Sırça Fanus (Sylvia Plath)

{"id":6396,"user_id":12,"first_name":"Sylvia","last_name":"Plath","slug":"sylvia-plath","link":null,"birth_date":"1932-10-27 11:05:33","death_date":"1963-02-11 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23:09:13","updated_at":"2019-12-21 03:50:08","allRelations":"[{\"id\":1223,\"user_id\":12,\"original_name\":\"The Bell Jar\",\"printing_date\":\"2016-12-29 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23:12:37\",\"updated_at\":\"2019-09-16 03:30:04\",\"name\":\"S\\u0131r\\u00e7a Fanus\",\"slug\":\"sirca-fanus\",\"sub_name\":\"\",\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":6396,\"personable_id\":1223,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":4692,\"book_id\":1223,\"locale\":\"en\",\"name\":\"The Bell Jar\",\"slug\":\"the-bell-jar\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":1190,\"book_id\":1223,\"locale\":\"tr\",\"name\":\"S\\u0131r\\u00e7a Fanus\",\"slug\":\"sirca-fanus\",\"sub_name\":\"\",\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":6229,\"user_id\":10,\"original_name\":\"The Unabridged Journals of Sylvia Plath\",\"printing_date\":\"2016-01-01 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16:44:26\",\"updated_at\":\"2020-02-28 03:30:13\",\"name\":\"G\\u00fcnl\\u00fckler\",\"slug\":\"gunlukler-1\",\"sub_name\":\"Bir Edebiyat Olay\\u0131\",\"description\":\"<p>\\\"Sadece i\\u00e7imde susmak istemeyen bir ses oldu\\u011fu i\\u00e7in yaz\\u0131yorum.\\\"<br \\\/>\\r\\n-Sylvia Plath-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Benim hayat\\u0131m\\u0131n amac\\u0131 ne ve onunla ne halt edece\\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\\u011fim b\\u00fct\\u00fcn kitaplar\\u0131 okuyamayaca\\u011f\\u0131m; olmak istedi\\u011fim b\\u00fct\\u00fcn insanlar olamayaca\\u011f\\u0131m ve ya\\u015famak istedi\\u011fim b\\u00fct\\u00fcn hayatlar\\u0131 ya\\u015fayamayaca\\u011f\\u0131m. Kendimi istedi\\u011fim b\\u00fct\\u00fcn becerileri edinecek kadar e\\u011fitemeyece\\u011fim. Bunlar\\u0131 neden istiyorum? Hayat\\u0131mda m\\u00fcmk\\u00fcn olan zihinsel ve fiziksel tecr\\u00fcbelerin t\\u00fcm renklerini, tonlar\\u0131n\\u0131 ve \\u00e7e\\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\\u00e7 derecede s\\u0131n\\u0131rl\\u0131y\\u0131m\\u2026 U\\u011frunda ya\\u015fayaca\\u011f\\u0131m \\u00e7ok \\u015fey var, yine de anla\\u015f\\u0131lmas\\u0131 m\\u00fcmk\\u00fcn olmayacak kadar hasta ve \\u00fczg\\u00fcn\\u00fcm.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nSadece otuz y\\u0131l ya\\u015fad\\u0131 Sylvia Plath ve bu otuz y\\u0131la f\\u0131rt\\u0131nal\\u0131 bir hayat ve unutulmaz eserler s\\u0131\\u011fd\\u0131rd\\u0131. 1963 y\\u0131l\\u0131nda hayat\\u0131na kendi eliyle son vermesinden sonra e\\u015fi Ted Hughes'un b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 sans\\u00fcrleyerek ilk kez yay\\u0131mlatt\\u0131\\u011f\\u0131 G\\u00fcnl\\u00fckler, y\\u0131llar sonra \\u00f6zg\\u00fcn haliyle yay\\u0131mlanm\\u0131\\u015ft\\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\\u0131na yak\\u0131n k\\u0131sm\\u0131n\\u0131 i\\u00e7eriyor. Plath'\\u0131n hayat\\u0131n\\u0131n son on iki y\\u0131l\\u0131n\\u0131 kapsayan g\\u00fcnl\\u00fckleri onun \\u00f6zelindeki ve edebi alandaki m\\u00fccadelelerini veriyor ve okura onu tan\\u0131mak i\\u00e7in geni\\u015f pencereler a\\u00e7\\u0131yor. G\\u00fcnl\\u00fckler, bu \\u00f6zg\\u00fcn yazar\\u0131 tan\\u0131mak ve yap\\u0131tlar\\u0131n\\u0131 daha iyi anlamak isteyenler i\\u00e7in e\\u015fsiz bir ba\\u015fvuru kayna\\u011f\\u0131, hayranlar\\u0131 i\\u00e7in vazge\\u00e7ilmez bir ba\\u015fucu kitab\\u0131.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\\"Sadece i\\u00e7imde susmak istemeyen bir ses oldu\\u011fu i\\u00e7in yaz\\u0131yorum.\\\"<br \\\/>\\r\\n-Sylvia Plath-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Benim hayat\\u0131m\\u0131n amac\\u0131 ne ve onunla ne halt edece\\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\\u011fim b\\u00fct\\u00fcn kitaplar\\u0131 okuyamayaca\\u011f\\u0131m; olmak istedi\\u011fim b\\u00fct\\u00fcn insanlar olamayaca\\u011f\\u0131m ve ya\\u015famak istedi\\u011fim b\\u00fct\\u00fcn hayatlar\\u0131 ya\\u015fayamayaca\\u011f\\u0131m. Kendimi istedi\\u011fim b\\u00fct\\u00fcn becerileri edinecek kadar e\\u011fitemeyece\\u011fim. Bunlar\\u0131 neden istiyorum? Hayat\\u0131mda m\\u00fcmk\\u00fcn olan zihinsel ve fiziksel tecr\\u00fcbelerin t\\u00fcm renklerini, tonlar\\u0131n\\u0131 ve \\u00e7e\\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\\u00e7 derecede s\\u0131n\\u0131rl\\u0131y\\u0131m\\u2026 U\\u011frunda ya\\u015fayaca\\u011f\\u0131m \\u00e7ok \\u015fey var, yine de anla\\u015f\\u0131lmas\\u0131 m\\u00fcmk\\u00fcn olmayacak kadar hasta ve \\u00fczg\\u00fcn\\u00fcm.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nSadece otuz y\\u0131l ya\\u015fad\\u0131 Sylvia Plath ve bu otuz y\\u0131la f\\u0131rt\\u0131nal\\u0131 bir hayat ve unutulmaz eserler s\\u0131\\u011fd\\u0131rd\\u0131. 1963 y\\u0131l\\u0131nda hayat\\u0131na kendi eliyle son vermesinden sonra e\\u015fi Ted Hughes'un b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 sans\\u00fcrleyerek ilk kez yay\\u0131mlatt\\u0131\\u011f\\u0131 G\\u00fcnl\\u00fckler, y\\u0131llar sonra \\u00f6zg\\u00fcn haliyle yay\\u0131mlanm\\u0131\\u015ft\\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\\u0131na yak\\u0131n k\\u0131sm\\u0131n\\u0131 i\\u00e7eriyor. Plath'\\u0131n hayat\\u0131n\\u0131n son on iki y\\u0131l\\u0131n\\u0131 kapsayan g\\u00fcnl\\u00fckleri onun \\u00f6zelindeki ve edebi alandaki m\\u00fccadelelerini veriyor ve okura onu tan\\u0131mak i\\u00e7in geni\\u015f pencereler a\\u00e7\\u0131yor. G\\u00fcnl\\u00fckler, bu \\u00f6zg\\u00fcn yazar\\u0131 tan\\u0131mak ve yap\\u0131tlar\\u0131n\\u0131 daha iyi anlamak isteyenler i\\u00e7in e\\u015fsiz bir ba\\u015fvuru kayna\\u011f\\u0131, hayranlar\\u0131 i\\u00e7in vazge\\u00e7ilmez bir ba\\u015fucu kitab\\u0131.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":6396,\"personable_id\":6229,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9264,\"book_id\":6229,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9263,\"book_id\":6229,\"locale\":\"tr\",\"name\":\"G\\u00fcnl\\u00fckler\",\"slug\":\"gunlukler-1\",\"sub_name\":\"Bir Edebiyat Olay\\u0131\",\"description\":\"<p>\\\"Sadece i\\u00e7imde susmak istemeyen bir ses oldu\\u011fu i\\u00e7in yaz\\u0131yorum.\\\"<br \\\/>\\r\\n-Sylvia Plath-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Benim hayat\\u0131m\\u0131n amac\\u0131 ne ve onunla ne halt edece\\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\\u011fim b\\u00fct\\u00fcn kitaplar\\u0131 okuyamayaca\\u011f\\u0131m; olmak istedi\\u011fim b\\u00fct\\u00fcn insanlar olamayaca\\u011f\\u0131m ve ya\\u015famak istedi\\u011fim b\\u00fct\\u00fcn hayatlar\\u0131 ya\\u015fayamayaca\\u011f\\u0131m. Kendimi istedi\\u011fim b\\u00fct\\u00fcn becerileri edinecek kadar e\\u011fitemeyece\\u011fim. Bunlar\\u0131 neden istiyorum? Hayat\\u0131mda m\\u00fcmk\\u00fcn olan zihinsel ve fiziksel tecr\\u00fcbelerin t\\u00fcm renklerini, tonlar\\u0131n\\u0131 ve \\u00e7e\\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\\u00e7 derecede s\\u0131n\\u0131rl\\u0131y\\u0131m\\u2026 U\\u011frunda ya\\u015fayaca\\u011f\\u0131m \\u00e7ok \\u015fey var, yine de anla\\u015f\\u0131lmas\\u0131 m\\u00fcmk\\u00fcn olmayacak kadar hasta ve \\u00fczg\\u00fcn\\u00fcm.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nSadece otuz y\\u0131l ya\\u015fad\\u0131 Sylvia Plath ve bu otuz y\\u0131la f\\u0131rt\\u0131nal\\u0131 bir hayat ve unutulmaz eserler s\\u0131\\u011fd\\u0131rd\\u0131. 1963 y\\u0131l\\u0131nda hayat\\u0131na kendi eliyle son vermesinden sonra e\\u015fi Ted Hughes'un b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 sans\\u00fcrleyerek ilk kez yay\\u0131mlatt\\u0131\\u011f\\u0131 G\\u00fcnl\\u00fckler, y\\u0131llar sonra \\u00f6zg\\u00fcn haliyle yay\\u0131mlanm\\u0131\\u015ft\\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\\u0131na yak\\u0131n k\\u0131sm\\u0131n\\u0131 i\\u00e7eriyor. Plath'\\u0131n hayat\\u0131n\\u0131n son on iki y\\u0131l\\u0131n\\u0131 kapsayan g\\u00fcnl\\u00fckleri onun \\u00f6zelindeki ve edebi alandaki m\\u00fccadelelerini veriyor ve okura onu tan\\u0131mak i\\u00e7in geni\\u015f pencereler a\\u00e7\\u0131yor. G\\u00fcnl\\u00fckler, bu \\u00f6zg\\u00fcn yazar\\u0131 tan\\u0131mak ve yap\\u0131tlar\\u0131n\\u0131 daha iyi anlamak isteyenler i\\u00e7in e\\u015fsiz bir ba\\u015fvuru kayna\\u011f\\u0131, hayranlar\\u0131 i\\u00e7in vazge\\u00e7ilmez bir ba\\u015fucu kitab\\u0131.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\\"Sadece i\\u00e7imde susmak istemeyen bir ses oldu\\u011fu i\\u00e7in yaz\\u0131yorum.\\\"<br \\\/>\\r\\n-Sylvia Plath-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Benim hayat\\u0131m\\u0131n amac\\u0131 ne ve onunla ne halt edece\\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\\u011fim b\\u00fct\\u00fcn kitaplar\\u0131 okuyamayaca\\u011f\\u0131m; olmak istedi\\u011fim b\\u00fct\\u00fcn insanlar olamayaca\\u011f\\u0131m ve ya\\u015famak istedi\\u011fim b\\u00fct\\u00fcn hayatlar\\u0131 ya\\u015fayamayaca\\u011f\\u0131m. Kendimi istedi\\u011fim b\\u00fct\\u00fcn becerileri edinecek kadar e\\u011fitemeyece\\u011fim. Bunlar\\u0131 neden istiyorum? Hayat\\u0131mda m\\u00fcmk\\u00fcn olan zihinsel ve fiziksel tecr\\u00fcbelerin t\\u00fcm renklerini, tonlar\\u0131n\\u0131 ve \\u00e7e\\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\\u00e7 derecede s\\u0131n\\u0131rl\\u0131y\\u0131m\\u2026 U\\u011frunda ya\\u015fayaca\\u011f\\u0131m \\u00e7ok \\u015fey var, yine de anla\\u015f\\u0131lmas\\u0131 m\\u00fcmk\\u00fcn olmayacak kadar hasta ve \\u00fczg\\u00fcn\\u00fcm.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nSadece otuz y\\u0131l ya\\u015fad\\u0131 Sylvia Plath ve bu otuz y\\u0131la f\\u0131rt\\u0131nal\\u0131 bir hayat ve unutulmaz eserler s\\u0131\\u011fd\\u0131rd\\u0131. 1963 y\\u0131l\\u0131nda hayat\\u0131na kendi eliyle son vermesinden sonra e\\u015fi Ted Hughes'un b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 sans\\u00fcrleyerek ilk kez yay\\u0131mlatt\\u0131\\u011f\\u0131 G\\u00fcnl\\u00fckler, y\\u0131llar sonra \\u00f6zg\\u00fcn haliyle yay\\u0131mlanm\\u0131\\u015ft\\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\\u0131na yak\\u0131n k\\u0131sm\\u0131n\\u0131 i\\u00e7eriyor. Plath'\\u0131n hayat\\u0131n\\u0131n son on iki y\\u0131l\\u0131n\\u0131 kapsayan g\\u00fcnl\\u00fckleri onun \\u00f6zelindeki ve edebi alandaki m\\u00fccadelelerini veriyor ve okura onu tan\\u0131mak i\\u00e7in geni\\u015f pencereler a\\u00e7\\u0131yor. G\\u00fcnl\\u00fckler, bu \\u00f6zg\\u00fcn yazar\\u0131 tan\\u0131mak ve yap\\u0131tlar\\u0131n\\u0131 daha iyi anlamak isteyenler i\\u00e7in e\\u015fsiz bir ba\\u015fvuru kayna\\u011f\\u0131, hayranlar\\u0131 i\\u00e7in vazge\\u00e7ilmez bir ba\\u015fucu kitab\\u0131.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6230,\"user_id\":10,\"original_name\":\"Ariel\",\"printing_date\":\"2014-01-01 16:46:01\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/ariel-kapak-1573220761.png\",\"image_settings\":{\"id\":6230,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/08\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":146861,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":27834,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":11403,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3179,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2011,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2957,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":17208,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":17208,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7386,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2090,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1120,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":1852,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-08 16:46:01\",\"updated_at\":\"2019-11-08 16:46:02\",\"name\":\"Ariel ve Se\\u00e7me \\u015eiirler\",\"slug\":\"ariel-ve-secme-siirler\",\"sub_name\":\"\",\"description\":\"<p>Dibi bilirim, diyor. En b\\u00fcy\\u00fck k\\u00f6k\\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\\u00e7imde i\\u015fitti\\u011fin, Onun doyumsuzluklar\\u0131 m\\u0131? Yoksa hi\\u00e7bir \\u015feyin sesi mi, \\u015fu senin delili\\u011fin hani. Bir g\\u00f6lgedir a\\u015fk. Nas\\u0131l da yalan s\\u00f6yler a\\u011flars\\u0131n ard\\u0131ndan, Dinle: bu onun toynaklar\\u0131: al\\u0131p ba\\u015f\\u0131n\\u0131 gitti, at gibi.<br \\\/>\\r\\n<br \\\/>\\r\\nYeti\\u015fkin ya\\u015fam\\u0131n\\u0131n b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 depresyon halinde ge\\u00e7iren Sylvia Plath 1963'te 32 ya\\u015f\\u0131ndayken kendi eliyle hayat\\u0131na son verdi\\u011finde arkas\\u0131nda \\u00f6zg\\u00fcn \\u015fiirlerini b\\u0131rakm\\u0131\\u015ft\\u0131. Depresif ruh hali hemen hemen b\\u00fct\\u00fcn \\u015fiirlerine yans\\u0131yan Plath'\\u0131n \\u00f6l\\u00fcm\\u00fcnden sonra 1965 y\\u0131l\\u0131nda yay\\u0131mlanan Ariel'deki \\u015fiirleri onun \\u015fair olarak \\u00fcn\\u00fcn\\u00fc sa\\u011flayan \\u00e7al\\u0131\\u015fmalar\\u0131 oldu. Bu kitapta Ariel'le birlikte yine \\u00f6l\\u00fcm\\u00fcnden sonra e\\u015fi \\u015fair Ted Hughes'un se\\u00e7erek yay\\u0131mlad\\u0131\\u011f\\u0131 \\u015fiirler de yer almaktad\\u0131r. \\u015eairin \\u00f6l\\u00fcm\\u00fcnden \\u00f6nce yazd\\u0131\\u011f\\u0131 son \\u015fiiri olan \\\"U\\u00e7\\\" da bu kitaptaki son \\u015fiirdir.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Dibi bilirim, diyor. En b\\u00fcy\\u00fck k\\u00f6k\\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\\u00e7imde i\\u015fitti\\u011fin, Onun doyumsuzluklar\\u0131 m\\u0131? Yoksa hi\\u00e7bir \\u015feyin sesi mi, \\u015fu senin delili\\u011fin hani. Bir g\\u00f6lgedir a\\u015fk. Nas\\u0131l da yalan s\\u00f6yler a\\u011flars\\u0131n ard\\u0131ndan, Dinle: bu onun toynaklar\\u0131: al\\u0131p ba\\u015f\\u0131n\\u0131 gitti, at gibi.<br \\\/>\\r\\n<br \\\/>\\r\\nYeti\\u015fkin ya\\u015fam\\u0131n\\u0131n b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 depresyon halinde ge\\u00e7iren Sylvia Plath 1963'te 32 ya\\u015f\\u0131ndayken kendi eliyle hayat\\u0131na son verdi\\u011finde arkas\\u0131nda \\u00f6zg\\u00fcn \\u015fiirlerini b\\u0131rakm\\u0131\\u015ft\\u0131. Depresif ruh hali hemen hemen b\\u00fct\\u00fcn \\u015fiirlerine yans\\u0131yan Plath'\\u0131n \\u00f6l\\u00fcm\\u00fcnden sonra 1965 y\\u0131l\\u0131nda yay\\u0131mlanan Ariel'deki \\u015fiirleri onun \\u015fair olarak \\u00fcn\\u00fcn\\u00fc sa\\u011flayan \\u00e7al\\u0131\\u015fmalar\\u0131 oldu. Bu kitapta Ariel'le birlikte yine \\u00f6l\\u00fcm\\u00fcnden sonra e\\u015fi \\u015fair Ted Hughes'un se\\u00e7erek yay\\u0131mlad\\u0131\\u011f\\u0131 \\u015fiirler de yer almaktad\\u0131r. \\u015eairin \\u00f6l\\u00fcm\\u00fcnden \\u00f6nce yazd\\u0131\\u011f\\u0131 son \\u015fiiri olan \\\"U\\u00e7\\\" da bu kitaptaki son \\u015fiirdir.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":6396,\"personable_id\":6230,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9266,\"book_id\":6230,\"locale\":\"en\",\"name\":\"Ariel\",\"slug\":\"ariel\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9265,\"book_id\":6230,\"locale\":\"tr\",\"name\":\"Ariel ve Se\\u00e7me \\u015eiirler\",\"slug\":\"ariel-ve-secme-siirler\",\"sub_name\":\"\",\"description\":\"<p>Dibi bilirim, diyor. En b\\u00fcy\\u00fck k\\u00f6k\\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\\u00e7imde i\\u015fitti\\u011fin, Onun doyumsuzluklar\\u0131 m\\u0131? Yoksa hi\\u00e7bir \\u015feyin sesi mi, \\u015fu senin delili\\u011fin hani. Bir g\\u00f6lgedir a\\u015fk. Nas\\u0131l da yalan s\\u00f6yler a\\u011flars\\u0131n ard\\u0131ndan, Dinle: bu onun toynaklar\\u0131: al\\u0131p ba\\u015f\\u0131n\\u0131 gitti, at gibi.<br \\\/>\\r\\n<br \\\/>\\r\\nYeti\\u015fkin ya\\u015fam\\u0131n\\u0131n b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 depresyon halinde ge\\u00e7iren Sylvia Plath 1963'te 32 ya\\u015f\\u0131ndayken kendi eliyle hayat\\u0131na son verdi\\u011finde arkas\\u0131nda \\u00f6zg\\u00fcn \\u015fiirlerini b\\u0131rakm\\u0131\\u015ft\\u0131. Depresif ruh hali hemen hemen b\\u00fct\\u00fcn \\u015fiirlerine yans\\u0131yan Plath'\\u0131n \\u00f6l\\u00fcm\\u00fcnden sonra 1965 y\\u0131l\\u0131nda yay\\u0131mlanan Ariel'deki \\u015fiirleri onun \\u015fair olarak \\u00fcn\\u00fcn\\u00fc sa\\u011flayan \\u00e7al\\u0131\\u015fmalar\\u0131 oldu. Bu kitapta Ariel'le birlikte yine \\u00f6l\\u00fcm\\u00fcnden sonra e\\u015fi \\u015fair Ted Hughes'un se\\u00e7erek yay\\u0131mlad\\u0131\\u011f\\u0131 \\u015fiirler de yer almaktad\\u0131r. \\u015eairin \\u00f6l\\u00fcm\\u00fcnden \\u00f6nce yazd\\u0131\\u011f\\u0131 son \\u015fiiri olan \\\"U\\u00e7\\\" da bu kitaptaki son \\u015fiirdir.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Dibi bilirim, diyor. En b\\u00fcy\\u00fck k\\u00f6k\\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\\u00e7imde i\\u015fitti\\u011fin, Onun doyumsuzluklar\\u0131 m\\u0131? Yoksa hi\\u00e7bir \\u015feyin sesi mi, \\u015fu senin delili\\u011fin hani. Bir g\\u00f6lgedir a\\u015fk. Nas\\u0131l da yalan s\\u00f6yler a\\u011flars\\u0131n ard\\u0131ndan, Dinle: bu onun toynaklar\\u0131: al\\u0131p ba\\u015f\\u0131n\\u0131 gitti, at gibi.<br \\\/>\\r\\n<br \\\/>\\r\\nYeti\\u015fkin ya\\u015fam\\u0131n\\u0131n b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 depresyon halinde ge\\u00e7iren Sylvia Plath 1963'te 32 ya\\u015f\\u0131ndayken kendi eliyle hayat\\u0131na son verdi\\u011finde arkas\\u0131nda \\u00f6zg\\u00fcn \\u015fiirlerini b\\u0131rakm\\u0131\\u015ft\\u0131. Depresif ruh hali hemen hemen b\\u00fct\\u00fcn \\u015fiirlerine yans\\u0131yan Plath'\\u0131n \\u00f6l\\u00fcm\\u00fcnden sonra 1965 y\\u0131l\\u0131nda yay\\u0131mlanan Ariel'deki \\u015fiirleri onun \\u015fair olarak \\u00fcn\\u00fcn\\u00fc sa\\u011flayan \\u00e7al\\u0131\\u015fmalar\\u0131 oldu. Bu kitapta Ariel'le birlikte yine \\u00f6l\\u00fcm\\u00fcnden sonra e\\u015fi \\u015fair Ted Hughes'un se\\u00e7erek yay\\u0131mlad\\u0131\\u011f\\u0131 \\u015fiirler de yer almaktad\\u0131r. \\u015eairin \\u00f6l\\u00fcm\\u00fcnden \\u00f6nce yazd\\u0131\\u011f\\u0131 son \\u015fiiri olan \\\"U\\u00e7\\\" da bu kitaptaki son \\u015fiirdir.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6231,\"user_id\":10,\"original_name\":\"Mrs Cherry's Kitchen\",\"printing_date\":\"2016-01-01 16:48:22\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/mrs-cherrys-kitchen-kapak-1573220902.png\",\"image_settings\":{\"id\":6231,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/08\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":220384,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":48213,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17065,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3556,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2042,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4351,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":35404,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":35404,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":12222,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2422,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1136,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3056,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-08 16:48:22\",\"updated_at\":\"2019-11-08 16:48:22\",\"name\":\"Kiraz Han\\u0131m'\\u0131n Mutfa\\u011f\\u0131\",\"slug\":\"kiraz-hanimin-mutfagi\",\"sub_name\":\"\",\"description\":\"<p>\\\"Kiraz Bey'in g\\u00f6mlekleri \\u00c7ama\\u015f\\u0131r Makinesi'nden \\u00e7\\u0131k\\u0131p u\\u00e7arak F\\u0131r\\u0131n'\\u0131n i\\u00e7ine girdiler. Pi\\u015fmemi\\u015f pelteye benzeyen erikli pastalar F\\u0131r\\u0131n'dan s\\u0131v\\u0131\\u015f\\u0131p Buzdolab\\u0131'na gittiler. Kahve Makinesi so\\u011fuk dondurmay\\u0131 yuttu. Sonunda her \\u015fey yerine yerle\\u015fti. Kiraz Han\\u0131m geri d\\u00f6n\\u00fcnce nas\\u0131l da \\u015fa\\u015f\\u0131racakt\\u0131!