\u00e7alamak ad\\u0131na kurduklar\\u0131 b\\u00fcy\\u00fck oyun\\u2026<br \\\/>\\r\\n- Vahideddin Han \\u00fclkeyi kurtarabilme ad\\u0131na nas\\u0131l bir m\\u00fccadele verdi?<br \\\/>\\r\\n- Mustafa Kemal\\u2019le aralar\\u0131 neden a\\u00e7\\u0131lm\\u0131\\u015ft\\u0131?<br \\\/>\\r\\n- Vahideddin Han, hain miydi? Vatan\\u0131 satm\\u0131\\u015f m\\u0131yd\\u0131? 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Kendimi feda ederek vatan\\u0131 kurtarmaya \\u00e7al\\u0131\\u015ft\\u0131m.\\u201d<\\\/p>\\r\\n\\r\\n<p>Sultan Vahideddin<\\\/p>\\r\\n\\r\\n<p>S\\u00f6\\u011f\\u00fct\\u2019te co\\u015fkuyla ba\\u015flayan Kay\\u0131 boyunun 6 as\\u0131rl\\u0131k hik\\u00e2yesi \\u0130stanbul\\u2019da h\\u00fcz\\u00fcnle sona eriyor\\u2026 Prof. Dr. Ahmet \\u015eim\\u015firgil,\\u00a0KAYI XI: Elveda\\u00a0kitab\\u0131yla okuru Osmanl\\u0131 \\u0130mparatorlu\\u011fu\\u2019nun son nefesini verdi\\u011fi en zor y\\u0131llara g\\u00f6t\\u00fcr\\u00fcyor.<\\\/p>\\r\\n\\r\\n<p>- Afrika\\u2019daki son Osmanl\\u0131 topra\\u011f\\u0131 Trablusgarp\\u2019\\u0131n elden \\u00e7\\u0131k\\u0131\\u015f\\u0131ndaki gafletler nelerdi?<br \\\/>\\r\\n- Balkanlarda tek kur\\u015fun at\\u0131lmadan terk edilen d\\u00f6rt as\\u0131rl\\u0131k yurtlar nerelerdi?<br \\\/>\\r\\n- Osmanl\\u0131 Devleti\\u2019ni I. Cihan Harbi\\u2019ne kimler, nas\\u0131l soktular?<br \\\/>\\r\\n- T\\u00fcrk tarihinin en hazin harek\\u00e2t\\u0131 Sar\\u0131kam\\u0131\\u015f\\u2019ta neler ya\\u015fand\\u0131?<br \\\/>\\r\\n- Araplar Osmanl\\u0131\\u2019ya ihanet etti mi?<br \\\/>\\r\\n- Filistin topraklar\\u0131 nas\\u0131l elden \\u00e7\\u0131kt\\u0131?<br \\\/>\\r\\n- \\u00c7anakkale ve Medine\\u2019de verilen destans\\u0131 m\\u00fccadele\\u2026<br \\\/>\\r\\n- \\u0130ngiliz ve Siyonistlerin Osmanl\\u0131\\u2019y\\u0131 par\\u00e7alamak ad\\u0131na kurduklar\\u0131 b\\u00fcy\\u00fck oyun\\u2026<br \\\/>\\r\\n- Vahideddin Han \\u00fclkeyi kurtarabilme ad\\u0131na nas\\u0131l bir m\\u00fccadele verdi?<br \\\/>\\r\\n- Mustafa Kemal\\u2019le aralar\\u0131 neden a\\u00e7\\u0131lm\\u0131\\u015ft\\u0131?<br \\\/>\\r\\n- Vahideddin Han, hain miydi? Vatan\\u0131 satm\\u0131\\u015f m\\u0131yd\\u0131? Neden yurt d\\u0131\\u015f\\u0131na \\u00e7\\u0131kmak zorunda kald\\u0131?<br \\\/>\\r\\n- 623 y\\u0131ll\\u0131k kudretli tarihin en ac\\u0131 skandal\\u0131 nas\\u0131l ya\\u015fand\\u0131?<\\\/p>\\r\\n\\r\\n<p>Ve daha bir\\u00e7ok sorunun cevab\\u0131 Prof. Dr. Ahmet \\u015eim\\u015firgil\\u2019in kaleminden KAYI XI: Elveda kitab\\u0131nda\\u2026<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":5974,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8756,\"book_id\":5974,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8755,\"book_id\":5974,\"locale\":\"tr\",\"name\":\"Kay\\u0131 11\",\"slug\":\"kayi-11\",\"sub_name\":\"Elveda\",\"description\":\"<p>\\u201cFacialara ve olaylara kalkan olamad\\u0131m ise de paratoner vazifesi g\\u00f6rd\\u00fcm. B\\u00fct\\u00fcn musibetleri \\u00fczerime \\u00e7ektim. Kendimi feda ederek vatan\\u0131 kurtarmaya \\u00e7al\\u0131\\u015ft\\u0131m.\\u201d<\\\/p>\\r\\n\\r\\n<p>Sultan Vahideddin<\\\/p>\\r\\n\\r\\n<p>S\\u00f6\\u011f\\u00fct\\u2019te co\\u015fkuyla ba\\u015flayan Kay\\u0131 boyunun 6 as\\u0131rl\\u0131k hik\\u00e2yesi \\u0130stanbul\\u2019da h\\u00fcz\\u00fcnle sona eriyor\\u2026 Prof. Dr. Ahmet \\u015eim\\u015firgil,&nbsp;KAYI XI: Elveda&nbsp;kitab\\u0131yla okuru Osmanl\\u0131 \\u0130mparatorlu\\u011fu\\u2019nun son nefesini verdi\\u011fi en zor y\\u0131llara g\\u00f6t\\u00fcr\\u00fcyor.<\\\/p>\\r\\n\\r\\n<p>- Afrika\\u2019daki son Osmanl\\u0131 topra\\u011f\\u0131 Trablusgarp\\u2019\\u0131n elden \\u00e7\\u0131k\\u0131\\u015f\\u0131ndaki gafletler nelerdi?<br \\\/>\\r\\n- Balkanlarda tek kur\\u015fun at\\u0131lmadan terk edilen d\\u00f6rt as\\u0131rl\\u0131k yurtlar nerelerdi?<br \\\/>\\r\\n- Osmanl\\u0131 Devleti\\u2019ni I. Cihan Harbi\\u2019ne kimler, nas\\u0131l soktular?<br \\\/>\\r\\n- T\\u00fcrk tarihinin en hazin harek\\u00e2t\\u0131 Sar\\u0131kam\\u0131\\u015f\\u2019ta neler ya\\u015fand\\u0131?<br \\\/>\\r\\n- Araplar Osmanl\\u0131\\u2019ya ihanet etti mi?<br \\\/>\\r\\n- Filistin topraklar\\u0131 nas\\u0131l elden \\u00e7\\u0131kt\\u0131?<br \\\/>\\r\\n- \\u00c7anakkale ve Medine\\u2019de verilen destans\\u0131 m\\u00fccadele\\u2026<br \\\/>\\r\\n- \\u0130ngiliz ve Siyonistlerin Osmanl\\u0131\\u2019y\\u0131 par\\u00e7alamak ad\\u0131na kurduklar\\u0131 b\\u00fcy\\u00fck oyun\\u2026<br \\\/>\\r\\n- Vahideddin Han \\u00fclkeyi kurtarabilme ad\\u0131na nas\\u0131l bir m\\u00fccadele verdi?<br \\\/>\\r\\n- Mustafa Kemal\\u2019le aralar\\u0131 neden a\\u00e7\\u0131lm\\u0131\\u015ft\\u0131?<br \\\/>\\r\\n- Vahideddin Han, hain miydi? Vatan\\u0131 satm\\u0131\\u015f m\\u0131yd\\u0131? Neden yurt d\\u0131\\u015f\\u0131na \\u00e7\\u0131kmak zorunda kald\\u0131?<br \\\/>\\r\\n- 623 y\\u0131ll\\u0131k kudretli tarihin en ac\\u0131 skandal\\u0131 nas\\u0131l ya\\u015fand\\u0131?<\\\/p>\\r\\n\\r\\n<p>Ve daha bir\\u00e7ok sorunun cevab\\u0131 Prof. Dr. Ahmet \\u015eim\\u015firgil\\u2019in kaleminden KAYI XI: Elveda kitab\\u0131nda\\u2026<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cFacialara ve olaylara kalkan olamad\\u0131m ise de paratoner vazifesi g\\u00f6rd\\u00fcm. B\\u00fct\\u00fcn musibetleri \\u00fczerime \\u00e7ektim. Kendimi feda ederek vatan\\u0131 kurtarmaya \\u00e7al\\u0131\\u015ft\\u0131m.\\u201d<\\\/p>\\r\\n\\r\\n<p>Sultan Vahideddin<\\\/p>\\r\\n\\r\\n<p>S\\u00f6\\u011f\\u00fct\\u2019te co\\u015fkuyla ba\\u015flayan Kay\\u0131 boyunun 6 as\\u0131rl\\u0131k hik\\u00e2yesi \\u0130stanbul\\u2019da h\\u00fcz\\u00fcnle sona eriyor\\u2026 Prof. Dr. Ahmet \\u015eim\\u015firgil,\\u00a0KAYI XI: Elveda\\u00a0kitab\\u0131yla okuru Osmanl\\u0131 \\u0130mparatorlu\\u011fu\\u2019nun son nefesini verdi\\u011fi en zor y\\u0131llara g\\u00f6t\\u00fcr\\u00fcyor.<\\\/p>\\r\\n\\r\\n<p>- Afrika\\u2019daki son Osmanl\\u0131 topra\\u011f\\u0131 Trablusgarp\\u2019\\u0131n elden \\u00e7\\u0131k\\u0131\\u015f\\u0131ndaki gafletler nelerdi?<br \\\/>\\r\\n- Balkanlarda tek kur\\u015fun at\\u0131lmadan terk edilen d\\u00f6rt as\\u0131rl\\u0131k yurtlar nerelerdi?<br \\\/>\\r\\n- Osmanl\\u0131 Devleti\\u2019ni I. Cihan Harbi\\u2019ne kimler, nas\\u0131l soktular?<br \\\/>\\r\\n- T\\u00fcrk tarihinin en hazin harek\\u00e2t\\u0131 Sar\\u0131kam\\u0131\\u015f\\u2019ta neler ya\\u015fand\\u0131?<br \\\/>\\r\\n- Araplar Osmanl\\u0131\\u2019ya ihanet etti mi?<br \\\/>\\r\\n- Filistin topraklar\\u0131 nas\\u0131l elden \\u00e7\\u0131kt\\u0131?<br \\\/>\\r\\n- \\u00c7anakkale ve Medine\\u2019de verilen destans\\u0131 m\\u00fccadele\\u2026<br \\\/>\\r\\n- \\u0130ngiliz ve Siyonistlerin Osmanl\\u0131\\u2019y\\u0131 par\\u00e7alamak ad\\u0131na kurduklar\\u0131 b\\u00fcy\\u00fck oyun\\u2026<br \\\/>\\r\\n- Vahideddin Han \\u00fclkeyi kurtarabilme ad\\u0131na nas\\u0131l bir m\\u00fccadele verdi?<br \\\/>\\r\\n- Mustafa Kemal\\u2019le aralar\\u0131 neden a\\u00e7\\u0131lm\\u0131\\u015ft\\u0131?<br \\\/>\\r\\n- Vahideddin Han, hain miydi? Vatan\\u0131 satm\\u0131\\u015f m\\u0131yd\\u0131? Neden yurt d\\u0131\\u015f\\u0131na \\u00e7\\u0131kmak zorunda kald\\u0131?<br \\\/>\\r\\n- 623 y\\u0131ll\\u0131k kudretli tarihin en ac\\u0131 skandal\\u0131 nas\\u0131l ya\\u015fand\\u0131?<\\\/p>\\r\\n\\r\\n<p>Ve daha bir\\u00e7ok sorunun cevab\\u0131 Prof. Dr. Ahmet \\u015eim\\u015firgil\\u2019in kaleminden KAYI XI: Elveda kitab\\u0131nda\\u2026<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5984,\"user_id\":10,\"original_name\":\"Sight\",\"printing_date\":\"2019-10-02 11:24:23\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/sight-kapak-1569831863.png\",\"image_settings\":{\"id\":5984,\"path\":\"\\\/images\\\/books\\\/2019\\\/09\\\/30\\\/11\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":146373,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":25534,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":10250,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2700,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1651,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3585,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":13034,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":13034,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":5238,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1234,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":630,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":1584,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-09-30 11:24:23\",\"updated_at\":\"2019-09-30 11:24:23\",\"name\":\"Bak\\u0131\\u015f\",\"slug\":\"bakis\",\"sub_name\":\"\",\"description\":\"<p>Jessie Greengrass'\\u0131n b\\u00fcy\\u00fcleyici roman\\u0131&nbsp;Bak\\u0131\\u015f, isimsiz anlat\\u0131c\\u0131s\\u0131n\\u0131n annelik ser\\u00fcveniyle ba\\u015flay\\u0131p kendi annesinin on y\\u0131l \\u00f6nceki \\u00f6l\\u00fcm\\u00fcne ve psikanalist anneannesinin yan\\u0131nda ge\\u00e7irdi\\u011fi yazlara uzan\\u0131yor. Bu s\\u00fcre\\u00e7te katman katman a\\u00e7\\u0131lan hik\\u00e2ye Wilhelm R\\u00f6ntgen\\u2019in X-\\u0131\\u015f\\u0131nlar\\u0131 ke\\u015ffine, Sigmund Freud ve psikanaliz ekol\\u00fcn\\u00fcn olu\\u015fumuna, k\\u0131z\\u0131 Anna\\u2019yla olan ili\\u015fkisine ve Hunter karde\\u015flerin anatomi \\u00fczerine \\u00e7al\\u0131\\u015fmalar\\u0131yla modern cerrahinin k\\u00f6kenlerine iniyor.<\\\/p>\\r\\n\\r\\n<p>Bir anne olmak ve bir annenin \\u00e7ocu\\u011fu olmak, do\\u011fmak ve \\u00f6lmek, g\\u00f6rmek ve g\\u00f6r\\u00fclmek, bilmek ve bilinmek\\u2026 Jessie Greengrass,&nbsp;Bak\\u0131\\u015f\\u2019la t\\u00fcm bu par\\u00e7alar\\u0131 ustal\\u0131kla bir araya getiriyor. Zarif, \\u015fiddetli, zekice bir anlat\\u0131 bu, ba\\u015fkalar\\u0131n\\u0131 nas\\u0131l g\\u00f6rd\\u00fc\\u011f\\u00fcm\\u00fcze ve kendimizi nas\\u0131l tan\\u0131yabilece\\u011fimize dair kapsaml\\u0131 bir ke\\u015fif.<\\\/p>\\r\\n\\r\\n<p>\\u201cBak\\u0131\\u015f, az sayfada \\u00e7ok \\u015fey anlat\\u0131yor: Anneler ve k\\u0131zlar\\u0131, do\\u011fum ve \\u00f6l\\u00fcm, kay\\u0131p ve keder, ki\\u015finin kendini bulmas\\u0131, bilimsel ke\\u015fiflerin g\\u00fcc\\u00fc ve zorlu\\u011fu. Bu ayn\\u0131 zamanda bilginin s\\u0131n\\u0131rlar\\u0131 hakk\\u0131nda bir roman - s\\u0131n\\u0131rlar\\u0131 kabul etmeyi \\u00f6\\u011frenmek, ancak s\\u00fcrekli olarak geni\\u015fletmek. Greengrass\\u2019a kendilerini teslim edecek okurlar\\u0131n bak\\u0131\\u015f\\u0131 da onun bak\\u0131\\u015f\\u0131yla geni\\u015fleyecek \\u015f\\u00fcphesiz.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Npr -<\\\/p>\\r\\n\\r\\n<p>\\u201cB\\u00fcy\\u00fcleyici bir sanat eseri. Aldat\\u0131c\\u0131 basitlikte bir hik\\u00e2ye, bir k\\u0131z\\u0131n annesini kaybetmesi ve ayn\\u0131 k\\u0131z\\u0131n bir anneye d\\u00f6n\\u00fc\\u015fmesi, bilim tarihiyle zahmetsizce, organik bir ba\\u011fla birle\\u015fiyor. Greengrass, okuru zek\\u00e2s\\u0131 ve zarafetiyle sersemletiyor; esrarengiz bir hik\\u00e2yeyi \\u00e7o\\u011funlu\\u011fa yayarken \\u00e7o\\u011funlu\\u011fu da bir\\u2019de b\\u00fct\\u00fcnle\\u015ftiriyor. \\u201d<\\\/p>\\r\\n\\r\\n<p>- Weike Wang&nbsp; -<\\\/p>\\r\\n\\r\\n<p>\\u201cGeli\\u015fmekte olan bir tarza g\\u00f6z kama\\u015ft\\u0131r\\u0131c\\u0131 bir giri\\u015f. Anlat\\u0131c\\u0131n\\u0131n derin d\\u00fc\\u015f\\u00fcnceleri ve hik\\u00e2yesi, kontroll\\u00fc ve \\u015f\\u0131k bir nesirle kitab\\u0131 \\u00f6yle heyecanl\\u0131 k\\u0131l\\u0131yor ki... Jessie Greengrass\\u2019\\u0131n zek\\u00e2s\\u0131 ve d\\u00fcr\\u00fcstl\\u00fc\\u011f\\u00fc g\\u00f6z kama\\u015ft\\u0131r\\u0131rken roman da bir b\\u00fct\\u00fcn olarak garip bir g\\u00fc\\u00e7le sar\\u0131yor okuru. \\u201d<\\\/p>\\r\\n\\r\\n<p>- The New Yorker -<\\\/p>\\r\\n\\r\\n<p>\\u201cOkudu\\u011fum en g\\u00fczel \\u00e7a\\u011fda\\u015f \\u0130ngiliz romanlar\\u0131ndan biri. Zarif ve zeki, tehlikeli ve ciddi\\u2026 m\\u00fckemmel bir yap\\u0131.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Max Porter -<\\\/p>\\r\\n\\r\\n<p>\\u201cBedenlerimiz, kendimiz ve birbirimiz hakk\\u0131nda neler bilebilece\\u011fimize dair \\u00e7arp\\u0131c\\u0131 bir ilk roman\\u0131. Greengrass, hamilelik ve annelik deneyimini \\u00e7ok ba\\u015fka bir \\u015fekilde ele al\\u0131yor. \\u201d<\\\/p>\\r\\n\\r\\n<p>- Lauren Elkin -<\\\/p>\\r\\n\\r\\n<p>\\u201cKad\\u0131nlar\\u0131n ac\\u0131s\\u0131na kulak vermeyi k\\u00fc\\u00e7\\u00fcmseyen ve reddeden bir k\\u00fclt\\u00fcrde, Bak\\u0131\\u015f dikkatimizi \\u00e7ekmenin bir yolunu buluyor... Kefaret, nesrin dikkat \\u00e7ekici g\\u00fczelli\\u011fi ve \\u00e7ekicili\\u011fi i\\u00e7inde gizli. Bu sessiz ve \\u00f6zg\\u00fcn bir direni\\u015f, bir kad\\u0131n\\u0131n ac\\u0131s\\u0131na dayanmam\\u0131z\\u0131 gerektiriyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Bomb Magazine -<\\\/p>\\r\\n\\r\\n<p>\\u201cYa\\u015fam ve \\u00f6l\\u00fcm, sevgi ve kay\\u0131p \\u00fczerine odaklanan&nbsp;Bak\\u0131\\u015f, kendimizle yak\\u0131n olmay\\u0131 arzulad\\u0131klar\\u0131m\\u0131z aras\\u0131ndaki bo\\u015fluklar\\u0131 doldurma m\\u00fccadelesine dair net bir bi\\u00e7imde ifade edilmi\\u015f bir i\\u00e7 g\\u00f6r\\u00fc, bir tedbir. Derin bir kaz\\u0131 niteli\\u011findeki roman\\u0131yla Greengrass, insanl\\u0131k hallerini ke\\u015ffetmek i\\u00e7in derinlere iniyor ve okuru, gizli ger\\u00e7ekleri d\\u00fc\\u015f\\u00fcnmeye davet ediyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Kirkus Reviews -<\\\/p>\\r\\n\\r\\n<p>\\u201cBak\\u0131\\u015f\\u2019\\u0131 bir a\\u011fr\\u0131yla, b\\u00fcy\\u00fck bir hayranl\\u0131kla okudum. Greengrass bir\\u00e7ok y\\u00f6nden bana Virginia Woolf'u hat\\u0131rlat\\u0131yor - g\\u00f6r\\u00fcn\\u00fc\\u015fte roman bi\\u00e7imini yeniden icat ederken zek\\u00e2s\\u0131 ve ilgi alan\\u0131 dahilinde ve tek bir bilinci yakalama kabiliyetleri ortak. Greengrass kurguda \\u00f6nemli ve yeni bir ses.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Jamie Quatro -<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Jessie Greengrass'\\u0131n b\\u00fcy\\u00fcleyici roman\\u0131\\u00a0Bak\\u0131\\u015f, isimsiz anlat\\u0131c\\u0131s\\u0131n\\u0131n annelik ser\\u00fcveniyle ba\\u015flay\\u0131p kendi annesinin on y\\u0131l \\u00f6nceki \\u00f6l\\u00fcm\\u00fcne ve psikanalist anneannesinin yan\\u0131nda ge\\u00e7irdi\\u011fi yazlara uzan\\u0131yor. Bu s\\u00fcre\\u00e7te katman katman a\\u00e7\\u0131lan hik\\u00e2ye Wilhelm R\\u00f6ntgen\\u2019in X-\\u0131\\u015f\\u0131nlar\\u0131 ke\\u015ffine, Sigmund Freud ve psikanaliz ekol\\u00fcn\\u00fcn olu\\u015fumuna, k\\u0131z\\u0131 Anna\\u2019yla olan ili\\u015fkisine ve Hunter karde\\u015flerin anatomi \\u00fczerine \\u00e7al\\u0131\\u015fmalar\\u0131yla modern cerrahinin k\\u00f6kenlerine iniyor.<\\\/p>\\r\\n\\r\\n<p>Bir anne olmak ve bir annenin \\u00e7ocu\\u011fu olmak, do\\u011fmak ve \\u00f6lmek, g\\u00f6rmek ve g\\u00f6r\\u00fclmek, bilmek ve bilinmek\\u2026 Jessie Greengrass,\\u00a0Bak\\u0131\\u015f\\u2019la t\\u00fcm bu par\\u00e7alar\\u0131 ustal\\u0131kla bir araya getiriyor. Zarif, \\u015fiddetli, zekice bir anlat\\u0131 bu, ba\\u015fkalar\\u0131n\\u0131 nas\\u0131l g\\u00f6rd\\u00fc\\u011f\\u00fcm\\u00fcze ve kendimizi nas\\u0131l tan\\u0131yabilece\\u011fimize dair kapsaml\\u0131 bir ke\\u015fif.<\\\/p>\\r\\n\\r\\n<p>\\u201cBak\\u0131\\u015f, az sayfada \\u00e7ok \\u015fey anlat\\u0131yor: Anneler ve k\\u0131zlar\\u0131, do\\u011fum ve \\u00f6l\\u00fcm, kay\\u0131p ve keder, ki\\u015finin kendini bulmas\\u0131, bilimsel ke\\u015fiflerin g\\u00fcc\\u00fc ve zorlu\\u011fu. Bu ayn\\u0131 zamanda bilginin s\\u0131n\\u0131rlar\\u0131 hakk\\u0131nda bir roman - s\\u0131n\\u0131rlar\\u0131 kabul etmeyi \\u00f6\\u011frenmek, ancak s\\u00fcrekli olarak geni\\u015fletmek. Greengrass\\u2019a kendilerini teslim edecek okurlar\\u0131n bak\\u0131\\u015f\\u0131 da onun bak\\u0131\\u015f\\u0131yla geni\\u015fleyecek \\u015f\\u00fcphesiz.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Npr -<\\\/p>\\r\\n\\r\\n<p>\\u201cB\\u00fcy\\u00fcleyici bir sanat eseri. Aldat\\u0131c\\u0131 basitlikte bir hik\\u00e2ye, bir k\\u0131z\\u0131n annesini kaybetmesi ve ayn\\u0131 k\\u0131z\\u0131n bir anneye d\\u00f6n\\u00fc\\u015fmesi, bilim tarihiyle zahmetsizce, organik bir ba\\u011fla birle\\u015fiyor. Greengrass, okuru zek\\u00e2s\\u0131 ve zarafetiyle sersemletiyor; esrarengiz bir hik\\u00e2yeyi \\u00e7o\\u011funlu\\u011fa yayarken \\u00e7o\\u011funlu\\u011fu da bir\\u2019de b\\u00fct\\u00fcnle\\u015ftiriyor. \\u201d<\\\/p>\\r\\n\\r\\n<p>- Weike Wang\\u00a0 -<\\\/p>\\r\\n\\r\\n<p>\\u201cGeli\\u015fmekte olan bir tarza g\\u00f6z kama\\u015ft\\u0131r\\u0131c\\u0131 bir giri\\u015f. Anlat\\u0131c\\u0131n\\u0131n derin d\\u00fc\\u015f\\u00fcnceleri ve hik\\u00e2yesi, kontroll\\u00fc ve \\u015f\\u0131k bir nesirle kitab\\u0131 \\u00f6yle heyecanl\\u0131 k\\u0131l\\u0131yor ki... Jessie Greengrass\\u2019\\u0131n zek\\u00e2s\\u0131 ve d\\u00fcr\\u00fcstl\\u00fc\\u011f\\u00fc g\\u00f6z kama\\u015ft\\u0131r\\u0131rken roman da bir b\\u00fct\\u00fcn olarak garip bir g\\u00fc\\u00e7le sar\\u0131yor okuru. \\u201d<\\\/p>\\r\\n\\r\\n<p>- The New Yorker -<\\\/p>\\r\\n\\r\\n<p>\\u201cOkudu\\u011fum en g\\u00fczel \\u00e7a\\u011fda\\u015f \\u0130ngiliz romanlar\\u0131ndan biri. Zarif ve zeki, tehlikeli ve ciddi\\u2026 m\\u00fckemmel bir yap\\u0131.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Max Porter -<\\\/p>\\r\\n\\r\\n<p>\\u201cBedenlerimiz, kendimiz ve birbirimiz hakk\\u0131nda neler bilebilece\\u011fimize dair \\u00e7arp\\u0131c\\u0131 bir ilk roman\\u0131. Greengrass, hamilelik ve annelik deneyimini \\u00e7ok ba\\u015fka bir \\u015fekilde ele al\\u0131yor. \\u201d<\\\/p>\\r\\n\\r\\n<p>- Lauren Elkin -<\\\/p>\\r\\n\\r\\n<p>\\u201cKad\\u0131nlar\\u0131n ac\\u0131s\\u0131na kulak vermeyi k\\u00fc\\u00e7\\u00fcmseyen ve reddeden bir k\\u00fclt\\u00fcrde, Bak\\u0131\\u015f dikkatimizi \\u00e7ekmenin bir yolunu buluyor... Kefaret, nesrin dikkat \\u00e7ekici g\\u00fczelli\\u011fi ve \\u00e7ekicili\\u011fi i\\u00e7inde gizli. Bu sessiz ve \\u00f6zg\\u00fcn bir direni\\u015f, bir kad\\u0131n\\u0131n ac\\u0131s\\u0131na dayanmam\\u0131z\\u0131 gerektiriyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Bomb Magazine -<\\\/p>\\r\\n\\r\\n<p>\\u201cYa\\u015fam ve \\u00f6l\\u00fcm, sevgi ve kay\\u0131p \\u00fczerine odaklanan\\u00a0Bak\\u0131\\u015f, kendimizle yak\\u0131n olmay\\u0131 arzulad\\u0131klar\\u0131m\\u0131z aras\\u0131ndaki bo\\u015fluklar\\u0131 doldurma m\\u00fccadelesine dair net bir bi\\u00e7imde ifade edilmi\\u015f bir i\\u00e7 g\\u00f6r\\u00fc, bir tedbir. Derin bir kaz\\u0131 niteli\\u011findeki roman\\u0131yla Greengrass, insanl\\u0131k hallerini ke\\u015ffetmek i\\u00e7in derinlere iniyor ve okuru, gizli ger\\u00e7ekleri d\\u00fc\\u015f\\u00fcnmeye davet ediyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Kirkus Reviews -<\\\/p>\\r\\n\\r\\n<p>\\u201cBak\\u0131\\u015f\\u2019\\u0131 bir a\\u011fr\\u0131yla, b\\u00fcy\\u00fck bir hayranl\\u0131kla okudum. Greengrass bir\\u00e7ok y\\u00f6nden bana Virginia Woolf'u hat\\u0131rlat\\u0131yor - g\\u00f6r\\u00fcn\\u00fc\\u015fte roman bi\\u00e7imini yeniden icat ederken zek\\u00e2s\\u0131 ve ilgi alan\\u0131 dahilinde ve tek bir bilinci yakalama kabiliyetleri ortak. Greengrass kurguda \\u00f6nemli ve yeni bir ses.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Jamie Quatro -<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":5984,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8776,\"book_id\":5984,\"locale\":\"en\",\"name\":\"Sight\",\"slug\":\"sight\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8775,\"book_id\":5984,\"locale\":\"tr\",\"name\":\"Bak\\u0131\\u015f\",\"slug\":\"bakis\",\"sub_name\":\"\",\"description\":\"<p>Jessie Greengrass'\\u0131n b\\u00fcy\\u00fcleyici roman\\u0131&nbsp;Bak\\u0131\\u015f, isimsiz anlat\\u0131c\\u0131s\\u0131n\\u0131n annelik ser\\u00fcveniyle ba\\u015flay\\u0131p kendi annesinin on y\\u0131l \\u00f6nceki \\u00f6l\\u00fcm\\u00fcne ve psikanalist anneannesinin yan\\u0131nda ge\\u00e7irdi\\u011fi yazlara uzan\\u0131yor. Bu s\\u00fcre\\u00e7te katman katman a\\u00e7\\u0131lan hik\\u00e2ye Wilhelm R\\u00f6ntgen\\u2019in X-\\u0131\\u015f\\u0131nlar\\u0131 ke\\u015ffine, Sigmund Freud ve psikanaliz ekol\\u00fcn\\u00fcn olu\\u015fumuna, k\\u0131z\\u0131 Anna\\u2019yla olan ili\\u015fkisine ve Hunter karde\\u015flerin anatomi \\u00fczerine \\u00e7al\\u0131\\u015fmalar\\u0131yla modern cerrahinin k\\u00f6kenlerine iniyor.<\\\/p>\\r\\n\\r\\n<p>Bir anne olmak ve bir annenin \\u00e7ocu\\u011fu olmak, do\\u011fmak ve \\u00f6lmek, g\\u00f6rmek ve g\\u00f6r\\u00fclmek, bilmek ve bilinmek\\u2026 Jessie Greengrass,&nbsp;Bak\\u0131\\u015f\\u2019la t\\u00fcm bu par\\u00e7alar\\u0131 ustal\\u0131kla bir araya getiriyor. Zarif, \\u015fiddetli, zekice bir anlat\\u0131 bu, ba\\u015fkalar\\u0131n\\u0131 nas\\u0131l g\\u00f6rd\\u00fc\\u011f\\u00fcm\\u00fcze ve kendimizi nas\\u0131l tan\\u0131yabilece\\u011fimize dair kapsaml\\u0131 bir ke\\u015fif.<\\\/p>\\r\\n\\r\\n<p>\\u201cBak\\u0131\\u015f, az sayfada \\u00e7ok \\u015fey anlat\\u0131yor: Anneler ve k\\u0131zlar\\u0131, do\\u011fum ve \\u00f6l\\u00fcm, kay\\u0131p ve keder, ki\\u015finin kendini bulmas\\u0131, bilimsel ke\\u015fiflerin g\\u00fcc\\u00fc ve zorlu\\u011fu. Bu ayn\\u0131 zamanda bilginin s\\u0131n\\u0131rlar\\u0131 hakk\\u0131nda bir roman - s\\u0131n\\u0131rlar\\u0131 kabul etmeyi \\u00f6\\u011frenmek, ancak s\\u00fcrekli olarak geni\\u015fletmek. Greengrass\\u2019a kendilerini teslim edecek okurlar\\u0131n bak\\u0131\\u015f\\u0131 da onun bak\\u0131\\u015f\\u0131yla geni\\u015fleyecek \\u015f\\u00fcphesiz.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Npr -<\\\/p>\\r\\n\\r\\n<p>\\u201cB\\u00fcy\\u00fcleyici bir sanat eseri. Aldat\\u0131c\\u0131 basitlikte bir hik\\u00e2ye, bir k\\u0131z\\u0131n annesini kaybetmesi ve ayn\\u0131 k\\u0131z\\u0131n bir anneye d\\u00f6n\\u00fc\\u015fmesi, bilim tarihiyle zahmetsizce, organik bir ba\\u011fla birle\\u015fiyor. Greengrass, okuru zek\\u00e2s\\u0131 ve zarafetiyle sersemletiyor; esrarengiz bir hik\\u00e2yeyi \\u00e7o\\u011funlu\\u011fa yayarken \\u00e7o\\u011funlu\\u011fu da bir\\u2019de b\\u00fct\\u00fcnle\\u015ftiriyor. \\u201d<\\\/p>\\r\\n\\r\\n<p>- Weike Wang&nbsp; -<\\\/p>\\r\\n\\r\\n<p>\\u201cGeli\\u015fmekte olan bir tarza g\\u00f6z kama\\u015ft\\u0131r\\u0131c\\u0131 bir giri\\u015f. Anlat\\u0131c\\u0131n\\u0131n derin d\\u00fc\\u015f\\u00fcnceleri ve hik\\u00e2yesi, kontroll\\u00fc ve \\u015f\\u0131k bir nesirle kitab\\u0131 \\u00f6yle heyecanl\\u0131 k\\u0131l\\u0131yor ki... Jessie Greengrass\\u2019\\u0131n zek\\u00e2s\\u0131 ve d\\u00fcr\\u00fcstl\\u00fc\\u011f\\u00fc g\\u00f6z kama\\u015ft\\u0131r\\u0131rken roman da bir b\\u00fct\\u00fcn olarak garip bir g\\u00fc\\u00e7le sar\\u0131yor okuru. \\u201d<\\\/p>\\r\\n\\r\\n<p>- The New Yorker -<\\\/p>\\r\\n\\r\\n<p>\\u201cOkudu\\u011fum en g\\u00fczel \\u00e7a\\u011fda\\u015f \\u0130ngiliz romanlar\\u0131ndan biri. Zarif ve zeki, tehlikeli ve ciddi\\u2026 m\\u00fckemmel bir yap\\u0131.