\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nBu c\\u0131v\\u0131l c\\u0131v\\u0131l, ne\\u015feli, ilgin\\u00e7 \\u00f6yk\\u00fcleri \\u00fcnl\\u00fc Amerikal\\u0131 yazar Sylvia Plath, kendi \\u00e7ocuklar\\u0131 i\\u00e7in yazm\\u0131\\u015ft\\u0131. Bu kitapta yer alan Yatak Kitab\\u0131, Hi\\u00e7 \\u00d6nemi Yok Elbisesi ve Kiraz Han\\u0131m'\\u0131n Mutfa\\u011f\\u0131, de\\u011fi\\u015fik konular\\u0131yla birbirinden sevimli ve e\\u011flenceli \\u00fc\\u00e7 \\u00f6yk\\u00fc.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\\"Kiraz Bey'in g\\u00f6mlekleri \\u00c7ama\\u015f\\u0131r Makinesi'nden \\u00e7\\u0131k\\u0131p u\\u00e7arak F\\u0131r\\u0131n'\\u0131n i\\u00e7ine girdiler. Pi\\u015fmemi\\u015f pelteye benzeyen erikli pastalar F\\u0131r\\u0131n'dan s\\u0131v\\u0131\\u015f\\u0131p Buzdolab\\u0131'na gittiler. Kahve Makinesi so\\u011fuk dondurmay\\u0131 yuttu. Sonunda her \\u015fey yerine yerle\\u015fti. Kiraz Han\\u0131m geri d\\u00f6n\\u00fcnce nas\\u0131l da \\u015fa\\u015f\\u0131racakt\\u0131!\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nBu c\\u0131v\\u0131l c\\u0131v\\u0131l, ne\\u015feli, ilgin\\u00e7 \\u00f6yk\\u00fcleri \\u00fcnl\\u00fc Amerikal\\u0131 yazar Sylvia Plath, kendi \\u00e7ocuklar\\u0131 i\\u00e7in yazm\\u0131\\u015ft\\u0131. Bu kitapta yer alan Yatak Kitab\\u0131, Hi\\u00e7 \\u00d6nemi Yok Elbisesi ve Kiraz Han\\u0131m'\\u0131n Mutfa\\u011f\\u0131, de\\u011fi\\u015fik konular\\u0131yla birbirinden sevimli ve e\\u011flenceli \\u00fc\\u00e7 \\u00f6yk\\u00fc.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":6396,\"personable_id\":6231,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9268,\"book_id\":6231,\"locale\":\"en\",\"name\":\"Mrs Cherry's Kitchen\",\"slug\":\"mrs-cherrys-kitchen\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9267,\"book_id\":6231,\"locale\":\"tr\",\"name\":\"Kiraz Han\\u0131m'\\u0131n Mutfa\\u011f\\u0131\",\"slug\":\"kiraz-hanimin-mutfagi\",\"sub_name\":\"\",\"description\":\"<p>\\\"Kiraz Bey'in g\\u00f6mlekleri \\u00c7ama\\u015f\\u0131r Makinesi'nden \\u00e7\\u0131k\\u0131p u\\u00e7arak F\\u0131r\\u0131n'\\u0131n i\\u00e7ine girdiler. Pi\\u015fmemi\\u015f pelteye benzeyen erikli pastalar F\\u0131r\\u0131n'dan s\\u0131v\\u0131\\u015f\\u0131p Buzdolab\\u0131'na gittiler. Kahve Makinesi so\\u011fuk dondurmay\\u0131 yuttu. Sonunda her \\u015fey yerine yerle\\u015fti. Kiraz Han\\u0131m geri d\\u00f6n\\u00fcnce nas\\u0131l da \\u015fa\\u015f\\u0131racakt\\u0131!\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nBu c\\u0131v\\u0131l c\\u0131v\\u0131l, ne\\u015feli, ilgin\\u00e7 \\u00f6yk\\u00fcleri \\u00fcnl\\u00fc Amerikal\\u0131 yazar Sylvia Plath, kendi \\u00e7ocuklar\\u0131 i\\u00e7in yazm\\u0131\\u015ft\\u0131. Bu kitapta yer alan Yatak Kitab\\u0131, Hi\\u00e7 \\u00d6nemi Yok Elbisesi ve Kiraz Han\\u0131m'\\u0131n Mutfa\\u011f\\u0131, de\\u011fi\\u015fik konular\\u0131yla birbirinden sevimli ve e\\u011flenceli \\u00fc\\u00e7 \\u00f6yk\\u00fc.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\\"Kiraz Bey'in g\\u00f6mlekleri \\u00c7ama\\u015f\\u0131r Makinesi'nden \\u00e7\\u0131k\\u0131p u\\u00e7arak F\\u0131r\\u0131n'\\u0131n i\\u00e7ine girdiler. Pi\\u015fmemi\\u015f pelteye benzeyen erikli pastalar F\\u0131r\\u0131n'dan s\\u0131v\\u0131\\u015f\\u0131p Buzdolab\\u0131'na gittiler. Kahve Makinesi so\\u011fuk dondurmay\\u0131 yuttu. Sonunda her \\u015fey yerine yerle\\u015fti. Kiraz Han\\u0131m geri d\\u00f6n\\u00fcnce nas\\u0131l da \\u015fa\\u015f\\u0131racakt\\u0131!\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nBu c\\u0131v\\u0131l c\\u0131v\\u0131l, ne\\u015feli, ilgin\\u00e7 \\u00f6yk\\u00fcleri \\u00fcnl\\u00fc Amerikal\\u0131 yazar Sylvia Plath, kendi \\u00e7ocuklar\\u0131 i\\u00e7in yazm\\u0131\\u015ft\\u0131. Bu kitapta yer alan Yatak Kitab\\u0131, Hi\\u00e7 \\u00d6nemi Yok Elbisesi ve Kiraz Han\\u0131m'\\u0131n Mutfa\\u011f\\u0131, de\\u011fi\\u015fik konular\\u0131yla birbirinden sevimli ve e\\u011flenceli \\u00fc\\u00e7 \\u00f6yk\\u00fc.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]}]","bio":"","static_content":"","meta_title":"","meta_description":"","pivot":{"personable_id":1223,"person_id":6396,"personable_type":"App\\Book"},"jobs":[{"id":5,"status":"1","show_to_user":"1","created_at":"2016-09-06 09:07:32","updated_at":"2017-01-13 15:38:06","name":"Yazar","slug":"yazar","meta_title":"","meta_description":"","meta_person_title":":name Kimdir, Kitaplar\u0131, \u0130ncelemeleri, Payla\u015f\u0131mlar\u0131 ve Yorumlar\u0131","meta_person_description":":name kitaplar\u0131, yorumlar\u0131, payla\u015f\u0131mlar\u0131 ve :name hakk\u0131nda merak etti\u011finiz her \u015feye (:name biyografisi, incelemeleri, s\u00f6zleri, al\u0131nt\u0131lar\u0131, yorumlar\u0131 ve payla\u015f\u0131mlar\u0131) Epikse sayfas\u0131ndan ula\u015fabilirsiniz.","content":"","pivot":{"jobable_id":6396,"job_id":5,"jobable_type":"App\\Person"},"translations":[{"id":3,"job_id":5,"locale":"tr","name":"Yazar","slug":"yazar","meta_title":"","meta_description":"","meta_person_title":":name Kimdir, Kitaplar\u0131, \u0130ncelemeleri, Payla\u015f\u0131mlar\u0131 ve Yorumlar\u0131","meta_person_description":":name kitaplar\u0131, yorumlar\u0131, payla\u015f\u0131mlar\u0131 ve :name hakk\u0131nda merak etti\u011finiz her \u015feye (:name biyografisi, incelemeleri, s\u00f6zleri, al\u0131nt\u0131lar\u0131, yorumlar\u0131 ve payla\u015f\u0131mlar\u0131) Epikse sayfas\u0131ndan ula\u015fabilirsiniz.","content":""}]}],"author_books":[{"id":6231,"user_id":10,"original_name":"Mrs Cherry's Kitchen","printing_date":"2016-01-01 16:48:22","link":null,"special_link_name":null,"special_link_value":null,"image":"images\/books\/mrs-cherrys-kitchen-kapak-1573220902.png","image_settings":{"id":6231,"path":"\/images\/books\/2019\/11\/08\/16\/","versions":[{"ext":"png","size":220384,"type":"original_old","width":265,"height":390},{"ext":"jpeg","size":48213,"type":"old_ext","width":265,"height":390},{"ext":"jpeg","size":17065,"type":"old_ext","width":150,"height":220},{"ext":"jpeg","size":3556,"type":"old_ext","width":56,"height":83},{"ext":"jpeg","size":2042,"type":"old_ext","width":35,"height":51},{"ext":"jpeg","size":4351,"type":"old_ext","width":80,"height":80},{"ext":"webp","size":35404,"type":"original_new","width":265,"height":390},{"ext":"webp","size":35404,"type":"new_ext","width":265,"height":390},{"ext":"webp","size":12222,"type":"new_ext","width":150,"height":220},{"ext":"webp","size":2422,"type":"new_ext","width":56,"height":83},{"ext":"webp","size":1136,"type":"new_ext","width":35,"height":51},{"ext":"webp","size":3056,"type":"new_ext","width":80,"height":80}]},"banner":null,"auto":"0","share_count":0,"follower_count":0,"rate_count":0,"rate_average":0,"created_at":"2019-11-08 16:48:22","updated_at":"2019-11-08 16:48:22","name":"Kiraz Han\u0131m'\u0131n Mutfa\u011f\u0131","slug":"kiraz-hanimin-mutfagi","sub_name":"","description":"<p>\"Kiraz Bey'in g\u00f6mlekleri \u00c7ama\u015f\u0131r Makinesi'nden \u00e7\u0131k\u0131p u\u00e7arak F\u0131r\u0131n'\u0131n i\u00e7ine girdiler. Pi\u015fmemi\u015f pelteye benzeyen erikli pastalar F\u0131r\u0131n'dan s\u0131v\u0131\u015f\u0131p Buzdolab\u0131'na gittiler. Kahve Makinesi so\u011fuk dondurmay\u0131 yuttu. Sonunda her \u015fey yerine yerle\u015fti. Kiraz Han\u0131m geri d\u00f6n\u00fcnce nas\u0131l da \u015fa\u015f\u0131racakt\u0131!\"<br \/>\r\n<br \/>\r\nBu c\u0131v\u0131l c\u0131v\u0131l, ne\u015feli, ilgin\u00e7 \u00f6yk\u00fcleri \u00fcnl\u00fc Amerikal\u0131 yazar Sylvia Plath, kendi \u00e7ocuklar\u0131 i\u00e7in yazm\u0131\u015ft\u0131. Bu kitapta yer alan Yatak Kitab\u0131, Hi\u00e7 \u00d6nemi Yok Elbisesi ve Kiraz Han\u0131m'\u0131n Mutfa\u011f\u0131, de\u011fi\u015fik konular\u0131yla birbirinden sevimli ve e\u011flenceli \u00fc\u00e7 \u00f6yk\u00fc.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>\"Kiraz Bey'in g\u00f6mlekleri \u00c7ama\u015f\u0131r Makinesi'nden \u00e7\u0131k\u0131p u\u00e7arak F\u0131r\u0131n'\u0131n i\u00e7ine girdiler. Pi\u015fmemi\u015f pelteye benzeyen erikli pastalar F\u0131r\u0131n'dan s\u0131v\u0131\u015f\u0131p Buzdolab\u0131'na gittiler. Kahve Makinesi so\u011fuk dondurmay\u0131 yuttu. Sonunda her \u015fey yerine yerle\u015fti. Kiraz Han\u0131m geri d\u00f6n\u00fcnce nas\u0131l da \u015fa\u015f\u0131racakt\u0131!\"<br \/>\r\n<br \/>\r\nBu c\u0131v\u0131l c\u0131v\u0131l, ne\u015feli, ilgin\u00e7 \u00f6yk\u00fcleri \u00fcnl\u00fc Amerikal\u0131 yazar Sylvia Plath, kendi \u00e7ocuklar\u0131 i\u00e7in yazm\u0131\u015ft\u0131. Bu kitapta yer alan Yatak Kitab\u0131, Hi\u00e7 \u00d6nemi Yok Elbisesi ve Kiraz Han\u0131m'\u0131n Mutfa\u011f\u0131, de\u011fi\u015fik konular\u0131yla birbirinden sevimli ve e\u011flenceli \u00fc\u00e7 \u00f6yk\u00fc.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":"","pivot":{"person_id":6396,"personable_id":6231,"personable_type":"App\\Book"},"types":[{"id":23,"created_at":"2016-11-11 18:05:52","updated_at":"2017-01-27 09:59:43","name":"\u00c7ocuk ve Gen\u00e7lik","slug":"cocuk-ve-genclik","content":"","meta_title":"Mutlaka Okunmas\u0131 Gereken En \u0130yi \u00c7ocuk Kitaplar\u0131 | Epikse","meta_description":"T\u00fcm d\u00fcnyada en \u00e7ok ilgi \u00e7eken, yerli ve yabanc\u0131 en iyi \u00e7ocuk ve gen\u00e7lik kitaplar\u0131 hakk\u0131nda detayl\u0131 bilgi almak i\u00e7in Epikse sayfas\u0131n\u0131 ziyaret edebilirsiniz.","pivot":{"book_typeable_id":6231,"book_type_id":23,"book_typeable_type":"App\\Book"},"translations":[{"id":22,"book_type_id":23,"locale":"tr","name":"\u00c7ocuk ve Gen\u00e7lik","slug":"cocuk-ve-genclik","content":"","meta_title":"Mutlaka Okunmas\u0131 Gereken En \u0130yi \u00c7ocuk Kitaplar\u0131 | Epikse","meta_description":"T\u00fcm d\u00fcnyada en \u00e7ok ilgi \u00e7eken, yerli ve yabanc\u0131 en iyi \u00e7ocuk ve gen\u00e7lik kitaplar\u0131 hakk\u0131nda detayl\u0131 bilgi almak i\u00e7in Epikse sayfas\u0131n\u0131 ziyaret edebilirsiniz."}]},{"id":55,"created_at":"2017-05-11 18:49:40","updated_at":"2017-05-11 18:49:40","name":"Okul \u00c7a\u011f\u0131 6-10 Ya\u015f","slug":"okul-cagi-6-10-yas","content":null,"meta_title":null,"meta_description":null,"pivot":{"book_typeable_id":6231,"book_type_id":55,"book_typeable_type":"App\\Book"},"translations":[{"id":54,"book_type_id":55,"locale":"tr","name":"Okul \u00c7a\u011f\u0131 6-10 Ya\u015f","slug":"okul-cagi-6-10-yas","content":null,"meta_title":null,"meta_description":null}]},{"id":24,"created_at":"2016-11-11 18:05:52","updated_at":"2017-01-27 13:45:10","name":"\u00c7ocuk \u00d6yk\u00fc\/Hikaye","slug":"cocuk-oyku-hikaye","content":null,"meta_title":null,"meta_description":null,"pivot":{"book_typeable_id":6231,"book_type_id":24,"book_typeable_type":"App\\Book"},"translations":[{"id":23,"book_type_id":24,"locale":"tr","name":"\u00c7ocuk \u00d6yk\u00fc\/Hikaye","slug":"cocuk-oyku-hikaye","content":null,"meta_title":null,"meta_description":null}]}],"translations":[{"id":9268,"book_id":6231,"locale":"en","name":"Mrs Cherry's Kitchen","slug":"mrs-cherrys-kitchen","sub_name":"","description":"","static_content":"","meta_title":"","meta_description":""},{"id":9267,"book_id":6231,"locale":"tr","name":"Kiraz Han\u0131m'\u0131n Mutfa\u011f\u0131","slug":"kiraz-hanimin-mutfagi","sub_name":"","description":"<p>\"Kiraz Bey'in g\u00f6mlekleri \u00c7ama\u015f\u0131r Makinesi'nden \u00e7\u0131k\u0131p u\u00e7arak F\u0131r\u0131n'\u0131n i\u00e7ine girdiler. Pi\u015fmemi\u015f pelteye benzeyen erikli pastalar F\u0131r\u0131n'dan s\u0131v\u0131\u015f\u0131p Buzdolab\u0131'na gittiler. Kahve Makinesi so\u011fuk dondurmay\u0131 yuttu. Sonunda her \u015fey yerine yerle\u015fti. Kiraz Han\u0131m geri d\u00f6n\u00fcnce nas\u0131l da \u015fa\u015f\u0131racakt\u0131!\"<br \/>\r\n<br \/>\r\nBu c\u0131v\u0131l c\u0131v\u0131l, ne\u015feli, ilgin\u00e7 \u00f6yk\u00fcleri \u00fcnl\u00fc Amerikal\u0131 yazar Sylvia Plath, kendi \u00e7ocuklar\u0131 i\u00e7in yazm\u0131\u015ft\u0131. Bu kitapta yer alan Yatak Kitab\u0131, Hi\u00e7 \u00d6nemi Yok Elbisesi ve Kiraz Han\u0131m'\u0131n Mutfa\u011f\u0131, de\u011fi\u015fik konular\u0131yla birbirinden sevimli ve e\u011flenceli \u00fc\u00e7 \u00f6yk\u00fc.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>\"Kiraz Bey'in g\u00f6mlekleri \u00c7ama\u015f\u0131r Makinesi'nden \u00e7\u0131k\u0131p u\u00e7arak F\u0131r\u0131n'\u0131n i\u00e7ine girdiler. Pi\u015fmemi\u015f pelteye benzeyen erikli pastalar F\u0131r\u0131n'dan s\u0131v\u0131\u015f\u0131p Buzdolab\u0131'na gittiler. Kahve Makinesi so\u011fuk dondurmay\u0131 yuttu. Sonunda her \u015fey yerine yerle\u015fti. Kiraz Han\u0131m geri d\u00f6n\u00fcnce nas\u0131l da \u015fa\u015f\u0131racakt\u0131!\"<br \/>\r\n<br \/>\r\nBu c\u0131v\u0131l c\u0131v\u0131l, ne\u015feli, ilgin\u00e7 \u00f6yk\u00fcleri \u00fcnl\u00fc Amerikal\u0131 yazar Sylvia Plath, kendi \u00e7ocuklar\u0131 i\u00e7in yazm\u0131\u015ft\u0131. Bu kitapta yer alan Yatak Kitab\u0131, Hi\u00e7 \u00d6nemi Yok Elbisesi ve Kiraz Han\u0131m'\u0131n Mutfa\u011f\u0131, de\u011fi\u015fik konular\u0131yla birbirinden sevimli ve e\u011flenceli \u00fc\u00e7 \u00f6yk\u00fc.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":""}]},{"id":6229,"user_id":10,"original_name":"The Unabridged Journals of Sylvia Plath","printing_date":"2016-01-01 16:44:37","link":null,"special_link_name":null,"special_link_value":null,"image":"images\/books\/the-unabridged-journals-of-sylvia-plath-kapak-1573220666.png","image_settings":{"id":6229,"path":"\/images\/books\/2019\/11\/08\/16\/","versions":[{"ext":"png","size":166194,"type":"original_old","width":265,"height":390},{"ext":"jpeg","size":33263,"type":"old_ext","width":265,"height":390},{"ext":"jpeg","size":13347,"type":"old_ext","width":150,"height":220},{"ext":"jpeg","size":3409,"type":"old_ext","width":56,"height":83},{"ext":"jpeg","size":1886,"type":"old_ext","width":35,"height":51},{"ext":"jpeg","size":4253,"type":"old_ext","width":80,"height":80},{"ext":"webp","size":20984,"type":"original_new","width":265,"height":390},{"ext":"webp","size":20984,"type":"new_ext","width":265,"height":390},{"ext":"webp","size":8400,"type":"new_ext","width":150,"height":220},{"ext":"webp","size":2184,"type":"new_ext","width":56,"height":83},{"ext":"webp","size":1064,"type":"new_ext","width":35,"height":51},{"ext":"webp","size":2764,"type":"new_ext","width":80,"height":80}]},"banner":null,"auto":"0","share_count":3,"follower_count":5,"rate_count":1,"rate_average":6,"created_at":"2019-11-08 16:44:26","updated_at":"2020-02-28 03:30:13","name":"G\u00fcnl\u00fckler","slug":"gunlukler-1","sub_name":"Bir Edebiyat Olay\u0131","description":"<p>\"Sadece i\u00e7imde susmak istemeyen bir ses oldu\u011fu i\u00e7in yaz\u0131yorum.\"<br \/>\r\n-Sylvia Plath-<br \/>\r\n<br \/>\r\n\"Benim hayat\u0131m\u0131n amac\u0131 ne ve onunla ne halt edece\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\u011fim b\u00fct\u00fcn kitaplar\u0131 okuyamayaca\u011f\u0131m; olmak istedi\u011fim b\u00fct\u00fcn insanlar olamayaca\u011f\u0131m ve ya\u015famak istedi\u011fim b\u00fct\u00fcn hayatlar\u0131 ya\u015fayamayaca\u011f\u0131m. Kendimi istedi\u011fim b\u00fct\u00fcn becerileri edinecek kadar e\u011fitemeyece\u011fim. Bunlar\u0131 neden istiyorum? Hayat\u0131mda m\u00fcmk\u00fcn olan zihinsel ve fiziksel tecr\u00fcbelerin t\u00fcm renklerini, tonlar\u0131n\u0131 ve \u00e7e\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\u00e7 derecede s\u0131n\u0131rl\u0131y\u0131m\u2026 U\u011frunda ya\u015fayaca\u011f\u0131m \u00e7ok \u015fey var, yine de anla\u015f\u0131lmas\u0131 m\u00fcmk\u00fcn olmayacak kadar hasta ve \u00fczg\u00fcn\u00fcm.\"<br \/>\r\n<br \/>\r\nSadece otuz y\u0131l ya\u015fad\u0131 Sylvia Plath ve bu otuz y\u0131la f\u0131rt\u0131nal\u0131 bir hayat ve unutulmaz eserler s\u0131\u011fd\u0131rd\u0131. 1963 y\u0131l\u0131nda hayat\u0131na kendi eliyle son vermesinden sonra e\u015fi Ted Hughes'un b\u00fcy\u00fck k\u0131sm\u0131n\u0131 sans\u00fcrleyerek ilk kez yay\u0131mlatt\u0131\u011f\u0131 G\u00fcnl\u00fckler, y\u0131llar sonra \u00f6zg\u00fcn haliyle yay\u0131mlanm\u0131\u015ft\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\u0131na yak\u0131n k\u0131sm\u0131n\u0131 i\u00e7eriyor. Plath'\u0131n hayat\u0131n\u0131n son on iki y\u0131l\u0131n\u0131 kapsayan g\u00fcnl\u00fckleri onun \u00f6zelindeki ve edebi alandaki m\u00fccadelelerini veriyor ve okura onu tan\u0131mak i\u00e7in geni\u015f pencereler a\u00e7\u0131yor. G\u00fcnl\u00fckler, bu \u00f6zg\u00fcn yazar\u0131 tan\u0131mak ve yap\u0131tlar\u0131n\u0131 daha iyi anlamak isteyenler i\u00e7in e\u015fsiz bir ba\u015fvuru kayna\u011f\u0131, hayranlar\u0131 i\u00e7in vazge\u00e7ilmez bir ba\u015fucu kitab\u0131.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>\"Sadece i\u00e7imde susmak istemeyen bir ses oldu\u011fu i\u00e7in yaz\u0131yorum.\"<br \/>\r\n-Sylvia Plath-<br \/>\r\n<br \/>\r\n\"Benim hayat\u0131m\u0131n amac\u0131 ne ve onunla ne halt edece\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\u011fim b\u00fct\u00fcn kitaplar\u0131 okuyamayaca\u011f\u0131m; olmak istedi\u011fim b\u00fct\u00fcn insanlar olamayaca\u011f\u0131m ve ya\u015famak istedi\u011fim b\u00fct\u00fcn hayatlar\u0131 ya\u015fayamayaca\u011f\u0131m. Kendimi istedi\u011fim b\u00fct\u00fcn becerileri edinecek kadar e\u011fitemeyece\u011fim. Bunlar\u0131 neden istiyorum? Hayat\u0131mda m\u00fcmk\u00fcn olan zihinsel ve fiziksel tecr\u00fcbelerin t\u00fcm renklerini, tonlar\u0131n\u0131 ve \u00e7e\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\u00e7 derecede s\u0131n\u0131rl\u0131y\u0131m\u2026 U\u011frunda ya\u015fayaca\u011f\u0131m \u00e7ok \u015fey var, yine de anla\u015f\u0131lmas\u0131 m\u00fcmk\u00fcn olmayacak kadar hasta ve \u00fczg\u00fcn\u00fcm.\"<br \/>\r\n<br \/>\r\nSadece otuz y\u0131l ya\u015fad\u0131 Sylvia Plath ve bu otuz y\u0131la f\u0131rt\u0131nal\u0131 bir hayat ve unutulmaz eserler s\u0131\u011fd\u0131rd\u0131. 1963 y\u0131l\u0131nda hayat\u0131na kendi eliyle son vermesinden sonra e\u015fi Ted Hughes'un b\u00fcy\u00fck k\u0131sm\u0131n\u0131 sans\u00fcrleyerek ilk kez yay\u0131mlatt\u0131\u011f\u0131 G\u00fcnl\u00fckler, y\u0131llar sonra \u00f6zg\u00fcn haliyle yay\u0131mlanm\u0131\u015ft\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\u0131na yak\u0131n k\u0131sm\u0131n\u0131 i\u00e7eriyor. Plath'\u0131n hayat\u0131n\u0131n son on iki y\u0131l\u0131n\u0131 kapsayan g\u00fcnl\u00fckleri onun \u00f6zelindeki ve edebi alandaki m\u00fccadelelerini veriyor ve okura onu tan\u0131mak i\u00e7in geni\u015f pencereler a\u00e7\u0131yor. G\u00fcnl\u00fckler, bu \u00f6zg\u00fcn yazar\u0131 tan\u0131mak ve yap\u0131tlar\u0131n\u0131 daha iyi anlamak isteyenler i\u00e7in e\u015fsiz bir ba\u015fvuru kayna\u011f\u0131, hayranlar\u0131 i\u00e7in vazge\u00e7ilmez bir ba\u015fucu kitab\u0131.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":"","pivot":{"person_id":6396,"personable_id":6229,"personable_type":"App\\Book"},"types":[{"id":3,"created_at":"2016-09-15 09:00:13","updated_at":"2017-01-27 09:59:42","name":"Edebiyat","slug":"edebiyat","content":null,"meta_title":null,"meta_description":null,"pivot":{"book_typeable_id":6229,"book_type_id":3,"book_typeable_type":"App\\Book"},"translations":[{"id":3,"book_type_id":3,"locale":"tr","name":"Edebiyat","slug":"edebiyat","content":null,"meta_title":null,"meta_description":null}]},{"id":54,"created_at":"2017-05-04 15:28:43","updated_at":"2017-05-04 15:28:43","name":"D\u00fcnya G\u00fcnl\u00fck An\u0131","slug":"dunya-gunluk-ani","content":null,"meta_title":null,"meta_description":null,"pivot":{"book_typeable_id":6229,"book_type_id":54,"book_typeable_type":"App\\Book"},"translations":[{"id":53,"book_type_id":54,"locale":"tr","name":"D\u00fcnya G\u00fcnl\u00fck An\u0131","slug":"dunya-gunluk-ani","content":null,"meta_title":null,"meta_description":null}]}],"translations":[{"id":9264,"book_id":6229,"locale":"en","name":"","slug":"","sub_name":"","description":"","static_content":"","meta_title":"","meta_description":""},{"id":9263,"book_id":6229,"locale":"tr","name":"G\u00fcnl\u00fckler","slug":"gunlukler-1","sub_name":"Bir Edebiyat Olay\u0131","description":"<p>\"Sadece i\u00e7imde susmak istemeyen bir ses oldu\u011fu i\u00e7in yaz\u0131yorum.\"<br \/>\r\n-Sylvia Plath-<br \/>\r\n<br \/>\r\n\"Benim hayat\u0131m\u0131n amac\u0131 ne ve onunla ne halt edece\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\u011fim b\u00fct\u00fcn kitaplar\u0131 okuyamayaca\u011f\u0131m; olmak istedi\u011fim b\u00fct\u00fcn insanlar olamayaca\u011f\u0131m ve ya\u015famak istedi\u011fim b\u00fct\u00fcn hayatlar\u0131 ya\u015fayamayaca\u011f\u0131m. Kendimi istedi\u011fim b\u00fct\u00fcn becerileri edinecek kadar e\u011fitemeyece\u011fim. Bunlar\u0131 neden istiyorum? Hayat\u0131mda m\u00fcmk\u00fcn olan zihinsel ve fiziksel tecr\u00fcbelerin t\u00fcm renklerini, tonlar\u0131n\u0131 ve \u00e7e\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\u00e7 derecede s\u0131n\u0131rl\u0131y\u0131m\u2026 U\u011frunda ya\u015fayaca\u011f\u0131m \u00e7ok \u015fey var, yine de anla\u015f\u0131lmas\u0131 m\u00fcmk\u00fcn olmayacak kadar hasta ve \u00fczg\u00fcn\u00fcm.\"<br \/>\r\n<br \/>\r\nSadece otuz y\u0131l ya\u015fad\u0131 Sylvia Plath ve bu otuz y\u0131la f\u0131rt\u0131nal\u0131 bir hayat ve unutulmaz eserler s\u0131\u011fd\u0131rd\u0131. 1963 y\u0131l\u0131nda hayat\u0131na kendi eliyle son vermesinden sonra e\u015fi Ted Hughes'un b\u00fcy\u00fck k\u0131sm\u0131n\u0131 sans\u00fcrleyerek ilk kez yay\u0131mlatt\u0131\u011f\u0131 G\u00fcnl\u00fckler, y\u0131llar sonra \u00f6zg\u00fcn haliyle yay\u0131mlanm\u0131\u015ft\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\u0131na yak\u0131n k\u0131sm\u0131n\u0131 i\u00e7eriyor. Plath'\u0131n hayat\u0131n\u0131n son on iki y\u0131l\u0131n\u0131 kapsayan g\u00fcnl\u00fckleri onun \u00f6zelindeki ve edebi alandaki m\u00fccadelelerini veriyor ve okura onu tan\u0131mak i\u00e7in geni\u015f pencereler a\u00e7\u0131yor. G\u00fcnl\u00fckler, bu \u00f6zg\u00fcn yazar\u0131 tan\u0131mak ve yap\u0131tlar\u0131n\u0131 daha iyi anlamak isteyenler i\u00e7in e\u015fsiz bir ba\u015fvuru kayna\u011f\u0131, hayranlar\u0131 i\u00e7in vazge\u00e7ilmez bir ba\u015fucu kitab\u0131.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>\"Sadece i\u00e7imde susmak istemeyen bir ses oldu\u011fu i\u00e7in yaz\u0131yorum.\"<br \/>\r\n-Sylvia Plath-<br \/>\r\n<br \/>\r\n\"Benim hayat\u0131m\u0131n amac\u0131 ne ve onunla ne halt edece\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\u011fim b\u00fct\u00fcn kitaplar\u0131 okuyamayaca\u011f\u0131m; olmak istedi\u011fim b\u00fct\u00fcn insanlar olamayaca\u011f\u0131m ve ya\u015famak istedi\u011fim b\u00fct\u00fcn hayatlar\u0131 ya\u015fayamayaca\u011f\u0131m. Kendimi istedi\u011fim b\u00fct\u00fcn becerileri edinecek kadar e\u011fitemeyece\u011fim. Bunlar\u0131 neden istiyorum? Hayat\u0131mda m\u00fcmk\u00fcn olan zihinsel ve fiziksel tecr\u00fcbelerin t\u00fcm renklerini, tonlar\u0131n\u0131 ve \u00e7e\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\u00e7 derecede s\u0131n\u0131rl\u0131y\u0131m\u2026 U\u011frunda ya\u015fayaca\u011f\u0131m \u00e7ok \u015fey var, yine de anla\u015f\u0131lmas\u0131 m\u00fcmk\u00fcn olmayacak kadar hasta ve \u00fczg\u00fcn\u00fcm.\"<br \/>\r\n<br \/>\r\nSadece otuz y\u0131l ya\u015fad\u0131 Sylvia Plath ve bu otuz y\u0131la f\u0131rt\u0131nal\u0131 bir hayat ve unutulmaz eserler s\u0131\u011fd\u0131rd\u0131. 1963 y\u0131l\u0131nda hayat\u0131na kendi eliyle son vermesinden sonra e\u015fi Ted Hughes'un b\u00fcy\u00fck k\u0131sm\u0131n\u0131 sans\u00fcrleyerek ilk kez yay\u0131mlatt\u0131\u011f\u0131 G\u00fcnl\u00fckler, y\u0131llar sonra \u00f6zg\u00fcn haliyle yay\u0131mlanm\u0131\u015ft\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\u0131na yak\u0131n k\u0131sm\u0131n\u0131 i\u00e7eriyor. Plath'\u0131n hayat\u0131n\u0131n son on iki y\u0131l\u0131n\u0131 kapsayan g\u00fcnl\u00fckleri onun \u00f6zelindeki ve edebi alandaki m\u00fccadelelerini veriyor ve okura onu tan\u0131mak i\u00e7in geni\u015f pencereler a\u00e7\u0131yor. G\u00fcnl\u00fckler, bu \u00f6zg\u00fcn yazar\u0131 tan\u0131mak ve yap\u0131tlar\u0131n\u0131 daha iyi anlamak isteyenler i\u00e7in e\u015fsiz bir ba\u015fvuru kayna\u011f\u0131, hayranlar\u0131 i\u00e7in vazge\u00e7ilmez bir ba\u015fucu kitab\u0131.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":""}]},{"id":6230,"user_id":10,"original_name":"Ariel","printing_date":"2014-01-01 16:46:01","link":null,"special_link_name":null,"special_link_value":null,"image":"images\/books\/ariel-kapak-1573220761.png","image_settings":{"id":6230,"path":"\/images\/books\/2019\/11\/08\/16\/","versions":[{"ext":"png","size":146861,"type":"original_old","width":265,"height":390},{"ext":"jpeg","size":27834,"type":"old_ext","width":265,"height":390},{"ext":"jpeg","size":11403,"type":"old_ext","width":150,"height":220},{"ext":"jpeg","size":3179,"type":"old_ext","width":56,"height":83},{"ext":"jpeg","size":2011,"type":"old_ext","width":35,"height":51},{"ext":"jpeg","size":2957,"type":"old_ext","width":80,"height":80},{"ext":"webp","size":17208,"type":"original_new","width":265,"height":390},{"ext":"webp","size":17208,"type":"new_ext","width":265,"height":390},{"ext":"webp","size":7386,"type":"new_ext","width":150,"height":220},{"ext":"webp","size":2090,"type":"new_ext","width":56,"height":83},{"ext":"webp","size":1120,"type":"new_ext","width":35,"height":51},{"ext":"webp","size":1852,"type":"new_ext","width":80,"height":80}]},"banner":null,"auto":"0","share_count":0,"follower_count":0,"rate_count":0,"rate_average":0,"created_at":"2019-11-08 16:46:01","updated_at":"2019-11-08 16:46:02","name":"Ariel ve Se\u00e7me \u015eiirler","slug":"ariel-ve-secme-siirler","sub_name":"","description":"<p>Dibi bilirim, diyor. En b\u00fcy\u00fck k\u00f6k\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\u00e7imde i\u015fitti\u011fin, Onun doyumsuzluklar\u0131 m\u0131? Yoksa hi\u00e7bir \u015feyin sesi mi, \u015fu senin delili\u011fin hani. Bir g\u00f6lgedir a\u015fk. Nas\u0131l da yalan s\u00f6yler a\u011flars\u0131n ard\u0131ndan, Dinle: bu onun toynaklar\u0131: al\u0131p ba\u015f\u0131n\u0131 gitti, at gibi.<br \/>\r\n<br \/>\r\nYeti\u015fkin ya\u015fam\u0131n\u0131n b\u00fcy\u00fck k\u0131sm\u0131n\u0131 depresyon halinde ge\u00e7iren Sylvia Plath 1963'te 32 ya\u015f\u0131ndayken kendi eliyle hayat\u0131na son verdi\u011finde arkas\u0131nda \u00f6zg\u00fcn \u015fiirlerini b\u0131rakm\u0131\u015ft\u0131. Depresif ruh hali hemen hemen b\u00fct\u00fcn \u015fiirlerine yans\u0131yan Plath'\u0131n \u00f6l\u00fcm\u00fcnden sonra 1965 y\u0131l\u0131nda yay\u0131mlanan Ariel'deki \u015fiirleri onun \u015fair olarak \u00fcn\u00fcn\u00fc sa\u011flayan \u00e7al\u0131\u015fmalar\u0131 oldu. Bu kitapta Ariel'le birlikte yine \u00f6l\u00fcm\u00fcnden sonra e\u015fi \u015fair Ted Hughes'un se\u00e7erek yay\u0131mlad\u0131\u011f\u0131 \u015fiirler de yer almaktad\u0131r. \u015eairin \u00f6l\u00fcm\u00fcnden \u00f6nce yazd\u0131\u011f\u0131 son \u015fiiri olan \"U\u00e7\" da bu kitaptaki son \u015fiirdir.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>Dibi bilirim, diyor. En b\u00fcy\u00fck k\u00f6k\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\u00e7imde i\u015fitti\u011fin, Onun doyumsuzluklar\u0131 m\u0131? Yoksa hi\u00e7bir \u015feyin sesi mi, \u015fu senin delili\u011fin hani. Bir g\u00f6lgedir a\u015fk. Nas\u0131l da yalan s\u00f6yler a\u011flars\u0131n ard\u0131ndan, Dinle: bu onun toynaklar\u0131: al\u0131p ba\u015f\u0131n\u0131 gitti, at gibi.<br \/>\r\n<br \/>\r\nYeti\u015fkin ya\u015fam\u0131n\u0131n b\u00fcy\u00fck k\u0131sm\u0131n\u0131 depresyon halinde ge\u00e7iren Sylvia Plath 1963'te 32 ya\u015f\u0131ndayken kendi eliyle hayat\u0131na son verdi\u011finde arkas\u0131nda \u00f6zg\u00fcn \u015fiirlerini b\u0131rakm\u0131\u015ft\u0131. Depresif ruh hali hemen hemen b\u00fct\u00fcn \u015fiirlerine yans\u0131yan Plath'\u0131n \u00f6l\u00fcm\u00fcnden sonra 1965 y\u0131l\u0131nda yay\u0131mlanan Ariel'deki \u015fiirleri onun \u015fair olarak \u00fcn\u00fcn\u00fc sa\u011flayan \u00e7al\u0131\u015fmalar\u0131 oldu. Bu kitapta Ariel'le birlikte yine \u00f6l\u00fcm\u00fcnden sonra e\u015fi \u015fair Ted Hughes'un se\u00e7erek yay\u0131mlad\u0131\u011f\u0131 \u015fiirler de yer almaktad\u0131r. \u015eairin \u00f6l\u00fcm\u00fcnden \u00f6nce yazd\u0131\u011f\u0131 son \u015fiiri olan \"U\u00e7\" da bu kitaptaki son \u015fiirdir.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":"","pivot":{"person_id":6396,"personable_id":6230,"personable_type":"App\\Book"},"types":[{"id":3,"created_at":"2016-09-15 09:00:13","updated_at":"2017-01-27 09:59:42","name":"Edebiyat","slug":"edebiyat","content":null,"meta_title":null,"meta_description":null,"pivot":{"book_typeable_id":6230,"book_type_id":3,"book_typeable_type":"App\\Book"},"translations":[{"id":3,"book_type_id":3,"locale":"tr","name":"Edebiyat","slug":"edebiyat","content":null,"meta_title":null,"meta_description":null}]},{"id":8,"created_at":"2016-11-02 15:21:18","updated_at":"2017-01-27 09:59:42","name":"\u015eiir","slug":"siir","content":"","meta_title":"T\u00fcm Zamanlar\u0131n En \u0130yi \u015eiir Kitaplar\u0131 Listesi | Epikse","meta_description":"\u015eiir t\u00fcr\u00fcnde yaz\u0131lm\u0131\u015f en \u00e7ok sevilen kitaplar hakk\u0131nda Epikse okuyucular\u0131n\u0131n yazd\u0131\u011f\u0131 t\u00fcm yorum ve de\u011ferlendirmelere Epikse sayfas\u0131ndan ula\u015fabilirsiniz.","pivot":{"book_typeable_id":6230,"book_type_id":8,"book_typeable_type":"App\\Book"},"translations":[{"id":7,"book_type_id":8,"locale":"tr","name":"\u015eiir","slug":"siir","content":"","meta_title":"T\u00fcm Zamanlar\u0131n En \u0130yi \u015eiir Kitaplar\u0131 Listesi | Epikse","meta_description":"\u015eiir t\u00fcr\u00fcnde yaz\u0131lm\u0131\u015f en \u00e7ok sevilen kitaplar hakk\u0131nda Epikse okuyucular\u0131n\u0131n yazd\u0131\u011f\u0131 t\u00fcm yorum ve de\u011ferlendirmelere Epikse sayfas\u0131ndan ula\u015fabilirsiniz."}]}],"translations":[{"id":9266,"book_id":6230,"locale":"en","name":"Ariel","slug":"ariel","sub_name":"","description":"","static_content":"","meta_title":"","meta_description":""},{"id":9265,"book_id":6230,"locale":"tr","name":"Ariel ve Se\u00e7me \u015eiirler","slug":"ariel-ve-secme-siirler","sub_name":"","description":"<p>Dibi bilirim, diyor. En b\u00fcy\u00fck k\u00f6k\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\u00e7imde i\u015fitti\u011fin, Onun doyumsuzluklar\u0131 m\u0131? Yoksa hi\u00e7bir \u015feyin sesi mi, \u015fu senin delili\u011fin hani. Bir g\u00f6lgedir a\u015fk. Nas\u0131l da yalan s\u00f6yler a\u011flars\u0131n ard\u0131ndan, Dinle: bu onun toynaklar\u0131: al\u0131p ba\u015f\u0131n\u0131 gitti, at gibi.<br \/>\r\n<br \/>\r\nYeti\u015fkin ya\u015fam\u0131n\u0131n b\u00fcy\u00fck k\u0131sm\u0131n\u0131 depresyon halinde ge\u00e7iren Sylvia Plath 1963'te 32 ya\u015f\u0131ndayken kendi eliyle hayat\u0131na son verdi\u011finde arkas\u0131nda \u00f6zg\u00fcn \u015fiirlerini b\u0131rakm\u0131\u015ft\u0131. Depresif ruh hali hemen hemen b\u00fct\u00fcn \u015fiirlerine yans\u0131yan Plath'\u0131n \u00f6l\u00fcm\u00fcnden sonra 1965 y\u0131l\u0131nda yay\u0131mlanan Ariel'deki \u015fiirleri onun \u015fair olarak \u00fcn\u00fcn\u00fc sa\u011flayan \u00e7al\u0131\u015fmalar\u0131 oldu. Bu kitapta Ariel'le birlikte yine \u00f6l\u00fcm\u00fcnden sonra e\u015fi \u015fair Ted Hughes'un se\u00e7erek yay\u0131mlad\u0131\u011f\u0131 \u015fiirler de yer almaktad\u0131r. \u015eairin \u00f6l\u00fcm\u00fcnden \u00f6nce yazd\u0131\u011f\u0131 son \u015fiiri olan \"U\u00e7\" da bu kitaptaki son \u015fiirdir.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>Dibi bilirim, diyor. En b\u00fcy\u00fck k\u00f6k\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\u00e7imde i\u015fitti\u011fin, Onun doyumsuzluklar\u0131 m\u0131? Yoksa hi\u00e7bir \u015feyin sesi mi, \u015fu senin delili\u011fin hani. Bir g\u00f6lgedir a\u015fk. Nas\u0131l da yalan s\u00f6yler a\u011flars\u0131n ard\u0131ndan, Dinle: bu onun toynaklar\u0131: al\u0131p ba\u015f\u0131n\u0131 gitti, at gibi.<br \/>\r\n<br \/>\r\nYeti\u015fkin ya\u015fam\u0131n\u0131n b\u00fcy\u00fck k\u0131sm\u0131n\u0131 depresyon halinde ge\u00e7iren Sylvia Plath 1963'te 32 ya\u015f\u0131ndayken kendi eliyle hayat\u0131na son verdi\u011finde arkas\u0131nda \u00f6zg\u00fcn \u015fiirlerini b\u0131rakm\u0131\u015ft\u0131. Depresif ruh hali hemen hemen b\u00fct\u00fcn \u015fiirlerine yans\u0131yan Plath'\u0131n \u00f6l\u00fcm\u00fcnden sonra 1965 y\u0131l\u0131nda yay\u0131mlanan Ariel'deki \u015fiirleri onun \u015fair olarak \u00fcn\u00fcn\u00fc sa\u011flayan \u00e7al\u0131\u015fmalar\u0131 oldu. Bu kitapta Ariel'le birlikte yine \u00f6l\u00fcm\u00fcnden sonra e\u015fi \u015fair Ted Hughes'un se\u00e7erek yay\u0131mlad\u0131\u011f\u0131 \u015fiirler de yer almaktad\u0131r. \u015eairin \u00f6l\u00fcm\u00fcnden \u00f6nce yazd\u0131\u011f\u0131 son \u015fiiri olan \"U\u00e7\" da bu kitaptaki son \u015fiirdir.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":""}],"translators":[]}],"all_relation_movies":[],"all_relation_books":[{"id":1223,"user_id":12,"original_name":"The Bell Jar","printing_date":"2016-12-29 13:09:43","link":null,"special_link_name":null,"special_link_value":null,"image":"images\/books\/sirca-fanus-kapak-1488831157.png","image_settings":{"id":1223,"path":"\/images\/books\/2017\/03\/06\/23\/","versions":[{"ext":"png","size":69384,"type":"original_old","width":265,"height":390},{"ext":"jpeg","size":24943,"type":"old_ext","width":265,"height":390},{"ext":"jpeg","size":10565,"type":"old_ext","width":150,"height":220},{"ext":"jpeg","size":2639,"type":"old_ext","width":56,"height":83},{"ext":"jpeg","size":1491,"type":"old_ext","width":35,"height":51},{"ext":"jpeg","size":3169,"type":"old_ext","width":80,"height":80},{"ext":"webp","size":23386,"type":"original_new","width":265,"height":390},{"ext":"webp","size":24874,"type":"new_ext","width":265,"height":390},{"ext":"webp","size":10656,"type":"new_ext","width":150,"height":220},{"ext":"webp","size":2542,"type":"new_ext","width":56,"height":83},{"ext":"webp","size":1208,"type":"new_ext","width":35,"height":51},{"ext":"webp","size":3138,"type":"new_ext","width":80,"height":80}]},"banner":null,"auto":"0","share_count":8,"follower_count":0,"rate_count":2,"rate_average":7.5,"created_at":"2017-03-06 23:12:37","updated_at":"2019-09-16 03:30:04","name":"S\u0131r\u00e7a Fanus","slug":"sirca-fanus","sub_name":"","description":null,"static_content":"","meta_title":null,"meta_description":null,"pivot":{"person_id":6396,"personable_id":1223,"personable_type":"App\\Book"},"translations":[{"id":4692,"book_id":1223,"locale":"en","name":"The Bell Jar","slug":"the-bell-jar","sub_name":null,"description":null,"static_content":"","meta_title":null,"meta_description":null},{"id":1190,"book_id":1223,"locale":"tr","name":"S\u0131r\u00e7a Fanus","slug":"sirca-fanus","sub_name":"","description":null,"static_content":"","meta_title":null,"meta_description":null}]},{"id":6229,"user_id":10,"original_name":"The Unabridged Journals of Sylvia Plath","printing_date":"2016-01-01 16:44:37","link":null,"special_link_name":null,"special_link_value":null,"image":"images\/books\/the-unabridged-journals-of-sylvia-plath-kapak-1573220666.png","image_settings":{"id":6229,"path":"\/images\/books\/2019\/11\/08\/16\/","versions":[{"ext":"png","size":166194,"type":"original_old","width":265,"height":390},{"ext":"jpeg","size":33263,"type":"old_ext","width":265,"height":390},{"ext":"jpeg","size":13347,"type":"old_ext","width":150,"height":220},{"ext":"jpeg","size":3409,"type":"old_ext","width":56,"height":83},{"ext":"jpeg","size":1886,"type":"old_ext","width":35,"height":51},{"ext":"jpeg","size":4253,"type":"old_ext","width":80,"height":80},{"ext":"webp","size":20984,"type":"original_new","width":265,"height":390},{"ext":"webp","size":20984,"type":"new_ext","width":265,"height":390},{"ext":"webp","size":8400,"type":"new_ext","width":150,"height":220},{"ext":"webp","size":2184,"type":"new_ext","width":56,"height":83},{"ext":"webp","size":1064,"type":"new_ext","width":35,"height":51},{"ext":"webp","size":2764,"type":"new_ext","width":80,"height":80}]},"banner":null,"auto":"0","share_count":3,"follower_count":5,"rate_count":1,"rate_average":6,"created_at":"2019-11-08 16:44:26","updated_at":"2020-02-28 03:30:13","name":"G\u00fcnl\u00fckler","slug":"gunlukler-1","sub_name":"Bir Edebiyat Olay\u0131","description":"<p>\"Sadece i\u00e7imde susmak istemeyen bir ses oldu\u011fu i\u00e7in yaz\u0131yorum.\"<br \/>\r\n-Sylvia Plath-<br \/>\r\n<br \/>\r\n\"Benim hayat\u0131m\u0131n amac\u0131 ne ve onunla ne halt edece\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\u011fim b\u00fct\u00fcn kitaplar\u0131 okuyamayaca\u011f\u0131m; olmak istedi\u011fim b\u00fct\u00fcn insanlar olamayaca\u011f\u0131m ve ya\u015famak istedi\u011fim b\u00fct\u00fcn hayatlar\u0131 ya\u015fayamayaca\u011f\u0131m. Kendimi istedi\u011fim b\u00fct\u00fcn becerileri edinecek kadar e\u011fitemeyece\u011fim. Bunlar\u0131 neden istiyorum? Hayat\u0131mda m\u00fcmk\u00fcn olan zihinsel ve fiziksel tecr\u00fcbelerin t\u00fcm renklerini, tonlar\u0131n\u0131 ve \u00e7e\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\u00e7 derecede s\u0131n\u0131rl\u0131y\u0131m\u2026 U\u011frunda ya\u015fayaca\u011f\u0131m \u00e7ok \u015fey var, yine de anla\u015f\u0131lmas\u0131 m\u00fcmk\u00fcn olmayacak kadar hasta ve \u00fczg\u00fcn\u00fcm.\"<br \/>\r\n<br \/>\r\nSadece otuz y\u0131l ya\u015fad\u0131 Sylvia Plath ve bu otuz y\u0131la f\u0131rt\u0131nal\u0131 bir hayat ve unutulmaz eserler s\u0131\u011fd\u0131rd\u0131. 1963 y\u0131l\u0131nda hayat\u0131na kendi eliyle son vermesinden sonra e\u015fi Ted Hughes'un b\u00fcy\u00fck k\u0131sm\u0131n\u0131 sans\u00fcrleyerek ilk kez yay\u0131mlatt\u0131\u011f\u0131 G\u00fcnl\u00fckler, y\u0131llar sonra \u00f6zg\u00fcn haliyle yay\u0131mlanm\u0131\u015ft\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\u0131na yak\u0131n k\u0131sm\u0131n\u0131 i\u00e7eriyor. Plath'\u0131n hayat\u0131n\u0131n son on iki y\u0131l\u0131n\u0131 kapsayan g\u00fcnl\u00fckleri onun \u00f6zelindeki ve edebi alandaki m\u00fccadelelerini veriyor ve okura onu tan\u0131mak i\u00e7in geni\u015f pencereler a\u00e7\u0131yor. G\u00fcnl\u00fckler, bu \u00f6zg\u00fcn yazar\u0131 tan\u0131mak ve yap\u0131tlar\u0131n\u0131 daha iyi anlamak isteyenler i\u00e7in e\u015fsiz bir ba\u015fvuru kayna\u011f\u0131, hayranlar\u0131 i\u00e7in vazge\u00e7ilmez bir ba\u015fucu kitab\u0131.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>\"Sadece i\u00e7imde susmak istemeyen bir ses oldu\u011fu i\u00e7in yaz\u0131yorum.\"<br \/>\r\n-Sylvia Plath-<br \/>\r\n<br \/>\r\n\"Benim hayat\u0131m\u0131n amac\u0131 ne ve onunla ne halt edece\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\u011fim b\u00fct\u00fcn kitaplar\u0131 okuyamayaca\u011f\u0131m; olmak istedi\u011fim b\u00fct\u00fcn insanlar olamayaca\u011f\u0131m ve ya\u015famak istedi\u011fim b\u00fct\u00fcn hayatlar\u0131 ya\u015fayamayaca\u011f\u0131m. Kendimi istedi\u011fim b\u00fct\u00fcn becerileri edinecek kadar e\u011fitemeyece\u011fim. Bunlar\u0131 neden istiyorum? Hayat\u0131mda m\u00fcmk\u00fcn olan zihinsel ve fiziksel tecr\u00fcbelerin t\u00fcm renklerini, tonlar\u0131n\u0131 ve \u00e7e\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\u00e7 derecede s\u0131n\u0131rl\u0131y\u0131m\u2026 U\u011frunda ya\u015fayaca\u011f\u0131m \u00e7ok \u015fey var, yine de anla\u015f\u0131lmas\u0131 m\u00fcmk\u00fcn olmayacak kadar hasta ve \u00fczg\u00fcn\u00fcm.\"<br \/>\r\n<br \/>\r\nSadece otuz y\u0131l ya\u015fad\u0131 Sylvia Plath ve bu otuz y\u0131la f\u0131rt\u0131nal\u0131 bir hayat ve unutulmaz eserler s\u0131\u011fd\u0131rd\u0131. 1963 y\u0131l\u0131nda hayat\u0131na kendi eliyle son vermesinden sonra e\u015fi Ted Hughes'un b\u00fcy\u00fck k\u0131sm\u0131n\u0131 sans\u00fcrleyerek ilk kez yay\u0131mlatt\u0131\u011f\u0131 G\u00fcnl\u00fckler, y\u0131llar sonra \u00f6zg\u00fcn haliyle yay\u0131mlanm\u0131\u015ft\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\u0131na yak\u0131n k\u0131sm\u0131n\u0131 i\u00e7eriyor. Plath'\u0131n hayat\u0131n\u0131n son on iki y\u0131l\u0131n\u0131 kapsayan g\u00fcnl\u00fckleri onun \u00f6zelindeki ve edebi alandaki m\u00fccadelelerini veriyor ve okura onu tan\u0131mak i\u00e7in geni\u015f pencereler a\u00e7\u0131yor. G\u00fcnl\u00fckler, bu \u00f6zg\u00fcn yazar\u0131 tan\u0131mak ve yap\u0131tlar\u0131n\u0131 daha iyi anlamak isteyenler i\u00e7in e\u015fsiz bir ba\u015fvuru kayna\u011f\u0131, hayranlar\u0131 i\u00e7in vazge\u00e7ilmez bir ba\u015fucu kitab\u0131.