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Max Porter -<\\\/p>\\r\\n\\r\\n<p>\\u201cBedenlerimiz, kendimiz ve birbirimiz hakk\\u0131nda neler bilebilece\\u011fimize dair \\u00e7arp\\u0131c\\u0131 bir ilk roman\\u0131. Greengrass, hamilelik ve annelik deneyimini \\u00e7ok ba\\u015fka bir \\u015fekilde ele al\\u0131yor. \\u201d<\\\/p>\\r\\n\\r\\n<p>- Lauren Elkin -<\\\/p>\\r\\n\\r\\n<p>\\u201cKad\\u0131nlar\\u0131n ac\\u0131s\\u0131na kulak vermeyi k\\u00fc\\u00e7\\u00fcmseyen ve reddeden bir k\\u00fclt\\u00fcrde, Bak\\u0131\\u015f dikkatimizi \\u00e7ekmenin bir yolunu buluyor... Kefaret, nesrin dikkat \\u00e7ekici g\\u00fczelli\\u011fi ve \\u00e7ekicili\\u011fi i\\u00e7inde gizli. Bu sessiz ve \\u00f6zg\\u00fcn bir direni\\u015f, bir kad\\u0131n\\u0131n ac\\u0131s\\u0131na dayanmam\\u0131z\\u0131 gerektiriyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Bomb Magazine -<\\\/p>\\r\\n\\r\\n<p>\\u201cYa\\u015fam ve \\u00f6l\\u00fcm, sevgi ve kay\\u0131p \\u00fczerine odaklanan&nbsp;Bak\\u0131\\u015f, kendimizle yak\\u0131n olmay\\u0131 arzulad\\u0131klar\\u0131m\\u0131z aras\\u0131ndaki bo\\u015fluklar\\u0131 doldurma m\\u00fccadelesine dair net bir bi\\u00e7imde ifade edilmi\\u015f bir i\\u00e7 g\\u00f6r\\u00fc, bir tedbir. Derin bir kaz\\u0131 niteli\\u011findeki roman\\u0131yla Greengrass, insanl\\u0131k hallerini ke\\u015ffetmek i\\u00e7in derinlere iniyor ve okuru, gizli ger\\u00e7ekleri d\\u00fc\\u015f\\u00fcnmeye davet ediyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Kirkus Reviews -<\\\/p>\\r\\n\\r\\n<p>\\u201cBak\\u0131\\u015f\\u2019\\u0131 bir a\\u011fr\\u0131yla, b\\u00fcy\\u00fck bir hayranl\\u0131kla okudum. Greengrass bir\\u00e7ok y\\u00f6nden bana Virginia Woolf'u hat\\u0131rlat\\u0131yor - g\\u00f6r\\u00fcn\\u00fc\\u015fte roman bi\\u00e7imini yeniden icat ederken zek\\u00e2s\\u0131 ve ilgi alan\\u0131 dahilinde ve tek bir bilinci yakalama kabiliyetleri ortak. Greengrass kurguda \\u00f6nemli ve yeni bir ses.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Jamie Quatro -<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Jessie Greengrass'\\u0131n b\\u00fcy\\u00fcleyici roman\\u0131\\u00a0Bak\\u0131\\u015f, isimsiz anlat\\u0131c\\u0131s\\u0131n\\u0131n annelik ser\\u00fcveniyle ba\\u015flay\\u0131p kendi annesinin on y\\u0131l \\u00f6nceki \\u00f6l\\u00fcm\\u00fcne ve psikanalist anneannesinin yan\\u0131nda ge\\u00e7irdi\\u011fi yazlara uzan\\u0131yor. Bu s\\u00fcre\\u00e7te katman katman a\\u00e7\\u0131lan hik\\u00e2ye Wilhelm R\\u00f6ntgen\\u2019in X-\\u0131\\u015f\\u0131nlar\\u0131 ke\\u015ffine, Sigmund Freud ve psikanaliz ekol\\u00fcn\\u00fcn olu\\u015fumuna, k\\u0131z\\u0131 Anna\\u2019yla olan ili\\u015fkisine ve Hunter karde\\u015flerin anatomi \\u00fczerine \\u00e7al\\u0131\\u015fmalar\\u0131yla modern cerrahinin k\\u00f6kenlerine iniyor.<\\\/p>\\r\\n\\r\\n<p>Bir anne olmak ve bir annenin \\u00e7ocu\\u011fu olmak, do\\u011fmak ve \\u00f6lmek, g\\u00f6rmek ve g\\u00f6r\\u00fclmek, bilmek ve bilinmek\\u2026 Jessie Greengrass,\\u00a0Bak\\u0131\\u015f\\u2019la t\\u00fcm bu par\\u00e7alar\\u0131 ustal\\u0131kla bir araya getiriyor. Zarif, \\u015fiddetli, zekice bir anlat\\u0131 bu, ba\\u015fkalar\\u0131n\\u0131 nas\\u0131l g\\u00f6rd\\u00fc\\u011f\\u00fcm\\u00fcze ve kendimizi nas\\u0131l tan\\u0131yabilece\\u011fimize dair kapsaml\\u0131 bir ke\\u015fif.<\\\/p>\\r\\n\\r\\n<p>\\u201cBak\\u0131\\u015f, az sayfada \\u00e7ok \\u015fey anlat\\u0131yor: Anneler ve k\\u0131zlar\\u0131, do\\u011fum ve \\u00f6l\\u00fcm, kay\\u0131p ve keder, ki\\u015finin kendini bulmas\\u0131, bilimsel ke\\u015fiflerin g\\u00fcc\\u00fc ve zorlu\\u011fu. Bu ayn\\u0131 zamanda bilginin s\\u0131n\\u0131rlar\\u0131 hakk\\u0131nda bir roman - s\\u0131n\\u0131rlar\\u0131 kabul etmeyi \\u00f6\\u011frenmek, ancak s\\u00fcrekli olarak geni\\u015fletmek. Greengrass\\u2019a kendilerini teslim edecek okurlar\\u0131n bak\\u0131\\u015f\\u0131 da onun bak\\u0131\\u015f\\u0131yla geni\\u015fleyecek \\u015f\\u00fcphesiz.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Npr -<\\\/p>\\r\\n\\r\\n<p>\\u201cB\\u00fcy\\u00fcleyici bir sanat eseri. Aldat\\u0131c\\u0131 basitlikte bir hik\\u00e2ye, bir k\\u0131z\\u0131n annesini kaybetmesi ve ayn\\u0131 k\\u0131z\\u0131n bir anneye d\\u00f6n\\u00fc\\u015fmesi, bilim tarihiyle zahmetsizce, organik bir ba\\u011fla birle\\u015fiyor. Greengrass, okuru zek\\u00e2s\\u0131 ve zarafetiyle sersemletiyor; esrarengiz bir hik\\u00e2yeyi \\u00e7o\\u011funlu\\u011fa yayarken \\u00e7o\\u011funlu\\u011fu da bir\\u2019de b\\u00fct\\u00fcnle\\u015ftiriyor. \\u201d<\\\/p>\\r\\n\\r\\n<p>- Weike Wang\\u00a0 -<\\\/p>\\r\\n\\r\\n<p>\\u201cGeli\\u015fmekte olan bir tarza g\\u00f6z kama\\u015ft\\u0131r\\u0131c\\u0131 bir giri\\u015f. Anlat\\u0131c\\u0131n\\u0131n derin d\\u00fc\\u015f\\u00fcnceleri ve hik\\u00e2yesi, kontroll\\u00fc ve \\u015f\\u0131k bir nesirle kitab\\u0131 \\u00f6yle heyecanl\\u0131 k\\u0131l\\u0131yor ki... Jessie Greengrass\\u2019\\u0131n zek\\u00e2s\\u0131 ve d\\u00fcr\\u00fcstl\\u00fc\\u011f\\u00fc g\\u00f6z kama\\u015ft\\u0131r\\u0131rken roman da bir b\\u00fct\\u00fcn olarak garip bir g\\u00fc\\u00e7le sar\\u0131yor okuru. \\u201d<\\\/p>\\r\\n\\r\\n<p>- The New Yorker -<\\\/p>\\r\\n\\r\\n<p>\\u201cOkudu\\u011fum en g\\u00fczel \\u00e7a\\u011fda\\u015f \\u0130ngiliz romanlar\\u0131ndan biri. Zarif ve zeki, tehlikeli ve ciddi\\u2026 m\\u00fckemmel bir yap\\u0131.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Max Porter -<\\\/p>\\r\\n\\r\\n<p>\\u201cBedenlerimiz, kendimiz ve birbirimiz hakk\\u0131nda neler bilebilece\\u011fimize dair \\u00e7arp\\u0131c\\u0131 bir ilk roman\\u0131. Greengrass, hamilelik ve annelik deneyimini \\u00e7ok ba\\u015fka bir \\u015fekilde ele al\\u0131yor. \\u201d<\\\/p>\\r\\n\\r\\n<p>- Lauren Elkin -<\\\/p>\\r\\n\\r\\n<p>\\u201cKad\\u0131nlar\\u0131n ac\\u0131s\\u0131na kulak vermeyi k\\u00fc\\u00e7\\u00fcmseyen ve reddeden bir k\\u00fclt\\u00fcrde, Bak\\u0131\\u015f dikkatimizi \\u00e7ekmenin bir yolunu buluyor... Kefaret, nesrin dikkat \\u00e7ekici g\\u00fczelli\\u011fi ve \\u00e7ekicili\\u011fi i\\u00e7inde gizli. Bu sessiz ve \\u00f6zg\\u00fcn bir direni\\u015f, bir kad\\u0131n\\u0131n ac\\u0131s\\u0131na dayanmam\\u0131z\\u0131 gerektiriyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Bomb Magazine -<\\\/p>\\r\\n\\r\\n<p>\\u201cYa\\u015fam ve \\u00f6l\\u00fcm, sevgi ve kay\\u0131p \\u00fczerine odaklanan\\u00a0Bak\\u0131\\u015f, kendimizle yak\\u0131n olmay\\u0131 arzulad\\u0131klar\\u0131m\\u0131z aras\\u0131ndaki bo\\u015fluklar\\u0131 doldurma m\\u00fccadelesine dair net bir bi\\u00e7imde ifade edilmi\\u015f bir i\\u00e7 g\\u00f6r\\u00fc, bir tedbir. Derin bir kaz\\u0131 niteli\\u011findeki roman\\u0131yla Greengrass, insanl\\u0131k hallerini ke\\u015ffetmek i\\u00e7in derinlere iniyor ve okuru, gizli ger\\u00e7ekleri d\\u00fc\\u015f\\u00fcnmeye davet ediyor.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Kirkus Reviews -<\\\/p>\\r\\n\\r\\n<p>\\u201cBak\\u0131\\u015f\\u2019\\u0131 bir a\\u011fr\\u0131yla, b\\u00fcy\\u00fck bir hayranl\\u0131kla okudum. Greengrass bir\\u00e7ok y\\u00f6nden bana Virginia Woolf'u hat\\u0131rlat\\u0131yor - g\\u00f6r\\u00fcn\\u00fc\\u015fte roman bi\\u00e7imini yeniden icat ederken zek\\u00e2s\\u0131 ve ilgi alan\\u0131 dahilinde ve tek bir bilinci yakalama kabiliyetleri ortak. Greengrass kurguda \\u00f6nemli ve yeni bir ses.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Jamie Quatro -<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6064,\"user_id\":10,\"original_name\":\"Out of My Mind\",\"printing_date\":\"2016-01-01 14:31:05\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/out-of-my-mind-kapak-1570707065.png\",\"image_settings\":{\"id\":6064,\"path\":\"\\\/images\\\/books\\\/2019\\\/10\\\/10\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":150212,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":27285,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":11844,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3206,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1953,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4017,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":16122,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":16122,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7484,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2064,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1038,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2488,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-10-10 14:31:05\",\"updated_at\":\"2019-10-10 14:31:05\",\"name\":\"\\u0130\\u00e7imdeki M\\u00fczik\",\"slug\":\"icimdeki-muzik\",\"sub_name\":\"\",\"description\":\"<p><b>\\u015eimdiye kadar tek kelime konu\\u015fmad\\u0131m. Neredeyse on bir ya\\u015f\\u0131nday\\u0131m.<\\\/b><br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130ngiltere'nin sayg\\u0131n edebiyat \\u00f6d\\u00fcllerinden Coratta Scott King \\u00f6d\\u00fcll\\u00fc yazar Sharon M. Draper'dan h\\u00fcz\\u00fcn ve umut dolu soluksuz okunacak bir roman. Ger\\u00e7ek bir ya\\u015fam \\u00f6yk\\u00fcs\\u00fcnden ilham al\\u0131narak kaleme al\\u0131nm\\u0131\\u015f. 11 ya\\u015f\\u0131ndaki Melody'nin hastal\\u0131\\u011f\\u0131n\\u0131n ad\\u0131 Spastik ikili kuadripleji yani beyin felci. Y\\u00fcr\\u00fcyemiyor, konu\\u015fam\\u0131yor, tekerlekli sandalyeye mahkum. Hi\\u00e7bir uzvuna komut veremeyen bu k\\u00fc\\u00e7\\u00fck k\\u0131z\\u0131n beyni ise m\\u00fckemmel i\\u015fliyor. Hik\\u00e2ye Melody'nin \\u00f6\\u011fretmenlerine, arkada\\u015flar\\u0131na, kom\\u015fular\\u0131na k\\u0131saca d\\u0131\\u015f d\\u00fcnyaya kendini kan\\u0131tlama \\u00e7abas\\u0131n\\u0131 anlat\\u0131yor. \\u0130ncelikli, naif, ak\\u0131c\\u0131, komik ve ilham verici bir eser. Sesini asla unutamayaca\\u011f\\u0131n\\u0131z bu cesur k\\u0131zla tan\\u0131\\u015fmaya haz\\u0131r m\\u0131s\\u0131n\\u0131z?<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p><b>\\u015eimdiye kadar tek kelime konu\\u015fmad\\u0131m. Neredeyse on bir ya\\u015f\\u0131nday\\u0131m.<\\\/b><br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130ngiltere'nin sayg\\u0131n edebiyat \\u00f6d\\u00fcllerinden Coratta Scott King \\u00f6d\\u00fcll\\u00fc yazar Sharon M. Draper'dan h\\u00fcz\\u00fcn ve umut dolu soluksuz okunacak bir roman. Ger\\u00e7ek bir ya\\u015fam \\u00f6yk\\u00fcs\\u00fcnden ilham al\\u0131narak kaleme al\\u0131nm\\u0131\\u015f. 11 ya\\u015f\\u0131ndaki Melody'nin hastal\\u0131\\u011f\\u0131n\\u0131n ad\\u0131 Spastik ikili kuadripleji yani beyin felci. Y\\u00fcr\\u00fcyemiyor, konu\\u015fam\\u0131yor, tekerlekli sandalyeye mahkum. Hi\\u00e7bir uzvuna komut veremeyen bu k\\u00fc\\u00e7\\u00fck k\\u0131z\\u0131n beyni ise m\\u00fckemmel i\\u015fliyor. Hik\\u00e2ye Melody'nin \\u00f6\\u011fretmenlerine, arkada\\u015flar\\u0131na, kom\\u015fular\\u0131na k\\u0131saca d\\u0131\\u015f d\\u00fcnyaya kendini kan\\u0131tlama \\u00e7abas\\u0131n\\u0131 anlat\\u0131yor. \\u0130ncelikli, naif, ak\\u0131c\\u0131, komik ve ilham verici bir eser. Sesini asla unutamayaca\\u011f\\u0131n\\u0131z bu cesur k\\u0131zla tan\\u0131\\u015fmaya haz\\u0131r m\\u0131s\\u0131n\\u0131z?<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6064,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8936,\"book_id\":6064,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8935,\"book_id\":6064,\"locale\":\"tr\",\"name\":\"\\u0130\\u00e7imdeki M\\u00fczik\",\"slug\":\"icimdeki-muzik\",\"sub_name\":\"\",\"description\":\"<p><b>\\u015eimdiye kadar tek kelime konu\\u015fmad\\u0131m. Neredeyse on bir ya\\u015f\\u0131nday\\u0131m.<\\\/b><br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130ngiltere'nin sayg\\u0131n edebiyat \\u00f6d\\u00fcllerinden Coratta Scott King \\u00f6d\\u00fcll\\u00fc yazar Sharon M. Draper'dan h\\u00fcz\\u00fcn ve umut dolu soluksuz okunacak bir roman. Ger\\u00e7ek bir ya\\u015fam \\u00f6yk\\u00fcs\\u00fcnden ilham al\\u0131narak kaleme al\\u0131nm\\u0131\\u015f. 11 ya\\u015f\\u0131ndaki Melody'nin hastal\\u0131\\u011f\\u0131n\\u0131n ad\\u0131 Spastik ikili kuadripleji yani beyin felci. Y\\u00fcr\\u00fcyemiyor, konu\\u015fam\\u0131yor, tekerlekli sandalyeye mahkum. Hi\\u00e7bir uzvuna komut veremeyen bu k\\u00fc\\u00e7\\u00fck k\\u0131z\\u0131n beyni ise m\\u00fckemmel i\\u015fliyor. Hik\\u00e2ye Melody'nin \\u00f6\\u011fretmenlerine, arkada\\u015flar\\u0131na, kom\\u015fular\\u0131na k\\u0131saca d\\u0131\\u015f d\\u00fcnyaya kendini kan\\u0131tlama \\u00e7abas\\u0131n\\u0131 anlat\\u0131yor. \\u0130ncelikli, naif, ak\\u0131c\\u0131, komik ve ilham verici bir eser. Sesini asla unutamayaca\\u011f\\u0131n\\u0131z bu cesur k\\u0131zla tan\\u0131\\u015fmaya haz\\u0131r m\\u0131s\\u0131n\\u0131z?<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p><b>\\u015eimdiye kadar tek kelime konu\\u015fmad\\u0131m. Neredeyse on bir ya\\u015f\\u0131nday\\u0131m.<\\\/b><br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130ngiltere'nin sayg\\u0131n edebiyat \\u00f6d\\u00fcllerinden Coratta Scott King \\u00f6d\\u00fcll\\u00fc yazar Sharon M. Draper'dan h\\u00fcz\\u00fcn ve umut dolu soluksuz okunacak bir roman. Ger\\u00e7ek bir ya\\u015fam \\u00f6yk\\u00fcs\\u00fcnden ilham al\\u0131narak kaleme al\\u0131nm\\u0131\\u015f. 11 ya\\u015f\\u0131ndaki Melody'nin hastal\\u0131\\u011f\\u0131n\\u0131n ad\\u0131 Spastik ikili kuadripleji yani beyin felci. Y\\u00fcr\\u00fcyemiyor, konu\\u015fam\\u0131yor, tekerlekli sandalyeye mahkum. Hi\\u00e7bir uzvuna komut veremeyen bu k\\u00fc\\u00e7\\u00fck k\\u0131z\\u0131n beyni ise m\\u00fckemmel i\\u015fliyor. Hik\\u00e2ye Melody'nin \\u00f6\\u011fretmenlerine, arkada\\u015flar\\u0131na, kom\\u015fular\\u0131na k\\u0131saca d\\u0131\\u015f d\\u00fcnyaya kendini kan\\u0131tlama \\u00e7abas\\u0131n\\u0131 anlat\\u0131yor. \\u0130ncelikli, naif, ak\\u0131c\\u0131, komik ve ilham verici bir eser. Sesini asla unutamayaca\\u011f\\u0131n\\u0131z bu cesur k\\u0131zla tan\\u0131\\u015fmaya haz\\u0131r m\\u0131s\\u0131n\\u0131z?<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6144,\"user_id\":10,\"original_name\":\"Antikac\\u0131\",\"printing_date\":\"2019-11-04 13:12:53\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/antikaci-kapak-1572430373.png\",\"image_settings\":{\"id\":6144,\"path\":\"\\\/images\\\/books\\\/2019\\\/10\\\/30\\\/13\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":165649,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":33941,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":13817,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3394,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1912,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3874,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":22056,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":22056,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":9340,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2280,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1116,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2520,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-10-30 13:12:53\",\"updated_at\":\"2019-10-30 13:12:53\",\"name\":\"Antikac\\u0131\",\"slug\":\"antikaci\",\"sub_name\":\"\",\"description\":\"<p>Romanlar\\u0131 ve oyunculu\\u011fu ile T\\u00fcrkiye'de ve d\\u00fcnyada b\\u00fcy\\u00fck ilgiyle takip edilen Bahad\\u0131r Yeni\\u015fehirlio\\u011flu bu kez \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 bir romanla \\u00e7\\u0131k\\u0131yor okurlar\\u0131n\\u0131n kar\\u015f\\u0131s\\u0131na.&nbsp;<br \\\/>\\r\\n&nbsp;<br \\\/>\\r\\nHer \\u015feyi geride b\\u0131rak\\u0131p \\u00e7ekip gitmek kolay m\\u0131? Kurmak i\\u00e7in y\\u0131llarca u\\u011fra\\u015ft\\u0131\\u011f\\u0131 d\\u00fczeninden bir \\u00e7\\u0131rp\\u0131da vazge\\u00e7ebilir mi insan? Geride b\\u0131rakt\\u0131klar\\u0131n ne olacak? Sorumluluklar\\u0131n\\u0131 ne yapacaks\\u0131n? G\\u00f6z\\u00fcn\\u00fcn i\\u00e7ine muhabbetle bakanlar ne yapacak sensiz?<br \\\/>\\r\\nPeki ya hayallerin? Ger\\u00e7ekten ya\\u015fad\\u0131\\u011f\\u0131n hayat\\u0131 istiyor musun? Bu k\\u0131sac\\u0131k \\u00f6mr\\u00fcn\\u00fc ba\\u015fkalar\\u0131n\\u0131n istedi\\u011fi gibi mi s\\u00fcrd\\u00fcreceksin? Benli\\u011fini bulmak i\\u00e7in hi\\u00e7 mi u\\u011fra\\u015fmayacaks\\u0131n? Gidebilirsen e\\u011fer, gitti\\u011fin yerde seni neler bekler? Gidemezsen kimdir asl\\u0131nda bunun sorumlusu?<br \\\/>\\r\\n&nbsp;<br \\\/>\\r\\n\\u00dcsk\\u00fcdar'\\u0131n s\\u0131rtlar\\u0131ndan \\u0130stanbul'u sessizce izleyen o ev, i\\u00e7inde Antikac\\u0131 Cemil Bey'in hik\\u00e2yesiyle birlikte neler bar\\u0131nd\\u0131r\\u0131r?<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Romanlar\\u0131 ve oyunculu\\u011fu ile T\\u00fcrkiye'de ve d\\u00fcnyada b\\u00fcy\\u00fck ilgiyle takip edilen Bahad\\u0131r Yeni\\u015fehirlio\\u011flu bu kez \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 bir romanla \\u00e7\\u0131k\\u0131yor okurlar\\u0131n\\u0131n kar\\u015f\\u0131s\\u0131na.\\u00a0<br \\\/>\\r\\n\\u00a0<br \\\/>\\r\\nHer \\u015feyi geride b\\u0131rak\\u0131p \\u00e7ekip gitmek kolay m\\u0131? Kurmak i\\u00e7in y\\u0131llarca u\\u011fra\\u015ft\\u0131\\u011f\\u0131 d\\u00fczeninden bir \\u00e7\\u0131rp\\u0131da vazge\\u00e7ebilir mi insan? Geride b\\u0131rakt\\u0131klar\\u0131n ne olacak? Sorumluluklar\\u0131n\\u0131 ne yapacaks\\u0131n? G\\u00f6z\\u00fcn\\u00fcn i\\u00e7ine muhabbetle bakanlar ne yapacak sensiz?<br \\\/>\\r\\nPeki ya hayallerin? Ger\\u00e7ekten ya\\u015fad\\u0131\\u011f\\u0131n hayat\\u0131 istiyor musun? Bu k\\u0131sac\\u0131k \\u00f6mr\\u00fcn\\u00fc ba\\u015fkalar\\u0131n\\u0131n istedi\\u011fi gibi mi s\\u00fcrd\\u00fcreceksin? Benli\\u011fini bulmak i\\u00e7in hi\\u00e7 mi u\\u011fra\\u015fmayacaks\\u0131n? Gidebilirsen e\\u011fer, gitti\\u011fin yerde seni neler bekler? Gidemezsen kimdir asl\\u0131nda bunun sorumlusu?<br \\\/>\\r\\n\\u00a0<br \\\/>\\r\\n\\u00dcsk\\u00fcdar'\\u0131n s\\u0131rtlar\\u0131ndan \\u0130stanbul'u sessizce izleyen o ev, i\\u00e7inde Antikac\\u0131 Cemil Bey'in hik\\u00e2yesiyle birlikte neler bar\\u0131nd\\u0131r\\u0131r?<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6144,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9094,\"book_id\":6144,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9093,\"book_id\":6144,\"locale\":\"tr\",\"name\":\"Antikac\\u0131\",\"slug\":\"antikaci\",\"sub_name\":\"\",\"description\":\"<p>Romanlar\\u0131 ve oyunculu\\u011fu ile T\\u00fcrkiye'de ve d\\u00fcnyada b\\u00fcy\\u00fck ilgiyle takip edilen Bahad\\u0131r Yeni\\u015fehirlio\\u011flu bu kez \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 bir romanla \\u00e7\\u0131k\\u0131yor okurlar\\u0131n\\u0131n kar\\u015f\\u0131s\\u0131na.&nbsp;<br \\\/>\\r\\n&nbsp;<br \\\/>\\r\\nHer \\u015feyi geride b\\u0131rak\\u0131p \\u00e7ekip gitmek kolay m\\u0131? Kurmak i\\u00e7in y\\u0131llarca u\\u011fra\\u015ft\\u0131\\u011f\\u0131 d\\u00fczeninden bir \\u00e7\\u0131rp\\u0131da vazge\\u00e7ebilir mi insan? Geride b\\u0131rakt\\u0131klar\\u0131n ne olacak? Sorumluluklar\\u0131n\\u0131 ne yapacaks\\u0131n? G\\u00f6z\\u00fcn\\u00fcn i\\u00e7ine muhabbetle bakanlar ne yapacak sensiz?<br \\\/>\\r\\nPeki ya hayallerin? Ger\\u00e7ekten ya\\u015fad\\u0131\\u011f\\u0131n hayat\\u0131 istiyor musun? Bu k\\u0131sac\\u0131k \\u00f6mr\\u00fcn\\u00fc ba\\u015fkalar\\u0131n\\u0131n istedi\\u011fi gibi mi s\\u00fcrd\\u00fcreceksin? Benli\\u011fini bulmak i\\u00e7in hi\\u00e7 mi u\\u011fra\\u015fmayacaks\\u0131n? Gidebilirsen e\\u011fer, gitti\\u011fin yerde seni neler bekler? Gidemezsen kimdir asl\\u0131nda bunun sorumlusu?<br \\\/>\\r\\n&nbsp;<br \\\/>\\r\\n\\u00dcsk\\u00fcdar'\\u0131n s\\u0131rtlar\\u0131ndan \\u0130stanbul'u sessizce izleyen o ev, i\\u00e7inde Antikac\\u0131 Cemil Bey'in hik\\u00e2yesiyle birlikte neler bar\\u0131nd\\u0131r\\u0131r?<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Romanlar\\u0131 ve oyunculu\\u011fu ile T\\u00fcrkiye'de ve d\\u00fcnyada b\\u00fcy\\u00fck ilgiyle takip edilen Bahad\\u0131r Yeni\\u015fehirlio\\u011flu bu kez \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 bir romanla \\u00e7\\u0131k\\u0131yor okurlar\\u0131n\\u0131n kar\\u015f\\u0131s\\u0131na.\\u00a0<br \\\/>\\r\\n\\u00a0<br \\\/>\\r\\nHer \\u015feyi geride b\\u0131rak\\u0131p \\u00e7ekip gitmek kolay m\\u0131? Kurmak i\\u00e7in y\\u0131llarca u\\u011fra\\u015ft\\u0131\\u011f\\u0131 d\\u00fczeninden bir \\u00e7\\u0131rp\\u0131da vazge\\u00e7ebilir mi insan? Geride b\\u0131rakt\\u0131klar\\u0131n ne olacak? Sorumluluklar\\u0131n\\u0131 ne yapacaks\\u0131n? G\\u00f6z\\u00fcn\\u00fcn i\\u00e7ine muhabbetle bakanlar ne yapacak sensiz?<br \\\/>\\r\\nPeki ya hayallerin? Ger\\u00e7ekten ya\\u015fad\\u0131\\u011f\\u0131n hayat\\u0131 istiyor musun? Bu k\\u0131sac\\u0131k \\u00f6mr\\u00fcn\\u00fc ba\\u015fkalar\\u0131n\\u0131n istedi\\u011fi gibi mi s\\u00fcrd\\u00fcreceksin? Benli\\u011fini bulmak i\\u00e7in hi\\u00e7 mi u\\u011fra\\u015fmayacaks\\u0131n? Gidebilirsen e\\u011fer, gitti\\u011fin yerde seni neler bekler? Gidemezsen kimdir asl\\u0131nda bunun sorumlusu?<br \\\/>\\r\\n\\u00a0<br \\\/>\\r\\n\\u00dcsk\\u00fcdar'\\u0131n s\\u0131rtlar\\u0131ndan \\u0130stanbul'u sessizce izleyen o ev, i\\u00e7inde Antikac\\u0131 Cemil Bey'in hik\\u00e2yesiyle birlikte neler bar\\u0131nd\\u0131r\\u0131r?<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6145,\"user_id\":10,\"original_name\":\"Osman Gazi \\u00c7\\u0131nar\\u0131n G\\u00f6lgesinde\",\"printing_date\":\"2019-11-04 13:44:33\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/osman-gazi-cinarin-golgesinde-kapak-1572432273.png\",\"image_settings\":{\"id\":6145,\"path\":\"\\\/images\\\/books\\\/2019\\\/10\\\/30\\\/13\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":176246,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":36046,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":14672,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3629,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1931,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3665,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":23622,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":23622,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":10144,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2470,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1140,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2338,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-10-30 13:44:33\",\"updated_at\":\"2019-10-30 13:44:33\",\"name\":\"Osman Gazi \\u00c7\\u0131nar\\u0131n G\\u00f6lgesinde\",\"slug\":\"osman-gazi-cinarin-golgesinde\",\"sub_name\":\"\",\"description\":\"<p>Ertu\\u011frul Gazi d\\u00f6neminde s\\u00fcren bar\\u0131\\u015f ortam\\u0131ndan sonra T\\u00fcrk'\\u00fcn k\\u0131l\\u0131c\\u0131n\\u0131 d\\u00fc\\u015fmana sallayan, yak\\u0131nlar\\u0131n\\u0131n \\u00fczerine g\\u00f6lge yapan eli kesen, mevzu Kay\\u0131 oldu\\u011funda amcas\\u0131 D\\u00fcndar Alp'in dahi ihanetine aman vermeyen bir yi\\u011fidin hikayesi bu... Mo\\u011follar\\u0131n varl\\u0131\\u011f\\u0131na ra\\u011fmen kar\\u015f\\u0131s\\u0131na dizilenlerin yine en \\u00e7ok korktu\\u011fu Osmanl\\u0131'n\\u0131n do\\u011fu\\u015fu...<\\\/p>\\r\\n\\r\\n<p>Yay\\u0131lmaya ba\\u015flayan Kay\\u0131 boyunun kar\\u015f\\u0131s\\u0131na \\u00e7\\u0131kan onca farkl\\u0131l\\u0131k selamla kar\\u015f\\u0131lan\\u0131rken namertli\\u011fe kar\\u015f\\u0131 ac\\u0131mas\\u0131zl\\u0131\\u011f\\u0131na \\u015fahit oldu\\u011fumuz Osman Gazi'nin yazd\\u0131\\u011f\\u0131 destans\\u0131 tarihin ilk ad\\u0131mlar\\u0131... At \\u00fcst\\u00fcnde g\\u00f6sterdi\\u011fi h\\u00fcner, d\\u00fc\\u015fman kar\\u015f\\u0131s\\u0131nda g\\u00f6sterdi\\u011fi cesaret, h\\u0131s\\u0131m kar\\u015f\\u0131s\\u0131nda g\\u00f6sterdi\\u011fi sab\\u0131r ona koca bir \\u00e7\\u0131nar ba\\u011f\\u0131\\u015fl\\u0131yor...