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":"","pivot":{"person_id":6396,"personable_id":6229,"personable_type":"App\\Book"},"translations":[{"id":9264,"book_id":6229,"locale":"en","name":"","slug":"","sub_name":"","description":"","static_content":"","meta_title":"","meta_description":""},{"id":9263,"book_id":6229,"locale":"tr","name":"G\u00fcnl\u00fckler","slug":"gunlukler-1","sub_name":"Bir Edebiyat Olay\u0131","description":"<p>\"Sadece i\u00e7imde susmak istemeyen bir ses oldu\u011fu i\u00e7in yaz\u0131yorum.\"<br \/>\r\n-Sylvia Plath-<br \/>\r\n<br \/>\r\n\"Benim hayat\u0131m\u0131n amac\u0131 ne ve onunla ne halt edece\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\u011fim b\u00fct\u00fcn kitaplar\u0131 okuyamayaca\u011f\u0131m; olmak istedi\u011fim b\u00fct\u00fcn insanlar olamayaca\u011f\u0131m ve ya\u015famak istedi\u011fim b\u00fct\u00fcn hayatlar\u0131 ya\u015fayamayaca\u011f\u0131m. Kendimi istedi\u011fim b\u00fct\u00fcn becerileri edinecek kadar e\u011fitemeyece\u011fim. Bunlar\u0131 neden istiyorum? Hayat\u0131mda m\u00fcmk\u00fcn olan zihinsel ve fiziksel tecr\u00fcbelerin t\u00fcm renklerini, tonlar\u0131n\u0131 ve \u00e7e\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\u00e7 derecede s\u0131n\u0131rl\u0131y\u0131m\u2026 U\u011frunda ya\u015fayaca\u011f\u0131m \u00e7ok \u015fey var, yine de anla\u015f\u0131lmas\u0131 m\u00fcmk\u00fcn olmayacak kadar hasta ve \u00fczg\u00fcn\u00fcm.\"<br \/>\r\n<br \/>\r\nSadece otuz y\u0131l ya\u015fad\u0131 Sylvia Plath ve bu otuz y\u0131la f\u0131rt\u0131nal\u0131 bir hayat ve unutulmaz eserler s\u0131\u011fd\u0131rd\u0131. 1963 y\u0131l\u0131nda hayat\u0131na kendi eliyle son vermesinden sonra e\u015fi Ted Hughes'un b\u00fcy\u00fck k\u0131sm\u0131n\u0131 sans\u00fcrleyerek ilk kez yay\u0131mlatt\u0131\u011f\u0131 G\u00fcnl\u00fckler, y\u0131llar sonra \u00f6zg\u00fcn haliyle yay\u0131mlanm\u0131\u015ft\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\u0131na yak\u0131n k\u0131sm\u0131n\u0131 i\u00e7eriyor. Plath'\u0131n hayat\u0131n\u0131n son on iki y\u0131l\u0131n\u0131 kapsayan g\u00fcnl\u00fckleri onun \u00f6zelindeki ve edebi alandaki m\u00fccadelelerini veriyor ve okura onu tan\u0131mak i\u00e7in geni\u015f pencereler a\u00e7\u0131yor. G\u00fcnl\u00fckler, bu \u00f6zg\u00fcn yazar\u0131 tan\u0131mak ve yap\u0131tlar\u0131n\u0131 daha iyi anlamak isteyenler i\u00e7in e\u015fsiz bir ba\u015fvuru kayna\u011f\u0131, hayranlar\u0131 i\u00e7in vazge\u00e7ilmez bir ba\u015fucu kitab\u0131.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>\"Sadece i\u00e7imde susmak istemeyen bir ses oldu\u011fu i\u00e7in yaz\u0131yorum.\"<br \/>\r\n-Sylvia Plath-<br \/>\r\n<br \/>\r\n\"Benim hayat\u0131m\u0131n amac\u0131 ne ve onunla ne halt edece\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\u011fim b\u00fct\u00fcn kitaplar\u0131 okuyamayaca\u011f\u0131m; olmak istedi\u011fim b\u00fct\u00fcn insanlar olamayaca\u011f\u0131m ve ya\u015famak istedi\u011fim b\u00fct\u00fcn hayatlar\u0131 ya\u015fayamayaca\u011f\u0131m. Kendimi istedi\u011fim b\u00fct\u00fcn becerileri edinecek kadar e\u011fitemeyece\u011fim. Bunlar\u0131 neden istiyorum? Hayat\u0131mda m\u00fcmk\u00fcn olan zihinsel ve fiziksel tecr\u00fcbelerin t\u00fcm renklerini, tonlar\u0131n\u0131 ve \u00e7e\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\u00e7 derecede s\u0131n\u0131rl\u0131y\u0131m\u2026 U\u011frunda ya\u015fayaca\u011f\u0131m \u00e7ok \u015fey var, yine de anla\u015f\u0131lmas\u0131 m\u00fcmk\u00fcn olmayacak kadar hasta ve \u00fczg\u00fcn\u00fcm.\"<br \/>\r\n<br \/>\r\nSadece otuz y\u0131l ya\u015fad\u0131 Sylvia Plath ve bu otuz y\u0131la f\u0131rt\u0131nal\u0131 bir hayat ve unutulmaz eserler s\u0131\u011fd\u0131rd\u0131. 1963 y\u0131l\u0131nda hayat\u0131na kendi eliyle son vermesinden sonra e\u015fi Ted Hughes'un b\u00fcy\u00fck k\u0131sm\u0131n\u0131 sans\u00fcrleyerek ilk kez yay\u0131mlatt\u0131\u011f\u0131 G\u00fcnl\u00fckler, y\u0131llar sonra \u00f6zg\u00fcn haliyle yay\u0131mlanm\u0131\u015ft\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\u0131na yak\u0131n k\u0131sm\u0131n\u0131 i\u00e7eriyor. Plath'\u0131n hayat\u0131n\u0131n son on iki y\u0131l\u0131n\u0131 kapsayan g\u00fcnl\u00fckleri onun \u00f6zelindeki ve edebi alandaki m\u00fccadelelerini veriyor ve okura onu tan\u0131mak i\u00e7in geni\u015f pencereler a\u00e7\u0131yor. G\u00fcnl\u00fckler, bu \u00f6zg\u00fcn yazar\u0131 tan\u0131mak ve yap\u0131tlar\u0131n\u0131 daha iyi anlamak isteyenler i\u00e7in e\u015fsiz bir ba\u015fvuru kayna\u011f\u0131, hayranlar\u0131 i\u00e7in vazge\u00e7ilmez bir ba\u015fucu kitab\u0131.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":""}]},{"id":6230,"user_id":10,"original_name":"Ariel","printing_date":"2014-01-01 16:46:01","link":null,"special_link_name":null,"special_link_value":null,"image":"images\/books\/ariel-kapak-1573220761.png","image_settings":{"id":6230,"path":"\/images\/books\/2019\/11\/08\/16\/","versions":[{"ext":"png","size":146861,"type":"original_old","width":265,"height":390},{"ext":"jpeg","size":27834,"type":"old_ext","width":265,"height":390},{"ext":"jpeg","size":11403,"type":"old_ext","width":150,"height":220},{"ext":"jpeg","size":3179,"type":"old_ext","width":56,"height":83},{"ext":"jpeg","size":2011,"type":"old_ext","width":35,"height":51},{"ext":"jpeg","size":2957,"type":"old_ext","width":80,"height":80},{"ext":"webp","size":17208,"type":"original_new","width":265,"height":390},{"ext":"webp","size":17208,"type":"new_ext","width":265,"height":390},{"ext":"webp","size":7386,"type":"new_ext","width":150,"height":220},{"ext":"webp","size":2090,"type":"new_ext","width":56,"height":83},{"ext":"webp","size":1120,"type":"new_ext","width":35,"height":51},{"ext":"webp","size":1852,"type":"new_ext","width":80,"height":80}]},"banner":null,"auto":"0","share_count":0,"follower_count":0,"rate_count":0,"rate_average":0,"created_at":"2019-11-08 16:46:01","updated_at":"2019-11-08 16:46:02","name":"Ariel ve Se\u00e7me \u015eiirler","slug":"ariel-ve-secme-siirler","sub_name":"","description":"<p>Dibi bilirim, diyor. En b\u00fcy\u00fck k\u00f6k\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\u00e7imde i\u015fitti\u011fin, Onun doyumsuzluklar\u0131 m\u0131? Yoksa hi\u00e7bir \u015feyin sesi mi, \u015fu senin delili\u011fin hani. Bir g\u00f6lgedir a\u015fk. Nas\u0131l da yalan s\u00f6yler a\u011flars\u0131n ard\u0131ndan, Dinle: bu onun toynaklar\u0131: al\u0131p ba\u015f\u0131n\u0131 gitti, at gibi.<br \/>\r\n<br \/>\r\nYeti\u015fkin ya\u015fam\u0131n\u0131n b\u00fcy\u00fck k\u0131sm\u0131n\u0131 depresyon halinde ge\u00e7iren Sylvia Plath 1963'te 32 ya\u015f\u0131ndayken kendi eliyle hayat\u0131na son verdi\u011finde arkas\u0131nda \u00f6zg\u00fcn \u015fiirlerini b\u0131rakm\u0131\u015ft\u0131. Depresif ruh hali hemen hemen b\u00fct\u00fcn \u015fiirlerine yans\u0131yan Plath'\u0131n \u00f6l\u00fcm\u00fcnden sonra 1965 y\u0131l\u0131nda yay\u0131mlanan Ariel'deki \u015fiirleri onun \u015fair olarak \u00fcn\u00fcn\u00fc sa\u011flayan \u00e7al\u0131\u015fmalar\u0131 oldu. Bu kitapta Ariel'le birlikte yine \u00f6l\u00fcm\u00fcnden sonra e\u015fi \u015fair Ted Hughes'un se\u00e7erek yay\u0131mlad\u0131\u011f\u0131 \u015fiirler de yer almaktad\u0131r. \u015eairin \u00f6l\u00fcm\u00fcnden \u00f6nce yazd\u0131\u011f\u0131 son \u015fiiri olan \"U\u00e7\" da bu kitaptaki son \u015fiirdir.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>Dibi bilirim, diyor. En b\u00fcy\u00fck k\u00f6k\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\u00e7imde i\u015fitti\u011fin, Onun doyumsuzluklar\u0131 m\u0131? Yoksa hi\u00e7bir \u015feyin sesi mi, \u015fu senin delili\u011fin hani. Bir g\u00f6lgedir a\u015fk. Nas\u0131l da yalan s\u00f6yler a\u011flars\u0131n ard\u0131ndan, Dinle: bu onun toynaklar\u0131: al\u0131p ba\u015f\u0131n\u0131 gitti, at gibi.<br \/>\r\n<br \/>\r\nYeti\u015fkin ya\u015fam\u0131n\u0131n b\u00fcy\u00fck k\u0131sm\u0131n\u0131 depresyon halinde ge\u00e7iren Sylvia Plath 1963'te 32 ya\u015f\u0131ndayken kendi eliyle hayat\u0131na son verdi\u011finde arkas\u0131nda \u00f6zg\u00fcn \u015fiirlerini b\u0131rakm\u0131\u015ft\u0131. Depresif ruh hali hemen hemen b\u00fct\u00fcn \u015fiirlerine yans\u0131yan Plath'\u0131n \u00f6l\u00fcm\u00fcnden sonra 1965 y\u0131l\u0131nda yay\u0131mlanan Ariel'deki \u015fiirleri onun \u015fair olarak \u00fcn\u00fcn\u00fc sa\u011flayan \u00e7al\u0131\u015fmalar\u0131 oldu. Bu kitapta Ariel'le birlikte yine \u00f6l\u00fcm\u00fcnden sonra e\u015fi \u015fair Ted Hughes'un se\u00e7erek yay\u0131mlad\u0131\u011f\u0131 \u015fiirler de yer almaktad\u0131r. \u015eairin \u00f6l\u00fcm\u00fcnden \u00f6nce yazd\u0131\u011f\u0131 son \u015fiiri olan \"U\u00e7\" da bu kitaptaki son \u015fiirdir.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":"","pivot":{"person_id":6396,"personable_id":6230,"personable_type":"App\\Book"},"translations":[{"id":9266,"book_id":6230,"locale":"en","name":"Ariel","slug":"ariel","sub_name":"","description":"","static_content":"","meta_title":"","meta_description":""},{"id":9265,"book_id":6230,"locale":"tr","name":"Ariel ve Se\u00e7me \u015eiirler","slug":"ariel-ve-secme-siirler","sub_name":"","description":"<p>Dibi bilirim, diyor. En b\u00fcy\u00fck k\u00f6k\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\u00e7imde i\u015fitti\u011fin, Onun doyumsuzluklar\u0131 m\u0131? Yoksa hi\u00e7bir \u015feyin sesi mi, \u015fu senin delili\u011fin hani. Bir g\u00f6lgedir a\u015fk. Nas\u0131l da yalan s\u00f6yler a\u011flars\u0131n ard\u0131ndan, Dinle: bu onun toynaklar\u0131: al\u0131p ba\u015f\u0131n\u0131 gitti, at gibi.<br \/>\r\n<br \/>\r\nYeti\u015fkin ya\u015fam\u0131n\u0131n b\u00fcy\u00fck k\u0131sm\u0131n\u0131 depresyon halinde ge\u00e7iren Sylvia Plath 1963'te 32 ya\u015f\u0131ndayken kendi eliyle hayat\u0131na son verdi\u011finde arkas\u0131nda \u00f6zg\u00fcn \u015fiirlerini b\u0131rakm\u0131\u015ft\u0131. Depresif ruh hali hemen hemen b\u00fct\u00fcn \u015fiirlerine yans\u0131yan Plath'\u0131n \u00f6l\u00fcm\u00fcnden sonra 1965 y\u0131l\u0131nda yay\u0131mlanan Ariel'deki \u015fiirleri onun \u015fair olarak \u00fcn\u00fcn\u00fc sa\u011flayan \u00e7al\u0131\u015fmalar\u0131 oldu. Bu kitapta Ariel'le birlikte yine \u00f6l\u00fcm\u00fcnden sonra e\u015fi \u015fair Ted Hughes'un se\u00e7erek yay\u0131mlad\u0131\u011f\u0131 \u015fiirler de yer almaktad\u0131r. \u015eairin \u00f6l\u00fcm\u00fcnden \u00f6nce yazd\u0131\u011f\u0131 son \u015fiiri olan \"U\u00e7\" da bu kitaptaki son \u015fiirdir.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>Dibi bilirim, diyor. En b\u00fcy\u00fck k\u00f6k\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\u00e7imde i\u015fitti\u011fin, Onun doyumsuzluklar\u0131 m\u0131? Yoksa hi\u00e7bir \u015feyin sesi mi, \u015fu senin delili\u011fin hani. Bir g\u00f6lgedir a\u015fk. Nas\u0131l da yalan s\u00f6yler a\u011flars\u0131n ard\u0131ndan, Dinle: bu onun toynaklar\u0131: al\u0131p ba\u015f\u0131n\u0131 gitti, at gibi.<br \/>\r\n<br \/>\r\nYeti\u015fkin ya\u015fam\u0131n\u0131n b\u00fcy\u00fck k\u0131sm\u0131n\u0131 depresyon halinde ge\u00e7iren Sylvia Plath 1963'te 32 ya\u015f\u0131ndayken kendi eliyle hayat\u0131na son verdi\u011finde arkas\u0131nda \u00f6zg\u00fcn \u015fiirlerini b\u0131rakm\u0131\u015ft\u0131. Depresif ruh hali hemen hemen b\u00fct\u00fcn \u015fiirlerine yans\u0131yan Plath'\u0131n \u00f6l\u00fcm\u00fcnden sonra 1965 y\u0131l\u0131nda yay\u0131mlanan Ariel'deki \u015fiirleri onun \u015fair olarak \u00fcn\u00fcn\u00fc sa\u011flayan \u00e7al\u0131\u015fmalar\u0131 oldu. Bu kitapta Ariel'le birlikte yine \u00f6l\u00fcm\u00fcnden sonra e\u015fi \u015fair Ted Hughes'un se\u00e7erek yay\u0131mlad\u0131\u011f\u0131 \u015fiirler de yer almaktad\u0131r. \u015eairin \u00f6l\u00fcm\u00fcnden \u00f6nce yazd\u0131\u011f\u0131 son \u015fiiri olan \"U\u00e7\" da bu kitaptaki son \u015fiirdir.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":""}]},{"id":6231,"user_id":10,"original_name":"Mrs Cherry's Kitchen","printing_date":"2016-01-01 16:48:22","link":null,"special_link_name":null,"special_link_value":null,"image":"images\/books\/mrs-cherrys-kitchen-kapak-1573220902.png","image_settings":{"id":6231,"path":"\/images\/books\/2019\/11\/08\/16\/","versions":[{"ext":"png","size":220384,"type":"original_old","width":265,"height":390},{"ext":"jpeg","size":48213,"type":"old_ext","width":265,"height":390},{"ext":"jpeg","size":17065,"type":"old_ext","width":150,"height":220},{"ext":"jpeg","size":3556,"type":"old_ext","width":56,"height":83},{"ext":"jpeg","size":2042,"type":"old_ext","width":35,"height":51},{"ext":"jpeg","size":4351,"type":"old_ext","width":80,"height":80},{"ext":"webp","size":35404,"type":"original_new","width":265,"height":390},{"ext":"webp","size":35404,"type":"new_ext","width":265,"height":390},{"ext":"webp","size":12222,"type":"new_ext","width":150,"height":220},{"ext":"webp","size":2422,"type":"new_ext","width":56,"height":83},{"ext":"webp","size":1136,"type":"new_ext","width":35,"height":51},{"ext":"webp","size":3056,"type":"new_ext","width":80,"height":80}]},"banner":null,"auto":"0","share_count":0,"follower_count":0,"rate_count":0,"rate_average":0,"created_at":"2019-11-08 16:48:22","updated_at":"2019-11-08 16:48:22","name":"Kiraz Han\u0131m'\u0131n Mutfa\u011f\u0131","slug":"kiraz-hanimin-mutfagi","sub_name":"","description":"<p>\"Kiraz Bey'in g\u00f6mlekleri \u00c7ama\u015f\u0131r Makinesi'nden \u00e7\u0131k\u0131p u\u00e7arak F\u0131r\u0131n'\u0131n i\u00e7ine girdiler. Pi\u015fmemi\u015f pelteye benzeyen erikli pastalar F\u0131r\u0131n'dan s\u0131v\u0131\u015f\u0131p Buzdolab\u0131'na gittiler. Kahve Makinesi so\u011fuk dondurmay\u0131 yuttu. Sonunda her \u015fey yerine yerle\u015fti. Kiraz Han\u0131m geri d\u00f6n\u00fcnce nas\u0131l da \u015fa\u015f\u0131racakt\u0131!\"<br \/>\r\n<br \/>\r\nBu c\u0131v\u0131l c\u0131v\u0131l, ne\u015feli, ilgin\u00e7 \u00f6yk\u00fcleri \u00fcnl\u00fc Amerikal\u0131 yazar Sylvia Plath, kendi \u00e7ocuklar\u0131 i\u00e7in yazm\u0131\u015ft\u0131. Bu kitapta yer alan Yatak Kitab\u0131, Hi\u00e7 \u00d6nemi Yok Elbisesi ve Kiraz Han\u0131m'\u0131n Mutfa\u011f\u0131, de\u011fi\u015fik konular\u0131yla birbirinden sevimli ve e\u011flenceli \u00fc\u00e7 \u00f6yk\u00fc.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>\"Kiraz Bey'in g\u00f6mlekleri \u00c7ama\u015f\u0131r Makinesi'nden \u00e7\u0131k\u0131p u\u00e7arak F\u0131r\u0131n'\u0131n i\u00e7ine girdiler. Pi\u015fmemi\u015f pelteye benzeyen erikli pastalar F\u0131r\u0131n'dan s\u0131v\u0131\u015f\u0131p Buzdolab\u0131'na gittiler. Kahve Makinesi so\u011fuk dondurmay\u0131 yuttu. Sonunda her \u015fey yerine yerle\u015fti. Kiraz Han\u0131m geri d\u00f6n\u00fcnce nas\u0131l da \u015fa\u015f\u0131racakt\u0131!\"<br \/>\r\n<br \/>\r\nBu c\u0131v\u0131l c\u0131v\u0131l, ne\u015feli, ilgin\u00e7 \u00f6yk\u00fcleri \u00fcnl\u00fc Amerikal\u0131 yazar Sylvia Plath, kendi \u00e7ocuklar\u0131 i\u00e7in yazm\u0131\u015ft\u0131. Bu kitapta yer alan Yatak Kitab\u0131, Hi\u00e7 \u00d6nemi Yok Elbisesi ve Kiraz Han\u0131m'\u0131n Mutfa\u011f\u0131, de\u011fi\u015fik konular\u0131yla birbirinden sevimli ve e\u011flenceli \u00fc\u00e7 \u00f6yk\u00fc.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":"","pivot":{"person_id":6396,"personable_id":6231,"personable_type":"App\\Book"},"translations":[{"id":9268,"book_id":6231,"locale":"en","name":"Mrs Cherry's Kitchen","slug":"mrs-cherrys-kitchen","sub_name":"","description":"","static_content":"","meta_title":"","meta_description":""},{"id":9267,"book_id":6231,"locale":"tr","name":"Kiraz Han\u0131m'\u0131n Mutfa\u011f\u0131","slug":"kiraz-hanimin-mutfagi","sub_name":"","description":"<p>\"Kiraz Bey'in g\u00f6mlekleri \u00c7ama\u015f\u0131r Makinesi'nden \u00e7\u0131k\u0131p u\u00e7arak F\u0131r\u0131n'\u0131n i\u00e7ine girdiler. Pi\u015fmemi\u015f pelteye benzeyen erikli pastalar F\u0131r\u0131n'dan s\u0131v\u0131\u015f\u0131p Buzdolab\u0131'na gittiler. Kahve Makinesi so\u011fuk dondurmay\u0131 yuttu. Sonunda her \u015fey yerine yerle\u015fti. Kiraz Han\u0131m geri d\u00f6n\u00fcnce nas\u0131l da \u015fa\u015f\u0131racakt\u0131!\"<br \/>\r\n<br \/>\r\nBu c\u0131v\u0131l c\u0131v\u0131l, ne\u015feli, ilgin\u00e7 \u00f6yk\u00fcleri \u00fcnl\u00fc Amerikal\u0131 yazar Sylvia Plath, kendi \u00e7ocuklar\u0131 i\u00e7in yazm\u0131\u015ft\u0131. Bu kitapta yer alan Yatak Kitab\u0131, Hi\u00e7 \u00d6nemi Yok Elbisesi ve Kiraz Han\u0131m'\u0131n Mutfa\u011f\u0131, de\u011fi\u015fik konular\u0131yla birbirinden sevimli ve e\u011flenceli \u00fc\u00e7 \u00f6yk\u00fc.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","static_content":"<p>\"Kiraz Bey'in g\u00f6mlekleri \u00c7ama\u015f\u0131r Makinesi'nden \u00e7\u0131k\u0131p u\u00e7arak F\u0131r\u0131n'\u0131n i\u00e7ine girdiler. Pi\u015fmemi\u015f pelteye benzeyen erikli pastalar F\u0131r\u0131n'dan s\u0131v\u0131\u015f\u0131p Buzdolab\u0131'na gittiler. Kahve Makinesi so\u011fuk dondurmay\u0131 yuttu. Sonunda her \u015fey yerine yerle\u015fti. Kiraz Han\u0131m geri d\u00f6n\u00fcnce nas\u0131l da \u015fa\u015f\u0131racakt\u0131!\"<br \/>\r\n<br \/>\r\nBu c\u0131v\u0131l c\u0131v\u0131l, ne\u015feli, ilgin\u00e7 \u00f6yk\u00fcleri \u00fcnl\u00fc Amerikal\u0131 yazar Sylvia Plath, kendi \u00e7ocuklar\u0131 i\u00e7in yazm\u0131\u015ft\u0131. Bu kitapta yer alan Yatak Kitab\u0131, Hi\u00e7 \u00d6nemi Yok Elbisesi ve Kiraz Han\u0131m'\u0131n Mutfa\u011f\u0131, de\u011fi\u015fik konular\u0131yla birbirinden sevimli ve e\u011flenceli \u00fc\u00e7 \u00f6yk\u00fc.<\/p>\r\n\r\n<p style=\"text-align: center;\">(Tan\u0131t\u0131m B\u00fclteninden)<\/p>","meta_title":"","meta_description":""}]}],"translations":[{"id":139898,"person_id":6396,"locale":"en","bio":"","static_content":"","meta_title":"","meta_description":""},{"id":6259,"person_id":6396,"locale":"tr","bio":"","static_content":"","meta_title":"","meta_description":""}]}

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Bu \\u2018\\u00f6znelcilik\\u2019, modernitenin temellerine bomba d\\u00f6\\u015femi\\u015f ve onu k\\u0131r\\u0131lganla\\u015ft\\u0131r\\u0131p hi\\u00e7bir referans noktas\\u0131n\\u0131n bulunmad\\u0131\\u011f\\u0131, her \\u015feyin bir t\\u00fcr ak\\u0131\\u015fkanl\\u0131k i\\u00e7inde eridi\\u011fi bir konuma sokmu\\u015ftur.\\\"<\\\/em><br \\\/>\\r\\nEco kendine has ironik yakla\\u015f\\u0131m\\u0131yla, bu yeni durumun anla\\u015f\\u0131lmas\\u0131 ve belki de a\\u015f\\u0131lmas\\u0131n\\u0131n \\u00f6n\\u00fcn\\u00fc a\\u00e7acak konulara de\\u011finiyor: \\u0130nsanlar\\u0131n g\\u00f6r\\u00fcn\\u00fcr olma tutkusundan sosyal medyan\\u0131n toplumu bi\\u00e7imlendirmedeki rol\\u00fcne, komplo teorisi \\u00e7\\u0131lg\\u0131nl\\u0131\\u011f\\u0131ndan James Bond\\u2019un me\\u015fhur Martini tarifine, \\u0131rk\\u00e7\\u0131l\\u0131\\u011f\\u0131n yeni bi\\u00e7imlerinden felsefe ve kitaplara kadar kalemini esirgedi\\u011fi tek bir konu bile kalm\\u0131yor.<br \\\/>\\r\\nBudalal\\u0131ktan Delili\\u011fe, yazar\\u0131n kimi zaman \\u00fczerinde pek d\\u00fc\\u015f\\u00fcnmeden ge\\u00e7ip gitti\\u011fimiz, kimi zamansa anlamak i\\u00e7in kafa yordu\\u011fumuz ne varsa, engin birikiminin s\\u00fczgecinden ge\\u00e7irerek yorumlad\\u0131\\u011f\\u0131 bir <em>\\\"veda \\u015fark\\u0131s\\u0131\\\"<\\\/em>.<\\\/p>\",\"static_content\":\"<p>Umberto Eco\\u2019nun \\u00f6lmeden \\u00f6nce haz\\u0131rlad\\u0131\\u011f\\u0131 son se\\u00e7ki olma \\u00f6zelli\\u011fini ta\\u015f\\u0131yan ve 2000-2015 y\\u0131llar\\u0131 aras\\u0131nda kaleme ald\\u0131\\u011f\\u0131 yaz\\u0131lar\\u0131ndan derlenen bu kitap, i\\u00e7inde ya\\u015fad\\u0131\\u011f\\u0131m\\u0131z d\\u00f6nemin ak\\u0131\\u015fkan do\\u011fas\\u0131n\\u0131 yans\\u0131t\\u0131yor.\\u00a0<em>\\\"Toplum kavram\\u0131ndaki krize paralel, insanlar\\u0131n birbirini bir yol arkada\\u015f\\u0131 de\\u011fil de, aksine sak\\u0131n\\u0131lmas\\u0131 gereken rakipler olarak g\\u00f6rd\\u00fc\\u011f\\u00fc frenlenemeyen bir bireysellik do\\u011far. Bu \\u2018\\u00f6znelcilik\\u2019, modernitenin temellerine bomba d\\u00f6\\u015femi\\u015f ve onu k\\u0131r\\u0131lganla\\u015ft\\u0131r\\u0131p hi\\u00e7bir referans noktas\\u0131n\\u0131n bulunmad\\u0131\\u011f\\u0131, her \\u015feyin bir t\\u00fcr ak\\u0131\\u015fkanl\\u0131k i\\u00e7inde eridi\\u011fi bir konuma sokmu\\u015ftur.\\\"<\\\/em><br \\\/>\\r\\nEco kendine has ironik yakla\\u015f\\u0131m\\u0131yla, bu yeni durumun anla\\u015f\\u0131lmas\\u0131 ve belki de a\\u015f\\u0131lmas\\u0131n\\u0131n \\u00f6n\\u00fcn\\u00fc a\\u00e7acak konulara de\\u011finiyor: \\u0130nsanlar\\u0131n g\\u00f6r\\u00fcn\\u00fcr olma tutkusundan sosyal medyan\\u0131n toplumu bi\\u00e7imlendirmedeki rol\\u00fcne, komplo teorisi \\u00e7\\u0131lg\\u0131nl\\u0131\\u011f\\u0131ndan James Bond\\u2019un me\\u015fhur Martini tarifine, \\u0131rk\\u00e7\\u0131l\\u0131\\u011f\\u0131n yeni bi\\u00e7imlerinden felsefe ve kitaplara kadar kalemini esirgedi\\u011fi tek bir konu bile kalm\\u0131yor.<br \\\/>\\r\\nBudalal\\u0131ktan Delili\\u011fe, yazar\\u0131n kimi zaman \\u00fczerinde pek d\\u00fc\\u015f\\u00fcnmeden ge\\u00e7ip gitti\\u011fimiz, kimi zamansa anlamak i\\u00e7in kafa yordu\\u011fumuz ne varsa, engin birikiminin s\\u00fczgecinden ge\\u00e7irerek yorumlad\\u0131\\u011f\\u0131 bir <em>\\\"veda \\u015fark\\u0131s\\u0131\\\"<\\\/em>.<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":2819,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":4331,\"book_id\":2819,\"locale\":\"en\",\"name\":\"From Stupidity to Insanity\",\"slug\":\"from-stupidity-to-insanity\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":2737,\"book_id\":2819,\"locale\":\"tr\",\"name\":\"Budalal\\u0131ktan Delili\\u011fe\",\"slug\":\"budalaliktan-delilige\",\"sub_name\":\"\",\"description\":\"<p>Umberto Eco\\u2019nun \\u00f6lmeden \\u00f6nce haz\\u0131rlad\\u0131\\u011f\\u0131 son se\\u00e7ki olma \\u00f6zelli\\u011fini ta\\u015f\\u0131yan ve 2000-2015 y\\u0131llar\\u0131 aras\\u0131nda kaleme ald\\u0131\\u011f\\u0131 yaz\\u0131lar\\u0131ndan derlenen bu kitap, i\\u00e7inde ya\\u015fad\\u0131\\u011f\\u0131m\\u0131z d\\u00f6nemin ak\\u0131\\u015fkan do\\u011fas\\u0131n\\u0131 yans\\u0131t\\u0131yor.&nbsp;<em>\\\"Toplum kavram\\u0131ndaki krize paralel, insanlar\\u0131n birbirini bir yol arkada\\u015f\\u0131 de\\u011fil de, aksine sak\\u0131n\\u0131lmas\\u0131 gereken rakipler olarak g\\u00f6rd\\u00fc\\u011f\\u00fc frenlenemeyen bir bireysellik do\\u011far. 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Gen\\u00e7 adam\\u0131n oradan ayr\\u0131lmak i\\u00e7in haz\\u0131rland\\u0131\\u011f\\u0131 belliydi, b\\u00fcy\\u00fck olas\\u0131l\\u0131kla kendisini g\\u00f6rmeden gidecekti. Nedeni ne olursa olsun bu karar\\u0131n Harney'i fazlas\\u0131yla rahats\\u0131z etti\\u011fini g\\u00f6r\\u00fcyordu; onun plan\\u0131n\\u0131 de\\u011fi\\u015ftirmesinin Bay Royall'\\u0131n el alt\\u0131ndan yapt\\u0131\\u011f\\u0131 bir m\\u00fcdahale sonucu oldu\\u011funu hemen anlad\\u0131.\\\"<\\\/i> <\\\/span><\\\/p>\",\"static_content\":\"<p><span style=\\\"font-family:Arial,Helvetica,sans-serif;\\\"><i>\\\"Bir an Charity ona deh\\u015fete benzer bir duyguyla bakt\\u0131, sanki gen\\u00e7 adam tan\\u0131d\\u0131k niteliklere sahip bir yabanc\\u0131yd\\u0131, sonra bak\\u0131\\u015flar\\u0131n\\u0131 kayd\\u0131rd\\u0131, yerde yar\\u0131 yar\\u0131ya giysi dolu, a\\u00e7\\u0131k bir valiz duruyordu. 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Nedeni ne olursa olsun bu karar\\u0131n Harney'i fazlas\\u0131yla rahats\\u0131z etti\\u011fini g\\u00f6r\\u00fcyordu; onun plan\\u0131n\\u0131 de\\u011fi\\u015ftirmesinin Bay Royall'\\u0131n el alt\\u0131ndan yapt\\u0131\\u011f\\u0131 bir m\\u00fcdahale sonucu oldu\\u011funu hemen anlad\\u0131.\\\"<\\\/i> <\\\/span><\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1312,\"personable_id\":4122,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5561,\"book_id\":4122,\"locale\":\"en\",\"name\":\"Summer\",\"slug\":\"summer\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":5560,\"book_id\":4122,\"locale\":\"tr\",\"name\":\"Yaz Bitince\",\"slug\":\"yaz-bitince\",\"sub_name\":null,\"description\":\"<p><span style=\\\"font-family:Arial,Helvetica,sans-serif;\\\"><i>\\\"Bir an Charity ona deh\\u015fete benzer bir duyguyla bakt\\u0131, sanki gen\\u00e7 adam tan\\u0131d\\u0131k niteliklere sahip bir yabanc\\u0131yd\\u0131, sonra bak\\u0131\\u015flar\\u0131n\\u0131 kayd\\u0131rd\\u0131, yerde yar\\u0131 yar\\u0131ya giysi dolu, a\\u00e7\\u0131k bir valiz duruyordu. Gen\\u00e7 adam\\u0131n oradan ayr\\u0131lmak i\\u00e7in haz\\u0131rland\\u0131\\u011f\\u0131 belliydi, b\\u00fcy\\u00fck olas\\u0131l\\u0131kla kendisini g\\u00f6rmeden gidecekti. Nedeni ne olursa olsun bu karar\\u0131n Harney'i fazlas\\u0131yla rahats\\u0131z etti\\u011fini g\\u00f6r\\u00fcyordu; onun plan\\u0131n\\u0131 de\\u011fi\\u015ftirmesinin Bay Royall'\\u0131n el alt\\u0131ndan yapt\\u0131\\u011f\\u0131 bir m\\u00fcdahale sonucu oldu\\u011funu hemen anlad\\u0131.\\\"<\\\/i> <\\\/span><\\\/p>\",\"static_content\":\"<p><span style=\\\"font-family:Arial,Helvetica,sans-serif;\\\"><i>\\\"Bir an Charity ona deh\\u015fete benzer bir duyguyla bakt\\u0131, sanki gen\\u00e7 adam tan\\u0131d\\u0131k niteliklere sahip bir yabanc\\u0131yd\\u0131, sonra bak\\u0131\\u015flar\\u0131n\\u0131 kayd\\u0131rd\\u0131, yerde yar\\u0131 yar\\u0131ya giysi dolu, a\\u00e7\\u0131k bir valiz duruyordu. Gen\\u00e7 adam\\u0131n oradan ayr\\u0131lmak i\\u00e7in haz\\u0131rland\\u0131\\u011f\\u0131 belliydi, b\\u00fcy\\u00fck olas\\u0131l\\u0131kla kendisini g\\u00f6rmeden gidecekti. Nedeni ne olursa olsun bu karar\\u0131n Harney'i fazlas\\u0131yla rahats\\u0131z etti\\u011fini g\\u00f6r\\u00fcyordu; onun plan\\u0131n\\u0131 de\\u011fi\\u015ftirmesinin Bay Royall'\\u0131n el alt\\u0131ndan yapt\\u0131\\u011f\\u0131 bir m\\u00fcdahale sonucu oldu\\u011funu hemen anlad\\u0131.\\\"<\\\/i> <\\\/span><\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4125,\"user_id\":10,\"original_name\":\"The Years\",\"printing_date\":\"2013-01-01 13:11:32\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/the-years-kapak-1533723092.png\",\"image_settings\":{\"id\":4125,\"path\":\"\\\/images\\\/books\\\/2018\\\/08\\\/08\\\/13\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":45716,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":13334,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":5716,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":1750,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1073,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":1828,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":11058,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":11544,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":5206,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1360,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":646,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":1452,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-08-08 13:11:32\",\"updated_at\":\"2019-04-10 10:56:30\",\"name\":\"Y\\u0131llar\",\"slug\":\"yillar\",\"sub_name\":null,\"description\":\"<p>Y\\u0131llar, tipik bir \\u0130ngiliz orta s\\u0131n\\u0131f ailesi olan Pargiter'lerin 1880'lerden ba\\u015flay\\u0131p 1930'lar\\u0131n sonuna uzanan hik\\u00e2yesine odaklan\\u0131yor. Viktorya d\\u00f6nemi yasaklar\\u0131, ataerkil toplumun bask\\u0131s\\u0131, Birinci D\\u00fcnya Sava\\u015f\\u0131, kapitalizm ve \\u00fczerinde g\\u00fcne\\u015f batmayan bir \\\"\\u0130mparatorluk\\\"un alt\\u0131nda ezilen u?\\u00e7 ku\\u015fa\\u011f\\u0131n bireylerini birbiri ard\\u0131na sahneye \\u00e7\\u0131kart\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nDurmaks\\u0131z\\u0131n de\\u011fi\\u015fen bak\\u0131\\u015f a\\u00e7\\u0131lar\\u0131, \\u00fc\\u011ftopik say\\u0131labilecek bir insanseverlik ile k\\u0131yas\\u0131ya ele\\u015ftirilen d\\u00fczenden kaynaklanan \\u00e7aresizlik, \\\"\\u00f6zg\\u00fcrl\\u00fck ve adaletin\\\" ger\\u00e7ekten m\\u00fcmk\\u00fcn oldu\\u011fu bir topluma duyulan \\u00f6zlemin yans\\u0131d\\u0131\\u011f\\u0131 sat\\u0131rlarda yan yana geliyor. Elli y\\u0131ll\\u0131k bir zaman dilimini kapsayan aile tarihinden hareketle tek tek bireylerin ve b\\u00fct\\u00fcn toplumun gelgitleri g\\u00f6zler \\u00f6n\\u00fcne seriliyor. Woolf, \\u00e7e\\u015fitli yaz\\u0131n tekniklerini kullanarak Y\\u0131llar'la birlikte yeni bir t\\u00fcr ger\\u00e7ek\\u00e7ilik yarat\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nY\\u0131llar\\u0131n deneyiminden s\\u00fcz\\u00fcl\\u00fcp gelen en zengin roman\\u0131 hakk\\u0131nda Woolf'un kendisi \\u015funlar\\u0131 yaz\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Elbette ki di\\u011ferlerinden farkl\\u0131: \\u0130\\u00e7inde daha fazla 'ger\\u00e7ek' ya\\u015fam, daha fazla kan ve can var.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nY\\u0131llar, yay\\u0131nland\\u0131\\u011f\\u0131 d\\u00f6nemde yazar\\u0131n en \\u00e7ok okunan roman\\u0131 olmu\\u015f, ele\\u015ftirel deneme ve roman formunu tek potada eritmeyi ba\\u015farm\\u0131\\u015f bir eser.<\\\/p>\",\"static_content\":\"<p>Y\\u0131llar, tipik bir \\u0130ngiliz orta s\\u0131n\\u0131f ailesi olan Pargiter'lerin 1880'lerden ba\\u015flay\\u0131p 1930'lar\\u0131n sonuna uzanan hik\\u00e2yesine odaklan\\u0131yor. Viktorya d\\u00f6nemi yasaklar\\u0131, ataerkil toplumun bask\\u0131s\\u0131, Birinci D\\u00fcnya Sava\\u015f\\u0131, kapitalizm ve \\u00fczerinde g\\u00fcne\\u015f batmayan bir \\\"\\u0130mparatorluk\\\"un alt\\u0131nda ezilen u?\\u00e7 ku\\u015fa\\u011f\\u0131n bireylerini birbiri ard\\u0131na sahneye \\u00e7\\u0131kart\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nDurmaks\\u0131z\\u0131n de\\u011fi\\u015fen bak\\u0131\\u015f a\\u00e7\\u0131lar\\u0131, \\u00fc\\u011ftopik say\\u0131labilecek bir insanseverlik ile k\\u0131yas\\u0131ya ele\\u015ftirilen d\\u00fczenden kaynaklanan \\u00e7aresizlik, \\\"\\u00f6zg\\u00fcrl\\u00fck ve adaletin\\\" ger\\u00e7ekten m\\u00fcmk\\u00fcn oldu\\u011fu bir topluma duyulan \\u00f6zlemin yans\\u0131d\\u0131\\u011f\\u0131 sat\\u0131rlarda yan yana geliyor. Elli y\\u0131ll\\u0131k bir zaman dilimini kapsayan aile tarihinden hareketle tek tek bireylerin ve b\\u00fct\\u00fcn toplumun gelgitleri g\\u00f6zler \\u00f6n\\u00fcne seriliyor. Woolf, \\u00e7e\\u015fitli yaz\\u0131n tekniklerini kullanarak Y\\u0131llar'la birlikte yeni bir t\\u00fcr ger\\u00e7ek\\u00e7ilik yarat\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nY\\u0131llar\\u0131n deneyiminden s\\u00fcz\\u00fcl\\u00fcp gelen en zengin roman\\u0131 hakk\\u0131nda Woolf'un kendisi \\u015funlar\\u0131 yaz\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Elbette ki di\\u011ferlerinden farkl\\u0131: \\u0130\\u00e7inde daha fazla 'ger\\u00e7ek' ya\\u015fam, daha fazla kan ve can var.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nY\\u0131llar, yay\\u0131nland\\u0131\\u011f\\u0131 d\\u00f6nemde yazar\\u0131n en \\u00e7ok okunan roman\\u0131 olmu\\u015f, ele\\u015ftirel deneme ve roman formunu tek potada eritmeyi ba\\u015farm\\u0131\\u015f bir eser.<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1312,\"personable_id\":4125,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5567,\"book_id\":4125,\"locale\":\"en\",\"name\":\"The Years\",\"slug\":\"the-years\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":5566,\"book_id\":4125,\"locale\":\"tr\",\"name\":\"Y\\u0131llar\",\"slug\":\"yillar\",\"sub_name\":null,\"description\":\"<p>Y\\u0131llar, tipik bir \\u0130ngiliz orta s\\u0131n\\u0131f ailesi olan Pargiter'lerin 1880'lerden ba\\u015flay\\u0131p 1930'lar\\u0131n sonuna uzanan hik\\u00e2yesine odaklan\\u0131yor. Viktorya d\\u00f6nemi yasaklar\\u0131, ataerkil toplumun bask\\u0131s\\u0131, Birinci D\\u00fcnya Sava\\u015f\\u0131, kapitalizm ve \\u00fczerinde g\\u00fcne\\u015f batmayan bir \\\"\\u0130mparatorluk\\\"un alt\\u0131nda ezilen u?\\u00e7 ku\\u015fa\\u011f\\u0131n bireylerini birbiri ard\\u0131na sahneye \\u00e7\\u0131kart\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nDurmaks\\u0131z\\u0131n de\\u011fi\\u015fen bak\\u0131\\u015f a\\u00e7\\u0131lar\\u0131, \\u00fc\\u011ftopik say\\u0131labilecek bir insanseverlik ile k\\u0131yas\\u0131ya ele\\u015ftirilen d\\u00fczenden kaynaklanan \\u00e7aresizlik, \\\"\\u00f6zg\\u00fcrl\\u00fck ve adaletin\\\" ger\\u00e7ekten m\\u00fcmk\\u00fcn oldu\\u011fu bir topluma duyulan \\u00f6zlemin yans\\u0131d\\u0131\\u011f\\u0131 sat\\u0131rlarda yan yana geliyor. Elli y\\u0131ll\\u0131k bir zaman dilimini kapsayan aile tarihinden hareketle tek tek bireylerin ve b\\u00fct\\u00fcn toplumun gelgitleri g\\u00f6zler \\u00f6n\\u00fcne seriliyor. Woolf, \\u00e7e\\u015fitli yaz\\u0131n tekniklerini kullanarak Y\\u0131llar'la birlikte yeni bir t\\u00fcr ger\\u00e7ek\\u00e7ilik yarat\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nY\\u0131llar\\u0131n deneyiminden s\\u00fcz\\u00fcl\\u00fcp gelen en zengin roman\\u0131 hakk\\u0131nda Woolf'un kendisi \\u015funlar\\u0131 yaz\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Elbette ki di\\u011ferlerinden farkl\\u0131: \\u0130\\u00e7inde daha fazla 'ger\\u00e7ek' ya\\u015fam, daha fazla kan ve can var.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nY\\u0131llar, yay\\u0131nland\\u0131\\u011f\\u0131 d\\u00f6nemde yazar\\u0131n en \\u00e7ok okunan roman\\u0131 olmu\\u015f, ele\\u015ftirel deneme ve roman formunu tek potada eritmeyi ba\\u015farm\\u0131\\u015f bir eser.<\\\/p>\",\"static_content\":\"<p>Y\\u0131llar, tipik bir \\u0130ngiliz orta s\\u0131n\\u0131f ailesi olan Pargiter'lerin 1880'lerden ba\\u015flay\\u0131p 1930'lar\\u0131n sonuna uzanan hik\\u00e2yesine odaklan\\u0131yor. Viktorya d\\u00f6nemi yasaklar\\u0131, ataerkil toplumun bask\\u0131s\\u0131, Birinci D\\u00fcnya Sava\\u015f\\u0131, kapitalizm ve \\u00fczerinde g\\u00fcne\\u015f batmayan bir \\\"\\u0130mparatorluk\\\"un alt\\u0131nda ezilen u?\\u00e7 ku\\u015fa\\u011f\\u0131n bireylerini birbiri ard\\u0131na sahneye \\u00e7\\u0131kart\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nDurmaks\\u0131z\\u0131n de\\u011fi\\u015fen bak\\u0131\\u015f a\\u00e7\\u0131lar\\u0131, \\u00fc\\u011ftopik say\\u0131labilecek bir insanseverlik ile k\\u0131yas\\u0131ya ele\\u015ftirilen d\\u00fczenden kaynaklanan \\u00e7aresizlik, \\\"\\u00f6zg\\u00fcrl\\u00fck ve adaletin\\\" ger\\u00e7ekten m\\u00fcmk\\u00fcn oldu\\u011fu bir topluma duyulan \\u00f6zlemin yans\\u0131d\\u0131\\u011f\\u0131 sat\\u0131rlarda yan yana geliyor. Elli y\\u0131ll\\u0131k bir zaman dilimini kapsayan aile tarihinden hareketle tek tek bireylerin ve b\\u00fct\\u00fcn toplumun gelgitleri g\\u00f6zler \\u00f6n\\u00fcne seriliyor. Woolf, \\u00e7e\\u015fitli yaz\\u0131n tekniklerini kullanarak Y\\u0131llar'la birlikte yeni bir t\\u00fcr ger\\u00e7ek\\u00e7ilik yarat\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nY\\u0131llar\\u0131n deneyiminden s\\u00fcz\\u00fcl\\u00fcp gelen en zengin roman\\u0131 hakk\\u0131nda Woolf'un kendisi \\u015funlar\\u0131 yaz\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Elbette ki di\\u011ferlerinden farkl\\u0131: \\u0130\\u00e7inde daha fazla 'ger\\u00e7ek' ya\\u015fam, daha fazla kan ve can var.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nY\\u0131llar, yay\\u0131nland\\u0131\\u011f\\u0131 d\\u00f6nemde yazar\\u0131n en \\u00e7ok okunan roman\\u0131 olmu\\u015f, ele\\u015ftirel deneme ve roman formunu tek potada eritmeyi ba\\u015farm\\u0131\\u015f bir eser.<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4165,\"user_id\":10,\"original_name\":\"Zuqaq al-Midaqq\",\"printing_date\":\"2011-01-01 12:09:59\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/zuqaq-al-midaqq-kapak-1533805799.png\",\"image_settings\":{\"id\":4165,\"path\":\"\\\/images\\\/books\\\/2018\\\/08\\\/09\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":56659,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":26894,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":10514,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2390,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1424,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2656,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":27134,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":29088,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":11064,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2280,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1114,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2574,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-08-09 12:09:59\",\"updated_at\":\"2019-04-10 10:56:38\",\"name\":\"Midak Soka\\u011f\\u0131\",\"slug\":\"midak-sokagi\",\"sub_name\":null,\"description\":\"<p>\\u201cSokak benim i\\u00e7in b\\u00fct\\u00fcn bir d\\u00fcnyan\\u0131n sembol\\u00fcd\\u00fcr, d\\u00fcnyay\\u0131 nas\\u0131l g\\u00f6r\\u00fcyorsam soka\\u011f\\u0131 da \\u00f6yle bi\\u00e7imlendirdim.\\u201d&nbsp;&nbsp;<\\\/p>\\r\\n\\r\\n<p>-Necib Mahfuz-<\\\/p>\\r\\n\\r\\n<p>Kahire\\u2019nin yoksul bir semtinde bir arka sokak ve bu soka\\u011f\\u0131n sakinleri, Necib Mahfuz\\u2019un bu \\u00e7ok sevilen roman\\u0131n\\u0131n dokusunu olu\\u015fturuyor.&nbsp; Para h\\u0131rs\\u0131yla fahi\\u015feli\\u011fi se\\u00e7en g\\u00fczel Hamide\\u2019nin&nbsp; \\u00e7evresinde d\\u00f6nen romanda Necib Mahfuz,&nbsp; Midak Soka\\u011f\\u0131\\u2019n\\u0131n insanlar\\u0131n\\u0131&nbsp; ku\\u015fatan ac\\u0131lar\\u0131, sevin\\u00e7leri, kinleri, heyecanlar\\u0131 ve a\\u015fklar\\u0131 canl\\u0131 tablolarla, bir Do\\u011fu masal\\u0131n\\u0131n b\\u00fcy\\u00fcl\\u00fc havas\\u0131yla veriyor. \\u0130ngiliz egemenli\\u011finin h\\u00fck\\u00fcm s\\u00fcrd\\u00fc\\u011f\\u00fc d\\u00f6nemde ya\\u015fanan olaylarda, Kahire\\u2019nin bu arka soka\\u011f\\u0131 her sayfada kendini hissettiriyor, ruhuyla, atmosferiyle, karakterleriyle okurun belle\\u011fine kaz\\u0131n\\u0131yor. Halk\\u0131n tela\\u015fl\\u0131, kavgal\\u0131-g\\u00fcr\\u00fclt\\u00fcl\\u00fc ya\\u015fam\\u0131 sesini duyuruyor.&nbsp; Mahfuz\\u2019un da i\\u00e7inden geldi\\u011fi bu hayat, roman\\u0131 besleyen malzeme oluyor.<\\\/p>\\r\\n\\r\\n<p>Mahallenin \\u015eeyh Dervi\\u015f\\u2019i, dilenci olmak isteyenleri para kar\\u015f\\u0131l\\u0131\\u011f\\u0131 sakatlayan Zaita, gen\\u00e7 berber Abbas, zengin ve kad\\u0131n d\\u00fc\\u015fk\\u00fcn\\u00fc Elvan Salim, e\\u015fcinsel kahveci Kir\\u015fa,&nbsp; arabulucu \\u00dcmm\\u00fc Hamide ve k\\u0131z\\u0131 Hamide ile Midak Soka\\u011f\\u0131,&nbsp; b\\u00fcy\\u00fcl\\u00fc bir d\\u00fcnya ama bir cennet de\\u011fil; M\\u0131s\\u0131r\\u2019\\u0131n k\\u00fc\\u00e7\\u00fck ve eksiksiz bir kopyas\\u0131.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">&nbsp;(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cSokak benim i\\u00e7in b\\u00fct\\u00fcn bir d\\u00fcnyan\\u0131n sembol\\u00fcd\\u00fcr, d\\u00fcnyay\\u0131 nas\\u0131l g\\u00f6r\\u00fcyorsam soka\\u011f\\u0131 da \\u00f6yle bi\\u00e7imlendirdim.\\u201d\\u00a0\\u00a0<\\\/p>\\r\\n\\r\\n<p>-Necib Mahfuz-<\\\/p>\\r\\n\\r\\n<p>Kahire\\u2019nin yoksul bir semtinde bir arka sokak ve bu soka\\u011f\\u0131n sakinleri, Necib Mahfuz\\u2019un bu \\u00e7ok sevilen roman\\u0131n\\u0131n dokusunu olu\\u015fturuyor.\\u00a0 Para h\\u0131rs\\u0131yla fahi\\u015feli\\u011fi se\\u00e7en g\\u00fczel Hamide\\u2019nin\\u00a0 \\u00e7evresinde d\\u00f6nen romanda Necib Mahfuz,\\u00a0 Midak Soka\\u011f\\u0131\\u2019n\\u0131n insanlar\\u0131n\\u0131\\u00a0 ku\\u015fatan ac\\u0131lar\\u0131, sevin\\u00e7leri, kinleri, heyecanlar\\u0131 ve a\\u015fklar\\u0131 canl\\u0131 tablolarla, bir Do\\u011fu masal\\u0131n\\u0131n b\\u00fcy\\u00fcl\\u00fc havas\\u0131yla veriyor. \\u0130ngiliz egemenli\\u011finin h\\u00fck\\u00fcm s\\u00fcrd\\u00fc\\u011f\\u00fc d\\u00f6nemde ya\\u015fanan olaylarda, Kahire\\u2019nin bu arka soka\\u011f\\u0131 her sayfada kendini hissettiriyor, ruhuyla, atmosferiyle, karakterleriyle okurun belle\\u011fine kaz\\u0131n\\u0131yor. Halk\\u0131n tela\\u015fl\\u0131, kavgal\\u0131-g\\u00fcr\\u00fclt\\u00fcl\\u00fc ya\\u015fam\\u0131 sesini duyuruyor.\\u00a0 Mahfuz\\u2019un da i\\u00e7inden geldi\\u011fi bu hayat, roman\\u0131 besleyen malzeme oluyor.<\\\/p>\\r\\n\\r\\n<p>Mahallenin \\u015eeyh Dervi\\u015f\\u2019i, dilenci olmak isteyenleri para kar\\u015f\\u0131l\\u0131\\u011f\\u0131 sakatlayan Zaita, gen\\u00e7 berber Abbas, zengin ve kad\\u0131n d\\u00fc\\u015fk\\u00fcn\\u00fc Elvan Salim, e\\u015fcinsel kahveci Kir\\u015fa,\\u00a0 arabulucu \\u00dcmm\\u00fc Hamide ve k\\u0131z\\u0131 Hamide ile Midak Soka\\u011f\\u0131,\\u00a0 b\\u00fcy\\u00fcl\\u00fc bir d\\u00fcnya ama bir cennet de\\u011fil; M\\u0131s\\u0131r\\u2019\\u0131n k\\u00fc\\u00e7\\u00fck ve eksiksiz bir kopyas\\u0131.