<\\\/p>\\r\\n\\r\\n<p>T\\u00fcrkiye'nin en \\u00e7ok okunan tarihi romanlar\\u0131n\\u0131n yazar\\u0131, eserleri Arap\\u00e7a, Azerice, Endonezce ve Bo\\u015fnak\\u00e7aya \\u00e7evrilen, okurlar\\u0131 taraf\\u0131ndan \\\"g\\u00fcn\\u00fcm\\u00fcz\\u00fcn Peyami Safa's\\u0131\\\" olarak an\\u0131lan&nbsp;Okay Tiryakio\\u011flu, Osmanl\\u0131'n\\u0131n S\\u00f6\\u011f\\u00fct'te ba\\u015flayan kurulu\\u015f hikayesinin ba\\u015f kahraman\\u0131 Osman Gazi'yi anlatarak tarihin sayfalar\\u0131n\\u0131 yeniden aral\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>Osman Gazi-\\u00c7\\u0131nar\\u0131n G\\u00f6lgesinde... Bir kurulu\\u015f destan\\u0131n\\u0131 hakk\\u0131n\\u0131 vererek okumak isteyenler i\\u00e7in...<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ertu\\u011frul Gazi d\\u00f6neminde s\\u00fcren bar\\u0131\\u015f ortam\\u0131ndan sonra T\\u00fcrk'\\u00fcn k\\u0131l\\u0131c\\u0131n\\u0131 d\\u00fc\\u015fmana sallayan, yak\\u0131nlar\\u0131n\\u0131n \\u00fczerine g\\u00f6lge yapan eli kesen, mevzu Kay\\u0131 oldu\\u011funda amcas\\u0131 D\\u00fcndar Alp'in dahi ihanetine aman vermeyen bir yi\\u011fidin hikayesi bu... Mo\\u011follar\\u0131n varl\\u0131\\u011f\\u0131na ra\\u011fmen kar\\u015f\\u0131s\\u0131na dizilenlerin yine en \\u00e7ok korktu\\u011fu Osmanl\\u0131'n\\u0131n do\\u011fu\\u015fu...<\\\/p>\\r\\n\\r\\n<p>Yay\\u0131lmaya ba\\u015flayan Kay\\u0131 boyunun kar\\u015f\\u0131s\\u0131na \\u00e7\\u0131kan onca farkl\\u0131l\\u0131k selamla kar\\u015f\\u0131lan\\u0131rken namertli\\u011fe kar\\u015f\\u0131 ac\\u0131mas\\u0131zl\\u0131\\u011f\\u0131na \\u015fahit oldu\\u011fumuz Osman Gazi'nin yazd\\u0131\\u011f\\u0131 destans\\u0131 tarihin ilk ad\\u0131mlar\\u0131... At \\u00fcst\\u00fcnde g\\u00f6sterdi\\u011fi h\\u00fcner, d\\u00fc\\u015fman kar\\u015f\\u0131s\\u0131nda g\\u00f6sterdi\\u011fi cesaret, h\\u0131s\\u0131m kar\\u015f\\u0131s\\u0131nda g\\u00f6sterdi\\u011fi sab\\u0131r ona koca bir \\u00e7\\u0131nar ba\\u011f\\u0131\\u015fl\\u0131yor...<\\\/p>\\r\\n\\r\\n<p>T\\u00fcrkiye'nin en \\u00e7ok okunan tarihi romanlar\\u0131n\\u0131n yazar\\u0131, eserleri Arap\\u00e7a, Azerice, Endonezce ve Bo\\u015fnak\\u00e7aya \\u00e7evrilen, okurlar\\u0131 taraf\\u0131ndan \\\"g\\u00fcn\\u00fcm\\u00fcz\\u00fcn Peyami Safa's\\u0131\\\" olarak an\\u0131lan\\u00a0Okay Tiryakio\\u011flu, Osmanl\\u0131'n\\u0131n S\\u00f6\\u011f\\u00fct'te ba\\u015flayan kurulu\\u015f hikayesinin ba\\u015f kahraman\\u0131 Osman Gazi'yi anlatarak tarihin sayfalar\\u0131n\\u0131 yeniden aral\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>Osman Gazi-\\u00c7\\u0131nar\\u0131n G\\u00f6lgesinde... Bir kurulu\\u015f destan\\u0131n\\u0131 hakk\\u0131n\\u0131 vererek okumak isteyenler i\\u00e7in...<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6145,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9096,\"book_id\":6145,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9095,\"book_id\":6145,\"locale\":\"tr\",\"name\":\"Osman Gazi \\u00c7\\u0131nar\\u0131n G\\u00f6lgesinde\",\"slug\":\"osman-gazi-cinarin-golgesinde\",\"sub_name\":\"\",\"description\":\"<p>Ertu\\u011frul Gazi d\\u00f6neminde s\\u00fcren bar\\u0131\\u015f ortam\\u0131ndan sonra T\\u00fcrk'\\u00fcn k\\u0131l\\u0131c\\u0131n\\u0131 d\\u00fc\\u015fmana sallayan, yak\\u0131nlar\\u0131n\\u0131n \\u00fczerine g\\u00f6lge yapan eli kesen, mevzu Kay\\u0131 oldu\\u011funda amcas\\u0131 D\\u00fcndar Alp'in dahi ihanetine aman vermeyen bir yi\\u011fidin hikayesi bu... Mo\\u011follar\\u0131n varl\\u0131\\u011f\\u0131na ra\\u011fmen kar\\u015f\\u0131s\\u0131na dizilenlerin yine en \\u00e7ok korktu\\u011fu Osmanl\\u0131'n\\u0131n do\\u011fu\\u015fu...<\\\/p>\\r\\n\\r\\n<p>Yay\\u0131lmaya ba\\u015flayan Kay\\u0131 boyunun kar\\u015f\\u0131s\\u0131na \\u00e7\\u0131kan onca farkl\\u0131l\\u0131k selamla kar\\u015f\\u0131lan\\u0131rken namertli\\u011fe kar\\u015f\\u0131 ac\\u0131mas\\u0131zl\\u0131\\u011f\\u0131na \\u015fahit oldu\\u011fumuz Osman Gazi'nin yazd\\u0131\\u011f\\u0131 destans\\u0131 tarihin ilk ad\\u0131mlar\\u0131... At \\u00fcst\\u00fcnde g\\u00f6sterdi\\u011fi h\\u00fcner, d\\u00fc\\u015fman kar\\u015f\\u0131s\\u0131nda g\\u00f6sterdi\\u011fi cesaret, h\\u0131s\\u0131m kar\\u015f\\u0131s\\u0131nda g\\u00f6sterdi\\u011fi sab\\u0131r ona koca bir \\u00e7\\u0131nar ba\\u011f\\u0131\\u015fl\\u0131yor...<\\\/p>\\r\\n\\r\\n<p>T\\u00fcrkiye'nin en \\u00e7ok okunan tarihi romanlar\\u0131n\\u0131n yazar\\u0131, eserleri Arap\\u00e7a, Azerice, Endonezce ve Bo\\u015fnak\\u00e7aya \\u00e7evrilen, okurlar\\u0131 taraf\\u0131ndan \\\"g\\u00fcn\\u00fcm\\u00fcz\\u00fcn Peyami Safa's\\u0131\\\" olarak an\\u0131lan&nbsp;Okay Tiryakio\\u011flu, Osmanl\\u0131'n\\u0131n S\\u00f6\\u011f\\u00fct'te ba\\u015flayan kurulu\\u015f hikayesinin ba\\u015f kahraman\\u0131 Osman Gazi'yi anlatarak tarihin sayfalar\\u0131n\\u0131 yeniden aral\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>Osman Gazi-\\u00c7\\u0131nar\\u0131n G\\u00f6lgesinde... Bir kurulu\\u015f destan\\u0131n\\u0131 hakk\\u0131n\\u0131 vererek okumak isteyenler i\\u00e7in...<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ertu\\u011frul Gazi d\\u00f6neminde s\\u00fcren bar\\u0131\\u015f ortam\\u0131ndan sonra T\\u00fcrk'\\u00fcn k\\u0131l\\u0131c\\u0131n\\u0131 d\\u00fc\\u015fmana sallayan, yak\\u0131nlar\\u0131n\\u0131n \\u00fczerine g\\u00f6lge yapan eli kesen, mevzu Kay\\u0131 oldu\\u011funda amcas\\u0131 D\\u00fcndar Alp'in dahi ihanetine aman vermeyen bir yi\\u011fidin hikayesi bu... Mo\\u011follar\\u0131n varl\\u0131\\u011f\\u0131na ra\\u011fmen kar\\u015f\\u0131s\\u0131na dizilenlerin yine en \\u00e7ok korktu\\u011fu Osmanl\\u0131'n\\u0131n do\\u011fu\\u015fu...<\\\/p>\\r\\n\\r\\n<p>Yay\\u0131lmaya ba\\u015flayan Kay\\u0131 boyunun kar\\u015f\\u0131s\\u0131na \\u00e7\\u0131kan onca farkl\\u0131l\\u0131k selamla kar\\u015f\\u0131lan\\u0131rken namertli\\u011fe kar\\u015f\\u0131 ac\\u0131mas\\u0131zl\\u0131\\u011f\\u0131na \\u015fahit oldu\\u011fumuz Osman Gazi'nin yazd\\u0131\\u011f\\u0131 destans\\u0131 tarihin ilk ad\\u0131mlar\\u0131... At \\u00fcst\\u00fcnde g\\u00f6sterdi\\u011fi h\\u00fcner, d\\u00fc\\u015fman kar\\u015f\\u0131s\\u0131nda g\\u00f6sterdi\\u011fi cesaret, h\\u0131s\\u0131m kar\\u015f\\u0131s\\u0131nda g\\u00f6sterdi\\u011fi sab\\u0131r ona koca bir \\u00e7\\u0131nar ba\\u011f\\u0131\\u015fl\\u0131yor...<\\\/p>\\r\\n\\r\\n<p>T\\u00fcrkiye'nin en \\u00e7ok okunan tarihi romanlar\\u0131n\\u0131n yazar\\u0131, eserleri Arap\\u00e7a, Azerice, Endonezce ve Bo\\u015fnak\\u00e7aya \\u00e7evrilen, okurlar\\u0131 taraf\\u0131ndan \\\"g\\u00fcn\\u00fcm\\u00fcz\\u00fcn Peyami Safa's\\u0131\\\" olarak an\\u0131lan\\u00a0Okay Tiryakio\\u011flu, Osmanl\\u0131'n\\u0131n S\\u00f6\\u011f\\u00fct'te ba\\u015flayan kurulu\\u015f hikayesinin ba\\u015f kahraman\\u0131 Osman Gazi'yi anlatarak tarihin sayfalar\\u0131n\\u0131 yeniden aral\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>Osman Gazi-\\u00c7\\u0131nar\\u0131n G\\u00f6lgesinde... Bir kurulu\\u015f destan\\u0131n\\u0131 hakk\\u0131n\\u0131 vererek okumak isteyenler i\\u00e7in...<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6152,\"user_id\":10,\"original_name\":\"Kaybolan Tarihin Pe\\u015finde\",\"printing_date\":\"2019-11-04 13:42:10\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/kaybolan-tarihin-pesinde-kapak-1572518530.png\",\"image_settings\":{\"id\":6152,\"path\":\"\\\/images\\\/books\\\/2019\\\/10\\\/31\\\/13\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":155506,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":36019,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":14215,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3547,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1881,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3645,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":23964,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":23964,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":9484,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2314,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1028,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2382,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-10-31 13:42:10\",\"updated_at\":\"2019-10-31 13:42:10\",\"name\":\"Kaybolan Tarihin Pe\\u015finde\",\"slug\":\"kaybolan-tarihin-pesinde\",\"sub_name\":\"\",\"description\":\"<p>Mehmet Dilbaz, Kaybolan Tarihin Pe\\u015finde ismini verdi\\u011fi sosyal medya hesaplar\\u0131yla milyonlar\\u0131n tan\\u0131d\\u0131\\u011f\\u0131 bir isim. Bu platformda imparatorluk co\\u011frafyas\\u0131n\\u0131n bilhassa son payitaht \\u0130stanbul'un zaman i\\u00e7inde nas\\u0131l bir d\\u00f6n\\u00fc\\u015f\\u00fcm ge\\u00e7irdi\\u011fini g\\u00f6sterdi\\u011fi foto\\u011fraflarla hazin ve h\\u00fcz\\u00fcnl\\u00fc hat\\u0131ralarla anlat\\u0131yor. Yine Kaybolan Tarihin Pe\\u015finde ismiyle haz\\u0131rlad\\u0131\\u011f\\u0131 \\u00e7al\\u0131\\u015fmas\\u0131yla bu kez not defterini okuyucuyla payla\\u015f\\u0131yor. Bir cami, kas\\u0131r, t\\u00fcrbe, han, mezar ta\\u015f\\u0131, eski bir \\u00e7\\u0131nar, \\u00e7e\\u015fme, ge\\u00e7mi\\u015f zaman\\u0131 hayal ettiren manzara ve isimle, \\u00fcst\\u00fcnde sallanan ve b\\u00fct\\u00fcn \\u00e7izgilerine hasret sindiren incelikli vakitlere pencere a\\u00e7\\u0131yor. Te\\u015fkilat-\\u0131 Mahsusa'n\\u0131n fedaisi Yakup Cemil nerede kur\\u015funa dizildi? Hangi konsolosluk binas\\u0131 Osmanl\\u0131 mezarl\\u0131\\u011f\\u0131n\\u0131n \\u00fczerine in\\u015fa edildi? K\\u00e2\\u011f\\u0131thane saraylar\\u0131 hangi d\\u00f6nemde ya\\u011fmaland\\u0131? Hangi Osmanl\\u0131 mezarl\\u0131\\u011f\\u0131n\\u0131n \\u00fczerinde konser alan\\u0131 var? Mezar\\u0131nda rahat b\\u0131rak\\u0131lmayan Mevlevi \\u015eeyhi kimdi? Hangi Mimar Sinan eseri y\\u0131k\\u0131l\\u0131p yerine benzin istasyonu yap\\u0131ld\\u0131? \\u00dcnl\\u00fc sanat\\u00e7\\u0131 Safiye Ayla'n\\u0131n \\u00e7ocuklu\\u011funun ge\\u00e7ti\\u011fi yetimhane asl\\u0131nda hangi sarayd\\u0131? Bu kitapla, Tanp\\u0131nar'\\u0131n Kaybolan \\u015fey, bir hayat tarz\\u0131 b\\u00fct\\u00fcn bir d\\u00fcnyayd\\u0131... diye and\\u0131\\u011f\\u0131 'ikinci zaman'a yolculuklara \\u00e7\\u0131kacaks\\u0131n\\u0131z. Ve \\u0130stanbul'un nas\\u0131l bir masal ku\\u015fu olup, avu\\u00e7lar\\u0131m\\u0131zda u\\u00e7up gitti\\u011fine \\u015fahit olacaks\\u0131n\\u0131z. Yazar Hakk\\u0131nda Tarih ara\\u015ft\\u0131rmac\\u0131s\\u0131 ve turizmci olan Dilbaz, Ocak 1974'te \\u0130stanbul'da do\\u011fdu. Kabata\\u015f Erkek Lisesi'nden sonra Trakya \\u00dcniversitesi Turizm B\\u00f6l\\u00fcm\\u00fc'nde \\u00f6\\u011frenim g\\u00f6rd\\u00fc. Hen\\u00fcz \\u00e7ocuk ya\\u015flarda ba\\u015flayan tarih merak\\u0131n\\u0131 sosyal, g\\u00f6rsel ve yaz\\u0131l\\u0131 medya arac\\u0131l\\u0131\\u011f\\u0131 ile olu\\u015fturdu\\u011fu Kaybolan Tarihin Pe\\u015finde hareketi ile devam ettirmektedir. Bu hareket ile Bizans'tan ve Osmanl\\u0131'dan g\\u00fcn\\u00fcm\\u00fcze ula\\u015fan tarih\\u00ee eserlerin korunmas\\u0131 ve ya\\u015fat\\u0131lmas\\u0131 konusunda fark\\u0131ndal\\u0131k olu\\u015fturmay\\u0131 hedefleyen Dilbaz, Yunanistan ve Balkanlar'daki Osmanl\\u0131 eserleri konusunda h\\u00e2len \\u00e7al\\u0131\\u015fmalar y\\u00fcr\\u00fctmektedir. Yerel medyada tarih i\\u00e7erikli Tv programlar\\u0131 devam eden Dilbaz, Nurbanu ve Orhan'\\u0131n babas\\u0131d\\u0131r.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Mehmet Dilbaz, Kaybolan Tarihin Pe\\u015finde ismini verdi\\u011fi sosyal medya hesaplar\\u0131yla milyonlar\\u0131n tan\\u0131d\\u0131\\u011f\\u0131 bir isim. Bu platformda imparatorluk co\\u011frafyas\\u0131n\\u0131n bilhassa son payitaht \\u0130stanbul'un zaman i\\u00e7inde nas\\u0131l bir d\\u00f6n\\u00fc\\u015f\\u00fcm ge\\u00e7irdi\\u011fini g\\u00f6sterdi\\u011fi foto\\u011fraflarla hazin ve h\\u00fcz\\u00fcnl\\u00fc hat\\u0131ralarla anlat\\u0131yor. Yine Kaybolan Tarihin Pe\\u015finde ismiyle haz\\u0131rlad\\u0131\\u011f\\u0131 \\u00e7al\\u0131\\u015fmas\\u0131yla bu kez not defterini okuyucuyla payla\\u015f\\u0131yor. Bir cami, kas\\u0131r, t\\u00fcrbe, han, mezar ta\\u015f\\u0131, eski bir \\u00e7\\u0131nar, \\u00e7e\\u015fme, ge\\u00e7mi\\u015f zaman\\u0131 hayal ettiren manzara ve isimle, \\u00fcst\\u00fcnde sallanan ve b\\u00fct\\u00fcn \\u00e7izgilerine hasret sindiren incelikli vakitlere pencere a\\u00e7\\u0131yor. Te\\u015fkilat-\\u0131 Mahsusa'n\\u0131n fedaisi Yakup Cemil nerede kur\\u015funa dizildi? Hangi konsolosluk binas\\u0131 Osmanl\\u0131 mezarl\\u0131\\u011f\\u0131n\\u0131n \\u00fczerine in\\u015fa edildi? K\\u00e2\\u011f\\u0131thane saraylar\\u0131 hangi d\\u00f6nemde ya\\u011fmaland\\u0131? Hangi Osmanl\\u0131 mezarl\\u0131\\u011f\\u0131n\\u0131n \\u00fczerinde konser alan\\u0131 var? Mezar\\u0131nda rahat b\\u0131rak\\u0131lmayan Mevlevi \\u015eeyhi kimdi? Hangi Mimar Sinan eseri y\\u0131k\\u0131l\\u0131p yerine benzin istasyonu yap\\u0131ld\\u0131? \\u00dcnl\\u00fc sanat\\u00e7\\u0131 Safiye Ayla'n\\u0131n \\u00e7ocuklu\\u011funun ge\\u00e7ti\\u011fi yetimhane asl\\u0131nda hangi sarayd\\u0131? Bu kitapla, Tanp\\u0131nar'\\u0131n Kaybolan \\u015fey, bir hayat tarz\\u0131 b\\u00fct\\u00fcn bir d\\u00fcnyayd\\u0131... diye and\\u0131\\u011f\\u0131 'ikinci zaman'a yolculuklara \\u00e7\\u0131kacaks\\u0131n\\u0131z. Ve \\u0130stanbul'un nas\\u0131l bir masal ku\\u015fu olup, avu\\u00e7lar\\u0131m\\u0131zda u\\u00e7up gitti\\u011fine \\u015fahit olacaks\\u0131n\\u0131z. Yazar Hakk\\u0131nda Tarih ara\\u015ft\\u0131rmac\\u0131s\\u0131 ve turizmci olan Dilbaz, Ocak 1974'te \\u0130stanbul'da do\\u011fdu. Kabata\\u015f Erkek Lisesi'nden sonra Trakya \\u00dcniversitesi Turizm B\\u00f6l\\u00fcm\\u00fc'nde \\u00f6\\u011frenim g\\u00f6rd\\u00fc. Hen\\u00fcz \\u00e7ocuk ya\\u015flarda ba\\u015flayan tarih merak\\u0131n\\u0131 sosyal, g\\u00f6rsel ve yaz\\u0131l\\u0131 medya arac\\u0131l\\u0131\\u011f\\u0131 ile olu\\u015fturdu\\u011fu Kaybolan Tarihin Pe\\u015finde hareketi ile devam ettirmektedir. Bu hareket ile Bizans'tan ve Osmanl\\u0131'dan g\\u00fcn\\u00fcm\\u00fcze ula\\u015fan tarih\\u00ee eserlerin korunmas\\u0131 ve ya\\u015fat\\u0131lmas\\u0131 konusunda fark\\u0131ndal\\u0131k olu\\u015fturmay\\u0131 hedefleyen Dilbaz, Yunanistan ve Balkanlar'daki Osmanl\\u0131 eserleri konusunda h\\u00e2len \\u00e7al\\u0131\\u015fmalar y\\u00fcr\\u00fctmektedir. Yerel medyada tarih i\\u00e7erikli Tv programlar\\u0131 devam eden Dilbaz, Nurbanu ve Orhan'\\u0131n babas\\u0131d\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6152,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9110,\"book_id\":6152,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9109,\"book_id\":6152,\"locale\":\"tr\",\"name\":\"Kaybolan Tarihin Pe\\u015finde\",\"slug\":\"kaybolan-tarihin-pesinde\",\"sub_name\":\"\",\"description\":\"<p>Mehmet Dilbaz, Kaybolan Tarihin Pe\\u015finde ismini verdi\\u011fi sosyal medya hesaplar\\u0131yla milyonlar\\u0131n tan\\u0131d\\u0131\\u011f\\u0131 bir isim. Bu platformda imparatorluk co\\u011frafyas\\u0131n\\u0131n bilhassa son payitaht \\u0130stanbul'un zaman i\\u00e7inde nas\\u0131l bir d\\u00f6n\\u00fc\\u015f\\u00fcm ge\\u00e7irdi\\u011fini g\\u00f6sterdi\\u011fi foto\\u011fraflarla hazin ve h\\u00fcz\\u00fcnl\\u00fc hat\\u0131ralarla anlat\\u0131yor. Yine Kaybolan Tarihin Pe\\u015finde ismiyle haz\\u0131rlad\\u0131\\u011f\\u0131 \\u00e7al\\u0131\\u015fmas\\u0131yla bu kez not defterini okuyucuyla payla\\u015f\\u0131yor. Bir cami, kas\\u0131r, t\\u00fcrbe, han, mezar ta\\u015f\\u0131, eski bir \\u00e7\\u0131nar, \\u00e7e\\u015fme, ge\\u00e7mi\\u015f zaman\\u0131 hayal ettiren manzara ve isimle, \\u00fcst\\u00fcnde sallanan ve b\\u00fct\\u00fcn \\u00e7izgilerine hasret sindiren incelikli vakitlere pencere a\\u00e7\\u0131yor. Te\\u015fkilat-\\u0131 Mahsusa'n\\u0131n fedaisi Yakup Cemil nerede kur\\u015funa dizildi? Hangi konsolosluk binas\\u0131 Osmanl\\u0131 mezarl\\u0131\\u011f\\u0131n\\u0131n \\u00fczerine in\\u015fa edildi? K\\u00e2\\u011f\\u0131thane saraylar\\u0131 hangi d\\u00f6nemde ya\\u011fmaland\\u0131? Hangi Osmanl\\u0131 mezarl\\u0131\\u011f\\u0131n\\u0131n \\u00fczerinde konser alan\\u0131 var? Mezar\\u0131nda rahat b\\u0131rak\\u0131lmayan Mevlevi \\u015eeyhi kimdi? Hangi Mimar Sinan eseri y\\u0131k\\u0131l\\u0131p yerine benzin istasyonu yap\\u0131ld\\u0131? \\u00dcnl\\u00fc sanat\\u00e7\\u0131 Safiye Ayla'n\\u0131n \\u00e7ocuklu\\u011funun ge\\u00e7ti\\u011fi yetimhane asl\\u0131nda hangi sarayd\\u0131? Bu kitapla, Tanp\\u0131nar'\\u0131n Kaybolan \\u015fey, bir hayat tarz\\u0131 b\\u00fct\\u00fcn bir d\\u00fcnyayd\\u0131... diye and\\u0131\\u011f\\u0131 'ikinci zaman'a yolculuklara \\u00e7\\u0131kacaks\\u0131n\\u0131z. Ve \\u0130stanbul'un nas\\u0131l bir masal ku\\u015fu olup, avu\\u00e7lar\\u0131m\\u0131zda u\\u00e7up gitti\\u011fine \\u015fahit olacaks\\u0131n\\u0131z. Yazar Hakk\\u0131nda Tarih ara\\u015ft\\u0131rmac\\u0131s\\u0131 ve turizmci olan Dilbaz, Ocak 1974'te \\u0130stanbul'da do\\u011fdu. Kabata\\u015f Erkek Lisesi'nden sonra Trakya \\u00dcniversitesi Turizm B\\u00f6l\\u00fcm\\u00fc'nde \\u00f6\\u011frenim g\\u00f6rd\\u00fc. Hen\\u00fcz \\u00e7ocuk ya\\u015flarda ba\\u015flayan tarih merak\\u0131n\\u0131 sosyal, g\\u00f6rsel ve yaz\\u0131l\\u0131 medya arac\\u0131l\\u0131\\u011f\\u0131 ile olu\\u015fturdu\\u011fu Kaybolan Tarihin Pe\\u015finde hareketi ile devam ettirmektedir. Bu hareket ile Bizans'tan ve Osmanl\\u0131'dan g\\u00fcn\\u00fcm\\u00fcze ula\\u015fan tarih\\u00ee eserlerin korunmas\\u0131 ve ya\\u015fat\\u0131lmas\\u0131 konusunda fark\\u0131ndal\\u0131k olu\\u015fturmay\\u0131 hedefleyen Dilbaz, Yunanistan ve Balkanlar'daki Osmanl\\u0131 eserleri konusunda h\\u00e2len \\u00e7al\\u0131\\u015fmalar y\\u00fcr\\u00fctmektedir. Yerel medyada tarih i\\u00e7erikli Tv programlar\\u0131 devam eden Dilbaz, Nurbanu ve Orhan'\\u0131n babas\\u0131d\\u0131r.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Mehmet Dilbaz, Kaybolan Tarihin Pe\\u015finde ismini verdi\\u011fi sosyal medya hesaplar\\u0131yla milyonlar\\u0131n tan\\u0131d\\u0131\\u011f\\u0131 bir isim. Bu platformda imparatorluk co\\u011frafyas\\u0131n\\u0131n bilhassa son payitaht \\u0130stanbul'un zaman i\\u00e7inde nas\\u0131l bir d\\u00f6n\\u00fc\\u015f\\u00fcm ge\\u00e7irdi\\u011fini g\\u00f6sterdi\\u011fi foto\\u011fraflarla hazin ve h\\u00fcz\\u00fcnl\\u00fc hat\\u0131ralarla anlat\\u0131yor. Yine Kaybolan Tarihin Pe\\u015finde ismiyle haz\\u0131rlad\\u0131\\u011f\\u0131 \\u00e7al\\u0131\\u015fmas\\u0131yla bu kez not defterini okuyucuyla payla\\u015f\\u0131yor. Bir cami, kas\\u0131r, t\\u00fcrbe, han, mezar ta\\u015f\\u0131, eski bir \\u00e7\\u0131nar, \\u00e7e\\u015fme, ge\\u00e7mi\\u015f zaman\\u0131 hayal ettiren manzara ve isimle, \\u00fcst\\u00fcnde sallanan ve b\\u00fct\\u00fcn \\u00e7izgilerine hasret sindiren incelikli vakitlere pencere a\\u00e7\\u0131yor. Te\\u015fkilat-\\u0131 Mahsusa'n\\u0131n fedaisi Yakup Cemil nerede kur\\u015funa dizildi? Hangi konsolosluk binas\\u0131 Osmanl\\u0131 mezarl\\u0131\\u011f\\u0131n\\u0131n \\u00fczerine in\\u015fa edildi? K\\u00e2\\u011f\\u0131thane saraylar\\u0131 hangi d\\u00f6nemde ya\\u011fmaland\\u0131? Hangi Osmanl\\u0131 mezarl\\u0131\\u011f\\u0131n\\u0131n \\u00fczerinde konser alan\\u0131 var? Mezar\\u0131nda rahat b\\u0131rak\\u0131lmayan Mevlevi \\u015eeyhi kimdi? Hangi Mimar Sinan eseri y\\u0131k\\u0131l\\u0131p yerine benzin istasyonu yap\\u0131ld\\u0131? \\u00dcnl\\u00fc sanat\\u00e7\\u0131 Safiye Ayla'n\\u0131n \\u00e7ocuklu\\u011funun ge\\u00e7ti\\u011fi yetimhane asl\\u0131nda hangi sarayd\\u0131? Bu kitapla, Tanp\\u0131nar'\\u0131n Kaybolan \\u015fey, bir hayat tarz\\u0131 b\\u00fct\\u00fcn bir d\\u00fcnyayd\\u0131... diye and\\u0131\\u011f\\u0131 'ikinci zaman'a yolculuklara \\u00e7\\u0131kacaks\\u0131n\\u0131z. Ve \\u0130stanbul'un nas\\u0131l bir masal ku\\u015fu olup, avu\\u00e7lar\\u0131m\\u0131zda u\\u00e7up gitti\\u011fine \\u015fahit olacaks\\u0131n\\u0131z. Yazar Hakk\\u0131nda Tarih ara\\u015ft\\u0131rmac\\u0131s\\u0131 ve turizmci olan Dilbaz, Ocak 1974'te \\u0130stanbul'da do\\u011fdu. Kabata\\u015f Erkek Lisesi'nden sonra Trakya \\u00dcniversitesi Turizm B\\u00f6l\\u00fcm\\u00fc'nde \\u00f6\\u011frenim g\\u00f6rd\\u00fc. Hen\\u00fcz \\u00e7ocuk ya\\u015flarda ba\\u015flayan tarih merak\\u0131n\\u0131 sosyal, g\\u00f6rsel ve yaz\\u0131l\\u0131 medya arac\\u0131l\\u0131\\u011f\\u0131 ile olu\\u015fturdu\\u011fu Kaybolan Tarihin Pe\\u015finde hareketi ile devam ettirmektedir. Bu hareket ile Bizans'tan ve Osmanl\\u0131'dan g\\u00fcn\\u00fcm\\u00fcze ula\\u015fan tarih\\u00ee eserlerin korunmas\\u0131 ve ya\\u015fat\\u0131lmas\\u0131 konusunda fark\\u0131ndal\\u0131k olu\\u015fturmay\\u0131 hedefleyen Dilbaz, Yunanistan ve Balkanlar'daki Osmanl\\u0131 eserleri konusunda h\\u00e2len \\u00e7al\\u0131\\u015fmalar y\\u00fcr\\u00fctmektedir. Yerel medyada tarih i\\u00e7erikli Tv programlar\\u0131 devam eden Dilbaz, Nurbanu ve Orhan'\\u0131n babas\\u0131d\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6173,\"user_id\":10,\"original_name\":\"Samuray\",\"printing_date\":\"2019-11-04 12:23:22\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/samuray-kapak-1572600202.png\",\"image_settings\":{\"id\":6173,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/01\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":192211,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":42370,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17701,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":4302,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2363,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":5004,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":26964,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":26964,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":12334,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2952,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1348,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3278,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-01 12:23:22\",\"updated_at\":\"2019-11-01 12:23:23\",\"name\":\"Samuray\",\"slug\":\"samuray\",\"sub_name\":\"K\\u0131l\\u0131c\\u0131n Efendileri 1\",\"description\":\"<p>Asya\\u2019da s\\u00f6m\\u00fcrgele\\u015ftirilememi\\u015f nadir ba\\u011f\\u0131ms\\u0131z uluslardan biri olan Japonlar\\u0131n sanayile\\u015fme ve modernle\\u015fme \\u00e7abalar\\u0131n\\u0131 nas\\u0131l ba\\u015far\\u0131ya ula\\u015ft\\u0131rabildi\\u011fi hep merak edilen bir husustur. 1853 y\\u0131l\\u0131nda Amiral Matthew Perry komutas\\u0131ndaki Amerikan filosu Tokyo a\\u00e7\\u0131klar\\u0131nda belirerek h\\u00fck\\u00fcmeti d\\u0131\\u015fa a\\u00e7\\u0131lmaya zorlad\\u0131\\u011f\\u0131nda Japonya kat\\u0131 bir \\u015fekilde kastlara ayr\\u0131lm\\u0131\\u015f, d\\u00fcnyadaki end\\u00fcstriyel ve k\\u00fclt\\u00fcrel de\\u011fi\\u015fimlerden uzak, d\\u0131\\u015f d\\u00fcnya ile ili\\u015fkisi Nagasaki yak\\u0131nlar\\u0131ndaki Dejima adl\\u0131 k\\u00fc\\u00e7\\u00fck bir adaya giri\\u015fine izin verilen Hollandal\\u0131 t\\u00fcccar ve gemicilerden ald\\u0131\\u011f\\u0131 bilgilerle s\\u0131n\\u0131rl\\u0131 bir devletti. Ancak Japonlar\\u0131n \\u201cKara Gemiler\\u201d dedi\\u011fi Amerikan gemilerinin tetikledi\\u011fi de\\u011fi\\u015fim hareketi k\\u0131sa s\\u00fcre i\\u00e7inde kurulu d\\u00fczenin bozulmas\\u0131na yol a\\u00e7acakt\\u0131. Yepyeni bir dinamizmle, h\\u0131zla modernle\\u015fen Japonya, 1905 y\\u0131l\\u0131nda, Rus-Japon Sava\\u015f\\u0131\\u2019nda koca Rus \\u0130mparatorlu\\u011fu\\u2019nu dize getirerek Bat\\u0131l\\u0131lar\\u0131n \\u201cB\\u00fcy\\u00fck Devletler\\u201d ligine kabul edilen bir devlete d\\u00f6n\\u00fc\\u015fecekti.