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">\\u00a0(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1312,\"personable_id\":4165,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5646,\"book_id\":4165,\"locale\":\"tr\",\"name\":\"Midak Soka\\u011f\\u0131\",\"slug\":\"midak-sokagi\",\"sub_name\":null,\"description\":\"<p>\\u201cSokak benim i\\u00e7in b\\u00fct\\u00fcn bir d\\u00fcnyan\\u0131n sembol\\u00fcd\\u00fcr, d\\u00fcnyay\\u0131 nas\\u0131l g\\u00f6r\\u00fcyorsam soka\\u011f\\u0131 da \\u00f6yle bi\\u00e7imlendirdim.\\u201d&nbsp;&nbsp;<\\\/p>\\r\\n\\r\\n<p>-Necib Mahfuz-<\\\/p>\\r\\n\\r\\n<p>Kahire\\u2019nin yoksul bir semtinde bir arka sokak ve bu soka\\u011f\\u0131n sakinleri, Necib Mahfuz\\u2019un bu \\u00e7ok sevilen roman\\u0131n\\u0131n dokusunu olu\\u015fturuyor.&nbsp; Para h\\u0131rs\\u0131yla fahi\\u015feli\\u011fi se\\u00e7en g\\u00fczel Hamide\\u2019nin&nbsp; \\u00e7evresinde d\\u00f6nen romanda Necib Mahfuz,&nbsp; Midak Soka\\u011f\\u0131\\u2019n\\u0131n insanlar\\u0131n\\u0131&nbsp; ku\\u015fatan ac\\u0131lar\\u0131, sevin\\u00e7leri, kinleri, heyecanlar\\u0131 ve a\\u015fklar\\u0131 canl\\u0131 tablolarla, bir Do\\u011fu masal\\u0131n\\u0131n b\\u00fcy\\u00fcl\\u00fc havas\\u0131yla veriyor. \\u0130ngiliz egemenli\\u011finin h\\u00fck\\u00fcm s\\u00fcrd\\u00fc\\u011f\\u00fc d\\u00f6nemde ya\\u015fanan olaylarda, Kahire\\u2019nin bu arka soka\\u011f\\u0131 her sayfada kendini hissettiriyor, ruhuyla, atmosferiyle, karakterleriyle okurun belle\\u011fine kaz\\u0131n\\u0131yor. Halk\\u0131n tela\\u015fl\\u0131, kavgal\\u0131-g\\u00fcr\\u00fclt\\u00fcl\\u00fc ya\\u015fam\\u0131 sesini duyuruyor.&nbsp; Mahfuz\\u2019un da i\\u00e7inden geldi\\u011fi bu hayat, roman\\u0131 besleyen malzeme oluyor.<\\\/p>\\r\\n\\r\\n<p>Mahallenin \\u015eeyh Dervi\\u015f\\u2019i, dilenci olmak isteyenleri para kar\\u015f\\u0131l\\u0131\\u011f\\u0131 sakatlayan Zaita, gen\\u00e7 berber Abbas, zengin ve kad\\u0131n d\\u00fc\\u015fk\\u00fcn\\u00fc Elvan Salim, e\\u015fcinsel kahveci Kir\\u015fa,&nbsp; arabulucu \\u00dcmm\\u00fc Hamide ve k\\u0131z\\u0131 Hamide ile Midak Soka\\u011f\\u0131,&nbsp; b\\u00fcy\\u00fcl\\u00fc bir d\\u00fcnya ama bir cennet de\\u011fil; M\\u0131s\\u0131r\\u2019\\u0131n k\\u00fc\\u00e7\\u00fck ve eksiksiz bir kopyas\\u0131.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">&nbsp;(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cSokak benim i\\u00e7in b\\u00fct\\u00fcn bir d\\u00fcnyan\\u0131n sembol\\u00fcd\\u00fcr, d\\u00fcnyay\\u0131 nas\\u0131l g\\u00f6r\\u00fcyorsam soka\\u011f\\u0131 da \\u00f6yle bi\\u00e7imlendirdim.\\u201d\\u00a0\\u00a0<\\\/p>\\r\\n\\r\\n<p>-Necib Mahfuz-<\\\/p>\\r\\n\\r\\n<p>Kahire\\u2019nin yoksul bir semtinde bir arka sokak ve bu soka\\u011f\\u0131n sakinleri, Necib Mahfuz\\u2019un bu \\u00e7ok sevilen roman\\u0131n\\u0131n dokusunu olu\\u015fturuyor.\\u00a0 Para h\\u0131rs\\u0131yla fahi\\u015feli\\u011fi se\\u00e7en g\\u00fczel Hamide\\u2019nin\\u00a0 \\u00e7evresinde d\\u00f6nen romanda Necib Mahfuz,\\u00a0 Midak Soka\\u011f\\u0131\\u2019n\\u0131n insanlar\\u0131n\\u0131\\u00a0 ku\\u015fatan ac\\u0131lar\\u0131, sevin\\u00e7leri, kinleri, heyecanlar\\u0131 ve a\\u015fklar\\u0131 canl\\u0131 tablolarla, bir Do\\u011fu masal\\u0131n\\u0131n b\\u00fcy\\u00fcl\\u00fc havas\\u0131yla veriyor. \\u0130ngiliz egemenli\\u011finin h\\u00fck\\u00fcm s\\u00fcrd\\u00fc\\u011f\\u00fc d\\u00f6nemde ya\\u015fanan olaylarda, Kahire\\u2019nin bu arka soka\\u011f\\u0131 her sayfada kendini hissettiriyor, ruhuyla, atmosferiyle, karakterleriyle okurun belle\\u011fine kaz\\u0131n\\u0131yor. Halk\\u0131n tela\\u015fl\\u0131, kavgal\\u0131-g\\u00fcr\\u00fclt\\u00fcl\\u00fc ya\\u015fam\\u0131 sesini duyuruyor.\\u00a0 Mahfuz\\u2019un da i\\u00e7inden geldi\\u011fi bu hayat, roman\\u0131 besleyen malzeme oluyor.<\\\/p>\\r\\n\\r\\n<p>Mahallenin \\u015eeyh Dervi\\u015f\\u2019i, dilenci olmak isteyenleri para kar\\u015f\\u0131l\\u0131\\u011f\\u0131 sakatlayan Zaita, gen\\u00e7 berber Abbas, zengin ve kad\\u0131n d\\u00fc\\u015fk\\u00fcn\\u00fc Elvan Salim, e\\u015fcinsel kahveci Kir\\u015fa,\\u00a0 arabulucu \\u00dcmm\\u00fc Hamide ve k\\u0131z\\u0131 Hamide ile Midak Soka\\u011f\\u0131,\\u00a0 b\\u00fcy\\u00fcl\\u00fc bir d\\u00fcnya ama bir cennet de\\u011fil; M\\u0131s\\u0131r\\u2019\\u0131n k\\u00fc\\u00e7\\u00fck ve eksiksiz bir kopyas\\u0131.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">\\u00a0(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4173,\"user_id\":10,\"original_name\":\"Miramar\",\"printing_date\":\"2015-01-01 12:43:01\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/miramar-kapak-1533807781.png\",\"image_settings\":{\"id\":4173,\"path\":\"\\\/images\\\/books\\\/2018\\\/08\\\/09\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":66639,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":27623,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":11176,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2616,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1553,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3067,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":25554,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":27426,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":11390,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2510,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1328,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3082,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":1,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-08-09 12:43:01\",\"updated_at\":\"2019-06-08 18:03:59\",\"name\":\"Miramar\",\"slug\":\"miramar\",\"sub_name\":null,\"description\":\"<p style=\\\"text-align: center;\\\"><br \\\/>\\r\\nNobel \\u00d6d\\u00fcll\\u00fc yazar Necib Mahfuz'un en bilinen ve sevilen romanlar\\u0131ndan Miramar, farkl\\u0131 ekonomik ve politik g\\u00f6r\\u00fc\\u015flere sahip bir grup insan\\u0131n ya\\u015famlar\\u0131 ve ili\\u015fkileri \\u00fczerinden 1960'l\\u0131 y\\u0131llar\\u0131n M\\u0131s\\u0131r'\\u0131n\\u0131 \\u00e7arp\\u0131c\\u0131 bir \\u015fekilde anlat\\u0131yor. Her biri farkl\\u0131 sebepler y\\u00fcz\\u00fcnden s\\u00fcrg\\u00fcn hayat\\u0131na mahk\\u00fbm alt\\u0131 karakter, \\u0130skenderiye'de, eski g\\u00f6rkemini yitirmi\\u015f Miramar Pansiyon'da bir araya gelirler. Hik\\u00e2yenin ana kahraman\\u0131, k\\u00f6y\\u00fcnden ka\\u00e7\\u0131p pansiyona s\\u0131\\u011f\\u0131nan ve okuma yazma \\u00f6\\u011frenip kendisini \\u00f6zg\\u00fcrle\\u015ftirmeye kararl\\u0131 bir gen\\u00e7 kad\\u0131n olan Z\\u00fchre'dir. Pansiyon sakinlerinin onunla kurduklar\\u0131 ili\\u015fki d\\u00f6nemin sosyal ve siyasi ger\\u00e7eklerini yans\\u0131t\\u0131r. Miramar, \\u00e7e\\u015fitlilikle \\u00e7at\\u0131\\u015fman\\u0131n i\\u00e7 i\\u00e7e ge\\u00e7ti\\u011fi b\\u00fcy\\u00fck bir ev, bir \\u00fclke metaforu olarak ak\\u0131llarda yer edecek, g\\u00fc\\u00e7l\\u00fc bir roman.<br \\\/>\\r\\n<br \\\/>\\r\\nT\\u00fcm sayg\\u0131n romanlar gibi, Miramar gazetelerdeki binlerce yaz\\u0131n\\u0131n ya da televizyondaki belgesellerin yapamad\\u0131\\u011f\\u0131n\\u0131 ba\\u015fararak bize bir ulusun psikolojisini yak\\u0131ndan tan\\u0131ma ayr\\u0131cal\\u0131\\u011f\\u0131n\\u0131 bah\\u015fediyor.<br \\\/>\\r\\n-John Fowles-<br \\\/>\\r\\n<br \\\/>\\r\\nNecib Mahfuz'un eserlerinde, \\u00fclkesinin durumunu do\\u011frudan ve a\\u00e7\\u0131k\\u00e7a anlatmak \\u00fczere kalemini kullanan edebiyat\\u00e7\\u0131lara \\u00f6zg\\u00fc bir metafor duygusu var. Kitaplar\\u0131 M\\u0131s\\u0131r'a ve halk\\u0131na duydu\\u011fu sevgiyle dopdolu, \\u00f6te yandan son derece d\\u00fcr\\u00fcst ve ger\\u00e7ek\\u00e7i.<br \\\/>\\r\\n-Washington Post-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\"><br \\\/>\\r\\nNobel \\u00d6d\\u00fcll\\u00fc yazar Necib Mahfuz'un en bilinen ve sevilen romanlar\\u0131ndan Miramar, farkl\\u0131 ekonomik ve politik g\\u00f6r\\u00fc\\u015flere sahip bir grup insan\\u0131n ya\\u015famlar\\u0131 ve ili\\u015fkileri \\u00fczerinden 1960'l\\u0131 y\\u0131llar\\u0131n M\\u0131s\\u0131r'\\u0131n\\u0131 \\u00e7arp\\u0131c\\u0131 bir \\u015fekilde anlat\\u0131yor. Her biri farkl\\u0131 sebepler y\\u00fcz\\u00fcnden s\\u00fcrg\\u00fcn hayat\\u0131na mahk\\u00fbm alt\\u0131 karakter, \\u0130skenderiye'de, eski g\\u00f6rkemini yitirmi\\u015f Miramar Pansiyon'da bir araya gelirler. Hik\\u00e2yenin ana kahraman\\u0131, k\\u00f6y\\u00fcnden ka\\u00e7\\u0131p pansiyona s\\u0131\\u011f\\u0131nan ve okuma yazma \\u00f6\\u011frenip kendisini \\u00f6zg\\u00fcrle\\u015ftirmeye kararl\\u0131 bir gen\\u00e7 kad\\u0131n olan Z\\u00fchre'dir. Pansiyon sakinlerinin onunla kurduklar\\u0131 ili\\u015fki d\\u00f6nemin sosyal ve siyasi ger\\u00e7eklerini yans\\u0131t\\u0131r. Miramar, \\u00e7e\\u015fitlilikle \\u00e7at\\u0131\\u015fman\\u0131n i\\u00e7 i\\u00e7e ge\\u00e7ti\\u011fi b\\u00fcy\\u00fck bir ev, bir \\u00fclke metaforu olarak ak\\u0131llarda yer edecek, g\\u00fc\\u00e7l\\u00fc bir roman.<br \\\/>\\r\\n<br \\\/>\\r\\nT\\u00fcm sayg\\u0131n romanlar gibi, Miramar gazetelerdeki binlerce yaz\\u0131n\\u0131n ya da televizyondaki belgesellerin yapamad\\u0131\\u011f\\u0131n\\u0131 ba\\u015fararak bize bir ulusun psikolojisini yak\\u0131ndan tan\\u0131ma ayr\\u0131cal\\u0131\\u011f\\u0131n\\u0131 bah\\u015fediyor.<br \\\/>\\r\\n-John Fowles-<br \\\/>\\r\\n<br \\\/>\\r\\nNecib Mahfuz'un eserlerinde, \\u00fclkesinin durumunu do\\u011frudan ve a\\u00e7\\u0131k\\u00e7a anlatmak \\u00fczere kalemini kullanan edebiyat\\u00e7\\u0131lara \\u00f6zg\\u00fc bir metafor duygusu var. Kitaplar\\u0131 M\\u0131s\\u0131r'a ve halk\\u0131na duydu\\u011fu sevgiyle dopdolu, \\u00f6te yandan son derece d\\u00fcr\\u00fcst ve ger\\u00e7ek\\u00e7i.<br \\\/>\\r\\n-Washington Post-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1312,\"personable_id\":4173,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5662,\"book_id\":4173,\"locale\":\"en\",\"name\":\"Miramar\",\"slug\":\"miramar\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":5661,\"book_id\":4173,\"locale\":\"tr\",\"name\":\"Miramar\",\"slug\":\"miramar\",\"sub_name\":null,\"description\":\"<p style=\\\"text-align: center;\\\"><br \\\/>\\r\\nNobel \\u00d6d\\u00fcll\\u00fc yazar Necib Mahfuz'un en bilinen ve sevilen romanlar\\u0131ndan Miramar, farkl\\u0131 ekonomik ve politik g\\u00f6r\\u00fc\\u015flere sahip bir grup insan\\u0131n ya\\u015famlar\\u0131 ve ili\\u015fkileri \\u00fczerinden 1960'l\\u0131 y\\u0131llar\\u0131n M\\u0131s\\u0131r'\\u0131n\\u0131 \\u00e7arp\\u0131c\\u0131 bir \\u015fekilde anlat\\u0131yor. Her biri farkl\\u0131 sebepler y\\u00fcz\\u00fcnden s\\u00fcrg\\u00fcn hayat\\u0131na mahk\\u00fbm alt\\u0131 karakter, \\u0130skenderiye'de, eski g\\u00f6rkemini yitirmi\\u015f Miramar Pansiyon'da bir araya gelirler. Hik\\u00e2yenin ana kahraman\\u0131, k\\u00f6y\\u00fcnden ka\\u00e7\\u0131p pansiyona s\\u0131\\u011f\\u0131nan ve okuma yazma \\u00f6\\u011frenip kendisini \\u00f6zg\\u00fcrle\\u015ftirmeye kararl\\u0131 bir gen\\u00e7 kad\\u0131n olan Z\\u00fchre'dir. Pansiyon sakinlerinin onunla kurduklar\\u0131 ili\\u015fki d\\u00f6nemin sosyal ve siyasi ger\\u00e7eklerini yans\\u0131t\\u0131r. Miramar, \\u00e7e\\u015fitlilikle \\u00e7at\\u0131\\u015fman\\u0131n i\\u00e7 i\\u00e7e ge\\u00e7ti\\u011fi b\\u00fcy\\u00fck bir ev, bir \\u00fclke metaforu olarak ak\\u0131llarda yer edecek, g\\u00fc\\u00e7l\\u00fc bir roman.<br \\\/>\\r\\n<br \\\/>\\r\\nT\\u00fcm sayg\\u0131n romanlar gibi, Miramar gazetelerdeki binlerce yaz\\u0131n\\u0131n ya da televizyondaki belgesellerin yapamad\\u0131\\u011f\\u0131n\\u0131 ba\\u015fararak bize bir ulusun psikolojisini yak\\u0131ndan tan\\u0131ma ayr\\u0131cal\\u0131\\u011f\\u0131n\\u0131 bah\\u015fediyor.<br \\\/>\\r\\n-John Fowles-<br \\\/>\\r\\n<br \\\/>\\r\\nNecib Mahfuz'un eserlerinde, \\u00fclkesinin durumunu do\\u011frudan ve a\\u00e7\\u0131k\\u00e7a anlatmak \\u00fczere kalemini kullanan edebiyat\\u00e7\\u0131lara \\u00f6zg\\u00fc bir metafor duygusu var. Kitaplar\\u0131 M\\u0131s\\u0131r'a ve halk\\u0131na duydu\\u011fu sevgiyle dopdolu, \\u00f6te yandan son derece d\\u00fcr\\u00fcst ve ger\\u00e7ek\\u00e7i.<br \\\/>\\r\\n-Washington Post-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\"><br \\\/>\\r\\nNobel \\u00d6d\\u00fcll\\u00fc yazar Necib Mahfuz'un en bilinen ve sevilen romanlar\\u0131ndan Miramar, farkl\\u0131 ekonomik ve politik g\\u00f6r\\u00fc\\u015flere sahip bir grup insan\\u0131n ya\\u015famlar\\u0131 ve ili\\u015fkileri \\u00fczerinden 1960'l\\u0131 y\\u0131llar\\u0131n M\\u0131s\\u0131r'\\u0131n\\u0131 \\u00e7arp\\u0131c\\u0131 bir \\u015fekilde anlat\\u0131yor. Her biri farkl\\u0131 sebepler y\\u00fcz\\u00fcnden s\\u00fcrg\\u00fcn hayat\\u0131na mahk\\u00fbm alt\\u0131 karakter, \\u0130skenderiye'de, eski g\\u00f6rkemini yitirmi\\u015f Miramar Pansiyon'da bir araya gelirler. Hik\\u00e2yenin ana kahraman\\u0131, k\\u00f6y\\u00fcnden ka\\u00e7\\u0131p pansiyona s\\u0131\\u011f\\u0131nan ve okuma yazma \\u00f6\\u011frenip kendisini \\u00f6zg\\u00fcrle\\u015ftirmeye kararl\\u0131 bir gen\\u00e7 kad\\u0131n olan Z\\u00fchre'dir. Pansiyon sakinlerinin onunla kurduklar\\u0131 ili\\u015fki d\\u00f6nemin sosyal ve siyasi ger\\u00e7eklerini yans\\u0131t\\u0131r. Miramar, \\u00e7e\\u015fitlilikle \\u00e7at\\u0131\\u015fman\\u0131n i\\u00e7 i\\u00e7e ge\\u00e7ti\\u011fi b\\u00fcy\\u00fck bir ev, bir \\u00fclke metaforu olarak ak\\u0131llarda yer edecek, g\\u00fc\\u00e7l\\u00fc bir roman.<br \\\/>\\r\\n<br \\\/>\\r\\nT\\u00fcm sayg\\u0131n romanlar gibi, Miramar gazetelerdeki binlerce yaz\\u0131n\\u0131n ya da televizyondaki belgesellerin yapamad\\u0131\\u011f\\u0131n\\u0131 ba\\u015fararak bize bir ulusun psikolojisini yak\\u0131ndan tan\\u0131ma ayr\\u0131cal\\u0131\\u011f\\u0131n\\u0131 bah\\u015fediyor.<br \\\/>\\r\\n-John Fowles-<br \\\/>\\r\\n<br \\\/>\\r\\nNecib Mahfuz'un eserlerinde, \\u00fclkesinin durumunu do\\u011frudan ve a\\u00e7\\u0131k\\u00e7a anlatmak \\u00fczere kalemini kullanan edebiyat\\u00e7\\u0131lara \\u00f6zg\\u00fc bir metafor duygusu var. Kitaplar\\u0131 M\\u0131s\\u0131r'a ve halk\\u0131na duydu\\u011fu sevgiyle dopdolu, \\u00f6te yandan son derece d\\u00fcr\\u00fcst ve ger\\u00e7ek\\u00e7i.<br \\\/>\\r\\n-Washington Post-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4187,\"user_id\":10,\"original_name\":\"Katz und Maus\",\"printing_date\":\"2016-01-01 13:54:08\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/katz-und-maus-kapak-1533812048.png\",\"image_settings\":{\"id\":4187,\"path\":\"\\\/images\\\/books\\\/2018\\\/08\\\/09\\\/13\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":52605,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":24974,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":10513,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2493,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1455,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3191,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":22506,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":23890,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":10286,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2264,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1088,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2926,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-08-09 13:54:08\",\"updated_at\":\"2019-04-10 10:56:42\",\"name\":\"Kedi ve Fare\",\"slug\":\"kedi-ve-fare\",\"sub_name\":null,\"description\":\"<p>Alman edebiyat\\u0131n\\u0131n en \\u00f6nemli yazarlar\\u0131ndan Nobel \\u00d6d\\u00fcll\\u00fc G\\u00fcnter Grass, Kedi ve Fare'de \\u00e7ocuklu\\u011funu ge\\u00e7irdi\\u011fi Danzig'e g\\u00f6t\\u00fcr\\u00fcyor bizi.<br \\\/>\\r\\n<br \\\/>\\r\\nAvrupa, \\u0130kinci D\\u00fcnya Sava\\u015f\\u0131'n\\u0131n karanl\\u0131\\u011f\\u0131na g\\u00f6m\\u00fcl\\u00fcrken, ergenliklerini ya\\u015fayan bir grup gen\\u00e7, g\\u00fcnlerini Danzig Liman\\u0131'nda avarelik ederek ge\\u00e7irmektedir. Ancak sava\\u015f\\u0131n \\u015fiddeti yay\\u0131ld\\u0131k\\u00e7a, gen\\u00e7lerin yazg\\u0131s\\u0131 da tarihin bu deh\\u015fet verici d\\u00f6neminin ko\\u015fullar\\u0131yla kesi\\u015fecektir.<br \\\/>\\r\\n<br \\\/>\\r\\nFaresi, yani fazla \\u00e7\\u0131k\\u0131k \\u00e2demelmas\\u0131 y\\u00fcz\\u00fcnden alay konusu olan 14 ya\\u015f\\u0131ndaki Mahlke'nin, Nazi Ordusu'nda g\\u00f6sterdi\\u011fi ba\\u015far\\u0131larla ulusal bir kahramana d\\u00f6n\\u00fc\\u015f\\u00fcm\\u00fcn\\u00fcn \\u00f6yk\\u00fcs\\u00fc, yazar\\u0131n her zamanki grotesk diliyle g\\u00f6rkemli bir ba\\u015fyap\\u0131t olarak kar\\u015f\\u0131m\\u0131za \\u00e7\\u0131k\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\n15 ya\\u015f\\u0131nda Hitler Gen\\u00e7li\\u011fi'ne, 17 ya\\u015f\\u0131nda Nazi Ordusu'na kat\\u0131lan ya da kat\\u0131lmak zorunda kalan G\\u00fcnter Grass'\\u0131n ge\\u00e7mi\\u015finin g\\u00f6lgesi hem roman\\u0131n anlat\\u0131c\\u0131s\\u0131 Pilenz'de hem de Mahlke'de somutla\\u015f\\u0131yor. Sava\\u015f zaman\\u0131nda insanlar\\u0131n kime ve neye d\\u00f6n\\u00fc\\u015fmek zorunda kald\\u0131\\u011f\\u0131, toplumla birey aras\\u0131ndaki kedi-fare oyunuyla, edebiyat tarihinin bu en unutulmaz metaforlar\\u0131ndan biri arac\\u0131l\\u0131\\u011f\\u0131yla sorgulan\\u0131yor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Alman edebiyat\\u0131n\\u0131n en \\u00f6nemli yazarlar\\u0131ndan Nobel \\u00d6d\\u00fcll\\u00fc G\\u00fcnter Grass, Kedi ve Fare'de \\u00e7ocuklu\\u011funu ge\\u00e7irdi\\u011fi Danzig'e g\\u00f6t\\u00fcr\\u00fcyor bizi.<br \\\/>\\r\\n<br \\\/>\\r\\nAvrupa, \\u0130kinci D\\u00fcnya Sava\\u015f\\u0131'n\\u0131n karanl\\u0131\\u011f\\u0131na g\\u00f6m\\u00fcl\\u00fcrken, ergenliklerini ya\\u015fayan bir grup gen\\u00e7, g\\u00fcnlerini Danzig Liman\\u0131'nda avarelik ederek ge\\u00e7irmektedir. Ancak sava\\u015f\\u0131n \\u015fiddeti yay\\u0131ld\\u0131k\\u00e7a, gen\\u00e7lerin yazg\\u0131s\\u0131 da tarihin bu deh\\u015fet verici d\\u00f6neminin ko\\u015fullar\\u0131yla kesi\\u015fecektir.<br \\\/>\\r\\n<br \\\/>\\r\\nFaresi, yani fazla \\u00e7\\u0131k\\u0131k \\u00e2demelmas\\u0131 y\\u00fcz\\u00fcnden alay konusu olan 14 ya\\u015f\\u0131ndaki Mahlke'nin, Nazi Ordusu'nda g\\u00f6sterdi\\u011fi ba\\u015far\\u0131larla ulusal bir kahramana d\\u00f6n\\u00fc\\u015f\\u00fcm\\u00fcn\\u00fcn \\u00f6yk\\u00fcs\\u00fc, yazar\\u0131n her zamanki grotesk diliyle g\\u00f6rkemli bir ba\\u015fyap\\u0131t olarak kar\\u015f\\u0131m\\u0131za \\u00e7\\u0131k\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\n15 ya\\u015f\\u0131nda Hitler Gen\\u00e7li\\u011fi'ne, 17 ya\\u015f\\u0131nda Nazi Ordusu'na kat\\u0131lan ya da kat\\u0131lmak zorunda kalan G\\u00fcnter Grass'\\u0131n ge\\u00e7mi\\u015finin g\\u00f6lgesi hem roman\\u0131n anlat\\u0131c\\u0131s\\u0131 Pilenz'de hem de Mahlke'de somutla\\u015f\\u0131yor. Sava\\u015f zaman\\u0131nda insanlar\\u0131n kime ve neye d\\u00f6n\\u00fc\\u015fmek zorunda kald\\u0131\\u011f\\u0131, toplumla birey aras\\u0131ndaki kedi-fare oyunuyla, edebiyat tarihinin bu en unutulmaz metaforlar\\u0131ndan biri arac\\u0131l\\u0131\\u011f\\u0131yla sorgulan\\u0131yor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1312,\"personable_id\":4187,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5690,\"book_id\":4187,\"locale\":\"en\",\"name\":\"Cat and Mouse\",\"slug\":\"cat-and-mouse\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":5689,\"book_id\":4187,\"locale\":\"tr\",\"name\":\"Kedi ve Fare\",\"slug\":\"kedi-ve-fare\",\"sub_name\":null,\"description\":\"<p>Alman edebiyat\\u0131n\\u0131n en \\u00f6nemli yazarlar\\u0131ndan Nobel \\u00d6d\\u00fcll\\u00fc G\\u00fcnter Grass, Kedi ve Fare'de \\u00e7ocuklu\\u011funu ge\\u00e7irdi\\u011fi Danzig'e g\\u00f6t\\u00fcr\\u00fcyor bizi.<br \\\/>\\r\\n<br \\\/>\\r\\nAvrupa, \\u0130kinci D\\u00fcnya Sava\\u015f\\u0131'n\\u0131n karanl\\u0131\\u011f\\u0131na g\\u00f6m\\u00fcl\\u00fcrken, ergenliklerini ya\\u015fayan bir grup gen\\u00e7, g\\u00fcnlerini Danzig Liman\\u0131'nda avarelik ederek ge\\u00e7irmektedir. Ancak sava\\u015f\\u0131n \\u015fiddeti yay\\u0131ld\\u0131k\\u00e7a, gen\\u00e7lerin yazg\\u0131s\\u0131 da tarihin bu deh\\u015fet verici d\\u00f6neminin ko\\u015fullar\\u0131yla kesi\\u015fecektir.