<\\\/p>\\r\\n\\r\\n<p>Bu bir Japon mucizesi miydi? Hay\\u0131r, hi\\u00e7bir sonu\\u00e7 sebepsiz olmayaca\\u011f\\u0131 gibi hi\\u00e7bir ba\\u015far\\u0131 da nedensiz de\\u011fildir. Bu ba\\u015far\\u0131n\\u0131n alt\\u0131nda yatan unsur samuraylar ve onlar\\u0131n d\\u00fcnya g\\u00f6r\\u00fc\\u015f\\u00fcn\\u00fc \\u015fekillendiren Bu\\u015fido yani Sava\\u015f\\u00e7\\u0131n\\u0131n Yolu d\\u00fc\\u015f\\u00fcncesiydi...<\\\/p>\\r\\n\\r\\n<p>K\\u00fc\\u00e7\\u00fckyal\\u00e7\\u0131n bu \\u00e7al\\u0131\\u015fmas\\u0131nda, \\u00f6ncelikle samuray s\\u0131n\\u0131f\\u0131n\\u0131n tarihi ak\\u0131\\u015f i\\u00e7erisindeki geli\\u015fim s\\u00fcrecini, devlet mekanizmas\\u0131n\\u0131n olu\\u015fumunu ve samuraylar\\u0131 do\\u011furacak olan asker\\u00ee te\\u015fkilat denemelerini ele al\\u0131yor. Bununla birlikte Japon devletinin merkeziyetten adem-i merkeziyete savrulu\\u015fu ile yerel g\\u00fc\\u00e7 odaklar\\u0131 olarak ortaya \\u00e7\\u0131kan derebeyleri ve feodal d\\u00fczeni inceliyor. Sonras\\u0131nda ise Bu\\u015fido d\\u00fc\\u015f\\u00fcncesinin geli\\u015fimini ve Yol kavram\\u0131n\\u0131 onu besleyen kaynaklar \\u00fczerinden ele alarak kavram\\u0131n samuraylar\\u0131n d\\u00fc\\u015f\\u00fcnce d\\u00fcnyalar\\u0131yla k\\u00fclt\\u00fcrel hayatlar\\u0131na nas\\u0131l yans\\u0131d\\u0131\\u011f\\u0131n\\u0131 ak\\u0131c\\u0131 bir \\u00fcslupla anlat\\u0131yor.Erdal K\\u00fc\\u00e7\\u00fckyal\\u00e7\\u0131n K\\u0131l\\u0131c\\u0131n Efendileri adl\\u0131 yeni bir seriyle okuyucusuyla bulu\\u015fuyor. Bu serinin ilk kitab\\u0131 Japon tarihini \\u015fekillendiren sava\\u015f\\u00e7\\u0131 s\\u0131n\\u0131f samuraylar...<\\\/p>\\r\\n\\r\\n<p>Asya\\u2019da s\\u00f6m\\u00fcrgele\\u015ftirilememi\\u015f nadir ba\\u011f\\u0131ms\\u0131z uluslardan biri olan Japonlar\\u0131n sanayile\\u015fme ve modernle\\u015fme \\u00e7abalar\\u0131n\\u0131 nas\\u0131l ba\\u015far\\u0131ya ula\\u015ft\\u0131rabildi\\u011fi hep merak edilen bir husustur. 1853 y\\u0131l\\u0131nda Amiral Matthew Perry komutas\\u0131ndaki Amerikan filosu Tokyo a\\u00e7\\u0131klar\\u0131nda belirerek h\\u00fck\\u00fcmeti d\\u0131\\u015fa a\\u00e7\\u0131lmaya zorlad\\u0131\\u011f\\u0131nda Japonya kat\\u0131 bir \\u015fekilde kastlara ayr\\u0131lm\\u0131\\u015f, d\\u00fcnyadaki end\\u00fcstriyel ve k\\u00fclt\\u00fcrel de\\u011fi\\u015fimlerden uzak, d\\u0131\\u015f d\\u00fcnya ile ili\\u015fkisi Nagasaki yak\\u0131nlar\\u0131ndaki Dejima adl\\u0131 k\\u00fc\\u00e7\\u00fck bir adaya giri\\u015fine izin verilen Hollandal\\u0131 t\\u00fcccar ve gemicilerden ald\\u0131\\u011f\\u0131 bilgilerle s\\u0131n\\u0131rl\\u0131 bir devletti. Ancak Japonlar\\u0131n \\u201cKara Gemiler\\u201d dedi\\u011fi Amerikan gemilerinin tetikledi\\u011fi de\\u011fi\\u015fim hareketi k\\u0131sa s\\u00fcre i\\u00e7inde kurulu d\\u00fczenin bozulmas\\u0131na yol a\\u00e7acakt\\u0131. Yepyeni bir dinamizmle, h\\u0131zla modernle\\u015fen Japonya, 1905 y\\u0131l\\u0131nda, Rus-Japon Sava\\u015f\\u0131\\u2019nda koca Rus \\u0130mparatorlu\\u011fu\\u2019nu dize getirerek Bat\\u0131l\\u0131lar\\u0131n \\u201cB\\u00fcy\\u00fck Devletler\\u201d ligine kabul edilen bir devlete d\\u00f6n\\u00fc\\u015fecekti.<\\\/p>\\r\\n\\r\\n<p>Bu bir Japon mucizesi miydi? Hay\\u0131r, hi\\u00e7bir sonu\\u00e7 sebepsiz olmayaca\\u011f\\u0131 gibi hi\\u00e7bir ba\\u015far\\u0131 da nedensiz de\\u011fildir. Bu ba\\u015far\\u0131n\\u0131n alt\\u0131nda yatan unsur samuraylar ve onlar\\u0131n d\\u00fcnya g\\u00f6r\\u00fc\\u015f\\u00fcn\\u00fc \\u015fekillendiren Bu\\u015fido yani Sava\\u015f\\u00e7\\u0131n\\u0131n Yolu d\\u00fc\\u015f\\u00fcncesiydi...<\\\/p>\\r\\n\\r\\n<p>K\\u00fc\\u00e7\\u00fckyal\\u00e7\\u0131n bu \\u00e7al\\u0131\\u015fmas\\u0131nda, \\u00f6ncelikle samuray s\\u0131n\\u0131f\\u0131n\\u0131n tarih\\u00ee ak\\u0131\\u015f i\\u00e7erisindeki geli\\u015fim s\\u00fcrecini, devlet mekanizmas\\u0131n\\u0131n olu\\u015fumunu ve samuraylar\\u0131 do\\u011furacak olan asker\\u00ee te\\u015fkilat denemelerini ele al\\u0131yor. Bununla birlikte Japon devletinin merkeziyetten ademi merkeziyete savrulu\\u015fu ile yerel g\\u00fc\\u00e7 odaklar\\u0131 olarak ortaya \\u00e7\\u0131kan derebeyleri ve feodal d\\u00fczeni inceliyor. Sonras\\u0131nda ise Bu\\u015fido d\\u00fc\\u015f\\u00fcncesinin geli\\u015fimini ve Yol kavram\\u0131n\\u0131 onu besleyen kaynaklar \\u00fczerinden ele alarak kavram\\u0131n samuraylar\\u0131n d\\u00fc\\u015f\\u00fcnce d\\u00fcnyalar\\u0131yla k\\u00fclt\\u00fcrel hayatlar\\u0131na nas\\u0131l yans\\u0131d\\u0131\\u011f\\u0131n\\u0131 ak\\u0131c\\u0131 bir \\u00fcslupla anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\",\"static_content\":\"<p>Asya\\u2019da s\\u00f6m\\u00fcrgele\\u015ftirilememi\\u015f nadir ba\\u011f\\u0131ms\\u0131z uluslardan biri olan Japonlar\\u0131n sanayile\\u015fme ve modernle\\u015fme \\u00e7abalar\\u0131n\\u0131 nas\\u0131l ba\\u015far\\u0131ya ula\\u015ft\\u0131rabildi\\u011fi hep merak edilen bir husustur. 1853 y\\u0131l\\u0131nda Amiral Matthew Perry komutas\\u0131ndaki Amerikan filosu Tokyo a\\u00e7\\u0131klar\\u0131nda belirerek h\\u00fck\\u00fcmeti d\\u0131\\u015fa a\\u00e7\\u0131lmaya zorlad\\u0131\\u011f\\u0131nda Japonya kat\\u0131 bir \\u015fekilde kastlara ayr\\u0131lm\\u0131\\u015f, d\\u00fcnyadaki end\\u00fcstriyel ve k\\u00fclt\\u00fcrel de\\u011fi\\u015fimlerden uzak, d\\u0131\\u015f d\\u00fcnya ile ili\\u015fkisi Nagasaki yak\\u0131nlar\\u0131ndaki Dejima adl\\u0131 k\\u00fc\\u00e7\\u00fck bir adaya giri\\u015fine izin verilen Hollandal\\u0131 t\\u00fcccar ve gemicilerden ald\\u0131\\u011f\\u0131 bilgilerle s\\u0131n\\u0131rl\\u0131 bir devletti. Ancak Japonlar\\u0131n \\u201cKara Gemiler\\u201d dedi\\u011fi Amerikan gemilerinin tetikledi\\u011fi de\\u011fi\\u015fim hareketi k\\u0131sa s\\u00fcre i\\u00e7inde kurulu d\\u00fczenin bozulmas\\u0131na yol a\\u00e7acakt\\u0131. Yepyeni bir dinamizmle, h\\u0131zla modernle\\u015fen Japonya, 1905 y\\u0131l\\u0131nda, Rus-Japon Sava\\u015f\\u0131\\u2019nda koca Rus \\u0130mparatorlu\\u011fu\\u2019nu dize getirerek Bat\\u0131l\\u0131lar\\u0131n \\u201cB\\u00fcy\\u00fck Devletler\\u201d ligine kabul edilen bir devlete d\\u00f6n\\u00fc\\u015fecekti.<\\\/p>\\r\\n\\r\\n<p>Bu bir Japon mucizesi miydi? Hay\\u0131r, hi\\u00e7bir sonu\\u00e7 sebepsiz olmayaca\\u011f\\u0131 gibi hi\\u00e7bir ba\\u015far\\u0131 da nedensiz de\\u011fildir. Bu ba\\u015far\\u0131n\\u0131n alt\\u0131nda yatan unsur samuraylar ve onlar\\u0131n d\\u00fcnya g\\u00f6r\\u00fc\\u015f\\u00fcn\\u00fc \\u015fekillendiren Bu\\u015fido yani Sava\\u015f\\u00e7\\u0131n\\u0131n Yolu d\\u00fc\\u015f\\u00fcncesiydi...<\\\/p>\\r\\n\\r\\n<p>K\\u00fc\\u00e7\\u00fckyal\\u00e7\\u0131n bu \\u00e7al\\u0131\\u015fmas\\u0131nda, \\u00f6ncelikle samuray s\\u0131n\\u0131f\\u0131n\\u0131n tarihi ak\\u0131\\u015f i\\u00e7erisindeki geli\\u015fim s\\u00fcrecini, devlet mekanizmas\\u0131n\\u0131n olu\\u015fumunu ve samuraylar\\u0131 do\\u011furacak olan asker\\u00ee te\\u015fkilat denemelerini ele al\\u0131yor. Bununla birlikte Japon devletinin merkeziyetten adem-i merkeziyete savrulu\\u015fu ile yerel g\\u00fc\\u00e7 odaklar\\u0131 olarak ortaya \\u00e7\\u0131kan derebeyleri ve feodal d\\u00fczeni inceliyor. Sonras\\u0131nda ise Bu\\u015fido d\\u00fc\\u015f\\u00fcncesinin geli\\u015fimini ve Yol kavram\\u0131n\\u0131 onu besleyen kaynaklar \\u00fczerinden ele alarak kavram\\u0131n samuraylar\\u0131n d\\u00fc\\u015f\\u00fcnce d\\u00fcnyalar\\u0131yla k\\u00fclt\\u00fcrel hayatlar\\u0131na nas\\u0131l yans\\u0131d\\u0131\\u011f\\u0131n\\u0131 ak\\u0131c\\u0131 bir \\u00fcslupla anlat\\u0131yor.Erdal K\\u00fc\\u00e7\\u00fckyal\\u00e7\\u0131n K\\u0131l\\u0131c\\u0131n Efendileri adl\\u0131 yeni bir seriyle okuyucusuyla bulu\\u015fuyor. Bu serinin ilk kitab\\u0131 Japon tarihini \\u015fekillendiren sava\\u015f\\u00e7\\u0131 s\\u0131n\\u0131f samuraylar...<\\\/p>\\r\\n\\r\\n<p>Asya\\u2019da s\\u00f6m\\u00fcrgele\\u015ftirilememi\\u015f nadir ba\\u011f\\u0131ms\\u0131z uluslardan biri olan Japonlar\\u0131n sanayile\\u015fme ve modernle\\u015fme \\u00e7abalar\\u0131n\\u0131 nas\\u0131l ba\\u015far\\u0131ya ula\\u015ft\\u0131rabildi\\u011fi hep merak edilen bir husustur. 1853 y\\u0131l\\u0131nda Amiral Matthew Perry komutas\\u0131ndaki Amerikan filosu Tokyo a\\u00e7\\u0131klar\\u0131nda belirerek h\\u00fck\\u00fcmeti d\\u0131\\u015fa a\\u00e7\\u0131lmaya zorlad\\u0131\\u011f\\u0131nda Japonya kat\\u0131 bir \\u015fekilde kastlara ayr\\u0131lm\\u0131\\u015f, d\\u00fcnyadaki end\\u00fcstriyel ve k\\u00fclt\\u00fcrel de\\u011fi\\u015fimlerden uzak, d\\u0131\\u015f d\\u00fcnya ile ili\\u015fkisi Nagasaki yak\\u0131nlar\\u0131ndaki Dejima adl\\u0131 k\\u00fc\\u00e7\\u00fck bir adaya giri\\u015fine izin verilen Hollandal\\u0131 t\\u00fcccar ve gemicilerden ald\\u0131\\u011f\\u0131 bilgilerle s\\u0131n\\u0131rl\\u0131 bir devletti. Ancak Japonlar\\u0131n \\u201cKara Gemiler\\u201d dedi\\u011fi Amerikan gemilerinin tetikledi\\u011fi de\\u011fi\\u015fim hareketi k\\u0131sa s\\u00fcre i\\u00e7inde kurulu d\\u00fczenin bozulmas\\u0131na yol a\\u00e7acakt\\u0131. Yepyeni bir dinamizmle, h\\u0131zla modernle\\u015fen Japonya, 1905 y\\u0131l\\u0131nda, Rus-Japon Sava\\u015f\\u0131\\u2019nda koca Rus \\u0130mparatorlu\\u011fu\\u2019nu dize getirerek Bat\\u0131l\\u0131lar\\u0131n \\u201cB\\u00fcy\\u00fck Devletler\\u201d ligine kabul edilen bir devlete d\\u00f6n\\u00fc\\u015fecekti.<\\\/p>\\r\\n\\r\\n<p>Bu bir Japon mucizesi miydi? Hay\\u0131r, hi\\u00e7bir sonu\\u00e7 sebepsiz olmayaca\\u011f\\u0131 gibi hi\\u00e7bir ba\\u015far\\u0131 da nedensiz de\\u011fildir. Bu ba\\u015far\\u0131n\\u0131n alt\\u0131nda yatan unsur samuraylar ve onlar\\u0131n d\\u00fcnya g\\u00f6r\\u00fc\\u015f\\u00fcn\\u00fc \\u015fekillendiren Bu\\u015fido yani Sava\\u015f\\u00e7\\u0131n\\u0131n Yolu d\\u00fc\\u015f\\u00fcncesiydi...<\\\/p>\\r\\n\\r\\n<p>K\\u00fc\\u00e7\\u00fckyal\\u00e7\\u0131n bu \\u00e7al\\u0131\\u015fmas\\u0131nda, \\u00f6ncelikle samuray s\\u0131n\\u0131f\\u0131n\\u0131n tarih\\u00ee ak\\u0131\\u015f i\\u00e7erisindeki geli\\u015fim s\\u00fcrecini, devlet mekanizmas\\u0131n\\u0131n olu\\u015fumunu ve samuraylar\\u0131 do\\u011furacak olan asker\\u00ee te\\u015fkilat denemelerini ele al\\u0131yor. Bununla birlikte Japon devletinin merkeziyetten ademi merkeziyete savrulu\\u015fu ile yerel g\\u00fc\\u00e7 odaklar\\u0131 olarak ortaya \\u00e7\\u0131kan derebeyleri ve feodal d\\u00fczeni inceliyor. Sonras\\u0131nda ise Bu\\u015fido d\\u00fc\\u015f\\u00fcncesinin geli\\u015fimini ve Yol kavram\\u0131n\\u0131 onu besleyen kaynaklar \\u00fczerinden ele alarak kavram\\u0131n samuraylar\\u0131n d\\u00fc\\u015f\\u00fcnce d\\u00fcnyalar\\u0131yla k\\u00fclt\\u00fcrel hayatlar\\u0131na nas\\u0131l yans\\u0131d\\u0131\\u011f\\u0131n\\u0131 ak\\u0131c\\u0131 bir \\u00fcslupla anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6173,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9152,\"book_id\":6173,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9151,\"book_id\":6173,\"locale\":\"tr\",\"name\":\"Samuray\",\"slug\":\"samuray\",\"sub_name\":\"K\\u0131l\\u0131c\\u0131n Efendileri 1\",\"description\":\"<p>Asya\\u2019da s\\u00f6m\\u00fcrgele\\u015ftirilememi\\u015f nadir ba\\u011f\\u0131ms\\u0131z uluslardan biri olan Japonlar\\u0131n sanayile\\u015fme ve modernle\\u015fme \\u00e7abalar\\u0131n\\u0131 nas\\u0131l ba\\u015far\\u0131ya ula\\u015ft\\u0131rabildi\\u011fi hep merak edilen bir husustur. 1853 y\\u0131l\\u0131nda Amiral Matthew Perry komutas\\u0131ndaki Amerikan filosu Tokyo a\\u00e7\\u0131klar\\u0131nda belirerek h\\u00fck\\u00fcmeti d\\u0131\\u015fa a\\u00e7\\u0131lmaya zorlad\\u0131\\u011f\\u0131nda Japonya kat\\u0131 bir \\u015fekilde kastlara ayr\\u0131lm\\u0131\\u015f, d\\u00fcnyadaki end\\u00fcstriyel ve k\\u00fclt\\u00fcrel de\\u011fi\\u015fimlerden uzak, d\\u0131\\u015f d\\u00fcnya ile ili\\u015fkisi Nagasaki yak\\u0131nlar\\u0131ndaki Dejima adl\\u0131 k\\u00fc\\u00e7\\u00fck bir adaya giri\\u015fine izin verilen Hollandal\\u0131 t\\u00fcccar ve gemicilerden ald\\u0131\\u011f\\u0131 bilgilerle s\\u0131n\\u0131rl\\u0131 bir devletti. Ancak Japonlar\\u0131n \\u201cKara Gemiler\\u201d dedi\\u011fi Amerikan gemilerinin tetikledi\\u011fi de\\u011fi\\u015fim hareketi k\\u0131sa s\\u00fcre i\\u00e7inde kurulu d\\u00fczenin bozulmas\\u0131na yol a\\u00e7acakt\\u0131. Yepyeni bir dinamizmle, h\\u0131zla modernle\\u015fen Japonya, 1905 y\\u0131l\\u0131nda, Rus-Japon Sava\\u015f\\u0131\\u2019nda koca Rus \\u0130mparatorlu\\u011fu\\u2019nu dize getirerek Bat\\u0131l\\u0131lar\\u0131n \\u201cB\\u00fcy\\u00fck Devletler\\u201d ligine kabul edilen bir devlete d\\u00f6n\\u00fc\\u015fecekti.<\\\/p>\\r\\n\\r\\n<p>Bu bir Japon mucizesi miydi? Hay\\u0131r, hi\\u00e7bir sonu\\u00e7 sebepsiz olmayaca\\u011f\\u0131 gibi hi\\u00e7bir ba\\u015far\\u0131 da nedensiz de\\u011fildir. Bu ba\\u015far\\u0131n\\u0131n alt\\u0131nda yatan unsur samuraylar ve onlar\\u0131n d\\u00fcnya g\\u00f6r\\u00fc\\u015f\\u00fcn\\u00fc \\u015fekillendiren Bu\\u015fido yani Sava\\u015f\\u00e7\\u0131n\\u0131n Yolu d\\u00fc\\u015f\\u00fcncesiydi...<\\\/p>\\r\\n\\r\\n<p>K\\u00fc\\u00e7\\u00fckyal\\u00e7\\u0131n bu \\u00e7al\\u0131\\u015fmas\\u0131nda, \\u00f6ncelikle samuray s\\u0131n\\u0131f\\u0131n\\u0131n tarihi ak\\u0131\\u015f i\\u00e7erisindeki geli\\u015fim s\\u00fcrecini, devlet mekanizmas\\u0131n\\u0131n olu\\u015fumunu ve samuraylar\\u0131 do\\u011furacak olan asker\\u00ee te\\u015fkilat denemelerini ele al\\u0131yor. Bununla birlikte Japon devletinin merkeziyetten adem-i merkeziyete savrulu\\u015fu ile yerel g\\u00fc\\u00e7 odaklar\\u0131 olarak ortaya \\u00e7\\u0131kan derebeyleri ve feodal d\\u00fczeni inceliyor. Sonras\\u0131nda ise Bu\\u015fido d\\u00fc\\u015f\\u00fcncesinin geli\\u015fimini ve Yol kavram\\u0131n\\u0131 onu besleyen kaynaklar \\u00fczerinden ele alarak kavram\\u0131n samuraylar\\u0131n d\\u00fc\\u015f\\u00fcnce d\\u00fcnyalar\\u0131yla k\\u00fclt\\u00fcrel hayatlar\\u0131na nas\\u0131l yans\\u0131d\\u0131\\u011f\\u0131n\\u0131 ak\\u0131c\\u0131 bir \\u00fcslupla anlat\\u0131yor.Erdal K\\u00fc\\u00e7\\u00fckyal\\u00e7\\u0131n K\\u0131l\\u0131c\\u0131n Efendileri adl\\u0131 yeni bir seriyle okuyucusuyla bulu\\u015fuyor. Bu serinin ilk kitab\\u0131 Japon tarihini \\u015fekillendiren sava\\u015f\\u00e7\\u0131 s\\u0131n\\u0131f samuraylar...<\\\/p>\\r\\n\\r\\n<p>Asya\\u2019da s\\u00f6m\\u00fcrgele\\u015ftirilememi\\u015f nadir ba\\u011f\\u0131ms\\u0131z uluslardan biri olan Japonlar\\u0131n sanayile\\u015fme ve modernle\\u015fme \\u00e7abalar\\u0131n\\u0131 nas\\u0131l ba\\u015far\\u0131ya ula\\u015ft\\u0131rabildi\\u011fi hep merak edilen bir husustur. 1853 y\\u0131l\\u0131nda Amiral Matthew Perry komutas\\u0131ndaki Amerikan filosu Tokyo a\\u00e7\\u0131klar\\u0131nda belirerek h\\u00fck\\u00fcmeti d\\u0131\\u015fa a\\u00e7\\u0131lmaya zorlad\\u0131\\u011f\\u0131nda Japonya kat\\u0131 bir \\u015fekilde kastlara ayr\\u0131lm\\u0131\\u015f, d\\u00fcnyadaki end\\u00fcstriyel ve k\\u00fclt\\u00fcrel de\\u011fi\\u015fimlerden uzak, d\\u0131\\u015f d\\u00fcnya ile ili\\u015fkisi Nagasaki yak\\u0131nlar\\u0131ndaki Dejima adl\\u0131 k\\u00fc\\u00e7\\u00fck bir adaya giri\\u015fine izin verilen Hollandal\\u0131 t\\u00fcccar ve gemicilerden ald\\u0131\\u011f\\u0131 bilgilerle s\\u0131n\\u0131rl\\u0131 bir devletti. Ancak Japonlar\\u0131n \\u201cKara Gemiler\\u201d dedi\\u011fi Amerikan gemilerinin tetikledi\\u011fi de\\u011fi\\u015fim hareketi k\\u0131sa s\\u00fcre i\\u00e7inde kurulu d\\u00fczenin bozulmas\\u0131na yol a\\u00e7acakt\\u0131. Yepyeni bir dinamizmle, h\\u0131zla modernle\\u015fen Japonya, 1905 y\\u0131l\\u0131nda, Rus-Japon Sava\\u015f\\u0131\\u2019nda koca Rus \\u0130mparatorlu\\u011fu\\u2019nu dize getirerek Bat\\u0131l\\u0131lar\\u0131n \\u201cB\\u00fcy\\u00fck Devletler\\u201d ligine kabul edilen bir devlete d\\u00f6n\\u00fc\\u015fecekti.<\\\/p>\\r\\n\\r\\n<p>Bu bir Japon mucizesi miydi? Hay\\u0131r, hi\\u00e7bir sonu\\u00e7 sebepsiz olmayaca\\u011f\\u0131 gibi hi\\u00e7bir ba\\u015far\\u0131 da nedensiz de\\u011fildir. Bu ba\\u015far\\u0131n\\u0131n alt\\u0131nda yatan unsur samuraylar ve onlar\\u0131n d\\u00fcnya g\\u00f6r\\u00fc\\u015f\\u00fcn\\u00fc \\u015fekillendiren Bu\\u015fido yani Sava\\u015f\\u00e7\\u0131n\\u0131n Yolu d\\u00fc\\u015f\\u00fcncesiydi...<\\\/p>\\r\\n\\r\\n<p>K\\u00fc\\u00e7\\u00fckyal\\u00e7\\u0131n bu \\u00e7al\\u0131\\u015fmas\\u0131nda, \\u00f6ncelikle samuray s\\u0131n\\u0131f\\u0131n\\u0131n tarih\\u00ee ak\\u0131\\u015f i\\u00e7erisindeki geli\\u015fim s\\u00fcrecini, devlet mekanizmas\\u0131n\\u0131n olu\\u015fumunu ve samuraylar\\u0131 do\\u011furacak olan asker\\u00ee te\\u015fkilat denemelerini ele al\\u0131yor. Bununla birlikte Japon devletinin merkeziyetten ademi merkeziyete savrulu\\u015fu ile yerel g\\u00fc\\u00e7 odaklar\\u0131 olarak ortaya \\u00e7\\u0131kan derebeyleri ve feodal d\\u00fczeni inceliyor. Sonras\\u0131nda ise Bu\\u015fido d\\u00fc\\u015f\\u00fcncesinin geli\\u015fimini ve Yol kavram\\u0131n\\u0131 onu besleyen kaynaklar \\u00fczerinden ele alarak kavram\\u0131n samuraylar\\u0131n d\\u00fc\\u015f\\u00fcnce d\\u00fcnyalar\\u0131yla k\\u00fclt\\u00fcrel hayatlar\\u0131na nas\\u0131l yans\\u0131d\\u0131\\u011f\\u0131n\\u0131 ak\\u0131c\\u0131 bir \\u00fcslupla anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\",\"static_content\":\"<p>Asya\\u2019da s\\u00f6m\\u00fcrgele\\u015ftirilememi\\u015f nadir ba\\u011f\\u0131ms\\u0131z uluslardan biri olan Japonlar\\u0131n sanayile\\u015fme ve modernle\\u015fme \\u00e7abalar\\u0131n\\u0131 nas\\u0131l ba\\u015far\\u0131ya ula\\u015ft\\u0131rabildi\\u011fi hep merak edilen bir husustur. 1853 y\\u0131l\\u0131nda Amiral Matthew Perry komutas\\u0131ndaki Amerikan filosu Tokyo a\\u00e7\\u0131klar\\u0131nda belirerek h\\u00fck\\u00fcmeti d\\u0131\\u015fa a\\u00e7\\u0131lmaya zorlad\\u0131\\u011f\\u0131nda Japonya kat\\u0131 bir \\u015fekilde kastlara ayr\\u0131lm\\u0131\\u015f, d\\u00fcnyadaki end\\u00fcstriyel ve k\\u00fclt\\u00fcrel de\\u011fi\\u015fimlerden uzak, d\\u0131\\u015f d\\u00fcnya ile ili\\u015fkisi Nagasaki yak\\u0131nlar\\u0131ndaki Dejima adl\\u0131 k\\u00fc\\u00e7\\u00fck bir adaya giri\\u015fine izin verilen Hollandal\\u0131 t\\u00fcccar ve gemicilerden ald\\u0131\\u011f\\u0131 bilgilerle s\\u0131n\\u0131rl\\u0131 bir devletti. Ancak Japonlar\\u0131n \\u201cKara Gemiler\\u201d dedi\\u011fi Amerikan gemilerinin tetikledi\\u011fi de\\u011fi\\u015fim hareketi k\\u0131sa s\\u00fcre i\\u00e7inde kurulu d\\u00fczenin bozulmas\\u0131na yol a\\u00e7acakt\\u0131. Yepyeni bir dinamizmle, h\\u0131zla modernle\\u015fen Japonya, 1905 y\\u0131l\\u0131nda, Rus-Japon Sava\\u015f\\u0131\\u2019nda koca Rus \\u0130mparatorlu\\u011fu\\u2019nu dize getirerek Bat\\u0131l\\u0131lar\\u0131n \\u201cB\\u00fcy\\u00fck Devletler\\u201d ligine kabul edilen bir devlete d\\u00f6n\\u00fc\\u015fecekti.<\\\/p>\\r\\n\\r\\n<p>Bu bir Japon mucizesi miydi? Hay\\u0131r, hi\\u00e7bir sonu\\u00e7 sebepsiz olmayaca\\u011f\\u0131 gibi hi\\u00e7bir ba\\u015far\\u0131 da nedensiz de\\u011fildir. Bu ba\\u015far\\u0131n\\u0131n alt\\u0131nda yatan unsur samuraylar ve onlar\\u0131n d\\u00fcnya g\\u00f6r\\u00fc\\u015f\\u00fcn\\u00fc \\u015fekillendiren Bu\\u015fido yani Sava\\u015f\\u00e7\\u0131n\\u0131n Yolu d\\u00fc\\u015f\\u00fcncesiydi...<\\\/p>\\r\\n\\r\\n<p>K\\u00fc\\u00e7\\u00fckyal\\u00e7\\u0131n bu \\u00e7al\\u0131\\u015fmas\\u0131nda, \\u00f6ncelikle samuray s\\u0131n\\u0131f\\u0131n\\u0131n tarihi ak\\u0131\\u015f i\\u00e7erisindeki geli\\u015fim s\\u00fcrecini, devlet mekanizmas\\u0131n\\u0131n olu\\u015fumunu ve samuraylar\\u0131 do\\u011furacak olan asker\\u00ee te\\u015fkilat denemelerini ele al\\u0131yor. Bununla birlikte Japon devletinin merkeziyetten adem-i merkeziyete savrulu\\u015fu ile yerel g\\u00fc\\u00e7 odaklar\\u0131 olarak ortaya \\u00e7\\u0131kan derebeyleri ve feodal d\\u00fczeni inceliyor. Sonras\\u0131nda ise Bu\\u015fido d\\u00fc\\u015f\\u00fcncesinin geli\\u015fimini ve Yol kavram\\u0131n\\u0131 onu besleyen kaynaklar \\u00fczerinden ele alarak kavram\\u0131n samuraylar\\u0131n d\\u00fc\\u015f\\u00fcnce d\\u00fcnyalar\\u0131yla k\\u00fclt\\u00fcrel hayatlar\\u0131na nas\\u0131l yans\\u0131d\\u0131\\u011f\\u0131n\\u0131 ak\\u0131c\\u0131 bir \\u00fcslupla anlat\\u0131yor.Erdal K\\u00fc\\u00e7\\u00fckyal\\u00e7\\u0131n K\\u0131l\\u0131c\\u0131n Efendileri adl\\u0131 yeni bir seriyle okuyucusuyla bulu\\u015fuyor. Bu serinin ilk kitab\\u0131 Japon tarihini \\u015fekillendiren sava\\u015f\\u00e7\\u0131 s\\u0131n\\u0131f samuraylar...<\\\/p>\\r\\n\\r\\n<p>Asya\\u2019da s\\u00f6m\\u00fcrgele\\u015ftirilememi\\u015f nadir ba\\u011f\\u0131ms\\u0131z uluslardan biri olan Japonlar\\u0131n sanayile\\u015fme ve modernle\\u015fme \\u00e7abalar\\u0131n\\u0131 nas\\u0131l ba\\u015far\\u0131ya ula\\u015ft\\u0131rabildi\\u011fi hep merak edilen bir husustur. 1853 y\\u0131l\\u0131nda Amiral Matthew Perry komutas\\u0131ndaki Amerikan filosu Tokyo a\\u00e7\\u0131klar\\u0131nda belirerek h\\u00fck\\u00fcmeti d\\u0131\\u015fa a\\u00e7\\u0131lmaya zorlad\\u0131\\u011f\\u0131nda Japonya kat\\u0131 bir \\u015fekilde kastlara ayr\\u0131lm\\u0131\\u015f, d\\u00fcnyadaki end\\u00fcstriyel ve k\\u00fclt\\u00fcrel de\\u011fi\\u015fimlerden uzak, d\\u0131\\u015f d\\u00fcnya ile ili\\u015fkisi Nagasaki yak\\u0131nlar\\u0131ndaki Dejima adl\\u0131 k\\u00fc\\u00e7\\u00fck bir adaya giri\\u015fine izin verilen Hollandal\\u0131 t\\u00fcccar ve gemicilerden ald\\u0131\\u011f\\u0131 bilgilerle s\\u0131n\\u0131rl\\u0131 bir devletti. Ancak Japonlar\\u0131n \\u201cKara Gemiler\\u201d dedi\\u011fi Amerikan gemilerinin tetikledi\\u011fi de\\u011fi\\u015fim hareketi k\\u0131sa s\\u00fcre i\\u00e7inde kurulu d\\u00fczenin bozulmas\\u0131na yol a\\u00e7acakt\\u0131. Yepyeni bir dinamizmle, h\\u0131zla modernle\\u015fen Japonya, 1905 y\\u0131l\\u0131nda, Rus-Japon Sava\\u015f\\u0131\\u2019nda koca Rus \\u0130mparatorlu\\u011fu\\u2019nu dize getirerek Bat\\u0131l\\u0131lar\\u0131n \\u201cB\\u00fcy\\u00fck Devletler\\u201d ligine kabul edilen bir devlete d\\u00f6n\\u00fc\\u015fecekti.<\\\/p>\\r\\n\\r\\n<p>Bu bir Japon mucizesi miydi? Hay\\u0131r, hi\\u00e7bir sonu\\u00e7 sebepsiz olmayaca\\u011f\\u0131 gibi hi\\u00e7bir ba\\u015far\\u0131 da nedensiz de\\u011fildir. Bu ba\\u015far\\u0131n\\u0131n alt\\u0131nda yatan unsur samuraylar ve onlar\\u0131n d\\u00fcnya g\\u00f6r\\u00fc\\u015f\\u00fcn\\u00fc \\u015fekillendiren Bu\\u015fido yani Sava\\u015f\\u00e7\\u0131n\\u0131n Yolu d\\u00fc\\u015f\\u00fcncesiydi...<\\\/p>\\r\\n\\r\\n<p>K\\u00fc\\u00e7\\u00fckyal\\u00e7\\u0131n bu \\u00e7al\\u0131\\u015fmas\\u0131nda, \\u00f6ncelikle samuray s\\u0131n\\u0131f\\u0131n\\u0131n tarih\\u00ee ak\\u0131\\u015f i\\u00e7erisindeki geli\\u015fim s\\u00fcrecini, devlet mekanizmas\\u0131n\\u0131n olu\\u015fumunu ve samuraylar\\u0131 do\\u011furacak olan asker\\u00ee te\\u015fkilat denemelerini ele al\\u0131yor. Bununla birlikte Japon devletinin merkeziyetten ademi merkeziyete savrulu\\u015fu ile yerel g\\u00fc\\u00e7 odaklar\\u0131 olarak ortaya \\u00e7\\u0131kan derebeyleri ve feodal d\\u00fczeni inceliyor. Sonras\\u0131nda ise Bu\\u015fido d\\u00fc\\u015f\\u00fcncesinin geli\\u015fimini ve Yol kavram\\u0131n\\u0131 onu besleyen kaynaklar \\u00fczerinden ele alarak kavram\\u0131n samuraylar\\u0131n d\\u00fc\\u015f\\u00fcnce d\\u00fcnyalar\\u0131yla k\\u00fclt\\u00fcrel hayatlar\\u0131na nas\\u0131l yans\\u0131d\\u0131\\u011f\\u0131n\\u0131 ak\\u0131c\\u0131 bir \\u00fcslupla anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6174,\"user_id\":10,\"original_name\":\"Iss\\u0131z Evin Kedisi\",\"printing_date\":\"2019-11-04 12:27:11\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/issiz-evin-kedisi-kapak-1572600431.png\",\"image_settings\":{\"id\":6174,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/01\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":174600,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":39073,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":15842,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3891,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2219,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4410,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":23014,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":23014,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":9840,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2422,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1214,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2690,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-01 12:27:11\",\"updated_at\":\"2019-11-01 12:27:11\",\"name\":\"Iss\\u0131z Evin Kedisi\",\"slug\":\"issiz-evin-kedisi\",\"sub_name\":\"\",\"description\":\"<p>\\u0130ntikam ate\\u015fiyle kararan kalpler, kendileriyle beraber etraflar\\u0131n\\u0131 da siyaha boyarken yak\\u0131p y\\u0131kt\\u0131\\u011f\\u0131 g\\u00f6n\\u00fclleri umursamaz. Ancak sevgi \\u00f6yle bir g\\u00fc\\u00e7t\\u00fcr ki yol arar, imk\\u00e2n arar ve \\u0131\\u015f\\u0131\\u011fa, ayd\\u0131nl\\u0131\\u011fa do\\u011fru b\\u00fcy\\u00fcmeye devam eder.<br \\\/>\\r\\n<br \\\/>\\r\\nEvlilik hayalleri kuran Berinay, tertemiz duygular\\u0131n\\u0131n bir intikam ate\\u015fine kurban edildi\\u011fini \\u00f6\\u011frendi\\u011finde t\\u00fcm d\\u00fcnyas\\u0131 y\\u0131k\\u0131l\\u0131r. Y\\u0131llar sonra ba\\u015fka biriyle evlenip anne oldu\\u011funda, kin g\\u00fctt\\u00fc\\u011f\\u00fc o ailenin k\\u0131z\\u0131 ile kendi o\\u011flunu bu k\\u0131r\\u0131k hik\\u00e2yenin kahramanlar\\u0131 yapmaya karar verir. Berinay\\u2019\\u0131n kar\\u015f\\u0131s\\u0131nda iki yol vard\\u0131r art\\u0131k: ya intikam hissine teslim olup iki masum hayat\\u0131 da beraberinde s\\u00fcr\\u00fckleyecek ya da ge\\u00e7mi\\u015fin ac\\u0131 hat\\u0131ralar\\u0131n\\u0131 orada b\\u0131rak\\u0131p yoluna devam edecektir.<br \\\/>\\r\\n<br \\\/>\\r\\nPeki bamba\\u015fka yollardan gelip k\\u0131r\\u0131k bir hik\\u00e2yenin ba\\u015fkahramanlar\\u0131 olan Belg\\u00fczar ve Saltuk Bu\\u011fra, bu intikam d\\u00f6ng\\u00fcs\\u00fc kar\\u015f\\u0131s\\u0131nda nas\\u0131l bir hayat duru\\u015fu sergileyecektir?<\\\/p>\\r\\n\\r\\n<p>Ahmed G\\u00fcnbay Y\\u0131ld\\u0131z, hayat\\u0131n en ince noktalar\\u0131ndan insan hik\\u00e2yeleriyle okurlar\\u0131na rehber olmaya devam ediyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\",\"static_content\":\"<p>\\u0130ntikam ate\\u015fiyle kararan kalpler, kendileriyle beraber etraflar\\u0131n\\u0131 da siyaha boyarken yak\\u0131p y\\u0131kt\\u0131\\u011f\\u0131 g\\u00f6n\\u00fclleri umursamaz. Ancak sevgi \\u00f6yle bir g\\u00fc\\u00e7t\\u00fcr ki yol arar, imk\\u00e2n arar ve \\u0131\\u015f\\u0131\\u011fa, ayd\\u0131nl\\u0131\\u011fa do\\u011fru b\\u00fcy\\u00fcmeye devam eder.<br \\\/>\\r\\n<br \\\/>\\r\\nEvlilik hayalleri kuran Berinay, tertemiz duygular\\u0131n\\u0131n bir intikam ate\\u015fine kurban edildi\\u011fini \\u00f6\\u011frendi\\u011finde t\\u00fcm d\\u00fcnyas\\u0131 y\\u0131k\\u0131l\\u0131r. Y\\u0131llar sonra ba\\u015fka biriyle evlenip anne oldu\\u011funda, kin g\\u00fctt\\u00fc\\u011f\\u00fc o ailenin k\\u0131z\\u0131 ile kendi o\\u011flunu bu k\\u0131r\\u0131k hik\\u00e2yenin kahramanlar\\u0131 yapmaya karar verir. Berinay\\u2019\\u0131n kar\\u015f\\u0131s\\u0131nda iki yol vard\\u0131r art\\u0131k: ya intikam hissine teslim olup iki masum hayat\\u0131 da beraberinde s\\u00fcr\\u00fckleyecek ya da ge\\u00e7mi\\u015fin ac\\u0131 hat\\u0131ralar\\u0131n\\u0131 orada b\\u0131rak\\u0131p yoluna devam edecektir.<br \\\/>\\r\\n<br \\\/>\\r\\nPeki bamba\\u015fka yollardan gelip k\\u0131r\\u0131k bir hik\\u00e2yenin ba\\u015fkahramanlar\\u0131 olan Belg\\u00fczar ve Saltuk Bu\\u011fra, bu intikam d\\u00f6ng\\u00fcs\\u00fc kar\\u015f\\u0131s\\u0131nda nas\\u0131l bir hayat duru\\u015fu sergileyecektir?<\\\/p>\\r\\n\\r\\n<p>Ahmed G\\u00fcnbay Y\\u0131ld\\u0131z, hayat\\u0131n en ince noktalar\\u0131ndan insan hik\\u00e2yeleriyle okurlar\\u0131na rehber olmaya devam ediyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6174,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9154,\"book_id\":6174,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9153,\"book_id\":6174,\"locale\":\"tr\",\"name\":\"Iss\\u0131z Evin Kedisi\",\"slug\":\"issiz-evin-kedisi\",\"sub_name\":\"\",\"description\":\"<p>\\u0130ntikam ate\\u015fiyle kararan kalpler, kendileriyle beraber etraflar\\u0131n\\u0131 da siyaha boyarken yak\\u0131p y\\u0131kt\\u0131\\u011f\\u0131 g\\u00f6n\\u00fclleri umursamaz. Ancak sevgi \\u00f6yle bir g\\u00fc\\u00e7t\\u00fcr ki yol arar, imk\\u00e2n arar ve \\u0131\\u015f\\u0131\\u011fa, ayd\\u0131nl\\u0131\\u011fa do\\u011fru b\\u00fcy\\u00fcmeye devam eder.<br \\\/>\\r\\n<br \\\/>\\r\\nEvlilik hayalleri kuran Berinay, tertemiz duygular\\u0131n\\u0131n bir intikam ate\\u015fine kurban edildi\\u011fini \\u00f6\\u011frendi\\u011finde t\\u00fcm d\\u00fcnyas\\u0131 y\\u0131k\\u0131l\\u0131r. Y\\u0131llar sonra ba\\u015fka biriyle evlenip anne oldu\\u011funda, kin g\\u00fctt\\u00fc\\u011f\\u00fc o ailenin k\\u0131z\\u0131 ile kendi o\\u011flunu bu k\\u0131r\\u0131k hik\\u00e2yenin kahramanlar\\u0131 yapmaya karar verir. Berinay\\u2019\\u0131n kar\\u015f\\u0131s\\u0131nda iki yol vard\\u0131r art\\u0131k: ya intikam hissine teslim olup iki masum hayat\\u0131 da beraberinde s\\u00fcr\\u00fckleyecek ya da ge\\u00e7mi\\u015fin ac\\u0131 hat\\u0131ralar\\u0131n\\u0131 orada b\\u0131rak\\u0131p yoluna devam edecektir.<br \\\/>\\r\\n<br \\\/>\\r\\nPeki bamba\\u015fka yollardan gelip k\\u0131r\\u0131k bir hik\\u00e2yenin ba\\u015fkahramanlar\\u0131 olan Belg\\u00fczar ve Saltuk Bu\\u011fra, bu intikam d\\u00f6ng\\u00fcs\\u00fc kar\\u015f\\u0131s\\u0131nda nas\\u0131l bir hayat duru\\u015fu sergileyecektir?<\\\/p>\\r\\n\\r\\n<p>Ahmed G\\u00fcnbay Y\\u0131ld\\u0131z, hayat\\u0131n en ince noktalar\\u0131ndan insan hik\\u00e2yeleriyle okurlar\\u0131na rehber olmaya devam ediyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\",\"static_content\":\"<p>\\u0130ntikam ate\\u015fiyle kararan kalpler, kendileriyle beraber etraflar\\u0131n\\u0131 da siyaha boyarken yak\\u0131p y\\u0131kt\\u0131\\u011f\\u0131 g\\u00f6n\\u00fclleri umursamaz. Ancak sevgi \\u00f6yle bir g\\u00fc\\u00e7t\\u00fcr ki yol arar, imk\\u00e2n arar ve \\u0131\\u015f\\u0131\\u011fa, ayd\\u0131nl\\u0131\\u011fa do\\u011fru b\\u00fcy\\u00fcmeye devam eder.<br \\\/>\\r\\n<br \\\/>\\r\\nEvlilik hayalleri kuran Berinay, tertemiz duygular\\u0131n\\u0131n bir intikam ate\\u015fine kurban edildi\\u011fini \\u00f6\\u011frendi\\u011finde t\\u00fcm d\\u00fcnyas\\u0131 y\\u0131k\\u0131l\\u0131r. Y\\u0131llar sonra ba\\u015fka biriyle evlenip anne oldu\\u011funda, kin g\\u00fctt\\u00fc\\u011f\\u00fc o ailenin k\\u0131z\\u0131 ile kendi o\\u011flunu bu k\\u0131r\\u0131k hik\\u00e2yenin kahramanlar\\u0131 yapmaya karar verir. Berinay\\u2019\\u0131n kar\\u015f\\u0131s\\u0131nda iki yol vard\\u0131r art\\u0131k: ya intikam hissine teslim olup iki masum hayat\\u0131 da beraberinde s\\u00fcr\\u00fckleyecek ya da ge\\u00e7mi\\u015fin ac\\u0131 hat\\u0131ralar\\u0131n\\u0131 orada b\\u0131rak\\u0131p yoluna devam edecektir.<br \\\/>\\r\\n<br \\\/>\\r\\nPeki bamba\\u015fka yollardan gelip k\\u0131r\\u0131k bir hik\\u00e2yenin ba\\u015fkahramanlar\\u0131 olan Belg\\u00fczar ve Saltuk Bu\\u011fra, bu intikam d\\u00f6ng\\u00fcs\\u00fc kar\\u015f\\u0131s\\u0131nda nas\\u0131l bir hayat duru\\u015fu sergileyecektir?<\\\/p>\\r\\n\\r\\n<p>Ahmed G\\u00fcnbay Y\\u0131ld\\u0131z, hayat\\u0131n en ince noktalar\\u0131ndan insan hik\\u00e2yeleriyle okurlar\\u0131na rehber olmaya devam ediyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6175,\"user_id\":10,\"original_name\":\"A State of Freedom\",\"printing_date\":\"2019-11-04 12:32:02\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/a-state-of-freedom-kapak-1572600722.png\",\"image_settings\":{\"id\":6175,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/01\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":223187,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":55412,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":22569,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":5267,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2793,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":5999,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":36326,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":36326,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":14612,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":3226,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1474,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3822,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-01 12:32:02\",\"updated_at\":\"2019-11-01 12:32:02\",\"name\":\"\\u00d6zg\\u00fcr Topraklar\",\"slug\":\"ozgur-topraklar\",\"sub_name\":\"\",\"description\":\"<p>\\u00d6d\\u00fcll\\u00fc yazar Neel Mukherjee,&nbsp;\\u00d6zg\\u00fcr Topraklar'da y\\u00fczy\\u0131l\\u0131n merkezine yerle\\u015fen kavramlar\\u0131 i\\u015fliyor: G\\u00f6\\u00e7 ve iltica. Farkl\\u0131 hayatlar ya\\u015fayan be\\u015f karakter \\u00fczerinden, Mumbai\\u2019deki bir a\\u015f\\u00e7\\u0131dan, sokaktaki dilenciye ve dans eden ay\\u0131s\\u0131na, \\u015fehirde yeni bir ya\\u015fam i\\u00e7in k\\u00f6y\\u00fcndeki zorlu hayat\\u0131n\\u0131 terk eden gen\\u00e7 k\\u0131zdan, hayallerinin pe\\u015finde her \\u015feyini yitiren in\\u015faat i\\u015f\\u00e7isine daha fazlas\\u0131n\\u0131 istemenin, yeni bir hayata g\\u00f6\\u00e7 etme arzusunun temellerine iniyor. Hindistan\\u2019da ge\\u00e7en ve bu d\\u00fcnyan\\u0131n ger\\u00e7ekli\\u011fiyle di\\u011ferinin g\\u00f6lgesi aras\\u0131nda hareket eden&nbsp;\\u00d6zg\\u00fcr Topraklar, birbirine ba\\u011flanan hik\\u00e2yelerle y\\u00fckselen incelikli bir yap\\u0131. C\\u00fcretk\\u00e2r, \\u015fiddetli, ama bir o kadar da merhamet dolu bu roman, insan\\u0131n hayatta kalma ve hayat\\u0131na h\\u00e2kim olma d\\u00fcrt\\u00fclerinin etkileyici bir ke\\u015ffini sunuyor.<br \\\/>\\r\\n&nbsp;<br \\\/>\\r\\n\\u00d6zg\\u00fcr Topraklar, rahat bir \\u015fekilde ya\\u015fayan bizler i\\u00e7in neredeyse kimsenin bu rahatl\\u0131\\u011fa sahip olmad\\u0131\\u011f\\u0131 bir d\\u00fcnyay\\u0131 hayal etmemizi gerektiriyor. Bu, Neel Mukherjee\\u2019nin etkisinin, tutkusunun ve g\\u00fcc\\u00fcn\\u00fcn bir i\\u015fareti.&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;The New York Times<\\\/p>\\r\\n\\r\\n<p>Tek kelimeyle muhte\\u015fem\\u2026&nbsp;\\u00d6zg\\u00fcr Topraklar, ba\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc g\\u00fczellikte bir roman ve Mukherjee\\u2019nin \\u00e7a\\u011f\\u0131m\\u0131z\\u0131n en \\u00f6zg\\u00fcn ve yetenekli yazarlar\\u0131ndan biri oldu\\u011funun kan\\u0131t\\u0131.<\\\/p>\\r\\n\\r\\n<p>-NPR<br \\\/>\\r\\n<br \\\/>\\r\\nNeel Mukherjee\\u2019nin nefes kesen roman\\u0131&nbsp;\\u00d6zg\\u00fcr Topraklar, okudu\\u011fum en g\\u00fczel \\u015feylerden biri; kelimenin tam anlam\\u0131yla huzursuz eden, unutulmaz sahnelerle dolu, g\\u00f6r\\u00fcnt\\u00fclerin, dilin ve karakterlerin yan\\u0131 s\\u0131ra bir toplumun servet ve g\\u00fc\\u00e7 e\\u015fitsizli\\u011fi kar\\u015f\\u0131s\\u0131ndaki \\u00f6fkesini, amans\\u0131z halini g\\u00f6zler \\u00f6n\\u00fcne seren bir kitap. Uzun, \\u00e7ok uzun zamand\\u0131r okudu\\u011fum en \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 ve en parlak roman.<\\\/p>\\r\\n\\r\\n<p>Hanya Yanagihara<\\\/p>\\r\\n\\r\\n<p>Ola\\u011fan\\u00fcst\\u00fc bir ba\\u015far\\u0131. \\u0130nce ve \\u00e7ok katmanl\\u0131 kurgusu, sosyal adaletsizli\\u011fin vah\\u015fetinin bir tablosu; d\\u00fc\\u015fk\\u00fcn hayatlar ya\\u015famak zorunda kalan karakterlerinin onuru \\u00fcst\\u00fcnde \\u0131srarla duran bir anlat\\u0131. \\u00c7ok g\\u00fc\\u00e7l\\u00fc ve etkileyici bir roman. Bitirdi\\u011fim an, tekrar ba\\u015flad\\u0131m.<\\\/p>\\r\\n\\r\\n<p>The Guardian<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u00d6d\\u00fcll\\u00fc yazar Neel Mukherjee,\\u00a0\\u00d6zg\\u00fcr Topraklar'da y\\u00fczy\\u0131l\\u0131n merkezine yerle\\u015fen kavramlar\\u0131 i\\u015fliyor: G\\u00f6\\u00e7 ve iltica. Farkl\\u0131 hayatlar ya\\u015fayan be\\u015f karakter \\u00fczerinden, Mumbai\\u2019deki bir a\\u015f\\u00e7\\u0131dan, sokaktaki dilenciye ve dans eden ay\\u0131s\\u0131na, \\u015fehirde yeni bir ya\\u015fam i\\u00e7in k\\u00f6y\\u00fcndeki zorlu hayat\\u0131n\\u0131 terk eden gen\\u00e7 k\\u0131zdan, hayallerinin pe\\u015finde her \\u015feyini yitiren in\\u015faat i\\u015f\\u00e7isine daha fazlas\\u0131n\\u0131 istemenin, yeni bir hayata g\\u00f6\\u00e7 etme arzusunun temellerine iniyor. Hindistan\\u2019da ge\\u00e7en ve bu d\\u00fcnyan\\u0131n ger\\u00e7ekli\\u011fiyle di\\u011ferinin g\\u00f6lgesi aras\\u0131nda hareket eden\\u00a0\\u00d6zg\\u00fcr Topraklar, birbirine ba\\u011flanan hik\\u00e2yelerle y\\u00fckselen incelikli bir yap\\u0131. C\\u00fcretk\\u00e2r, \\u015fiddetli, ama bir o kadar da merhamet dolu bu roman, insan\\u0131n hayatta kalma ve hayat\\u0131na h\\u00e2kim olma d\\u00fcrt\\u00fclerinin etkileyici bir ke\\u015ffini sunuyor.<br \\\/>\\r\\n\\u00a0<br \\\/>\\r\\n\\u00d6zg\\u00fcr Topraklar, rahat bir \\u015fekilde ya\\u015fayan bizler i\\u00e7in neredeyse kimsenin bu rahatl\\u0131\\u011fa sahip olmad\\u0131\\u011f\\u0131 bir d\\u00fcnyay\\u0131 hayal etmemizi gerektiriyor. Bu, Neel Mukherjee\\u2019nin etkisinin, tutkusunun ve g\\u00fcc\\u00fcn\\u00fcn bir i\\u015fareti.\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0The New York Times<\\\/p>\\r\\n\\r\\n<p>Tek kelimeyle muhte\\u015fem\\u2026\\u00a0\\u00d6zg\\u00fcr Topraklar, ba\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc g\\u00fczellikte bir roman ve Mukherjee\\u2019nin \\u00e7a\\u011f\\u0131m\\u0131z\\u0131n en \\u00f6zg\\u00fcn ve yetenekli yazarlar\\u0131ndan biri oldu\\u011funun kan\\u0131t\\u0131.<\\\/p>\\r\\n\\r\\n<p>-NPR<br \\\/>\\r\\n<br \\\/>\\r\\nNeel Mukherjee\\u2019nin nefes kesen roman\\u0131\\u00a0\\u00d6zg\\u00fcr Topraklar, okudu\\u011fum en g\\u00fczel \\u015feylerden biri; kelimenin tam anlam\\u0131yla huzursuz eden, unutulmaz sahnelerle dolu, g\\u00f6r\\u00fcnt\\u00fclerin, dilin ve karakterlerin yan\\u0131 s\\u0131ra bir toplumun servet ve g\\u00fc\\u00e7 e\\u015fitsizli\\u011fi kar\\u015f\\u0131s\\u0131ndaki \\u00f6fkesini, amans\\u0131z halini g\\u00f6zler \\u00f6n\\u00fcne seren bir kitap. Uzun, \\u00e7ok uzun zamand\\u0131r okudu\\u011fum en \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 ve en parlak roman.<\\\/p>\\r\\n\\r\\n<p>Hanya Yanagihara<\\\/p>\\r\\n\\r\\n<p>Ola\\u011fan\\u00fcst\\u00fc bir ba\\u015far\\u0131. \\u0130nce ve \\u00e7ok katmanl\\u0131 kurgusu, sosyal adaletsizli\\u011fin vah\\u015fetinin bir tablosu; d\\u00fc\\u015fk\\u00fcn hayatlar ya\\u015famak zorunda kalan karakterlerinin onuru \\u00fcst\\u00fcnde \\u0131srarla duran bir anlat\\u0131. \\u00c7ok g\\u00fc\\u00e7l\\u00fc ve etkileyici bir roman. Bitirdi\\u011fim an, tekrar ba\\u015flad\\u0131m.<\\\/p>\\r\\n\\r\\n<p>The Guardian<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6175,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9156,\"book_id\":6175,\"locale\":\"en\",\"name\":\"A State of Freedom\",\"slug\":\"a-state-of-freedom\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9155,\"book_id\":6175,\"locale\":\"tr\",\"name\":\"\\u00d6zg\\u00fcr Topraklar\",\"slug\":\"ozgur-topraklar\",\"sub_name\":\"\",\"description\":\"<p>\\u00d6d\\u00fcll\\u00fc yazar Neel Mukherjee,&nbsp;\\u00d6zg\\u00fcr Topraklar'da y\\u00fczy\\u0131l\\u0131n merkezine yerle\\u015fen kavramlar\\u0131 i\\u015fliyor: G\\u00f6\\u00e7 ve iltica. Farkl\\u0131 hayatlar ya\\u015fayan be\\u015f karakter \\u00fczerinden, Mumbai\\u2019deki bir a\\u015f\\u00e7\\u0131dan, sokaktaki dilenciye ve dans eden ay\\u0131s\\u0131na, \\u015fehirde yeni bir ya\\u015fam i\\u00e7in k\\u00f6y\\u00fcndeki zorlu hayat\\u0131n\\u0131 terk eden gen\\u00e7 k\\u0131zdan, hayallerinin pe\\u015finde her \\u015feyini yitiren in\\u015faat i\\u015f\\u00e7isine daha fazlas\\u0131n\\u0131 istemenin, yeni bir hayata g\\u00f6\\u00e7 etme arzusunun temellerine iniyor. Hindistan\\u2019da ge\\u00e7en ve bu d\\u00fcnyan\\u0131n ger\\u00e7ekli\\u011fiyle di\\u011ferinin g\\u00f6lgesi aras\\u0131nda hareket eden&nbsp;\\u00d6zg\\u00fcr Topraklar, birbirine ba\\u011flanan hik\\u00e2yelerle y\\u00fckselen incelikli bir yap\\u0131. C\\u00fcretk\\u00e2r, \\u015fiddetli, ama bir o kadar da merhamet dolu bu roman, insan\\u0131n hayatta kalma ve hayat\\u0131na h\\u00e2kim olma d\\u00fcrt\\u00fclerinin etkileyici bir ke\\u015ffini sunuyor.<br \\\/>\\r\\n&nbsp;<br \\\/>\\r\\n\\u00d6zg\\u00fcr Topraklar, rahat bir \\u015fekilde ya\\u015fayan bizler i\\u00e7in neredeyse kimsenin bu rahatl\\u0131\\u011fa sahip olmad\\u0131\\u011f\\u0131 bir d\\u00fcnyay\\u0131 hayal etmemizi gerektiriyor. Bu, Neel Mukherjee\\u2019nin etkisinin, tutkusunun ve g\\u00fcc\\u00fcn\\u00fcn bir i\\u015fareti.&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;The New York Times<\\\/p>\\r\\n\\r\\n<p>Tek kelimeyle muhte\\u015fem\\u2026&nbsp;\\u00d6zg\\u00fcr Topraklar, ba\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc g\\u00fczellikte bir roman ve Mukherjee\\u2019nin \\u00e7a\\u011f\\u0131m\\u0131z\\u0131n en \\u00f6zg\\u00fcn ve yetenekli yazarlar\\u0131ndan biri oldu\\u011funun kan\\u0131t\\u0131.<\\\/p>\\r\\n\\r\\n<p>-NPR<br \\\/>\\r\\n<br \\\/>\\r\\nNeel Mukherjee\\u2019nin nefes kesen roman\\u0131&nbsp;\\u00d6zg\\u00fcr Topraklar, okudu\\u011fum en g\\u00fczel \\u015feylerden biri; kelimenin tam anlam\\u0131yla huzursuz eden, unutulmaz sahnelerle dolu, g\\u00f6r\\u00fcnt\\u00fclerin, dilin ve karakterlerin yan\\u0131 s\\u0131ra bir toplumun servet ve g\\u00fc\\u00e7 e\\u015fitsizli\\u011fi kar\\u015f\\u0131s\\u0131ndaki \\u00f6fkesini, amans\\u0131z halini g\\u00f6zler \\u00f6n\\u00fcne seren bir kitap. Uzun, \\u00e7ok uzun zamand\\u0131r okudu\\u011fum en \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 ve en parlak roman.<\\\/p>\\r\\n\\r\\n<p>Hanya Yanagihara<\\\/p>\\r\\n\\r\\n<p>Ola\\u011fan\\u00fcst\\u00fc bir ba\\u015far\\u0131. \\u0130nce ve \\u00e7ok katmanl\\u0131 kurgusu, sosyal adaletsizli\\u011fin vah\\u015fetinin bir tablosu; d\\u00fc\\u015fk\\u00fcn hayatlar ya\\u015famak zorunda kalan karakterlerinin onuru \\u00fcst\\u00fcnde \\u0131srarla duran bir anlat\\u0131. \\u00c7ok g\\u00fc\\u00e7l\\u00fc ve etkileyici bir roman. Bitirdi\\u011fim an, tekrar ba\\u015flad\\u0131m.<\\\/p>\\r\\n\\r\\n<p>The Guardian<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u00d6d\\u00fcll\\u00fc yazar Neel Mukherjee,\\u00a0\\u00d6zg\\u00fcr Topraklar'da y\\u00fczy\\u0131l\\u0131n merkezine yerle\\u015fen kavramlar\\u0131 i\\u015fliyor: G\\u00f6\\u00e7 ve iltica. Farkl\\u0131 hayatlar ya\\u015fayan be\\u015f karakter \\u00fczerinden, Mumbai\\u2019deki bir a\\u015f\\u00e7\\u0131dan, sokaktaki dilenciye ve dans eden ay\\u0131s\\u0131na, \\u015fehirde yeni bir ya\\u015fam i\\u00e7in k\\u00f6y\\u00fcndeki zorlu hayat\\u0131n\\u0131 terk eden gen\\u00e7 k\\u0131zdan, hayallerinin pe\\u015finde her \\u015feyini yitiren in\\u015faat i\\u015f\\u00e7isine daha fazlas\\u0131n\\u0131 istemenin, yeni bir hayata g\\u00f6\\u00e7 etme arzusunun temellerine iniyor. Hindistan\\u2019da ge\\u00e7en ve bu d\\u00fcnyan\\u0131n ger\\u00e7ekli\\u011fiyle di\\u011ferinin g\\u00f6lgesi aras\\u0131nda hareket eden\\u00a0\\u00d6zg\\u00fcr Topraklar, birbirine ba\\u011flanan hik\\u00e2yelerle y\\u00fckselen incelikli bir yap\\u0131. C\\u00fcretk\\u00e2r, \\u015fiddetli, ama bir o kadar da merhamet dolu bu roman, insan\\u0131n hayatta kalma ve hayat\\u0131na h\\u00e2kim olma d\\u00fcrt\\u00fclerinin etkileyici bir ke\\u015ffini sunuyor.<br \\\/>\\r\\n\\u00a0<br \\\/>\\r\\n\\u00d6zg\\u00fcr Topraklar, rahat bir \\u015fekilde ya\\u015fayan bizler i\\u00e7in neredeyse kimsenin bu rahatl\\u0131\\u011fa sahip olmad\\u0131\\u011f\\u0131 bir d\\u00fcnyay\\u0131 hayal etmemizi gerektiriyor. Bu, Neel Mukherjee\\u2019nin etkisinin, tutkusunun ve g\\u00fcc\\u00fcn\\u00fcn bir i\\u015fareti.\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0The New York Times<\\\/p>\\r\\n\\r\\n<p>Tek kelimeyle muhte\\u015fem\\u2026\\u00a0\\u00d6zg\\u00fcr Topraklar, ba\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc g\\u00fczellikte bir roman ve Mukherjee\\u2019nin \\u00e7a\\u011f\\u0131m\\u0131z\\u0131n en \\u00f6zg\\u00fcn ve yetenekli yazarlar\\u0131ndan biri oldu\\u011funun kan\\u0131t\\u0131.<\\\/p>\\r\\n\\r\\n<p>-NPR<br \\\/>\\r\\n<br \\\/>\\r\\nNeel Mukherjee\\u2019nin nefes kesen roman\\u0131\\u00a0\\u00d6zg\\u00fcr Topraklar, okudu\\u011fum en g\\u00fczel \\u015feylerden biri; kelimenin tam anlam\\u0131yla huzursuz eden, unutulmaz sahnelerle dolu, g\\u00f6r\\u00fcnt\\u00fclerin, dilin ve karakterlerin yan\\u0131 s\\u0131ra bir toplumun servet ve g\\u00fc\\u00e7 e\\u015fitsizli\\u011fi kar\\u015f\\u0131s\\u0131ndaki \\u00f6fkesini, amans\\u0131z halini g\\u00f6zler \\u00f6n\\u00fcne seren bir kitap. Uzun, \\u00e7ok uzun zamand\\u0131r okudu\\u011fum en \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 ve en parlak roman.<\\\/p>\\r\\n\\r\\n<p>Hanya Yanagihara<\\\/p>\\r\\n\\r\\n<p>Ola\\u011fan\\u00fcst\\u00fc bir ba\\u015far\\u0131. \\u0130nce ve \\u00e7ok katmanl\\u0131 kurgusu, sosyal adaletsizli\\u011fin vah\\u015fetinin bir tablosu; d\\u00fc\\u015fk\\u00fcn hayatlar ya\\u015famak zorunda kalan karakterlerinin onuru \\u00fcst\\u00fcnde \\u0131srarla duran bir anlat\\u0131. \\u00c7ok g\\u00fc\\u00e7l\\u00fc ve etkileyici bir roman. Bitirdi\\u011fim an, tekrar ba\\u015flad\\u0131m.