<br \\\/>\\r\\n<br \\\/>\\r\\nFaresi, yani fazla \\u00e7\\u0131k\\u0131k \\u00e2demelmas\\u0131 y\\u00fcz\\u00fcnden alay konusu olan 14 ya\\u015f\\u0131ndaki Mahlke'nin, Nazi Ordusu'nda g\\u00f6sterdi\\u011fi ba\\u015far\\u0131larla ulusal bir kahramana d\\u00f6n\\u00fc\\u015f\\u00fcm\\u00fcn\\u00fcn \\u00f6yk\\u00fcs\\u00fc, yazar\\u0131n her zamanki grotesk diliyle g\\u00f6rkemli bir ba\\u015fyap\\u0131t olarak kar\\u015f\\u0131m\\u0131za \\u00e7\\u0131k\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\n15 ya\\u015f\\u0131nda Hitler Gen\\u00e7li\\u011fi'ne, 17 ya\\u015f\\u0131nda Nazi Ordusu'na kat\\u0131lan ya da kat\\u0131lmak zorunda kalan G\\u00fcnter Grass'\\u0131n ge\\u00e7mi\\u015finin g\\u00f6lgesi hem roman\\u0131n anlat\\u0131c\\u0131s\\u0131 Pilenz'de hem de Mahlke'de somutla\\u015f\\u0131yor. Sava\\u015f zaman\\u0131nda insanlar\\u0131n kime ve neye d\\u00f6n\\u00fc\\u015fmek zorunda kald\\u0131\\u011f\\u0131, toplumla birey aras\\u0131ndaki kedi-fare oyunuyla, edebiyat tarihinin bu en unutulmaz metaforlar\\u0131ndan biri arac\\u0131l\\u0131\\u011f\\u0131yla sorgulan\\u0131yor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Alman edebiyat\\u0131n\\u0131n en \\u00f6nemli yazarlar\\u0131ndan Nobel \\u00d6d\\u00fcll\\u00fc G\\u00fcnter Grass, Kedi ve Fare'de \\u00e7ocuklu\\u011funu ge\\u00e7irdi\\u011fi Danzig'e g\\u00f6t\\u00fcr\\u00fcyor bizi.<br \\\/>\\r\\n<br \\\/>\\r\\nAvrupa, \\u0130kinci D\\u00fcnya Sava\\u015f\\u0131'n\\u0131n karanl\\u0131\\u011f\\u0131na g\\u00f6m\\u00fcl\\u00fcrken, ergenliklerini ya\\u015fayan bir grup gen\\u00e7, g\\u00fcnlerini Danzig Liman\\u0131'nda avarelik ederek ge\\u00e7irmektedir. Ancak sava\\u015f\\u0131n \\u015fiddeti yay\\u0131ld\\u0131k\\u00e7a, gen\\u00e7lerin yazg\\u0131s\\u0131 da tarihin bu deh\\u015fet verici d\\u00f6neminin ko\\u015fullar\\u0131yla kesi\\u015fecektir.<br \\\/>\\r\\n<br \\\/>\\r\\nFaresi, yani fazla \\u00e7\\u0131k\\u0131k \\u00e2demelmas\\u0131 y\\u00fcz\\u00fcnden alay konusu olan 14 ya\\u015f\\u0131ndaki Mahlke'nin, Nazi Ordusu'nda g\\u00f6sterdi\\u011fi ba\\u015far\\u0131larla ulusal bir kahramana d\\u00f6n\\u00fc\\u015f\\u00fcm\\u00fcn\\u00fcn \\u00f6yk\\u00fcs\\u00fc, yazar\\u0131n her zamanki grotesk diliyle g\\u00f6rkemli bir ba\\u015fyap\\u0131t olarak kar\\u015f\\u0131m\\u0131za \\u00e7\\u0131k\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\n15 ya\\u015f\\u0131nda Hitler Gen\\u00e7li\\u011fi'ne, 17 ya\\u015f\\u0131nda Nazi Ordusu'na kat\\u0131lan ya da kat\\u0131lmak zorunda kalan G\\u00fcnter Grass'\\u0131n ge\\u00e7mi\\u015finin g\\u00f6lgesi hem roman\\u0131n anlat\\u0131c\\u0131s\\u0131 Pilenz'de hem de Mahlke'de somutla\\u015f\\u0131yor. Sava\\u015f zaman\\u0131nda insanlar\\u0131n kime ve neye d\\u00f6n\\u00fc\\u015fmek zorunda kald\\u0131\\u011f\\u0131, toplumla birey aras\\u0131ndaki kedi-fare oyunuyla, edebiyat tarihinin bu en unutulmaz metaforlar\\u0131ndan biri arac\\u0131l\\u0131\\u011f\\u0131yla sorgulan\\u0131yor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4204,\"user_id\":10,\"original_name\":\"O Ano da Morte de Ricardo Reis\",\"printing_date\":\"2017-01-01 13:00:08\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/o-ano-da-morte-de-ricardo-reis-kapak-1533895208.png\",\"image_settings\":{\"id\":4204,\"path\":\"\\\/images\\\/books\\\/2018\\\/08\\\/10\\\/13\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":40242,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17538,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":7315,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2037,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1329,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2401,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":16056,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":16780,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7118,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1794,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":940,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2246,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":2,\"follower_count\":4,\"rate_count\":4,\"rate_average\":7.3,\"created_at\":\"2018-08-10 13:00:08\",\"updated_at\":\"2019-06-08 18:04:00\",\"name\":\"Ricardo Reis'in \\u00d6ld\\u00fc\\u011f\\u00fc Y\\u0131l\",\"slug\":\"ricardo-reisin-oldugu-yil\",\"sub_name\":null,\"description\":\"<p>Harold Bloom\\u2019a g\\u00f6re Bat\\u0131 edebiyat\\u0131n\\u0131n parametrelerini belirleyen yazarlardan biri olan Portekizli yazar, \\u015fair Fernando Pessoa, 30 Kas\\u0131m 1935\\u2019te Lizbon\\u2019da hayata g\\u00f6zlerini yumdu\\u011funda, kayb\\u0131n b\\u00fcy\\u00fckl\\u00fc\\u011f\\u00fc pek anla\\u015f\\u0131lmam\\u0131\\u015ft\\u0131.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Ne zaman ki \\u201csand\\u0131k\\u201d a\\u00e7\\u0131ld\\u0131, g\\u00fcnl\\u00fckler, ger\\u00e7ek ya da hayali mektuplar ve notlardan olu\\u015fan o sonu gelmez yap\\u0131t g\\u00fcn y\\u00fcz\\u00fcne \\u00e7\\u0131kt\\u0131, ancak o zaman Bloom\\u2019un tespitinde ne denli hakl\\u0131 oldu\\u011fu anla\\u015f\\u0131ld\\u0131. Pessoa\\u2019n\\u0131n alametifarikas\\u0131, yaratt\\u0131\\u011f\\u0131 \\u00e7oklu kimliklerdir; hayata bak\\u0131\\u015flar\\u0131, ge\\u00e7mi\\u015fleri, inan\\u00e7lar\\u0131 ve idealleriyle \\u201ctakma ad\\u0131n\\u201d \\u00f6tesine ge\\u00e7en o d\\u0131\\u015f benliklerdir. Ricardo Reis de bu kimliklerin ba\\u015f\\u0131nda gelir.&nbsp;&nbsp;&nbsp;&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Jos\\u00e9 Saramago, Pessoa\\u2019n\\u0131n \\u00f6l\\u00fcm haberi \\u00fczerine, on alt\\u0131 y\\u0131l aradan sonra \\u00fclkesine geri d\\u00f6nen Ricardo Reis karakteriyle i\\u015fte bu \\u00e7o\\u011ful evrene \\u0131\\u015f\\u0131k tutuyor. Ayn\\u0131 zamanda, daldan dala konan ne\\u015feli \\u00fcslubuyla, Salazar\\u2019\\u0131n iktidara y\\u00fckseldi\\u011fi Portekiz\\u2019de ve genel olarak Avrupa\\u2019da esmeye ba\\u015flayan fa\\u015fizm r\\u00fczg\\u00e2r\\u0131n\\u0131n sinir u\\u00e7lar\\u0131na dokunuyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Harold Bloom\\u2019a g\\u00f6re Bat\\u0131 edebiyat\\u0131n\\u0131n parametrelerini belirleyen yazarlardan biri olan Portekizli yazar, \\u015fair Fernando Pessoa, 30 Kas\\u0131m 1935\\u2019te Lizbon\\u2019da hayata g\\u00f6zlerini yumdu\\u011funda, kayb\\u0131n b\\u00fcy\\u00fckl\\u00fc\\u011f\\u00fc pek anla\\u015f\\u0131lmam\\u0131\\u015ft\\u0131.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Ne zaman ki \\u201csand\\u0131k\\u201d a\\u00e7\\u0131ld\\u0131, g\\u00fcnl\\u00fckler, ger\\u00e7ek ya da hayali mektuplar ve notlardan olu\\u015fan o sonu gelmez yap\\u0131t g\\u00fcn y\\u00fcz\\u00fcne \\u00e7\\u0131kt\\u0131, ancak o zaman Bloom\\u2019un tespitinde ne denli hakl\\u0131 oldu\\u011fu anla\\u015f\\u0131ld\\u0131. Pessoa\\u2019n\\u0131n alametifarikas\\u0131, yaratt\\u0131\\u011f\\u0131 \\u00e7oklu kimliklerdir; hayata bak\\u0131\\u015flar\\u0131, ge\\u00e7mi\\u015fleri, inan\\u00e7lar\\u0131 ve idealleriyle \\u201ctakma ad\\u0131n\\u201d \\u00f6tesine ge\\u00e7en o d\\u0131\\u015f benliklerdir. Ricardo Reis de bu kimliklerin ba\\u015f\\u0131nda gelir.\\u00a0\\u00a0\\u00a0\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Jos\\u00e9 Saramago, Pessoa\\u2019n\\u0131n \\u00f6l\\u00fcm haberi \\u00fczerine, on alt\\u0131 y\\u0131l aradan sonra \\u00fclkesine geri d\\u00f6nen Ricardo Reis karakteriyle i\\u015fte bu \\u00e7o\\u011ful evrene \\u0131\\u015f\\u0131k tutuyor. Ayn\\u0131 zamanda, daldan dala konan ne\\u015feli \\u00fcslubuyla, Salazar\\u2019\\u0131n iktidara y\\u00fckseldi\\u011fi Portekiz\\u2019de ve genel olarak Avrupa\\u2019da esmeye ba\\u015flayan fa\\u015fizm r\\u00fczg\\u00e2r\\u0131n\\u0131n sinir u\\u00e7lar\\u0131na dokunuyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1312,\"personable_id\":4204,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":5723,\"book_id\":4204,\"locale\":\"en\",\"name\":\"The Year of the Death of Ricardo Reis\",\"slug\":\"the-year-of-the-death-of-ricardo-reis\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":5722,\"book_id\":4204,\"locale\":\"tr\",\"name\":\"Ricardo Reis'in \\u00d6ld\\u00fc\\u011f\\u00fc Y\\u0131l\",\"slug\":\"ricardo-reisin-oldugu-yil\",\"sub_name\":null,\"description\":\"<p>Harold Bloom\\u2019a g\\u00f6re Bat\\u0131 edebiyat\\u0131n\\u0131n parametrelerini belirleyen yazarlardan biri olan Portekizli yazar, \\u015fair Fernando Pessoa, 30 Kas\\u0131m 1935\\u2019te Lizbon\\u2019da hayata g\\u00f6zlerini yumdu\\u011funda, kayb\\u0131n b\\u00fcy\\u00fckl\\u00fc\\u011f\\u00fc pek anla\\u015f\\u0131lmam\\u0131\\u015ft\\u0131.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Ne zaman ki \\u201csand\\u0131k\\u201d a\\u00e7\\u0131ld\\u0131, g\\u00fcnl\\u00fckler, ger\\u00e7ek ya da hayali mektuplar ve notlardan olu\\u015fan o sonu gelmez yap\\u0131t g\\u00fcn y\\u00fcz\\u00fcne \\u00e7\\u0131kt\\u0131, ancak o zaman Bloom\\u2019un tespitinde ne denli hakl\\u0131 oldu\\u011fu anla\\u015f\\u0131ld\\u0131. Pessoa\\u2019n\\u0131n alametifarikas\\u0131, yaratt\\u0131\\u011f\\u0131 \\u00e7oklu kimliklerdir; hayata bak\\u0131\\u015flar\\u0131, ge\\u00e7mi\\u015fleri, inan\\u00e7lar\\u0131 ve idealleriyle \\u201ctakma ad\\u0131n\\u201d \\u00f6tesine ge\\u00e7en o d\\u0131\\u015f benliklerdir. Ricardo Reis de bu kimliklerin ba\\u015f\\u0131nda gelir.&nbsp;&nbsp;&nbsp;&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Jos\\u00e9 Saramago, Pessoa\\u2019n\\u0131n \\u00f6l\\u00fcm haberi \\u00fczerine, on alt\\u0131 y\\u0131l aradan sonra \\u00fclkesine geri d\\u00f6nen Ricardo Reis karakteriyle i\\u015fte bu \\u00e7o\\u011ful evrene \\u0131\\u015f\\u0131k tutuyor. Ayn\\u0131 zamanda, daldan dala konan ne\\u015feli \\u00fcslubuyla, Salazar\\u2019\\u0131n iktidara y\\u00fckseldi\\u011fi Portekiz\\u2019de ve genel olarak Avrupa\\u2019da esmeye ba\\u015flayan fa\\u015fizm r\\u00fczg\\u00e2r\\u0131n\\u0131n sinir u\\u00e7lar\\u0131na dokunuyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Harold Bloom\\u2019a g\\u00f6re Bat\\u0131 edebiyat\\u0131n\\u0131n parametrelerini belirleyen yazarlardan biri olan Portekizli yazar, \\u015fair Fernando Pessoa, 30 Kas\\u0131m 1935\\u2019te Lizbon\\u2019da hayata g\\u00f6zlerini yumdu\\u011funda, kayb\\u0131n b\\u00fcy\\u00fckl\\u00fc\\u011f\\u00fc pek anla\\u015f\\u0131lmam\\u0131\\u015ft\\u0131.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Ne zaman ki \\u201csand\\u0131k\\u201d a\\u00e7\\u0131ld\\u0131, g\\u00fcnl\\u00fckler, ger\\u00e7ek ya da hayali mektuplar ve notlardan olu\\u015fan o sonu gelmez yap\\u0131t g\\u00fcn y\\u00fcz\\u00fcne \\u00e7\\u0131kt\\u0131, ancak o zaman Bloom\\u2019un tespitinde ne denli hakl\\u0131 oldu\\u011fu anla\\u015f\\u0131ld\\u0131. Pessoa\\u2019n\\u0131n alametifarikas\\u0131, yaratt\\u0131\\u011f\\u0131 \\u00e7oklu kimliklerdir; hayata bak\\u0131\\u015flar\\u0131, ge\\u00e7mi\\u015fleri, inan\\u00e7lar\\u0131 ve idealleriyle \\u201ctakma ad\\u0131n\\u201d \\u00f6tesine ge\\u00e7en o d\\u0131\\u015f benliklerdir. Ricardo Reis de bu kimliklerin ba\\u015f\\u0131nda gelir.\\u00a0\\u00a0\\u00a0\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Jos\\u00e9 Saramago, Pessoa\\u2019n\\u0131n \\u00f6l\\u00fcm haberi \\u00fczerine, on alt\\u0131 y\\u0131l aradan sonra \\u00fclkesine geri d\\u00f6nen Ricardo Reis karakteriyle i\\u015fte bu \\u00e7o\\u011ful evrene \\u0131\\u015f\\u0131k tutuyor. Ayn\\u0131 zamanda, daldan dala konan ne\\u015feli \\u00fcslubuyla, Salazar\\u2019\\u0131n iktidara y\\u00fckseldi\\u011fi Portekiz\\u2019de ve genel olarak Avrupa\\u2019da esmeye ba\\u015flayan fa\\u015fizm r\\u00fczg\\u00e2r\\u0131n\\u0131n sinir u\\u00e7lar\\u0131na dokunuyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4230,\"user_id\":10,\"original_name\":\"El regreso\",\"printing_date\":\"2018-09-01 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12:35:26\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/the-summer-before-the-dark-kapak-1539682526.png\",\"image_settings\":{\"id\":4453,\"path\":\"\\\/images\\\/books\\\/2018\\\/10\\\/16\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":58996,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":26565,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":10209,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2387,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1438,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2903,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":24912,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":26992,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":10054,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2252,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1096,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2914,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2018-10-16 12:35:26\",\"updated_at\":\"2019-04-10 10:57:30\",\"name\":\"Son Ayd\\u0131nl\\u0131k Yaz\",\"slug\":\"son-aydinlik-yaz\",\"sub_name\":null,\"description\":\"<p>Ya\\u015fam\\u0131 boyunca Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc dahil hemen hemen b\\u00fct\\u00fcn sayg\\u0131n \\u00f6d\\u00fclleri kazanan ve \\u0130ngiliz edebiyat\\u0131n\\u0131n en \\u00f6nemli yazarlar\\u0131ndan biri olarak g\\u00f6sterilen Doris Lessing, bu roman\\u0131nda bireyin \\u00fczerindeki toplumsal bask\\u0131lar\\u0131 ve bu bask\\u0131lardan kurtulma m\\u00fccadelesini, erkek egemen toplumda kad\\u0131n olma deneyimi \\u00fczerinden anlat\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nD\\u0131\\u015far\\u0131dan bak\\u0131ld\\u0131\\u011f\\u0131nda n\\u00f6rolog kocas\\u0131 ve d\\u00f6rt \\u00e7ocu\\u011fuyla ideal bir orta s\\u0131n\\u0131f ailesine sahip olan Kate, ya\\u015fam\\u0131n\\u0131n bir hapishaneye d\\u00f6n\\u00fc\\u015ft\\u00fc\\u011f\\u00fcn\\u00fc hissetmektedir. S\\u00fcrekli g\\u00fczel ve \\u015f\\u0131k olmak, evini idare ederken hem kocas\\u0131n\\u0131n hem \\u00e7ocuklar\\u0131n\\u0131n sorunlar\\u0131yla ilgilenmek zorundad\\u0131r. Ve kendisinden b\\u00fct\\u00fcn bunlar\\u0131 \\\"do\\u011fas\\u0131 gere\\u011fi\\\", yani kar\\u015f\\u0131l\\u0131ks\\u0131z yapmas\\u0131 beklenmektedir. Uluslararas\\u0131 bir konferansta \\u00e7evirmenlik yapmak \\u00fczere \\u0130stanbul'a giden Kate, orada tan\\u0131\\u015ft\\u0131\\u011f\\u0131 gen\\u00e7le s\\u00fcrpriz bir yolculu\\u011fa \\u00e7\\u0131kar. Bu yolculuk, Kate'in i\\u00e7sel d\\u00f6n\\u00fc\\u015f\\u00fcm\\u00fcn\\u00fcn de ba\\u015flang\\u0131c\\u0131 olacakt\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n1973 y\\u0131l\\u0131nda yay\\u0131mland\\u0131ktan sonra feminist bir manifesto olarak nitelenen Son Ayd\\u0131nl\\u0131k Yaz, Doris Lessing'in en sert ve \\u00e7arp\\u0131c\\u0131 romanlar\\u0131ndan biri.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Cinsiyet\\u00e7ilik ve feminist bilin\\u00e7 \\u00fczerine yaz\\u0131lm\\u0131\\u015f en iyi roman.\\\"<br \\\/>\\r\\n-New York Times Book Review-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ya\\u015fam\\u0131 boyunca Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc dahil hemen hemen b\\u00fct\\u00fcn sayg\\u0131n \\u00f6d\\u00fclleri kazanan ve \\u0130ngiliz edebiyat\\u0131n\\u0131n en \\u00f6nemli yazarlar\\u0131ndan biri olarak g\\u00f6sterilen Doris Lessing, bu roman\\u0131nda bireyin \\u00fczerindeki toplumsal bask\\u0131lar\\u0131 ve bu bask\\u0131lardan kurtulma m\\u00fccadelesini, erkek egemen toplumda kad\\u0131n olma deneyimi \\u00fczerinden anlat\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nD\\u0131\\u015far\\u0131dan bak\\u0131ld\\u0131\\u011f\\u0131nda n\\u00f6rolog kocas\\u0131 ve d\\u00f6rt \\u00e7ocu\\u011fuyla ideal bir orta s\\u0131n\\u0131f ailesine sahip olan Kate, ya\\u015fam\\u0131n\\u0131n bir hapishaneye d\\u00f6n\\u00fc\\u015ft\\u00fc\\u011f\\u00fcn\\u00fc hissetmektedir. S\\u00fcrekli g\\u00fczel ve \\u015f\\u0131k olmak, evini idare ederken hem kocas\\u0131n\\u0131n hem \\u00e7ocuklar\\u0131n\\u0131n sorunlar\\u0131yla ilgilenmek zorundad\\u0131r. Ve kendisinden b\\u00fct\\u00fcn bunlar\\u0131 \\\"do\\u011fas\\u0131 gere\\u011fi\\\", yani kar\\u015f\\u0131l\\u0131ks\\u0131z yapmas\\u0131 beklenmektedir. Uluslararas\\u0131 bir konferansta \\u00e7evirmenlik yapmak \\u00fczere \\u0130stanbul'a giden Kate, orada tan\\u0131\\u015ft\\u0131\\u011f\\u0131 gen\\u00e7le s\\u00fcrpriz bir yolculu\\u011fa \\u00e7\\u0131kar. 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S\\u00fcrekli g\\u00fczel ve \\u015f\\u0131k olmak, evini idare ederken hem kocas\\u0131n\\u0131n hem \\u00e7ocuklar\\u0131n\\u0131n sorunlar\\u0131yla ilgilenmek zorundad\\u0131r. Ve kendisinden b\\u00fct\\u00fcn bunlar\\u0131 \\\"do\\u011fas\\u0131 gere\\u011fi\\\", yani kar\\u015f\\u0131l\\u0131ks\\u0131z yapmas\\u0131 beklenmektedir. Uluslararas\\u0131 bir konferansta \\u00e7evirmenlik yapmak \\u00fczere \\u0130stanbul'a giden Kate, orada tan\\u0131\\u015ft\\u0131\\u011f\\u0131 gen\\u00e7le s\\u00fcrpriz bir yolculu\\u011fa \\u00e7\\u0131kar. Bu yolculuk, Kate'in i\\u00e7sel d\\u00f6n\\u00fc\\u015f\\u00fcm\\u00fcn\\u00fcn de ba\\u015flang\\u0131c\\u0131 olacakt\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n1973 y\\u0131l\\u0131nda yay\\u0131mland\\u0131ktan sonra feminist bir manifesto olarak nitelenen Son Ayd\\u0131nl\\u0131k Yaz, Doris Lessing'in en sert ve \\u00e7arp\\u0131c\\u0131 romanlar\\u0131ndan biri.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Cinsiyet\\u00e7ilik ve feminist bilin\\u00e7 \\u00fczerine yaz\\u0131lm\\u0131\\u015f en iyi roman.\\\"<br \\\/>\\r\\n-New York Times Book Review-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ya\\u015fam\\u0131 boyunca Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc dahil hemen hemen b\\u00fct\\u00fcn sayg\\u0131n \\u00f6d\\u00fclleri kazanan ve \\u0130ngiliz edebiyat\\u0131n\\u0131n en \\u00f6nemli yazarlar\\u0131ndan biri olarak g\\u00f6sterilen Doris Lessing, bu roman\\u0131nda bireyin \\u00fczerindeki toplumsal bask\\u0131lar\\u0131 ve bu bask\\u0131lardan kurtulma m\\u00fccadelesini, erkek egemen toplumda kad\\u0131n olma deneyimi \\u00fczerinden anlat\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nD\\u0131\\u015far\\u0131dan bak\\u0131ld\\u0131\\u011f\\u0131nda n\\u00f6rolog kocas\\u0131 ve d\\u00f6rt \\u00e7ocu\\u011fuyla ideal bir orta s\\u0131n\\u0131f ailesine sahip olan Kate, ya\\u015fam\\u0131n\\u0131n bir hapishaneye d\\u00f6n\\u00fc\\u015ft\\u00fc\\u011f\\u00fcn\\u00fc hissetmektedir. S\\u00fcrekli g\\u00fczel ve \\u015f\\u0131k olmak, evini idare ederken hem kocas\\u0131n\\u0131n hem \\u00e7ocuklar\\u0131n\\u0131n sorunlar\\u0131yla ilgilenmek zorundad\\u0131r. Ve kendisinden b\\u00fct\\u00fcn bunlar\\u0131 \\\"do\\u011fas\\u0131 gere\\u011fi\\\", yani kar\\u015f\\u0131l\\u0131ks\\u0131z yapmas\\u0131 beklenmektedir. Uluslararas\\u0131 bir konferansta \\u00e7evirmenlik yapmak \\u00fczere \\u0130stanbul'a giden Kate, orada tan\\u0131\\u015ft\\u0131\\u011f\\u0131 gen\\u00e7le s\\u00fcrpriz bir yolculu\\u011fa \\u00e7\\u0131kar. Bu yolculuk, Kate'in i\\u00e7sel d\\u00f6n\\u00fc\\u015f\\u00fcm\\u00fcn\\u00fcn de ba\\u015flang\\u0131c\\u0131 olacakt\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n1973 y\\u0131l\\u0131nda yay\\u0131mland\\u0131ktan sonra feminist bir manifesto olarak nitelenen Son Ayd\\u0131nl\\u0131k Yaz, Doris Lessing'in en sert ve \\u00e7arp\\u0131c\\u0131 romanlar\\u0131ndan biri.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Cinsiyet\\u00e7ilik ve feminist bilin\\u00e7 \\u00fczerine yaz\\u0131lm\\u0131\\u015f en iyi roman.\\\"<br \\\/>\\r\\n-New York Times Book Review-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4700,\"user_id\":10,\"original_name\":\"Catastrophe\",\"printing_date\":\"2018-12-03 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So\\u011fuktan Gelen Casus okuyucuya yalanlarla kurulu bir d\\u00fcnyan\\u0131n ger\\u00e7eklerle dolu hik\\u00e2yesini anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<br \\\/>\\r\\n&nbsp;<\\\/p>\",\"static_content\":\"<p>\\\"\\u0130stihbarat i\\u015finin ahlaki bir yasas\\u0131 vard\\u0131r - ba\\u015far\\u0131 sonu\\u00e7la \\u00f6l\\u00e7\\u00fcl\\u00fcr.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nSo\\u011fuk Sava\\u015f'\\u0131n zirve yapt\\u0131\\u011f\\u0131 1960'lar... Alex Leamas, \\u0130ngiliz \\u0130stihbarat\\u0131 i\\u00e7in Berlin Duvar\\u0131'n\\u0131n g\\u00f6lgesinde y\\u0131llarca s\\u00fcrd\\u00fcrd\\u00fc\\u011f\\u00fc g\\u00f6revinin ard\\u0131ndan yorgundur. Pek \\u00e7ok \\u015fey g\\u00f6rm\\u00fc\\u015f, pek \\u00e7ok adam\\u0131n\\u0131 Do\\u011fu Alman \\u0130stihbarat\\u0131 ile Duvar'da oynanan bu karanl\\u0131k ve sisli satran\\u00e7ta yitirmi\\u015ftir. 