<\\\/p>\\r\\n\\r\\n<p>The Guardian<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6504,\"user_id\":10,\"original_name\":\"Sitem\",\"printing_date\":\"2016-01-01 15:35:45\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/sitem-kapak-1575549345.png\",\"image_settings\":{\"id\":6504,\"path\":\"\\\/images\\\/books\\\/2019\\\/12\\\/05\\\/15\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":148818,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":30346,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":13536,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3444,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2028,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4322,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":18518,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":18518,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":9040,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2342,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1180,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2940,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-12-05 15:35:45\",\"updated_at\":\"2019-12-05 15:35:45\",\"name\":\"Sitem\",\"slug\":\"sitem\",\"sub_name\":\"\",\"description\":\"<p>Bu g\\u00fcne kadar y\\u00fczbinlerce okura ula\\u015fan bu roman, bir \\u00e7ok gen\\u00e7 k\\u0131z\\u0131n i\\u00e7ine d\\u00fc\\u015ft\\u00fc\\u011f\\u00fc a\\u00e7maz\\u0131 g\\u00f6z \\u00f6n\\u00fcne sermektedir. Bu \\u00f6yle bir a\\u00e7maz ki, etraf\\u0131nda cazibe ve \\u00f6zentilerden olu\\u015fan tuzaklarla dolu... A\\u00e7mazdaki gen\\u00e7 k\\u0131zlar ise bizim insanlar\\u0131m\\u0131z... Usta yazar Ahmet G\\u00fcnbay Y\\u0131ld\\u0131z, bu eseri ile insan\\u0131m\\u0131z\\u0131n i\\u00e7inde bulundu\\u011fu \\u015fartlar\\u0131 sebeb-sonu\\u00e7 ili\\u015fkileri i\\u00e7inde \\u00e7ok boyutlu i\\u015flerken, \\u00e7\\u00f6z\\u00fcm\\u00fc de g\\u00f6steriyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Bu g\\u00fcne kadar y\\u00fczbinlerce okura ula\\u015fan bu roman, bir \\u00e7ok gen\\u00e7 k\\u0131z\\u0131n i\\u00e7ine d\\u00fc\\u015ft\\u00fc\\u011f\\u00fc a\\u00e7maz\\u0131 g\\u00f6z \\u00f6n\\u00fcne sermektedir. Bu \\u00f6yle bir a\\u00e7maz ki, etraf\\u0131nda cazibe ve \\u00f6zentilerden olu\\u015fan tuzaklarla dolu... A\\u00e7mazdaki gen\\u00e7 k\\u0131zlar ise bizim insanlar\\u0131m\\u0131z... Usta yazar Ahmet G\\u00fcnbay Y\\u0131ld\\u0131z, bu eseri ile insan\\u0131m\\u0131z\\u0131n i\\u00e7inde bulundu\\u011fu \\u015fartlar\\u0131 sebeb-sonu\\u00e7 ili\\u015fkileri i\\u00e7inde \\u00e7ok boyutlu i\\u015flerken, \\u00e7\\u00f6z\\u00fcm\\u00fc de g\\u00f6steriyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6504,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9813,\"book_id\":6504,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9812,\"book_id\":6504,\"locale\":\"tr\",\"name\":\"Sitem\",\"slug\":\"sitem\",\"sub_name\":\"\",\"description\":\"<p>Bu g\\u00fcne kadar y\\u00fczbinlerce okura ula\\u015fan bu roman, bir \\u00e7ok gen\\u00e7 k\\u0131z\\u0131n i\\u00e7ine d\\u00fc\\u015ft\\u00fc\\u011f\\u00fc a\\u00e7maz\\u0131 g\\u00f6z \\u00f6n\\u00fcne sermektedir. Bu \\u00f6yle bir a\\u00e7maz ki, etraf\\u0131nda cazibe ve \\u00f6zentilerden olu\\u015fan tuzaklarla dolu... A\\u00e7mazdaki gen\\u00e7 k\\u0131zlar ise bizim insanlar\\u0131m\\u0131z... Usta yazar Ahmet G\\u00fcnbay Y\\u0131ld\\u0131z, bu eseri ile insan\\u0131m\\u0131z\\u0131n i\\u00e7inde bulundu\\u011fu \\u015fartlar\\u0131 sebeb-sonu\\u00e7 ili\\u015fkileri i\\u00e7inde \\u00e7ok boyutlu i\\u015flerken, \\u00e7\\u00f6z\\u00fcm\\u00fc de g\\u00f6steriyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Bu g\\u00fcne kadar y\\u00fczbinlerce okura ula\\u015fan bu roman, bir \\u00e7ok gen\\u00e7 k\\u0131z\\u0131n i\\u00e7ine d\\u00fc\\u015ft\\u00fc\\u011f\\u00fc a\\u00e7maz\\u0131 g\\u00f6z \\u00f6n\\u00fcne sermektedir. Bu \\u00f6yle bir a\\u00e7maz ki, etraf\\u0131nda cazibe ve \\u00f6zentilerden olu\\u015fan tuzaklarla dolu... A\\u00e7mazdaki gen\\u00e7 k\\u0131zlar ise bizim insanlar\\u0131m\\u0131z... Usta yazar Ahmet G\\u00fcnbay Y\\u0131ld\\u0131z, bu eseri ile insan\\u0131m\\u0131z\\u0131n i\\u00e7inde bulundu\\u011fu \\u015fartlar\\u0131 sebeb-sonu\\u00e7 ili\\u015fkileri i\\u00e7inde \\u00e7ok boyutlu i\\u015flerken, \\u00e7\\u00f6z\\u00fcm\\u00fc de g\\u00f6steriyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6561,\"user_id\":10,\"original_name\":\"G\\u00f6n\\u00fcl Kap\\u0131s\\u0131nda Bir Elif\",\"printing_date\":\"2020-01-09 14:54:20\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/gonul-kapisinda-bir-elif-kapak-1577102060.png\",\"image_settings\":{\"id\":6561,\"path\":\"\\\/images\\\/books\\\/2019\\\/12\\\/23\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":150954,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":26916,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":12506,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3331,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1976,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4184,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":14866,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":14866,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":6964,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1930,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":972,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2416,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-12-23 14:54:20\",\"updated_at\":\"2019-12-23 14:54:20\",\"name\":\"G\\u00f6n\\u00fcl Kap\\u0131s\\u0131nda Bir Elif\",\"slug\":\"gonul-kapisinda-bir-elif\",\"sub_name\":\"\",\"description\":\"<p>Ben, Elif.<\\\/p>\\r\\n\\r\\n<p>K\\u0131rk ya\\u015f\\u0131ma de\\u011fin kendi d\\u00fcnyam\\u0131n i\\u00e7inde neden, ni\\u00e7in sorular\\u0131yla bo\\u011fularak isyan e\\u015fi\\u011fine gelmi\\u015fken, hi\\u00e7 ummad\\u0131\\u011f\\u0131m bir zaman diliminde sadece kendi cevaplar\\u0131m\\u0131 de\\u011fil, t\\u00fcm evrenin cevaplar\\u0131n\\u0131 da buluverdim.<\\\/p>\\r\\n\\r\\n<p>\\u00d6\\u011frendim; herkesin bir hik\\u00e2yesi varm\\u0131\\u015f... O hik\\u00e2yeler ki d\\u00fcnya ate\\u015finde yan\\u0131p yok olmam\\u0131z\\u0131 sa\\u011flarm\\u0131\\u015f. Bedenin hi\\u00e7li\\u011finden \\u00e7\\u0131k\\u0131p, varl\\u0131\\u011f\\u0131m\\u0131z\\u0131n sebebine vak\\u0131f olmam\\u0131z i\\u00e7in \\u00e7ok g\\u00f6zya\\u015f\\u0131 d\\u00f6kmek laz\\u0131mm\\u0131\\u015f. Hepimizin s\\u0131nav\\u0131, o hik\\u00e2yelerde sakl\\u0131ym\\u0131\\u015f.<\\\/p>\\r\\n\\r\\n<p>\\u00d6\\u011frendim; A\\u015fk ile dokunmak ve A\\u015fk ile ya\\u015famak gerekmi\\u015f... A\\u015fk'\\u0131 bilmek i\\u00e7in zaman\\u0131n be\\u015fi\\u011finde avunmak yerine, yola \\u00e7\\u0131k\\u0131p aramak gerekirmi\\u015f. Yol \\u00e7ok uzak lakin varmak bir ad\\u0131m atmak kadar kolaym\\u0131\\u015f.<\\\/p>\\r\\n\\r\\n<p>\\u00d6\\u011frendim; isminin Elif olmas\\u0131 yetmiyormu\\u015f g\\u00f6n\\u00fcl kap\\u0131s\\u0131n\\u0131 a\\u015fmak i\\u00e7in, Elif gibi dimdik ve emrolundu\\u011fu gibi dosdo\\u011fru olmak gerekmi\\u015f.<br \\\/>\\r\\n&nbsp;<br \\\/>\\r\\nNalan G\\u00fcven, yeni roman\\u0131&nbsp;G\\u00f6n\\u00fcl Kap\\u0131s\\u0131nda Bir Elif'te, hayat\\u0131nda her \\u015fey yerli yerinde g\\u00f6r\\u00fcnen bir gen\\u00e7 kad\\u0131n\\u0131n i\\u00e7indeki bo\\u015flu\\u011fu dolduracak kayna\\u011f\\u0131 ke\\u015ffetme hik\\u00e2yesini anlat\\u0131yor. R\\u00fcya i\\u00e7inde r\\u00fcyalarda seyahat veya seyir etti\\u011fi \\u00e2lemde Hz. \\u015eems, Hz. Mevl\\u00e2n\\u00e2, \\u015eeyh-i Ekber, \\u0130brahim Edhem Hz. gibi evliyalardan gelen hikmetlerle ge\\u00e7mi\\u015fiyle hesapla\\u015fmas\\u0131n\\u0131 bitiren Elif, ya\\u015fanan her \\u015feyin bir sebebi oldu\\u011fu ger\\u00e7e\\u011fine itimat ederek ba\\u015fka bir hale ge\\u00e7iyor.<\\\/p>\\r\\n\\r\\n<p>Ve kel\\u00e2mlar\\u0131n en g\\u00fczelini duyuyor, g\\u00f6n\\u00fcl s\\u00f6z\\u00fc \\u2018Kel\\u00e2m-\\u0131 A\\u015fk'a var\\u0131yor.<br \\\/>\\r\\n&nbsp;<br \\\/>\\r\\nEy \\u00c2demo\\u011flu;<\\\/p>\\r\\n\\r\\n<p>Sen a\\u015fk\\u0131 yanl\\u0131\\u015f anlad\\u0131n.<\\\/p>\\r\\n\\r\\n<p>Y\\u00fcre\\u011fine d\\u00f6n bak!<\\\/p>\\r\\n\\r\\n<p>As\\u0131l sahibi bulacaks\\u0131n...<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ben, Elif.<\\\/p>\\r\\n\\r\\n<p>K\\u0131rk ya\\u015f\\u0131ma de\\u011fin kendi d\\u00fcnyam\\u0131n i\\u00e7inde neden, ni\\u00e7in sorular\\u0131yla bo\\u011fularak isyan e\\u015fi\\u011fine gelmi\\u015fken, hi\\u00e7 ummad\\u0131\\u011f\\u0131m bir zaman diliminde sadece kendi cevaplar\\u0131m\\u0131 de\\u011fil, t\\u00fcm evrenin cevaplar\\u0131n\\u0131 da buluverdim.<\\\/p>\\r\\n\\r\\n<p>\\u00d6\\u011frendim; herkesin bir hik\\u00e2yesi varm\\u0131\\u015f... O hik\\u00e2yeler ki d\\u00fcnya ate\\u015finde yan\\u0131p yok olmam\\u0131z\\u0131 sa\\u011flarm\\u0131\\u015f. Bedenin hi\\u00e7li\\u011finden \\u00e7\\u0131k\\u0131p, varl\\u0131\\u011f\\u0131m\\u0131z\\u0131n sebebine vak\\u0131f olmam\\u0131z i\\u00e7in \\u00e7ok g\\u00f6zya\\u015f\\u0131 d\\u00f6kmek laz\\u0131mm\\u0131\\u015f. Hepimizin s\\u0131nav\\u0131, o hik\\u00e2yelerde sakl\\u0131ym\\u0131\\u015f.<\\\/p>\\r\\n\\r\\n<p>\\u00d6\\u011frendim; A\\u015fk ile dokunmak ve A\\u015fk ile ya\\u015famak gerekmi\\u015f... A\\u015fk'\\u0131 bilmek i\\u00e7in zaman\\u0131n be\\u015fi\\u011finde avunmak yerine, yola \\u00e7\\u0131k\\u0131p aramak gerekirmi\\u015f. Yol \\u00e7ok uzak lakin varmak bir ad\\u0131m atmak kadar kolaym\\u0131\\u015f.<\\\/p>\\r\\n\\r\\n<p>\\u00d6\\u011frendim; isminin Elif olmas\\u0131 yetmiyormu\\u015f g\\u00f6n\\u00fcl kap\\u0131s\\u0131n\\u0131 a\\u015fmak i\\u00e7in, Elif gibi dimdik ve emrolundu\\u011fu gibi dosdo\\u011fru olmak gerekmi\\u015f.<br \\\/>\\r\\n\\u00a0<br \\\/>\\r\\nNalan G\\u00fcven, yeni roman\\u0131\\u00a0G\\u00f6n\\u00fcl Kap\\u0131s\\u0131nda Bir Elif'te, hayat\\u0131nda her \\u015fey yerli yerinde g\\u00f6r\\u00fcnen bir gen\\u00e7 kad\\u0131n\\u0131n i\\u00e7indeki bo\\u015flu\\u011fu dolduracak kayna\\u011f\\u0131 ke\\u015ffetme hik\\u00e2yesini anlat\\u0131yor. R\\u00fcya i\\u00e7inde r\\u00fcyalarda seyahat veya seyir etti\\u011fi \\u00e2lemde Hz. \\u015eems, Hz. Mevl\\u00e2n\\u00e2, \\u015eeyh-i Ekber, \\u0130brahim Edhem Hz. gibi evliyalardan gelen hikmetlerle ge\\u00e7mi\\u015fiyle hesapla\\u015fmas\\u0131n\\u0131 bitiren Elif, ya\\u015fanan her \\u015feyin bir sebebi oldu\\u011fu ger\\u00e7e\\u011fine itimat ederek ba\\u015fka bir hale ge\\u00e7iyor.<\\\/p>\\r\\n\\r\\n<p>Ve kel\\u00e2mlar\\u0131n en g\\u00fczelini duyuyor, g\\u00f6n\\u00fcl s\\u00f6z\\u00fc \\u2018Kel\\u00e2m-\\u0131 A\\u015fk'a var\\u0131yor.<br \\\/>\\r\\n\\u00a0<br \\\/>\\r\\nEy \\u00c2demo\\u011flu;<\\\/p>\\r\\n\\r\\n<p>Sen a\\u015fk\\u0131 yanl\\u0131\\u015f anlad\\u0131n.<\\\/p>\\r\\n\\r\\n<p>Y\\u00fcre\\u011fine d\\u00f6n bak!<\\\/p>\\r\\n\\r\\n<p>As\\u0131l sahibi bulacaks\\u0131n...<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6561,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9927,\"book_id\":6561,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9926,\"book_id\":6561,\"locale\":\"tr\",\"name\":\"G\\u00f6n\\u00fcl Kap\\u0131s\\u0131nda Bir Elif\",\"slug\":\"gonul-kapisinda-bir-elif\",\"sub_name\":\"\",\"description\":\"<p>Ben, Elif.<\\\/p>\\r\\n\\r\\n<p>K\\u0131rk ya\\u015f\\u0131ma de\\u011fin kendi d\\u00fcnyam\\u0131n i\\u00e7inde neden, ni\\u00e7in sorular\\u0131yla bo\\u011fularak isyan e\\u015fi\\u011fine gelmi\\u015fken, hi\\u00e7 ummad\\u0131\\u011f\\u0131m bir zaman diliminde sadece kendi cevaplar\\u0131m\\u0131 de\\u011fil, t\\u00fcm evrenin cevaplar\\u0131n\\u0131 da buluverdim.<\\\/p>\\r\\n\\r\\n<p>\\u00d6\\u011frendim; herkesin bir hik\\u00e2yesi varm\\u0131\\u015f... O hik\\u00e2yeler ki d\\u00fcnya ate\\u015finde yan\\u0131p yok olmam\\u0131z\\u0131 sa\\u011flarm\\u0131\\u015f. Bedenin hi\\u00e7li\\u011finden \\u00e7\\u0131k\\u0131p, varl\\u0131\\u011f\\u0131m\\u0131z\\u0131n sebebine vak\\u0131f olmam\\u0131z i\\u00e7in \\u00e7ok g\\u00f6zya\\u015f\\u0131 d\\u00f6kmek laz\\u0131mm\\u0131\\u015f. Hepimizin s\\u0131nav\\u0131, o hik\\u00e2yelerde sakl\\u0131ym\\u0131\\u015f.<\\\/p>\\r\\n\\r\\n<p>\\u00d6\\u011frendim; A\\u015fk ile dokunmak ve A\\u015fk ile ya\\u015famak gerekmi\\u015f... A\\u015fk'\\u0131 bilmek i\\u00e7in zaman\\u0131n be\\u015fi\\u011finde avunmak yerine, yola \\u00e7\\u0131k\\u0131p aramak gerekirmi\\u015f. Yol \\u00e7ok uzak lakin varmak bir ad\\u0131m atmak kadar kolaym\\u0131\\u015f.<\\\/p>\\r\\n\\r\\n<p>\\u00d6\\u011frendim; isminin Elif olmas\\u0131 yetmiyormu\\u015f g\\u00f6n\\u00fcl kap\\u0131s\\u0131n\\u0131 a\\u015fmak i\\u00e7in, Elif gibi dimdik ve emrolundu\\u011fu gibi dosdo\\u011fru olmak gerekmi\\u015f.<br \\\/>\\r\\n&nbsp;<br \\\/>\\r\\nNalan G\\u00fcven, yeni roman\\u0131&nbsp;G\\u00f6n\\u00fcl Kap\\u0131s\\u0131nda Bir Elif'te, hayat\\u0131nda her \\u015fey yerli yerinde g\\u00f6r\\u00fcnen bir gen\\u00e7 kad\\u0131n\\u0131n i\\u00e7indeki bo\\u015flu\\u011fu dolduracak kayna\\u011f\\u0131 ke\\u015ffetme hik\\u00e2yesini anlat\\u0131yor. R\\u00fcya i\\u00e7inde r\\u00fcyalarda seyahat veya seyir etti\\u011fi \\u00e2lemde Hz. \\u015eems, Hz. Mevl\\u00e2n\\u00e2, \\u015eeyh-i Ekber, \\u0130brahim Edhem Hz. gibi evliyalardan gelen hikmetlerle ge\\u00e7mi\\u015fiyle hesapla\\u015fmas\\u0131n\\u0131 bitiren Elif, ya\\u015fanan her \\u015feyin bir sebebi oldu\\u011fu ger\\u00e7e\\u011fine itimat ederek ba\\u015fka bir hale ge\\u00e7iyor.<\\\/p>\\r\\n\\r\\n<p>Ve kel\\u00e2mlar\\u0131n en g\\u00fczelini duyuyor, g\\u00f6n\\u00fcl s\\u00f6z\\u00fc \\u2018Kel\\u00e2m-\\u0131 A\\u015fk'a var\\u0131yor.<br \\\/>\\r\\n&nbsp;<br \\\/>\\r\\nEy \\u00c2demo\\u011flu;<\\\/p>\\r\\n\\r\\n<p>Sen a\\u015fk\\u0131 yanl\\u0131\\u015f anlad\\u0131n.<\\\/p>\\r\\n\\r\\n<p>Y\\u00fcre\\u011fine d\\u00f6n bak!<\\\/p>\\r\\n\\r\\n<p>As\\u0131l sahibi bulacaks\\u0131n...<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ben, Elif.<\\\/p>\\r\\n\\r\\n<p>K\\u0131rk ya\\u015f\\u0131ma de\\u011fin kendi d\\u00fcnyam\\u0131n i\\u00e7inde neden, ni\\u00e7in sorular\\u0131yla bo\\u011fularak isyan e\\u015fi\\u011fine gelmi\\u015fken, hi\\u00e7 ummad\\u0131\\u011f\\u0131m bir zaman diliminde sadece kendi cevaplar\\u0131m\\u0131 de\\u011fil, t\\u00fcm evrenin cevaplar\\u0131n\\u0131 da buluverdim.<\\\/p>\\r\\n\\r\\n<p>\\u00d6\\u011frendim; herkesin bir hik\\u00e2yesi varm\\u0131\\u015f... O hik\\u00e2yeler ki d\\u00fcnya ate\\u015finde yan\\u0131p yok olmam\\u0131z\\u0131 sa\\u011flarm\\u0131\\u015f. Bedenin hi\\u00e7li\\u011finden \\u00e7\\u0131k\\u0131p, varl\\u0131\\u011f\\u0131m\\u0131z\\u0131n sebebine vak\\u0131f olmam\\u0131z i\\u00e7in \\u00e7ok g\\u00f6zya\\u015f\\u0131 d\\u00f6kmek laz\\u0131mm\\u0131\\u015f. Hepimizin s\\u0131nav\\u0131, o hik\\u00e2yelerde sakl\\u0131ym\\u0131\\u015f.<\\\/p>\\r\\n\\r\\n<p>\\u00d6\\u011frendim; A\\u015fk ile dokunmak ve A\\u015fk ile ya\\u015famak gerekmi\\u015f... A\\u015fk'\\u0131 bilmek i\\u00e7in zaman\\u0131n be\\u015fi\\u011finde avunmak yerine, yola \\u00e7\\u0131k\\u0131p aramak gerekirmi\\u015f. Yol \\u00e7ok uzak lakin varmak bir ad\\u0131m atmak kadar kolaym\\u0131\\u015f.<\\\/p>\\r\\n\\r\\n<p>\\u00d6\\u011frendim; isminin Elif olmas\\u0131 yetmiyormu\\u015f g\\u00f6n\\u00fcl kap\\u0131s\\u0131n\\u0131 a\\u015fmak i\\u00e7in, Elif gibi dimdik ve emrolundu\\u011fu gibi dosdo\\u011fru olmak gerekmi\\u015f.<br \\\/>\\r\\n\\u00a0<br \\\/>\\r\\nNalan G\\u00fcven, yeni roman\\u0131\\u00a0G\\u00f6n\\u00fcl Kap\\u0131s\\u0131nda Bir Elif'te, hayat\\u0131nda her \\u015fey yerli yerinde g\\u00f6r\\u00fcnen bir gen\\u00e7 kad\\u0131n\\u0131n i\\u00e7indeki bo\\u015flu\\u011fu dolduracak kayna\\u011f\\u0131 ke\\u015ffetme hik\\u00e2yesini anlat\\u0131yor. R\\u00fcya i\\u00e7inde r\\u00fcyalarda seyahat veya seyir etti\\u011fi \\u00e2lemde Hz. \\u015eems, Hz. Mevl\\u00e2n\\u00e2, \\u015eeyh-i Ekber, \\u0130brahim Edhem Hz. gibi evliyalardan gelen hikmetlerle ge\\u00e7mi\\u015fiyle hesapla\\u015fmas\\u0131n\\u0131 bitiren Elif, ya\\u015fanan her \\u015feyin bir sebebi oldu\\u011fu ger\\u00e7e\\u011fine itimat ederek ba\\u015fka bir hale ge\\u00e7iyor.<\\\/p>\\r\\n\\r\\n<p>Ve kel\\u00e2mlar\\u0131n en g\\u00fczelini duyuyor, g\\u00f6n\\u00fcl s\\u00f6z\\u00fc \\u2018Kel\\u00e2m-\\u0131 A\\u015fk'a var\\u0131yor.<br \\\/>\\r\\n\\u00a0<br \\\/>\\r\\nEy \\u00c2demo\\u011flu;<\\\/p>\\r\\n\\r\\n<p>Sen a\\u015fk\\u0131 yanl\\u0131\\u015f anlad\\u0131n.<\\\/p>\\r\\n\\r\\n<p>Y\\u00fcre\\u011fine d\\u00f6n bak!<\\\/p>\\r\\n\\r\\n<p>As\\u0131l sahibi bulacaks\\u0131n...<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6562,\"user_id\":10,\"original_name\":\"\\u00c7i\\u00e7ekler \\u00dc\\u015f\\u00fcmesin\",\"printing_date\":\"2020-01-09 14:56:57\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/cicekler-usumesin-kapak-1577102217.png\",\"image_settings\":{\"id\":6562,\"path\":\"\\\/images\\\/books\\\/2019\\\/12\\\/23\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":238864,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":52239,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":18927,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3343,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1771,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4436,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":40938,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":40938,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":15360,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2344,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":940,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3132,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-12-23 14:56:57\",\"updated_at\":\"2019-12-23 14:56:57\",\"name\":\"\\u00c7i\\u00e7ekler \\u00dc\\u015f\\u00fcmesin\",\"slug\":\"cicekler-usumesin\",\"sub_name\":\"\",\"description\":\"<p>Nurullah Gen\\u00e7,&nbsp;\\u00c7i\\u00e7ekler \\u00dc\\u015f\\u00fcmesin&nbsp;ile \\u015fairin uzun yolculu\\u011funun ilk duraklar\\u0131na g\\u00f6t\\u00fcr\\u00fcyor okurunu yeniden. \\u015eiirine y\\u00f6n veren izlekleri okurlar\\u0131yla bulu\\u015fturuyor bu eserle.<\\\/p>\\r\\n\\r\\n<p>G\\u00f6nl\\u00fcm\\u00fcn mavili\\u011fi gitmesin g\\u00f6ky\\u00fcz\\u00fcnden<\\\/p>\\r\\n\\r\\n<p>Ku\\u015flar\\u0131n g\\u00fcl\\u00fcc\\u00fc\\u011f\\u00fc eksilmesin y\\u00fcz\\u00fcnden<\\\/p>\\r\\n\\r\\n<p>Kar ya\\u011fsa da bu \\u0131ss\\u0131z vadiye, g\\u00fcn bitmesin<\\\/p>\\r\\n\\r\\n<p>Yapraklar \\u00fc\\u015f\\u00fcse de, \\u00e7i\\u00e7ekler \\u00fc\\u015f\\u00fcmesin<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Nurullah Gen\\u00e7,\\u00a0\\u00c7i\\u00e7ekler \\u00dc\\u015f\\u00fcmesin\\u00a0ile \\u015fairin uzun yolculu\\u011funun ilk duraklar\\u0131na g\\u00f6t\\u00fcr\\u00fcyor okurunu yeniden. \\u015eiirine y\\u00f6n veren izlekleri okurlar\\u0131yla bulu\\u015fturuyor bu eserle.<\\\/p>\\r\\n\\r\\n<p>G\\u00f6nl\\u00fcm\\u00fcn mavili\\u011fi gitmesin g\\u00f6ky\\u00fcz\\u00fcnden<\\\/p>\\r\\n\\r\\n<p>Ku\\u015flar\\u0131n g\\u00fcl\\u00fcc\\u00fc\\u011f\\u00fc eksilmesin y\\u00fcz\\u00fcnden<\\\/p>\\r\\n\\r\\n<p>Kar ya\\u011fsa da bu \\u0131ss\\u0131z vadiye, g\\u00fcn bitmesin<\\\/p>\\r\\n\\r\\n<p>Yapraklar \\u00fc\\u015f\\u00fcse de, \\u00e7i\\u00e7ekler \\u00fc\\u015f\\u00fcmesin<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m 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g\\u00fcl\\u00fcc\\u00fc\\u011f\\u00fc eksilmesin y\\u00fcz\\u00fcnden<\\\/p>\\r\\n\\r\\n<p>Kar ya\\u011fsa da bu \\u0131ss\\u0131z vadiye, g\\u00fcn bitmesin<\\\/p>\\r\\n\\r\\n<p>Yapraklar \\u00fc\\u015f\\u00fcse de, \\u00e7i\\u00e7ekler \\u00fc\\u015f\\u00fcmesin<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Nurullah Gen\\u00e7,\\u00a0\\u00c7i\\u00e7ekler \\u00dc\\u015f\\u00fcmesin\\u00a0ile \\u015fairin uzun yolculu\\u011funun ilk duraklar\\u0131na g\\u00f6t\\u00fcr\\u00fcyor okurunu yeniden. \\u015eiirine y\\u00f6n veren izlekleri okurlar\\u0131yla bulu\\u015fturuyor bu eserle.<\\\/p>\\r\\n\\r\\n<p>G\\u00f6nl\\u00fcm\\u00fcn mavili\\u011fi gitmesin g\\u00f6ky\\u00fcz\\u00fcnden<\\\/p>\\r\\n\\r\\n<p>Ku\\u015flar\\u0131n g\\u00fcl\\u00fcc\\u00fc\\u011f\\u00fc eksilmesin y\\u00fcz\\u00fcnden<\\\/p>\\r\\n\\r\\n<p>Kar ya\\u011fsa da bu \\u0131ss\\u0131z vadiye, g\\u00fcn bitmesin<\\\/p>\\r\\n\\r\\n<p>Yapraklar \\u00fc\\u015f\\u00fcse de, \\u00e7i\\u00e7ekler \\u00fc\\u015f\\u00fcmesin<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6563,\"user_id\":10,\"original_name\":\"Nuyageva\",\"printing_date\":\"2020-01-09 14:58:23\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/nuyageva-kapak-1577102303.png\",\"image_settings\":{\"id\":6563,\"path\":\"\\\/images\\\/books\\\/2019\\\/12\\\/23\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":213347,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":46310,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17498,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3217,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1750,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4081,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":34334,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":34334,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":13658,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2330,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":944,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2998,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-12-23 14:58:23\",\"updated_at\":\"2019-12-23 14:58:23\",\"name\":\"Nuyageva\",\"slug\":\"nuyageva\",\"sub_name\":\"\",\"description\":\"<p>Usta \\u015fair Nurullah Gen\\u00e7'in kalemiyle hayata arma\\u011fan etti\\u011fi kelimeler,&nbsp;Nuyageva'da y\\u0131llar sonra yeniden nefes buluyor.<\\\/p>\\r\\n\\r\\n<p>O nas\\u0131l macerayd\\u0131, o nas\\u0131l \\u201cd\\u00fc\\u015f\\u201dt\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00c7evresine ihtilal kuzgunlar\\u0131 \\u00fc\\u015f\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>Ay g\\u00f6r\\u00fcnce d\\u00fczenli \\u0131\\u015f\\u0131yan g\\u00f6zlerini<\\\/p>\\r\\n\\r\\n<p>H\\u0131\\u00e7k\\u0131r\\u0131kl\\u0131 bir mendil g\\u00f6kten k\\u0131y\\u0131ya d\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00d6yle maktul bir esaret bo\\u015fald\\u0131 ki do\\u011fudan<\\\/p>\\r\\n\\r\\n<p>K\\u00f6leler ata bindi; sultanlar yaya d\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>Nuyageva bir g\\u00fcm\\u00fc\\u015ft\\u00fc, t\\u0131ls\\u0131ml\\u0131 bir g\\u00fcl\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Usta \\u015fair Nurullah Gen\\u00e7'in kalemiyle hayata arma\\u011fan etti\\u011fi kelimeler,\\u00a0Nuyageva'da y\\u0131llar sonra yeniden nefes buluyor.<\\\/p>\\r\\n\\r\\n<p>O nas\\u0131l macerayd\\u0131, o nas\\u0131l \\u201cd\\u00fc\\u015f\\u201dt\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00c7evresine ihtilal kuzgunlar\\u0131 \\u00fc\\u015f\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>Ay g\\u00f6r\\u00fcnce d\\u00fczenli \\u0131\\u015f\\u0131yan g\\u00f6zlerini<\\\/p>\\r\\n\\r\\n<p>H\\u0131\\u00e7k\\u0131r\\u0131kl\\u0131 bir mendil g\\u00f6kten k\\u0131y\\u0131ya d\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00d6yle maktul bir esaret bo\\u015fald\\u0131 ki do\\u011fudan<\\\/p>\\r\\n\\r\\n<p>K\\u00f6leler ata bindi; sultanlar yaya d\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>Nuyageva bir g\\u00fcm\\u00fc\\u015ft\\u00fc, t\\u0131ls\\u0131ml\\u0131 bir g\\u00fcl\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6563,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9931,\"book_id\":6563,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9930,\"book_id\":6563,\"locale\":\"tr\",\"name\":\"Nuyageva\",\"slug\":\"nuyageva\",\"sub_name\":\"\",\"description\":\"<p>Usta \\u015fair Nurullah Gen\\u00e7'in kalemiyle hayata arma\\u011fan etti\\u011fi kelimeler,&nbsp;Nuyageva'da y\\u0131llar sonra yeniden nefes buluyor.<\\\/p>\\r\\n\\r\\n<p>O nas\\u0131l macerayd\\u0131, o nas\\u0131l \\u201cd\\u00fc\\u015f\\u201dt\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00c7evresine ihtilal kuzgunlar\\u0131 \\u00fc\\u015f\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>Ay g\\u00f6r\\u00fcnce d\\u00fczenli \\u0131\\u015f\\u0131yan g\\u00f6zlerini<\\\/p>\\r\\n\\r\\n<p>H\\u0131\\u00e7k\\u0131r\\u0131kl\\u0131 bir mendil g\\u00f6kten k\\u0131y\\u0131ya d\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00d6yle maktul bir esaret bo\\u015fald\\u0131 ki do\\u011fudan<\\\/p>\\r\\n\\r\\n<p>K\\u00f6leler ata bindi; sultanlar yaya d\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>Nuyageva bir g\\u00fcm\\u00fc\\u015ft\\u00fc, t\\u0131ls\\u0131ml\\u0131 bir g\\u00fcl\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Usta \\u015fair Nurullah Gen\\u00e7'in kalemiyle hayata arma\\u011fan etti\\u011fi kelimeler,\\u00a0Nuyageva'da y\\u0131llar sonra yeniden nefes buluyor.<\\\/p>\\r\\n\\r\\n<p>O nas\\u0131l macerayd\\u0131, o nas\\u0131l \\u201cd\\u00fc\\u015f\\u201dt\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00c7evresine ihtilal kuzgunlar\\u0131 \\u00fc\\u015f\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>Ay g\\u00f6r\\u00fcnce d\\u00fczenli \\u0131\\u015f\\u0131yan g\\u00f6zlerini<\\\/p>\\r\\n\\r\\n<p>H\\u0131\\u00e7k\\u0131r\\u0131kl\\u0131 bir mendil g\\u00f6kten k\\u0131y\\u0131ya d\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00d6yle maktul bir esaret bo\\u015fald\\u0131 ki do\\u011fudan<\\\/p>\\r\\n\\r\\n<p>K\\u00f6leler ata bindi; sultanlar yaya d\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>Nuyageva bir g\\u00fcm\\u00fc\\u015ft\\u00fc, t\\u0131ls\\u0131ml\\u0131 bir g\\u00fcl\\u00fc\\u015ft\\u00fc<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6569,\"user_id\":10,\"original_name\":\"Rosa\",\"printing_date\":\"2020-01-09 11:23:24\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/rosa-kapak-1577262204.png\",\"image_settings\":{\"id\":6569,\"path\":\"\\\/images\\\/books\\\/2019\\\/12\\\/25\\\/11\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":184658,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":52479,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":20874,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":4356,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2391,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":5752,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":32948,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":32948,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":13414,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2698,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1312,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3692,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-12-25 11:23:24\",\"updated_at\":\"2019-12-25 11:23:24\",\"name\":\"Rosa\",\"slug\":\"rosa\",\"sub_name\":\"\",\"description\":\"<p>Rosa,&nbsp;Benoni\\u2019yle ba\\u015flayan hikayenin devam\\u0131, bir dipti\\u011fin ikinci k\\u0131sm\\u0131. Okurun&nbsp;Pan\\u2019dan da a\\u015fina oldu\\u011fu karakterlerin de uzak yuvas\\u0131. Nordland\\u2019\\u0131n kendine has do\\u011fas\\u0131, Hamsun\\u2019un di\\u011fer eserlerinde oldu\\u011fu gibi, yine ba\\u015fl\\u0131 ba\\u015f\\u0131na bir kahraman olarak v\\u00fccut buluyor bu romanda. Bu defa Rosa\\u2019ya \\u00e2\\u015f\\u0131k gezgin \\u00f6\\u011frenci Parelius\\u2019un pe\\u015finde s\\u00fcr\\u00fckleniyor okur, yeni \\u00e7at\\u0131\\u015fmalar, kavu\\u015fmalar ve ayr\\u0131l\\u0131klarla. Toplumsal ve s\\u0131n\\u0131fsal farkl\\u0131l\\u0131klar\\u0131n yan\\u0131nda, bu defa engeller bamba\\u015fka\\u2026<\\\/p>\\r\\n\\r\\n<p>\\u201cHamsun\\u2019u \\u00e7evirmek benim i\\u00e7in \\u015fiir yazmak gibi bir \\u015fey.\\u201d<\\\/p>\\r\\n\\r\\n<p>-<strong>&nbsp;Beh\\u00e7et Necatigil<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cHamsun, insan\\u0131n duygu ve d\\u00fc\\u015f\\u00fcncelerini olumlu y\\u00f6nde etkileyen yazarlardan biridir. O her b\\u00fcy\\u00fck yazar gibi k\\u00e2inat\\u0131n s\\u0131rlar\\u0131n\\u0131, g\\u00f6r\\u00fcn\\u00fc\\u015fte dar bir \\u00e7er\\u00e7eveye s\\u0131\\u011fd\\u0131rm\\u0131\\u015ft\\u0131r.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>- Jakob Wassermann<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cHamsun\\u2019un eserlerinde tabiatla sanat bar\\u0131\\u015f halindedir. Ustal\\u0131\\u011f\\u0131n\\u0131n nereden geldi\\u011fini veya bizi nereye s\\u00fcr\\u00fckleyece\\u011fini sormay\\u0131n\\u0131z... Ender olan\\u0131 kutlayal\\u0131m. Yani, bir yazar\\u0131n \\u00e7a\\u011f\\u0131n\\u0131...\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>-&nbsp;Oskar Loerke<\\\/strong><\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\",\"static_content\":\"<p>Rosa,\\u00a0Benoni\\u2019yle ba\\u015flayan hikayenin devam\\u0131, bir dipti\\u011fin ikinci k\\u0131sm\\u0131. Okurun\\u00a0Pan\\u2019dan da a\\u015fina oldu\\u011fu karakterlerin de uzak yuvas\\u0131. Nordland\\u2019\\u0131n kendine has do\\u011fas\\u0131, Hamsun\\u2019un di\\u011fer eserlerinde oldu\\u011fu gibi, yine ba\\u015fl\\u0131 ba\\u015f\\u0131na bir kahraman olarak v\\u00fccut buluyor bu romanda. Bu defa Rosa\\u2019ya \\u00e2\\u015f\\u0131k gezgin \\u00f6\\u011frenci Parelius\\u2019un pe\\u015finde s\\u00fcr\\u00fckleniyor okur, yeni \\u00e7at\\u0131\\u015fmalar, kavu\\u015fmalar ve ayr\\u0131l\\u0131klarla. Toplumsal ve s\\u0131n\\u0131fsal farkl\\u0131l\\u0131klar\\u0131n yan\\u0131nda, bu defa engeller bamba\\u015fka\\u2026<\\\/p>\\r\\n\\r\\n<p>\\u201cHamsun\\u2019u \\u00e7evirmek benim i\\u00e7in \\u015fiir yazmak gibi bir \\u015fey.\\u201d<\\\/p>\\r\\n\\r\\n<p>-<strong>\\u00a0Beh\\u00e7et Necatigil<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cHamsun, insan\\u0131n duygu ve d\\u00fc\\u015f\\u00fcncelerini olumlu y\\u00f6nde etkileyen yazarlardan biridir. O her b\\u00fcy\\u00fck yazar gibi k\\u00e2inat\\u0131n s\\u0131rlar\\u0131n\\u0131, g\\u00f6r\\u00fcn\\u00fc\\u015fte dar bir \\u00e7er\\u00e7eveye s\\u0131\\u011fd\\u0131rm\\u0131\\u015ft\\u0131r.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>- Jakob Wassermann<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cHamsun\\u2019un eserlerinde tabiatla sanat bar\\u0131\\u015f halindedir. Ustal\\u0131\\u011f\\u0131n\\u0131n nereden geldi\\u011fini veya bizi nereye s\\u00fcr\\u00fckleyece\\u011fini sormay\\u0131n\\u0131z... Ender olan\\u0131 kutlayal\\u0131m. Yani, bir yazar\\u0131n \\u00e7a\\u011f\\u0131n\\u0131...\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>-\\u00a0Oskar Loerke<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6569,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9943,\"book_id\":6569,\"locale\":\"en\",\"name\":\"Rosa\",\"slug\":\"rosa\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9942,\"book_id\":6569,\"locale\":\"tr\",\"name\":\"Rosa\",\"slug\":\"rosa\",\"sub_name\":\"\",\"description\":\"<p>Rosa,&nbsp;Benoni\\u2019yle ba\\u015flayan hikayenin devam\\u0131, bir dipti\\u011fin ikinci k\\u0131sm\\u0131. Okurun&nbsp;Pan\\u2019dan da a\\u015fina oldu\\u011fu karakterlerin de uzak yuvas\\u0131. Nordland\\u2019\\u0131n kendine has do\\u011fas\\u0131, Hamsun\\u2019un di\\u011fer eserlerinde oldu\\u011fu gibi, yine ba\\u015fl\\u0131 ba\\u015f\\u0131na bir kahraman olarak v\\u00fccut buluyor bu romanda. Bu defa Rosa\\u2019ya \\u00e2\\u015f\\u0131k gezgin \\u00f6\\u011frenci Parelius\\u2019un pe\\u015finde s\\u00fcr\\u00fckleniyor okur, yeni \\u00e7at\\u0131\\u015fmalar, kavu\\u015fmalar ve ayr\\u0131l\\u0131klarla. Toplumsal ve s\\u0131n\\u0131fsal farkl\\u0131l\\u0131klar\\u0131n yan\\u0131nda, bu defa engeller bamba\\u015fka\\u2026<\\\/p>\\r\\n\\r\\n<p>\\u201cHamsun\\u2019u \\u00e7evirmek benim i\\u00e7in \\u015fiir yazmak gibi bir \\u015fey.\\u201d<\\\/p>\\r\\n\\r\\n<p>-<strong>&nbsp;Beh\\u00e7et Necatigil<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cHamsun, insan\\u0131n duygu ve d\\u00fc\\u015f\\u00fcncelerini olumlu y\\u00f6nde etkileyen yazarlardan biridir. O her b\\u00fcy\\u00fck yazar gibi k\\u00e2inat\\u0131n s\\u0131rlar\\u0131n\\u0131, g\\u00f6r\\u00fcn\\u00fc\\u015fte dar bir \\u00e7er\\u00e7eveye s\\u0131\\u011fd\\u0131rm\\u0131\\u015ft\\u0131r.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>- Jakob Wassermann<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cHamsun\\u2019un eserlerinde tabiatla sanat bar\\u0131\\u015f halindedir. Ustal\\u0131\\u011f\\u0131n\\u0131n nereden geldi\\u011fini veya bizi nereye s\\u00fcr\\u00fckleyece\\u011fini sormay\\u0131n\\u0131z... Ender olan\\u0131 kutlayal\\u0131m. Yani, bir yazar\\u0131n \\u00e7a\\u011f\\u0131n\\u0131...\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>-&nbsp;Oskar Loerke<\\\/strong><\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\",\"static_content\":\"<p>Rosa,\\u00a0Benoni\\u2019yle ba\\u015flayan hikayenin devam\\u0131, bir dipti\\u011fin ikinci k\\u0131sm\\u0131. Okurun\\u00a0Pan\\u2019dan da a\\u015fina oldu\\u011fu karakterlerin de uzak yuvas\\u0131. Nordland\\u2019\\u0131n kendine has do\\u011fas\\u0131, Hamsun\\u2019un di\\u011fer eserlerinde oldu\\u011fu gibi, yine ba\\u015fl\\u0131 ba\\u015f\\u0131na bir kahraman olarak v\\u00fccut buluyor bu romanda. Bu defa Rosa\\u2019ya \\u00e2\\u015f\\u0131k gezgin \\u00f6\\u011frenci Parelius\\u2019un pe\\u015finde s\\u00fcr\\u00fckleniyor okur, yeni \\u00e7at\\u0131\\u015fmalar, kavu\\u015fmalar ve ayr\\u0131l\\u0131klarla. Toplumsal ve s\\u0131n\\u0131fsal farkl\\u0131l\\u0131klar\\u0131n yan\\u0131nda, bu defa engeller bamba\\u015fka\\u2026<\\\/p>\\r\\n\\r\\n<p>\\u201cHamsun\\u2019u \\u00e7evirmek benim i\\u00e7in \\u015fiir yazmak gibi bir \\u015fey.\\u201d<\\\/p>\\r\\n\\r\\n<p>-<strong>\\u00a0Beh\\u00e7et Necatigil<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cHamsun, insan\\u0131n duygu ve d\\u00fc\\u015f\\u00fcncelerini olumlu y\\u00f6nde etkileyen yazarlardan biridir. O her b\\u00fcy\\u00fck yazar gibi k\\u00e2inat\\u0131n s\\u0131rlar\\u0131n\\u0131, g\\u00f6r\\u00fcn\\u00fc\\u015fte dar bir \\u00e7er\\u00e7eveye s\\u0131\\u011fd\\u0131rm\\u0131\\u015ft\\u0131r.\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>- Jakob Wassermann<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cHamsun\\u2019un eserlerinde tabiatla sanat bar\\u0131\\u015f halindedir. Ustal\\u0131\\u011f\\u0131n\\u0131n nereden geldi\\u011fini veya bizi nereye s\\u00fcr\\u00fckleyece\\u011fini sormay\\u0131n\\u0131z... Ender olan\\u0131 kutlayal\\u0131m. Yani, bir yazar\\u0131n \\u00e7a\\u011f\\u0131n\\u0131...\\u201d<\\\/p>\\r\\n\\r\\n<p><strong>-\\u00a0Oskar Loerke<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6654,\"user_id\":10,\"original_name\":\"Prowad\\u017a sw\\u00f3j p\\u0142ug przez ko\\u015bci umar\\u0142ych\",\"printing_date\":\"2020-02-06 11:06:47\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/prowad-swoj-pug-przez-koci-umarych-kapak-1580198807.png\",\"image_settings\":{\"id\":6654,\"path\":\"\\\/images\\\/books\\\/2020\\\/01\\\/28\\\/11\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":154834,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":29946,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":12594,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3407,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1873,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3873,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":17956,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":17956,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":8174,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2160,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":998,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2314,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2020-01-28 11:06:47\",\"updated_at\":\"2020-01-28 11:06:48\",\"name\":\"S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde\",\"slug\":\"sur-pullugunu-olulerin-kemikleri-uzerinde\",\"sub_name\":\"\",\"description\":\"<p>Janina, uzak bir Polonya k\\u00f6y\\u00fcnde, karanl\\u0131k k\\u0131\\u015f g\\u00fcnlerini astroloji \\u00e7al\\u0131\\u015farak, y\\u0131ld\\u0131z haritalar\\u0131n\\u0131 inceleyerek, William Blake\\u2019in \\u015fiirlerini terc\\u00fcme ederek ve varl\\u0131kl\\u0131 Var\\u015fova sakinlerinin yazl\\u0131k evlerine g\\u00f6z kulak olarak ge\\u00e7irir. \\u0130nsanlar yerine hayvanlarla vakit ge\\u00e7irmeyi tercih eder, fazlas\\u0131yla tuhaf ve m\\u00fcnzevi tav\\u0131rlar\\u0131 kimilerine g\\u00f6re \\u201cka\\u00e7\\u0131k\\u201dl\\u0131kt\\u0131r. Bir g\\u00fcn kom\\u015fusu Koca Ayak gizemli bir \\u015fekilde \\u00f6l\\u00fc bulunur. Gelecek g\\u00fcnler daha da tuhaf \\u00f6l\\u00fcmleri beraberinde getirir. \\u015e\\u00fcpheler ve soru i\\u015faretleri y\\u00fckselirken Janina, tuhaf teorileriyle kendini soru\\u015fturman\\u0131n g\\u00f6be\\u011fine yerle\\u015ftirir. Birileri ona kulak verseydi her \\u015fey b\\u00f6yle mi olurdu oysa\\u2026<\\\/p>\\r\\n\\r\\n<p><em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em>&nbsp;tuhaf bir gerilim masal\\u0131, bir kara komedi, her \\u015feyiyle kendine \\u00f6zg\\u00fc bir hik\\u00e2ye. Ak\\u0131l sa\\u011fl\\u0131\\u011f\\u0131 ve \\u00e7\\u0131lg\\u0131nl\\u0131k, su\\u00e7 ve adalet, do\\u011fa ve insan aras\\u0131ndaki karanl\\u0131k s\\u0131n\\u0131rlar\\u0131n k\\u0131\\u015fk\\u0131rt\\u0131c\\u0131 bir ke\\u015ffi. \\u00c7a\\u011fda\\u015f Polonya edebiyat\\u0131n\\u0131n en g\\u00fc\\u00e7l\\u00fc sesi, Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc sahibi Olga Tokarczuk\\u2019tan ba\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc bir roman.<\\\/p>\\r\\n\\r\\n<p>\\u201cMuhte\\u015fem bir yazar.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><strong>&nbsp;Svetlana Alexievich<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cBu kitap yaln\\u0131zca bir \\u2018katil kim\\u2019 roman\\u0131 de\\u011fil: Ya\\u015fam ve \\u00f6l\\u00fcm hakk\\u0131nda, s\\u0131rlarla dolu, felsefi bir masal. Kula\\u011f\\u0131n\\u0131z\\u0131 yere yakla\\u015ft\\u0131r\\u0131rsan\\u0131z, iliklerinizde hissedece\\u011finiz s\\u0131rlar.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>New York Times Book Review<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cBa\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc, yarat\\u0131c\\u0131, t\\u00fcr\\u00fcne meydan okuyan bir hik\\u00e2ye. K\\u0131smen bir polisiye, k\\u0131smen bir masal, <em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em>, baz\\u0131 canl\\u0131lar\\u0131n di\\u011ferlerinden \\u00fcst\\u00fcn olma bi\\u00e7imleri \\u00fczerine heyecan verici bir felsefi sorgulama.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>&nbsp;TIME<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cY\\u0131l\\u0131n en keyifli romanlar\\u0131ndan biri.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><strong><em>&nbsp;The Guardian<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cOlga Tokarczuk ge\\u00e7en \\u00e7eyrek y\\u00fczy\\u0131l\\u0131n say\\u0131l\\u0131 Avrupal\\u0131 romanc\\u0131s\\u0131ndan biri. Bu romansa alayc\\u0131 mizah\\u0131 ve karanl\\u0131k s\\u00fcrprizleriyle pastoral bir kara komedi.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>The Economist<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201c\\u2018Kontroll\\u00fc psikoz\\u2019un tart\\u0131\\u015f\\u0131lmaz ba\\u015fyap\\u0131t\\u0131\\u2026 Eninde sonunda ola\\u011fan\\u00fcst\\u00fc bir kurguyla bir araya gelen ipu\\u00e7lar\\u0131 etkileyici bir ba\\u015far\\u0131ya d\\u00f6n\\u00fc\\u015f\\u00fcyor.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><strong><em>&nbsp;Publishers Weekly<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cDo\\u011fa i\\u00e7in bir co\\u015fkulu bir \\u015fark\\u0131\\u2026 William Blake\\u2019e bir methiye\\u2026 [ve] bir t\\u00fcr a\\u011f\\u0131t. Tokarczuk Blake\\u2019i a\\u015far m\\u0131? Tart\\u0131\\u015f\\u0131labilir \\u2013belki.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>&nbsp;NPR<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cBir cinayet roman\\u0131 yap\\u0131s\\u0131n\\u0131 a\\u00e7\\u0131k\\u00e7a benimsese de,&nbsp;<em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em><em>&nbsp;<\\\/em>\\u00fcrk\\u00fct\\u00fcc\\u00fc mizah\\u0131 ve marazi felsefi m\\u00fcdahaleleriyle \\u00f6zg\\u00fcn bir roman\\u2026 Ve m\\u00fckemmel bir final. Tokarczuk, \\u015f\\u00fcphesiz \\u00fcst\\u00fcn yetenekli, orijinal bir yazar.\\u201d<strong><em>&nbsp;<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p><strong><em>The Wall Street Journal<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201c<em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em>, \\u015fiddetli, heyecan verici ve \\u00f6zel, neredeyse tarifsiz; uzun zamand\\u0131r okudu\\u011fum varolu\\u015f\\u00e7u romanlardan en yenilik\\u00e7isi.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>The New Yorker<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cBazen bir birinci \\u015fah\\u0131s anlat\\u0131s\\u0131n\\u0131n a\\u00e7\\u0131l\\u0131\\u015f c\\u00fcmlesi, anlat\\u0131c\\u0131n\\u0131n ki\\u015fili\\u011fini \\u00f6yle iyi yans\\u0131t\\u0131r ki, t\\u00fcm zaman\\u0131n\\u0131z\\u0131 onunla ge\\u00e7irmek istersiniz. Bu roman i\\u00e7in de bu b\\u00f6yle\\u2026 Hoyrat g\\u00fcce meydan okumak i\\u00e7in ne gerekti\\u011fine dair dikenli ve y\\u0131k\\u0131c\\u0131 bir hik\\u00e2ye.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>&nbsp;Boston Globe<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cOlga Tokarczuk ola\\u011fan\\u00fcst\\u00fc yetene\\u011fi, zek\\u00e2s\\u0131, \\u2018derin romanlar\\u0131\\u2019yla ekolojik ve politik meselelere odaklan\\u0131yor, m\\u00fccadeleyi b\\u0131rakm\\u0131yor. Bahisler daima y\\u00fcksek, Tokarczuk tekrar tekrar anlat\\u0131yor ve cepheyi terk etmiyor.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><strong><em>HuffPost&nbsp;<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Janina, uzak bir Polonya k\\u00f6y\\u00fcnde, karanl\\u0131k k\\u0131\\u015f g\\u00fcnlerini astroloji \\u00e7al\\u0131\\u015farak, y\\u0131ld\\u0131z haritalar\\u0131n\\u0131 inceleyerek, William Blake\\u2019in \\u015fiirlerini terc\\u00fcme ederek ve varl\\u0131kl\\u0131 Var\\u015fova sakinlerinin yazl\\u0131k evlerine g\\u00f6z kulak olarak ge\\u00e7irir. \\u0130nsanlar yerine hayvanlarla vakit ge\\u00e7irmeyi tercih eder, fazlas\\u0131yla tuhaf ve m\\u00fcnzevi tav\\u0131rlar\\u0131 kimilerine g\\u00f6re \\u201cka\\u00e7\\u0131k\\u201dl\\u0131kt\\u0131r. Bir g\\u00fcn kom\\u015fusu Koca Ayak gizemli bir \\u015fekilde \\u00f6l\\u00fc bulunur. Gelecek g\\u00fcnler daha da tuhaf \\u00f6l\\u00fcmleri beraberinde getirir. \\u015e\\u00fcpheler ve soru i\\u015faretleri y\\u00fckselirken Janina, tuhaf teorileriyle kendini soru\\u015fturman\\u0131n g\\u00f6be\\u011fine yerle\\u015ftirir. Birileri ona kulak verseydi her \\u015fey b\\u00f6yle mi olurdu oysa\\u2026<\\\/p>\\r\\n\\r\\n<p><em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em>\\u00a0tuhaf bir gerilim masal\\u0131, bir kara komedi, her \\u015feyiyle kendine \\u00f6zg\\u00fc bir hik\\u00e2ye. Ak\\u0131l sa\\u011fl\\u0131\\u011f\\u0131 ve \\u00e7\\u0131lg\\u0131nl\\u0131k, su\\u00e7 ve adalet, do\\u011fa ve insan aras\\u0131ndaki karanl\\u0131k s\\u0131n\\u0131rlar\\u0131n k\\u0131\\u015fk\\u0131rt\\u0131c\\u0131 bir ke\\u015ffi. \\u00c7a\\u011fda\\u015f Polonya edebiyat\\u0131n\\u0131n en g\\u00fc\\u00e7l\\u00fc sesi, Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc sahibi Olga Tokarczuk\\u2019tan ba\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc bir roman.<\\\/p>\\r\\n\\r\\n<p>\\u201cMuhte\\u015fem bir yazar.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><strong>\\u00a0Svetlana Alexievich<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cBu kitap yaln\\u0131zca bir \\u2018katil kim\\u2019 roman\\u0131 de\\u011fil: Ya\\u015fam ve \\u00f6l\\u00fcm hakk\\u0131nda, s\\u0131rlarla dolu, felsefi bir masal. Kula\\u011f\\u0131n\\u0131z\\u0131 yere yakla\\u015ft\\u0131r\\u0131rsan\\u0131z, iliklerinizde hissedece\\u011finiz s\\u0131rlar.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>New York Times Book Review<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cBa\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc, yarat\\u0131c\\u0131, t\\u00fcr\\u00fcne meydan okuyan bir hik\\u00e2ye. K\\u0131smen bir polisiye, k\\u0131smen bir masal, <em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em>, baz\\u0131 canl\\u0131lar\\u0131n di\\u011ferlerinden \\u00fcst\\u00fcn olma bi\\u00e7imleri \\u00fczerine heyecan verici bir felsefi sorgulama.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>\\u00a0TIME<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cY\\u0131l\\u0131n en keyifli romanlar\\u0131ndan biri.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><strong><em>\\u00a0The Guardian<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cOlga Tokarczuk ge\\u00e7en \\u00e7eyrek y\\u00fczy\\u0131l\\u0131n say\\u0131l\\u0131 Avrupal\\u0131 romanc\\u0131s\\u0131ndan biri. Bu romansa alayc\\u0131 mizah\\u0131 ve karanl\\u0131k s\\u00fcrprizleriyle pastoral bir kara komedi.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>The Economist<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201c\\u2018Kontroll\\u00fc psikoz\\u2019un tart\\u0131\\u015f\\u0131lmaz ba\\u015fyap\\u0131t\\u0131\\u2026 Eninde sonunda ola\\u011fan\\u00fcst\\u00fc bir kurguyla bir araya gelen ipu\\u00e7lar\\u0131 etkileyici bir ba\\u015far\\u0131ya d\\u00f6n\\u00fc\\u015f\\u00fcyor.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><strong><em>\\u00a0Publishers Weekly<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cDo\\u011fa i\\u00e7in bir co\\u015fkulu bir \\u015fark\\u0131\\u2026 William Blake\\u2019e bir methiye\\u2026 [ve] bir t\\u00fcr a\\u011f\\u0131t. Tokarczuk Blake\\u2019i a\\u015far m\\u0131? Tart\\u0131\\u015f\\u0131labilir \\u2013belki.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>\\u00a0NPR<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cBir cinayet roman\\u0131 yap\\u0131s\\u0131n\\u0131 a\\u00e7\\u0131k\\u00e7a benimsese de,\\u00a0<em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em><em>\\u00a0<\\\/em>\\u00fcrk\\u00fct\\u00fcc\\u00fc mizah\\u0131 ve marazi felsefi m\\u00fcdahaleleriyle \\u00f6zg\\u00fcn bir roman\\u2026 Ve m\\u00fckemmel bir final. Tokarczuk, \\u015f\\u00fcphesiz \\u00fcst\\u00fcn yetenekli, orijinal bir yazar.\\u201d<strong><em>\\u00a0<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p><strong><em>The Wall Street Journal<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201c<em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em>, \\u015fiddetli, heyecan verici ve \\u00f6zel, neredeyse tarifsiz; uzun zamand\\u0131r okudu\\u011fum varolu\\u015f\\u00e7u romanlardan en yenilik\\u00e7isi.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>The New Yorker<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cBazen bir birinci \\u015fah\\u0131s anlat\\u0131s\\u0131n\\u0131n a\\u00e7\\u0131l\\u0131\\u015f c\\u00fcmlesi, anlat\\u0131c\\u0131n\\u0131n ki\\u015fili\\u011fini \\u00f6yle iyi yans\\u0131t\\u0131r ki, t\\u00fcm zaman\\u0131n\\u0131z\\u0131 onunla ge\\u00e7irmek istersiniz. Bu roman i\\u00e7in de bu b\\u00f6yle\\u2026 Hoyrat g\\u00fcce meydan okumak i\\u00e7in ne gerekti\\u011fine dair dikenli ve y\\u0131k\\u0131c\\u0131 bir hik\\u00e2ye.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>\\u00a0Boston Globe<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cOlga Tokarczuk ola\\u011fan\\u00fcst\\u00fc yetene\\u011fi, zek\\u00e2s\\u0131, \\u2018derin romanlar\\u0131\\u2019yla ekolojik ve politik meselelere odaklan\\u0131yor, m\\u00fccadeleyi b\\u0131rakm\\u0131yor. Bahisler daima y\\u00fcksek, Tokarczuk tekrar tekrar anlat\\u0131yor ve cepheyi terk etmiyor.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><strong><em>HuffPost\\u00a0<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6654,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":10113,\"book_id\":6654,\"locale\":\"en\",\"name\":\"Drive Your Plow Over the Bones of the Dead\",\"slug\":\"drive-your-plow-over-the-bones-of-the-dead\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":10112,\"book_id\":6654,\"locale\":\"tr\",\"name\":\"S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde\",\"slug\":\"sur-pullugunu-olulerin-kemikleri-uzerinde\",\"sub_name\":\"\",\"description\":\"<p>Janina, uzak bir Polonya k\\u00f6y\\u00fcnde, karanl\\u0131k k\\u0131\\u015f g\\u00fcnlerini astroloji \\u00e7al\\u0131\\u015farak, y\\u0131ld\\u0131z haritalar\\u0131n\\u0131 inceleyerek, William Blake\\u2019in \\u015fiirlerini terc\\u00fcme ederek ve varl\\u0131kl\\u0131 Var\\u015fova sakinlerinin yazl\\u0131k evlerine g\\u00f6z kulak olarak ge\\u00e7irir. \\u0130nsanlar yerine hayvanlarla vakit ge\\u00e7irmeyi tercih eder, fazlas\\u0131yla tuhaf ve m\\u00fcnzevi tav\\u0131rlar\\u0131 kimilerine g\\u00f6re \\u201cka\\u00e7\\u0131k\\u201dl\\u0131kt\\u0131r. Bir g\\u00fcn kom\\u015fusu Koca Ayak gizemli bir \\u015fekilde \\u00f6l\\u00fc bulunur. Gelecek g\\u00fcnler daha da tuhaf \\u00f6l\\u00fcmleri beraberinde getirir. \\u015e\\u00fcpheler ve soru i\\u015faretleri y\\u00fckselirken Janina, tuhaf teorileriyle kendini soru\\u015fturman\\u0131n g\\u00f6be\\u011fine yerle\\u015ftirir. Birileri ona kulak verseydi her \\u015fey b\\u00f6yle mi olurdu oysa\\u2026<\\\/p>\\r\\n\\r\\n<p><em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em>&nbsp;tuhaf bir gerilim masal\\u0131, bir kara komedi, her \\u015feyiyle kendine \\u00f6zg\\u00fc bir hik\\u00e2ye. Ak\\u0131l sa\\u011fl\\u0131\\u011f\\u0131 ve \\u00e7\\u0131lg\\u0131nl\\u0131k, su\\u00e7 ve adalet, do\\u011fa ve insan aras\\u0131ndaki karanl\\u0131k s\\u0131n\\u0131rlar\\u0131n k\\u0131\\u015fk\\u0131rt\\u0131c\\u0131 bir ke\\u015ffi. \\u00c7a\\u011fda\\u015f Polonya edebiyat\\u0131n\\u0131n en g\\u00fc\\u00e7l\\u00fc sesi, Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc sahibi Olga Tokarczuk\\u2019tan ba\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc bir roman.<\\\/p>\\r\\n\\r\\n<p>\\u201cMuhte\\u015fem bir yazar.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><strong>&nbsp;Svetlana Alexievich<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cBu kitap yaln\\u0131zca bir \\u2018katil kim\\u2019 roman\\u0131 de\\u011fil: Ya\\u015fam ve \\u00f6l\\u00fcm hakk\\u0131nda, s\\u0131rlarla dolu, felsefi bir masal. Kula\\u011f\\u0131n\\u0131z\\u0131 yere yakla\\u015ft\\u0131r\\u0131rsan\\u0131z, iliklerinizde hissedece\\u011finiz s\\u0131rlar.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>New York Times Book Review<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cBa\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc, yarat\\u0131c\\u0131, t\\u00fcr\\u00fcne meydan okuyan bir hik\\u00e2ye. K\\u0131smen bir polisiye, k\\u0131smen bir masal, <em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em>, baz\\u0131 canl\\u0131lar\\u0131n di\\u011ferlerinden \\u00fcst\\u00fcn olma bi\\u00e7imleri \\u00fczerine heyecan verici bir felsefi sorgulama.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>&nbsp;TIME<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cY\\u0131l\\u0131n en keyifli romanlar\\u0131ndan biri.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><strong><em>&nbsp;The Guardian<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cOlga Tokarczuk ge\\u00e7en \\u00e7eyrek y\\u00fczy\\u0131l\\u0131n say\\u0131l\\u0131 Avrupal\\u0131 romanc\\u0131s\\u0131ndan biri. Bu romansa alayc\\u0131 mizah\\u0131 ve karanl\\u0131k s\\u00fcrprizleriyle pastoral bir kara komedi.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>The Economist<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201c\\u2018Kontroll\\u00fc psikoz\\u2019un tart\\u0131\\u015f\\u0131lmaz ba\\u015fyap\\u0131t\\u0131\\u2026 Eninde sonunda ola\\u011fan\\u00fcst\\u00fc bir kurguyla bir araya gelen ipu\\u00e7lar\\u0131 etkileyici bir ba\\u015far\\u0131ya d\\u00f6n\\u00fc\\u015f\\u00fcyor.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><strong><em>&nbsp;Publishers Weekly<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cDo\\u011fa i\\u00e7in bir co\\u015fkulu bir \\u015fark\\u0131\\u2026 William Blake\\u2019e bir methiye\\u2026 [ve] bir t\\u00fcr a\\u011f\\u0131t. Tokarczuk Blake\\u2019i a\\u015far m\\u0131? Tart\\u0131\\u015f\\u0131labilir \\u2013belki.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>&nbsp;NPR<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cBir cinayet roman\\u0131 yap\\u0131s\\u0131n\\u0131 a\\u00e7\\u0131k\\u00e7a benimsese de,&nbsp;<em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em><em>&nbsp;<\\\/em>\\u00fcrk\\u00fct\\u00fcc\\u00fc mizah\\u0131 ve marazi felsefi m\\u00fcdahaleleriyle \\u00f6zg\\u00fcn bir roman\\u2026 Ve m\\u00fckemmel bir final. Tokarczuk, \\u015f\\u00fcphesiz \\u00fcst\\u00fcn yetenekli, orijinal bir yazar.\\u201d<strong><em>&nbsp;<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p><strong><em>The Wall Street Journal<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201c<em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em>, \\u015fiddetli, heyecan verici ve \\u00f6zel, neredeyse tarifsiz; uzun zamand\\u0131r okudu\\u011fum varolu\\u015f\\u00e7u romanlardan en yenilik\\u00e7isi.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>The New Yorker<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cBazen bir birinci \\u015fah\\u0131s anlat\\u0131s\\u0131n\\u0131n a\\u00e7\\u0131l\\u0131\\u015f c\\u00fcmlesi, anlat\\u0131c\\u0131n\\u0131n ki\\u015fili\\u011fini \\u00f6yle iyi yans\\u0131t\\u0131r ki, t\\u00fcm zaman\\u0131n\\u0131z\\u0131 onunla ge\\u00e7irmek istersiniz. Bu roman i\\u00e7in de bu b\\u00f6yle\\u2026 Hoyrat g\\u00fcce meydan okumak i\\u00e7in ne gerekti\\u011fine dair dikenli ve y\\u0131k\\u0131c\\u0131 bir hik\\u00e2ye.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><em><strong>&nbsp;Boston Globe<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cOlga Tokarczuk ola\\u011fan\\u00fcst\\u00fc yetene\\u011fi, zek\\u00e2s\\u0131, \\u2018derin romanlar\\u0131\\u2019yla ekolojik ve politik meselelere odaklan\\u0131yor, m\\u00fccadeleyi b\\u0131rakm\\u0131yor. Bahisler daima y\\u00fcksek, Tokarczuk tekrar tekrar anlat\\u0131yor ve cepheyi terk etmiyor.\\u201d&nbsp;<\\\/p>\\r\\n\\r\\n<p><strong><em>HuffPost&nbsp;<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Janina, uzak bir Polonya k\\u00f6y\\u00fcnde, karanl\\u0131k k\\u0131\\u015f g\\u00fcnlerini astroloji \\u00e7al\\u0131\\u015farak, y\\u0131ld\\u0131z haritalar\\u0131n\\u0131 inceleyerek, William Blake\\u2019in \\u015fiirlerini terc\\u00fcme ederek ve varl\\u0131kl\\u0131 Var\\u015fova sakinlerinin yazl\\u0131k evlerine g\\u00f6z kulak olarak ge\\u00e7irir. \\u0130nsanlar yerine hayvanlarla vakit ge\\u00e7irmeyi tercih eder, fazlas\\u0131yla tuhaf ve m\\u00fcnzevi tav\\u0131rlar\\u0131 kimilerine g\\u00f6re \\u201cka\\u00e7\\u0131k\\u201dl\\u0131kt\\u0131r. Bir g\\u00fcn kom\\u015fusu Koca Ayak gizemli bir \\u015fekilde \\u00f6l\\u00fc bulunur. Gelecek g\\u00fcnler daha da tuhaf \\u00f6l\\u00fcmleri beraberinde getirir. \\u015e\\u00fcpheler ve soru i\\u015faretleri y\\u00fckselirken Janina, tuhaf teorileriyle kendini soru\\u015fturman\\u0131n g\\u00f6be\\u011fine yerle\\u015ftirir. Birileri ona kulak verseydi her \\u015fey b\\u00f6yle mi olurdu oysa\\u2026<\\\/p>\\r\\n\\r\\n<p><em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em>\\u00a0tuhaf bir gerilim masal\\u0131, bir kara komedi, her \\u015feyiyle kendine \\u00f6zg\\u00fc bir hik\\u00e2ye. Ak\\u0131l sa\\u011fl\\u0131\\u011f\\u0131 ve \\u00e7\\u0131lg\\u0131nl\\u0131k, su\\u00e7 ve adalet, do\\u011fa ve insan aras\\u0131ndaki karanl\\u0131k s\\u0131n\\u0131rlar\\u0131n k\\u0131\\u015fk\\u0131rt\\u0131c\\u0131 bir ke\\u015ffi. \\u00c7a\\u011fda\\u015f Polonya edebiyat\\u0131n\\u0131n en g\\u00fc\\u00e7l\\u00fc sesi, Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc sahibi Olga Tokarczuk\\u2019tan ba\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc bir roman.<\\\/p>\\r\\n\\r\\n<p>\\u201cMuhte\\u015fem bir yazar.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><strong>\\u00a0Svetlana Alexievich<\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cBu kitap yaln\\u0131zca bir \\u2018katil kim\\u2019 roman\\u0131 de\\u011fil: Ya\\u015fam ve \\u00f6l\\u00fcm hakk\\u0131nda, s\\u0131rlarla dolu, felsefi bir masal. Kula\\u011f\\u0131n\\u0131z\\u0131 yere yakla\\u015ft\\u0131r\\u0131rsan\\u0131z, iliklerinizde hissedece\\u011finiz s\\u0131rlar.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>New York Times Book Review<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cBa\\u015f d\\u00f6nd\\u00fcr\\u00fcc\\u00fc, yarat\\u0131c\\u0131, t\\u00fcr\\u00fcne meydan okuyan bir hik\\u00e2ye. K\\u0131smen bir polisiye, k\\u0131smen bir masal, <em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em>, baz\\u0131 canl\\u0131lar\\u0131n di\\u011ferlerinden \\u00fcst\\u00fcn olma bi\\u00e7imleri \\u00fczerine heyecan verici bir felsefi sorgulama.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>\\u00a0TIME<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cY\\u0131l\\u0131n en keyifli romanlar\\u0131ndan biri.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><strong><em>\\u00a0The Guardian<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cOlga Tokarczuk ge\\u00e7en \\u00e7eyrek y\\u00fczy\\u0131l\\u0131n say\\u0131l\\u0131 Avrupal\\u0131 romanc\\u0131s\\u0131ndan biri. Bu romansa alayc\\u0131 mizah\\u0131 ve karanl\\u0131k s\\u00fcrprizleriyle pastoral bir kara komedi.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>The Economist<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201c\\u2018Kontroll\\u00fc psikoz\\u2019un tart\\u0131\\u015f\\u0131lmaz ba\\u015fyap\\u0131t\\u0131\\u2026 Eninde sonunda ola\\u011fan\\u00fcst\\u00fc bir kurguyla bir araya gelen ipu\\u00e7lar\\u0131 etkileyici bir ba\\u015far\\u0131ya d\\u00f6n\\u00fc\\u015f\\u00fcyor.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><strong><em>\\u00a0Publishers Weekly<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201cDo\\u011fa i\\u00e7in bir co\\u015fkulu bir \\u015fark\\u0131\\u2026 William Blake\\u2019e bir methiye\\u2026 [ve] bir t\\u00fcr a\\u011f\\u0131t. Tokarczuk Blake\\u2019i a\\u015far m\\u0131? Tart\\u0131\\u015f\\u0131labilir \\u2013belki.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>\\u00a0NPR<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cBir cinayet roman\\u0131 yap\\u0131s\\u0131n\\u0131 a\\u00e7\\u0131k\\u00e7a benimsese de,\\u00a0<em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em><em>\\u00a0<\\\/em>\\u00fcrk\\u00fct\\u00fcc\\u00fc mizah\\u0131 ve marazi felsefi m\\u00fcdahaleleriyle \\u00f6zg\\u00fcn bir roman\\u2026 Ve m\\u00fckemmel bir final. Tokarczuk, \\u015f\\u00fcphesiz \\u00fcst\\u00fcn yetenekli, orijinal bir yazar.\\u201d<strong><em>\\u00a0<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p><strong><em>The Wall Street Journal<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u201c<em>S\\u00fcr Pullu\\u011funu \\u00d6l\\u00fclerin Kemikleri \\u00dczerinde<\\\/em>, \\u015fiddetli, heyecan verici ve \\u00f6zel, neredeyse tarifsiz; uzun zamand\\u0131r okudu\\u011fum varolu\\u015f\\u00e7u romanlardan en yenilik\\u00e7isi.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>The New Yorker<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cBazen bir birinci \\u015fah\\u0131s anlat\\u0131s\\u0131n\\u0131n a\\u00e7\\u0131l\\u0131\\u015f c\\u00fcmlesi, anlat\\u0131c\\u0131n\\u0131n ki\\u015fili\\u011fini \\u00f6yle iyi yans\\u0131t\\u0131r ki, t\\u00fcm zaman\\u0131n\\u0131z\\u0131 onunla ge\\u00e7irmek istersiniz. Bu roman i\\u00e7in de bu b\\u00f6yle\\u2026 Hoyrat g\\u00fcce meydan okumak i\\u00e7in ne gerekti\\u011fine dair dikenli ve y\\u0131k\\u0131c\\u0131 bir hik\\u00e2ye.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><em><strong>\\u00a0Boston Globe<\\\/strong><\\\/em><\\\/p>\\r\\n\\r\\n<p>\\u201cOlga Tokarczuk ola\\u011fan\\u00fcst\\u00fc yetene\\u011fi, zek\\u00e2s\\u0131, \\u2018derin romanlar\\u0131\\u2019yla ekolojik ve politik meselelere odaklan\\u0131yor, m\\u00fccadeleyi b\\u0131rakm\\u0131yor. Bahisler daima y\\u00fcksek, Tokarczuk tekrar tekrar anlat\\u0131yor ve cepheyi terk etmiyor.\\u201d\\u00a0<\\\/p>\\r\\n\\r\\n<p><strong><em>HuffPost\\u00a0<\\\/em><\\\/strong><\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6662,\"user_id\":10,\"original_name\":\"Ba\\u015fkan\\u0131n G\\u00f6zleri: CIA\",\"printing_date\":\"2020-02-06 16:17:30\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/baskanin-gozleri-cia-kapak-1580390250.png\",\"image_settings\":{\"id\":6662,\"path\":\"\\\/images\\\/books\\\/2020\\\/01\\\/30\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":191839,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":46216,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":20489,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":5115,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":3057,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":6145,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":27802,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":27802,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":12378,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":3184,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1710,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3842,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2020-01-30 16:17:30\",\"updated_at\":\"2020-01-30 16:17:30\",\"name\":\"Ba\\u015fkan\\u0131n G\\u00f6zleri: CIA\",\"slug\":\"baskanin-gozleri-cia\",\"sub_name\":\"\",\"description\":\"<p>Gizli servisler, ajanlar, casuslar\\u2026<\\\/p>\\r\\n\\r\\n<p>Kar\\u015f\\u0131la\\u015ft\\u0131\\u011f\\u0131m\\u0131zda zihnimizde k\\u0131v\\u0131lc\\u0131mlar \\u00e7akt\\u0131ran ve komplo \\u00e7arklar\\u0131n\\u0131 d\\u00f6nd\\u00fcrmeye ba\\u015flayan bu \\u00fc\\u00e7 kavram edebiyat, sinema ve pop\\u00fcler k\\u00fclt\\u00fcr\\u00fcn yan\\u0131 s\\u0131ra tarihin de ba\\u015f akt\\u00f6r\\u00fc oldu. Persler taraf\\u0131ndan \\u201cKral\\u0131n g\\u00f6zleri ve kulaklar\\u0131\\u201d olarak adland\\u0131r\\u0131lan ve iktidar i\\u00e7in tehdit olabilecek olas\\u0131 tehlikelere kar\\u015f\\u0131 g\\u00f6zlerini d\\u00f6rt a\\u00e7an g\\u00f6revlilerden bu yana&nbsp;istihbarat, ya\\u015fam\\u0131n \\u00f6nemli bir par\\u00e7as\\u0131na d\\u00f6n\\u00fc\\u015ft\\u00fc.<br \\\/>\\r\\n\\u00c7inli bilge Sun Tzu, M\\u00d6 5. y\\u00fczy\\u0131lda \\u201cD\\u00fc\\u015fman\\u0131n\\u0131 bilen, kendini bilir.\\u201d diyerek istihbarat\\u0131n fikir babal\\u0131\\u011f\\u0131na soyunmu\\u015f olsa da gizli bilgi toplama i\\u015fi, 19. y\\u00fczy\\u0131la kadar amat\\u00f6rler taraf\\u0131ndan ve acemice y\\u00fcr\\u00fct\\u00fcld\\u00fc. Birinci D\\u00fcnya Sava\\u015f\\u0131\\u2019nda saha kenar\\u0131nda ufak ufak \\u0131s\\u0131nmaya ba\\u015flayan istihbarat\\u00e7\\u0131lar, \\u0130kinci D\\u00fcnya Sava\\u015f\\u0131\\u2019yla birlikte tam kadro sahaya indi ve onu izleyen So\\u011fuk Sava\\u015f\\u2019tan itibaren de \\u015fampiyonluk i\\u00e7in k\\u0131yas\\u0131ya bir m\\u00fccadeleye giri\\u015ftiler. 20. y\\u00fczy\\u0131lda istihbarat sava\\u015flar\\u0131na damgas\\u0131n\\u0131 vuran CIA, bitmek t\\u00fckenmek bilmeyen bu m\\u00fccadelenin en \\u00f6nemli akt\\u00f6rlerinden biri olmay\\u0131 s\\u00fcrd\\u00fcr\\u00fcyor.<\\\/p>\\r\\n\\r\\n<p>Ali \\u00c7imen\\u2019in&nbsp;Ba\\u015fkan\\u0131n G\\u00f6zleri \\\/ CIA&nbsp;ad\\u0131n\\u0131 verdi\\u011fi bu \\u00e7al\\u0131\\u015fmas\\u0131yla CIA\\u2019in \\u00f6nce hangi \\u015fartlarda ve ni\\u00e7in kuruldu\\u011funu g\\u00f6recek, kurucu akt\\u00f6rlerini tan\\u0131yacak ve emekleme a\\u015famas\\u0131na \\u015fahit olacaks\\u0131n\\u0131z. Akabinde So\\u011fuk Sava\\u015f\\u2019la birlikte nas\\u0131l h\\u0131zla serpildi\\u011fini izleyecek, kendisine \\u201cinsan haklar\\u0131 ve demokrasiyi savunmak ve yayg\\u0131nla\\u015ft\\u0131rmak\\u201d gibi bir misyon bi\\u00e7en ABD ad\\u0131na G\\u00fcney Amerika\\u2019dan Himalayalar\\u2019a, Ortado\\u011fu\\u2019dan Uzak Do\\u011fu\\u2019ya yay\\u0131lan bir co\\u011frafyada \\u015fekillenen heyecan verici hikayesini okuyacaks\\u0131n\\u0131z.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Gizli servisler, ajanlar, casuslar\\u2026<\\\/p>\\r\\n\\r\\n<p>Kar\\u015f\\u0131la\\u015ft\\u0131\\u011f\\u0131m\\u0131zda zihnimizde k\\u0131v\\u0131lc\\u0131mlar \\u00e7akt\\u0131ran ve komplo \\u00e7arklar\\u0131n\\u0131 d\\u00f6nd\\u00fcrmeye ba\\u015flayan bu \\u00fc\\u00e7 kavram edebiyat, sinema ve pop\\u00fcler k\\u00fclt\\u00fcr\\u00fcn yan\\u0131 s\\u0131ra tarihin de ba\\u015f akt\\u00f6r\\u00fc oldu. Persler taraf\\u0131ndan \\u201cKral\\u0131n g\\u00f6zleri ve kulaklar\\u0131\\u201d olarak adland\\u0131r\\u0131lan ve iktidar i\\u00e7in tehdit olabilecek olas\\u0131 tehlikelere kar\\u015f\\u0131 g\\u00f6zlerini d\\u00f6rt a\\u00e7an g\\u00f6revlilerden bu yana\\u00a0istihbarat, ya\\u015fam\\u0131n \\u00f6nemli bir par\\u00e7as\\u0131na d\\u00f6n\\u00fc\\u015ft\\u00fc.<br \\\/>\\r\\n\\u00c7inli bilge Sun Tzu, M\\u00d6 5. y\\u00fczy\\u0131lda \\u201cD\\u00fc\\u015fman\\u0131n\\u0131 bilen, kendini bilir.\\u201d diyerek istihbarat\\u0131n fikir babal\\u0131\\u011f\\u0131na soyunmu\\u015f olsa da gizli bilgi toplama i\\u015fi, 19. y\\u00fczy\\u0131la kadar amat\\u00f6rler taraf\\u0131ndan ve acemice y\\u00fcr\\u00fct\\u00fcld\\u00fc. Birinci D\\u00fcnya Sava\\u015f\\u0131\\u2019nda saha kenar\\u0131nda ufak ufak \\u0131s\\u0131nmaya ba\\u015flayan istihbarat\\u00e7\\u0131lar, \\u0130kinci D\\u00fcnya Sava\\u015f\\u0131\\u2019yla birlikte tam kadro sahaya indi ve onu izleyen So\\u011fuk Sava\\u015f\\u2019tan itibaren de \\u015fampiyonluk i\\u00e7in k\\u0131yas\\u0131ya bir m\\u00fccadeleye giri\\u015ftiler. 20. y\\u00fczy\\u0131lda istihbarat sava\\u015flar\\u0131na damgas\\u0131n\\u0131 vuran CIA, bitmek t\\u00fckenmek bilmeyen bu m\\u00fccadelenin en \\u00f6nemli akt\\u00f6rlerinden biri olmay\\u0131 s\\u00fcrd\\u00fcr\\u00fcyor.<\\\/p>\\r\\n\\r\\n<p>Ali \\u00c7imen\\u2019in\\u00a0Ba\\u015fkan\\u0131n G\\u00f6zleri \\\/ CIA\\u00a0ad\\u0131n\\u0131 verdi\\u011fi bu \\u00e7al\\u0131\\u015fmas\\u0131yla CIA\\u2019in \\u00f6nce hangi \\u015fartlarda ve ni\\u00e7in kuruldu\\u011funu g\\u00f6recek, kurucu akt\\u00f6rlerini tan\\u0131yacak ve emekleme a\\u015famas\\u0131na \\u015fahit olacaks\\u0131n\\u0131z. Akabinde So\\u011fuk Sava\\u015f\\u2019la birlikte nas\\u0131l h\\u0131zla serpildi\\u011fini izleyecek, kendisine \\u201cinsan haklar\\u0131 ve demokrasiyi savunmak ve yayg\\u0131nla\\u015ft\\u0131rmak\\u201d gibi bir misyon bi\\u00e7en ABD ad\\u0131na G\\u00fcney Amerika\\u2019dan Himalayalar\\u2019a, Ortado\\u011fu\\u2019dan Uzak Do\\u011fu\\u2019ya yay\\u0131lan bir co\\u011frafyada \\u015fekillenen heyecan verici hikayesini okuyacaks\\u0131n\\u0131z.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1407,\"personable_id\":6662,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":10129,\"book_id\":6662,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":10128,\"book_id\":6662,\"locale\":\"tr\",\"name\":\"Ba\\u015fkan\\u0131n G\\u00f6zleri: CIA\",\"slug\":\"baskanin-gozleri-cia\",\"sub_name\":\"\",\"description\":\"<p>Gizli servisler, ajanlar, casuslar\\u2026<\\\/p>\\r\\n\\r\\n<p>Kar\\u015f\\u0131la\\u015ft\\u0131\\u011f\\u0131m\\u0131zda zihnimizde k\\u0131v\\u0131lc\\u0131mlar \\u00e7akt\\u0131ran ve komplo \\u00e7arklar\\u0131n\\u0131 d\\u00f6nd\\u00fcrmeye ba\\u015flayan bu \\u00fc\\u00e7 kavram edebiyat, sinema ve pop\\u00fcler k\\u00fclt\\u00fcr\\u00fcn yan\\u0131 s\\u0131ra tarihin de ba\\u015f akt\\u00f6r\\u00fc oldu. Persler taraf\\u0131ndan \\u201cKral\\u0131n g\\u00f6zleri ve kulaklar\\u0131\\u201d olarak adland\\u0131r\\u0131lan ve iktidar i\\u00e7in tehdit olabilecek olas\\u0131 tehlikelere kar\\u015f\\u0131 g\\u00f6zlerini d\\u00f6rt a\\u00e7an g\\u00f6revlilerden bu yana&nbsp;istihbarat, ya\\u015fam\\u0131n \\u00f6nemli bir par\\u00e7as\\u0131na d\\u00f6n\\u00fc\\u015ft\\u00fc.<br \\\/>\\r\\n\\u00c7inli bilge Sun Tzu, M\\u00d6 5. y\\u00fczy\\u0131lda \\u201cD\\u00fc\\u015fman\\u0131n\\u0131 bilen, kendini bilir.\\u201d diyerek istihbarat\\u0131n fikir babal\\u0131\\u011f\\u0131na soyunmu\\u015f olsa da gizli bilgi toplama i\\u015fi, 19. y\\u00fczy\\u0131la kadar amat\\u00f6rler taraf\\u0131ndan ve acemice y\\u00fcr\\u00fct\\u00fcld\\u00fc. Birinci D\\u00fcnya Sava\\u015f\\u0131\\u2019nda saha kenar\\u0131nda ufak ufak \\u0131s\\u0131nmaya ba\\u015flayan istihbarat\\u00e7\\u0131lar, \\u0130kinci D\\u00fcnya Sava\\u015f\\u0131\\u2019yla birlikte tam kadro sahaya indi ve onu izleyen So\\u011fuk Sava\\u015f\\u2019tan itibaren de \\u015fampiyonluk i\\u00e7in k\\u0131yas\\u0131ya bir m\\u00fccadeleye giri\\u015ftiler. 20. y\\u00fczy\\u0131lda istihbarat sava\\u015flar\\u0131na damgas\\u0131n\\u0131 vuran CIA, bitmek t\\u00fckenmek bilmeyen bu m\\u00fccadelenin en \\u00f6nemli akt\\u00f6rlerinden biri olmay\\u0131 s\\u00fcrd\\u00fcr\\u00fcyor.<\\\/p>\\r\\n\\r\\n<p>Ali \\u00c7imen\\u2019in&nbsp;Ba\\u015fkan\\u0131n G\\u00f6zleri \\\/ CIA&nbsp;ad\\u0131n\\u0131 verdi\\u011fi bu \\u00e7al\\u0131\\u015fmas\\u0131yla CIA\\u2019in \\u00f6nce hangi \\u015fartlarda ve ni\\u00e7in kuruldu\\u011funu g\\u00f6recek, kurucu akt\\u00f6rlerini tan\\u0131yacak ve emekleme a\\u015famas\\u0131na \\u015fahit olacaks\\u0131n\\u0131z. Akabinde So\\u011fuk Sava\\u015f\\u2019la birlikte nas\\u0131l h\\u0131zla serpildi\\u011fini izleyecek, kendisine \\u201cinsan haklar\\u0131 ve demokrasiyi savunmak ve yayg\\u0131nla\\u015ft\\u0131rmak\\u201d gibi bir misyon bi\\u00e7en ABD ad\\u0131na G\\u00fcney Amerika\\u2019dan Himalayalar\\u2019a, Ortado\\u011fu\\u2019dan Uzak Do\\u011fu\\u2019ya yay\\u0131lan bir co\\u011frafyada \\u015fekillenen heyecan verici hikayesini okuyacaks\\u0131n\\u0131z.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Gizli servisler, ajanlar, casuslar\\u2026<\\\/p>\\r\\n\\r\\n<p>Kar\\u015f\\u0131la\\u015ft\\u0131\\u011f\\u0131m\\u0131zda zihnimizde k\\u0131v\\u0131lc\\u0131mlar \\u00e7akt\\u0131ran ve komplo \\u00e7arklar\\u0131n\\u0131 d\\u00f6nd\\u00fcrmeye ba\\u015flayan bu \\u00fc\\u00e7 kavram edebiyat, sinema ve pop\\u00fcler k\\u00fclt\\u00fcr\\u00fcn yan\\u0131 s\\u0131ra tarihin de ba\\u015f akt\\u00f6r\\u00fc oldu. Persler taraf\\u0131ndan \\u201cKral\\u0131n g\\u00f6zleri ve kulaklar\\u0131\\u201d olarak adland\\u0131r\\u0131lan ve iktidar i\\u00e7in tehdit olabilecek olas\\u0131 tehlikelere kar\\u015f\\u0131 g\\u00f6zlerini d\\u00f6rt a\\u00e7an g\\u00f6revlilerden bu yana\\u00a0istihbarat, ya\\u015fam\\u0131n \\u00f6nemli bir par\\u00e7as\\u0131na d\\u00f6n\\u00fc\\u015ft\\u00fc.<br \\\/>\\r\\n\\u00c7inli bilge Sun Tzu, M\\u00d6 5. y\\u00fczy\\u0131lda \\u201cD\\u00fc\\u015fman\\u0131n\\u0131 bilen, kendini bilir.\\u201d diyerek istihbarat\\u0131n fikir babal\\u0131\\u011f\\u0131na soyunmu\\u015f olsa da gizli bilgi toplama i\\u015fi, 19. y\\u00fczy\\u0131la kadar amat\\u00f6rler taraf\\u0131ndan ve acemice y\\u00fcr\\u00fct\\u00fcld\\u00fc. 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