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Ancak \\u0130ngiliz \\u0130stihbarat\\u0131'n\\u0131n ya\\u015fl\\u0131 kurdu George Smiley'nin, Leamas'\\u0131n arkada\\u015f\\u0131 olan gen\\u00e7 bir kad\\u0131na yard\\u0131m etmesiyle operasyon b\\u00fcy\\u00fck bir felaketle y\\u00fcz y\\u00fcze gelecek, oyunun kartlar\\u0131 yeniden da\\u011f\\u0131t\\u0131lacak ve Leamas kendini hayalinin \\u00f6tesindeki korkun\\u00e7 bir politik oyunun pen\\u00e7esinde bulacakt\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\nD\\u00fcnyan\\u0131n en iyi casus roman\\u0131 yazarlar\\u0131ndan John Le Carr\\u00e9'nin, Publishers Weekly taraf\\u0131ndan \\\"T\\u00fcm zamanlar\\u0131n en iyi casus roman\\u0131\\\" se\\u00e7ilen, Time taraf\\u0131ndan \\\"T\\u00fcm zamanlar\\u0131n en iyi 100 roman\\u0131\\\" listesine giren bu k\\u00fclt eseri, filmiyle de BAFTA \\u00f6d\\u00fclleri dahil bir\\u00e7ok prestijli sinema \\u00f6d\\u00fcl\\u00fcn\\u00fc sahibi oldu. So\\u011fuktan Gelen Casus okuyucuya yalanlarla kurulu bir d\\u00fcnyan\\u0131n ger\\u00e7eklerle dolu hik\\u00e2yesini anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<br \\\/>\\r\\n\\u00a0<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1312,\"personable_id\":4769,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6561,\"book_id\":4769,\"locale\":\"en\",\"name\":\"The Spy Who Came in from the Cold\",\"slug\":\"the-spy-who-came-in-from-the-cold\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":6560,\"book_id\":4769,\"locale\":\"tr\",\"name\":\"So\\u011fuktan Gelen Casus\",\"slug\":\"soguktan-gelen-casus-1\",\"sub_name\":null,\"description\":\"<p>\\\"\\u0130stihbarat i\\u015finin ahlaki bir yasas\\u0131 vard\\u0131r - ba\\u015far\\u0131 sonu\\u00e7la \\u00f6l\\u00e7\\u00fcl\\u00fcr.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nSo\\u011fuk Sava\\u015f'\\u0131n zirve yapt\\u0131\\u011f\\u0131 1960'lar... Alex Leamas, \\u0130ngiliz \\u0130stihbarat\\u0131 i\\u00e7in Berlin Duvar\\u0131'n\\u0131n g\\u00f6lgesinde y\\u0131llarca s\\u00fcrd\\u00fcrd\\u00fc\\u011f\\u00fc g\\u00f6revinin ard\\u0131ndan yorgundur. Pek \\u00e7ok \\u015fey g\\u00f6rm\\u00fc\\u015f, pek \\u00e7ok adam\\u0131n\\u0131 Do\\u011fu Alman \\u0130stihbarat\\u0131 ile Duvar'da oynanan bu karanl\\u0131k ve sisli satran\\u00e7ta yitirmi\\u015ftir. Te\\u015fkilat, a\\u011f\\u0131r bir yenilginin ard\\u0131ndan \\u0130ngiltere'ye d\\u00f6nen Leamas'tan son bir g\\u00f6rev ister. Do\\u011fu Almanya'ya ge\\u00e7meli ve \\u00fclkesine ihanet etmelidir. Ancak \\u0130ngiliz \\u0130stihbarat\\u0131'n\\u0131n ya\\u015fl\\u0131 kurdu George Smiley'nin, Leamas'\\u0131n arkada\\u015f\\u0131 olan gen\\u00e7 bir kad\\u0131na yard\\u0131m etmesiyle operasyon b\\u00fcy\\u00fck bir felaketle y\\u00fcz y\\u00fcze gelecek, oyunun kartlar\\u0131 yeniden da\\u011f\\u0131t\\u0131lacak ve Leamas kendini hayalinin \\u00f6tesindeki korkun\\u00e7 bir politik oyunun pen\\u00e7esinde bulacakt\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\nD\\u00fcnyan\\u0131n en iyi casus roman\\u0131 yazarlar\\u0131ndan John Le Carr\\u00e9'nin, Publishers Weekly taraf\\u0131ndan \\\"T\\u00fcm zamanlar\\u0131n en iyi casus roman\\u0131\\\" se\\u00e7ilen, Time taraf\\u0131ndan \\\"T\\u00fcm zamanlar\\u0131n en iyi 100 roman\\u0131\\\" listesine giren bu k\\u00fclt eseri, filmiyle de BAFTA \\u00f6d\\u00fclleri dahil bir\\u00e7ok prestijli sinema \\u00f6d\\u00fcl\\u00fcn\\u00fc sahibi oldu. So\\u011fuktan Gelen Casus okuyucuya yalanlarla kurulu bir d\\u00fcnyan\\u0131n ger\\u00e7eklerle dolu hik\\u00e2yesini anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<br \\\/>\\r\\n&nbsp;<\\\/p>\",\"static_content\":\"<p>\\\"\\u0130stihbarat i\\u015finin ahlaki bir yasas\\u0131 vard\\u0131r - ba\\u015far\\u0131 sonu\\u00e7la \\u00f6l\\u00e7\\u00fcl\\u00fcr.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nSo\\u011fuk Sava\\u015f'\\u0131n zirve yapt\\u0131\\u011f\\u0131 1960'lar... Alex Leamas, \\u0130ngiliz \\u0130stihbarat\\u0131 i\\u00e7in Berlin Duvar\\u0131'n\\u0131n g\\u00f6lgesinde y\\u0131llarca s\\u00fcrd\\u00fcrd\\u00fc\\u011f\\u00fc g\\u00f6revinin ard\\u0131ndan yorgundur. Pek \\u00e7ok \\u015fey g\\u00f6rm\\u00fc\\u015f, pek \\u00e7ok adam\\u0131n\\u0131 Do\\u011fu Alman \\u0130stihbarat\\u0131 ile Duvar'da oynanan bu karanl\\u0131k ve sisli satran\\u00e7ta yitirmi\\u015ftir. Te\\u015fkilat, a\\u011f\\u0131r bir yenilginin ard\\u0131ndan \\u0130ngiltere'ye d\\u00f6nen Leamas'tan son bir g\\u00f6rev ister. Do\\u011fu Almanya'ya ge\\u00e7meli ve \\u00fclkesine ihanet etmelidir. Ancak \\u0130ngiliz \\u0130stihbarat\\u0131'n\\u0131n ya\\u015fl\\u0131 kurdu George Smiley'nin, Leamas'\\u0131n arkada\\u015f\\u0131 olan gen\\u00e7 bir kad\\u0131na yard\\u0131m etmesiyle operasyon b\\u00fcy\\u00fck bir felaketle y\\u00fcz y\\u00fcze gelecek, oyunun kartlar\\u0131 yeniden da\\u011f\\u0131t\\u0131lacak ve Leamas kendini hayalinin \\u00f6tesindeki korkun\\u00e7 bir politik oyunun pen\\u00e7esinde bulacakt\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\nD\\u00fcnyan\\u0131n en iyi casus roman\\u0131 yazarlar\\u0131ndan John Le Carr\\u00e9'nin, Publishers Weekly taraf\\u0131ndan \\\"T\\u00fcm zamanlar\\u0131n en iyi casus roman\\u0131\\\" se\\u00e7ilen, Time taraf\\u0131ndan \\\"T\\u00fcm zamanlar\\u0131n en iyi 100 roman\\u0131\\\" listesine giren bu k\\u00fclt eseri, filmiyle de BAFTA \\u00f6d\\u00fclleri dahil bir\\u00e7ok prestijli sinema \\u00f6d\\u00fcl\\u00fcn\\u00fc sahibi oldu. So\\u011fuktan Gelen Casus okuyucuya yalanlarla kurulu bir d\\u00fcnyan\\u0131n ger\\u00e7eklerle dolu hik\\u00e2yesini anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<br \\\/>\\r\\n\\u00a0<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4810,\"user_id\":10,\"original_name\":\"Bir Ac\\u0131ya Kirac\\u0131\",\"printing_date\":\"2013-01-01 13:47:55\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/bir-aciya-kiraci-kapak-1546944475.png\",\"image_settings\":{\"id\":4810,\"path\":\"\\\/images\\\/books\\\/2019\\\/01\\\/08\\\/13\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":36837,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":9926,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":4162,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":1317,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":889,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":1297,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":8600,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":8756,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":3584,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":880,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":434,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":818,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":1,\"follower_count\":2,\"rate_count\":2,\"rate_average\":7.5,\"created_at\":\"2019-01-08 13:47:55\",\"updated_at\":\"2019-06-08 18:04:18\",\"name\":\"Bir Ac\\u0131ya Kirac\\u0131\",\"slug\":\"bir-aciya-kiraci\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1312,\"personable_id\":4810,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6628,\"book_id\":4810,\"locale\":\"tr\",\"name\":\"Bir Ac\\u0131ya Kirac\\u0131\",\"slug\":\"bir-aciya-kiraci\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":4952,\"user_id\":10,\"original_name\":\"Otlar\\u0131n U\\u011fultusu Alt\\u0131nda\",\"printing_date\":\"2019-01-01 15:25:45\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/otlarin-ugultusu-altinda-kapak-1548246345.png\",\"image_settings\":{\"id\":4952,\"path\":\"\\\/images\\\/books\\\/2019\\\/01\\\/23\\\/15\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":55895,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17977,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":7276,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":1939,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1182,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2089,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":15058,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":15740,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":6334,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1552,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":694,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":1760,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-01-23 15:25:45\",\"updated_at\":\"2019-04-10 10:59:01\",\"name\":\"Otlar\\u0131n U\\u011fultusu Alt\\u0131nda\",\"slug\":\"otlarin-ugultusu-altinda\",\"sub_name\":null,\"description\":\"<p>Eskiden, \\u00e7ok eskiden<\\\/p>\\r\\n\\r\\n<p>Tanr\\u0131m\\u0131z yoktu. Korkumuz yoktu.<\\\/p>\\r\\n\\r\\n<p>G\\u00fcnah\\u0131m\\u0131z yoktu. Yapraklar gibiydik.<\\\/p>\\r\\n\\r\\n<p>\\u00d6p\\u00fc\\u015fler gibiydik. K\\u00f6p\\u00fckler gibiydik.<\\\/p>\\r\\n\\r\\n<p>Yapamad\\u0131k. G\\u00fczellik bo\\u011fdu<\\\/p>\\r\\n\\r\\n<p>\\u0130yilik zay\\u0131f d\\u00fc\\u015f\\u00fcrd\\u00fc hepimizi.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u00e7imizden birisini g\\u00f6klerin ard\\u0131na g\\u00f6nderdik.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz huzurla birbirimize k\\u00f6t\\u00fcl\\u00fck ediyoruz.<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz korkuyla ac\\u0131m\\u0131z\\u0131 seviyoruz<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz d\\u00fcnyay\\u0131 bir tanr\\u0131ya de\\u011fi\\u015ftik<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz cehenneme dua ediyoruz.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Eskiden, \\u00e7ok eskiden<\\\/p>\\r\\n\\r\\n<p>Tanr\\u0131m\\u0131z yoktu. Korkumuz yoktu.<\\\/p>\\r\\n\\r\\n<p>G\\u00fcnah\\u0131m\\u0131z yoktu. Yapraklar gibiydik.<\\\/p>\\r\\n\\r\\n<p>\\u00d6p\\u00fc\\u015fler gibiydik. K\\u00f6p\\u00fckler gibiydik.<\\\/p>\\r\\n\\r\\n<p>Yapamad\\u0131k. G\\u00fczellik bo\\u011fdu<\\\/p>\\r\\n\\r\\n<p>\\u0130yilik zay\\u0131f d\\u00fc\\u015f\\u00fcrd\\u00fc hepimizi.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u00e7imizden birisini g\\u00f6klerin ard\\u0131na g\\u00f6nderdik.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz huzurla birbirimize k\\u00f6t\\u00fcl\\u00fck ediyoruz.<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz korkuyla ac\\u0131m\\u0131z\\u0131 seviyoruz<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz d\\u00fcnyay\\u0131 bir tanr\\u0131ya de\\u011fi\\u015ftik<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz cehenneme dua ediyoruz.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1312,\"personable_id\":4952,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6859,\"book_id\":4952,\"locale\":\"tr\",\"name\":\"Otlar\\u0131n U\\u011fultusu Alt\\u0131nda\",\"slug\":\"otlarin-ugultusu-altinda\",\"sub_name\":null,\"description\":\"<p>Eskiden, \\u00e7ok eskiden<\\\/p>\\r\\n\\r\\n<p>Tanr\\u0131m\\u0131z yoktu. Korkumuz yoktu.<\\\/p>\\r\\n\\r\\n<p>G\\u00fcnah\\u0131m\\u0131z yoktu. Yapraklar gibiydik.<\\\/p>\\r\\n\\r\\n<p>\\u00d6p\\u00fc\\u015fler gibiydik. K\\u00f6p\\u00fckler gibiydik.<\\\/p>\\r\\n\\r\\n<p>Yapamad\\u0131k. G\\u00fczellik bo\\u011fdu<\\\/p>\\r\\n\\r\\n<p>\\u0130yilik zay\\u0131f d\\u00fc\\u015f\\u00fcrd\\u00fc hepimizi.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u00e7imizden birisini g\\u00f6klerin ard\\u0131na g\\u00f6nderdik.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz huzurla birbirimize k\\u00f6t\\u00fcl\\u00fck ediyoruz.<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz korkuyla ac\\u0131m\\u0131z\\u0131 seviyoruz<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz d\\u00fcnyay\\u0131 bir tanr\\u0131ya de\\u011fi\\u015ftik<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz cehenneme dua ediyoruz.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Eskiden, \\u00e7ok eskiden<\\\/p>\\r\\n\\r\\n<p>Tanr\\u0131m\\u0131z yoktu. Korkumuz yoktu.<\\\/p>\\r\\n\\r\\n<p>G\\u00fcnah\\u0131m\\u0131z yoktu. Yapraklar gibiydik.<\\\/p>\\r\\n\\r\\n<p>\\u00d6p\\u00fc\\u015fler gibiydik. K\\u00f6p\\u00fckler gibiydik.<\\\/p>\\r\\n\\r\\n<p>Yapamad\\u0131k. G\\u00fczellik bo\\u011fdu<\\\/p>\\r\\n\\r\\n<p>\\u0130yilik zay\\u0131f d\\u00fc\\u015f\\u00fcrd\\u00fc hepimizi.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u00e7imizden birisini g\\u00f6klerin ard\\u0131na g\\u00f6nderdik.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz huzurla birbirimize k\\u00f6t\\u00fcl\\u00fck ediyoruz.<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz korkuyla ac\\u0131m\\u0131z\\u0131 seviyoruz<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz d\\u00fcnyay\\u0131 bir tanr\\u0131ya de\\u011fi\\u015ftik<\\\/p>\\r\\n\\r\\n<p>\\u015eimdi hepimiz cehenneme dua ediyoruz.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":5004,\"user_id\":10,\"original_name\":\"The First Three Minutes\",\"printing_date\":\"2014-01-01 12:20:11\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/the-first-three-minutes-kapak-1549012811.png\",\"image_settings\":{\"id\":5004,\"path\":\"\\\/images\\\/books\\\/2019\\\/02\\\/01\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":57465,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":25650,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":10093,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2321,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1427,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2890,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":27142,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":26910,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":10848,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2224,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1026,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3070,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-02-01 12:20:12\",\"updated_at\":\"2019-04-10 10:59:09\",\"name\":\"\\u0130lk \\u00dc\\u00e7 Dakika\",\"slug\":\"ilk-uc-dakika\",\"sub_name\":null,\"description\":\"<p style=\\\"text-align: center;\\\">Nobel \\u00f6d\\u00fcll\\u00fc \\u00fcnl\\u00fc fizik\\u00e7i Steven Weinberg'in 38 y\\u0131l \\u00f6nce yazd\\u0131\\u011f\\u0131 \\u0130lk \\u00dc\\u00e7 Dakika kitab\\u0131 g\\u00fcncelli\\u011fini koruyor. Kitab\\u0131n yaz\\u0131ld\\u0131\\u011f\\u0131 1976'da evrenin kabaca 14 milyar y\\u0131ll\\u0131k \\u00f6yk\\u00fcs\\u00fcyle ilgili ana kuram, B\\u00fcy\\u00fck Patlama Kuram\\u0131, ana hatlar\\u0131yla ortaya \\u00e7\\u0131km\\u0131\\u015ft\\u0131. Bu \\u00f6yk\\u00fcn\\u00fcn \\u00f6zellikle ilk birka\\u00e7 dakikas\\u0131 1960 ve 1970'lerde b\\u00fcy\\u00fck ilerlemeler kaydetmi\\u015f olan temel par\\u00e7ac\\u0131klar fizi\\u011fine dayan\\u0131r; temel par\\u00e7ac\\u0131klar fizi\\u011finin \\\"Standart Model\\\"i o tarihlerde, \\u00f6zellikle Weinberg'in \\u00f6nemli kuramsal katk\\u0131lar\\u0131yla tamamlanm\\u0131\\u015ft\\u0131. Kitapta evrenin t\\u00fcm evrimine de\\u011finilmekte; \\u00f6rne\\u011fin, \\\"Evrenin k\\u00fctlesi tekrar gerisin geri B\\u00fcy\\u00fck \\u00c7\\u00f6kmeye yetecek midir, yoksa So\\u011fuk \\u00d6l\\u00fcme mi yol a\\u00e7acakt\\u0131r?\\\" gibi hen\\u00fcz yan\\u0131ts\\u0131z olan sorular da ele al\\u0131nmaktad\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130lk \\u00dc\\u00e7 Dakika'n\\u0131n bu g\\u00fcncellenmi\\u015f ikinci bask\\u0131s\\u0131nda, \\u00fclkemizin biri astrofizik-kozmoloji ve di\\u011feri kuramsal y\\u00fcksek enerji-par\\u00e7ac\\u0131k fizi\\u011fi konular\\u0131nda yetkin iki \\u00e7evirmeni, Weinberg'in 1993 g\\u00fcncellemesinden sonraki 20 y\\u0131l i\\u00e7inde elde edilen deneysel sonu\\u00e7lar\\u0131, Weinberg'e duyduklar\\u0131 hu\\u015fu i\\u00e7inde, m\\u00fcmk\\u00fcn oldu\\u011funca k\\u0131sa dipnotlarla uygun yerlere ili\\u015ftirmi\\u015flerdir. 2013'e kadarki deneysel verileri de i\\u00e7eren kitab\\u0131n bu s\\u00fcr\\u00fcm\\u00fc, okurlar\\u0131 evrenimizin ilk zamanlar\\u0131ndan ba\\u015flayan ve g\\u00fcn\\u00fcm\\u00fcze dek s\\u00fcren heyecan dolu bir yolculu\\u011fa \\u00e7\\u0131karacak.<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\">Nobel \\u00f6d\\u00fcll\\u00fc \\u00fcnl\\u00fc fizik\\u00e7i Steven Weinberg'in 38 y\\u0131l \\u00f6nce yazd\\u0131\\u011f\\u0131 \\u0130lk \\u00dc\\u00e7 Dakika kitab\\u0131 g\\u00fcncelli\\u011fini koruyor. Kitab\\u0131n yaz\\u0131ld\\u0131\\u011f\\u0131 1976'da evrenin kabaca 14 milyar y\\u0131ll\\u0131k \\u00f6yk\\u00fcs\\u00fcyle ilgili ana kuram, B\\u00fcy\\u00fck Patlama Kuram\\u0131, ana hatlar\\u0131yla ortaya \\u00e7\\u0131km\\u0131\\u015ft\\u0131. Bu \\u00f6yk\\u00fcn\\u00fcn \\u00f6zellikle ilk birka\\u00e7 dakikas\\u0131 1960 ve 1970'lerde b\\u00fcy\\u00fck ilerlemeler kaydetmi\\u015f olan temel par\\u00e7ac\\u0131klar fizi\\u011fine dayan\\u0131r; temel par\\u00e7ac\\u0131klar fizi\\u011finin \\\"Standart Model\\\"i o tarihlerde, \\u00f6zellikle Weinberg'in \\u00f6nemli kuramsal katk\\u0131lar\\u0131yla tamamlanm\\u0131\\u015ft\\u0131. Kitapta evrenin t\\u00fcm evrimine de\\u011finilmekte; \\u00f6rne\\u011fin, \\\"Evrenin k\\u00fctlesi tekrar gerisin geri B\\u00fcy\\u00fck \\u00c7\\u00f6kmeye yetecek midir, yoksa So\\u011fuk \\u00d6l\\u00fcme mi yol a\\u00e7acakt\\u0131r?\\\" gibi hen\\u00fcz yan\\u0131ts\\u0131z olan sorular da ele al\\u0131nmaktad\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130lk \\u00dc\\u00e7 Dakika'n\\u0131n bu g\\u00fcncellenmi\\u015f ikinci bask\\u0131s\\u0131nda, \\u00fclkemizin biri astrofizik-kozmoloji ve di\\u011feri kuramsal y\\u00fcksek enerji-par\\u00e7ac\\u0131k fizi\\u011fi konular\\u0131nda yetkin iki \\u00e7evirmeni, Weinberg'in 1993 g\\u00fcncellemesinden sonraki 20 y\\u0131l i\\u00e7inde elde edilen deneysel sonu\\u00e7lar\\u0131, Weinberg'e duyduklar\\u0131 hu\\u015fu i\\u00e7inde, m\\u00fcmk\\u00fcn oldu\\u011funca k\\u0131sa dipnotlarla uygun yerlere ili\\u015ftirmi\\u015flerdir. 2013'e kadarki deneysel verileri de i\\u00e7eren kitab\\u0131n bu s\\u00fcr\\u00fcm\\u00fc, okurlar\\u0131 evrenimizin ilk zamanlar\\u0131ndan ba\\u015flayan ve g\\u00fcn\\u00fcm\\u00fcze dek s\\u00fcren heyecan dolu bir yolculu\\u011fa \\u00e7\\u0131karacak.<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null,\"pivot\":{\"person_id\":1312,\"personable_id\":5004,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":6953,\"book_id\":5004,\"locale\":\"en\",\"name\":\"The First Three Minutes\",\"slug\":\"the-first-three-minutes\",\"sub_name\":null,\"description\":null,\"static_content\":\"\",\"meta_title\":null,\"meta_description\":null},{\"id\":6952,\"book_id\":5004,\"locale\":\"tr\",\"name\":\"\\u0130lk \\u00dc\\u00e7 Dakika\",\"slug\":\"ilk-uc-dakika\",\"sub_name\":null,\"description\":\"<p style=\\\"text-align: center;\\\">Nobel \\u00f6d\\u00fcll\\u00fc \\u00fcnl\\u00fc fizik\\u00e7i Steven Weinberg'in 38 y\\u0131l \\u00f6nce yazd\\u0131\\u011f\\u0131 \\u0130lk \\u00dc\\u00e7 Dakika kitab\\u0131 g\\u00fcncelli\\u011fini koruyor. Kitab\\u0131n yaz\\u0131ld\\u0131\\u011f\\u0131 1976'da evrenin kabaca 14 milyar y\\u0131ll\\u0131k \\u00f6yk\\u00fcs\\u00fcyle ilgili ana kuram, B\\u00fcy\\u00fck Patlama Kuram\\u0131, ana hatlar\\u0131yla ortaya \\u00e7\\u0131km\\u0131\\u015ft\\u0131. Bu \\u00f6yk\\u00fcn\\u00fcn \\u00f6zellikle ilk birka\\u00e7 dakikas\\u0131 1960 ve 1970'lerde b\\u00fcy\\u00fck ilerlemeler kaydetmi\\u015f olan temel par\\u00e7ac\\u0131klar fizi\\u011fine dayan\\u0131r; temel par\\u00e7ac\\u0131klar fizi\\u011finin \\\"Standart Model\\\"i o tarihlerde, \\u00f6zellikle Weinberg'in \\u00f6nemli kuramsal katk\\u0131lar\\u0131yla tamamlanm\\u0131\\u015ft\\u0131. Kitapta evrenin t\\u00fcm evrimine de\\u011finilmekte; \\u00f6rne\\u011fin, \\\"Evrenin k\\u00fctlesi tekrar gerisin geri B\\u00fcy\\u00fck \\u00c7\\u00f6kmeye yetecek midir, yoksa So\\u011fuk \\u00d6l\\u00fcme mi yol a\\u00e7acakt\\u0131r?\\\" gibi hen\\u00fcz yan\\u0131ts\\u0131z olan sorular da ele al\\u0131nmaktad\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130lk \\u00dc\\u00e7 Dakika'n\\u0131n bu g\\u00fcncellenmi\\u015f ikinci bask\\u0131s\\u0131nda, \\u00fclkemizin biri astrofizik-kozmoloji ve di\\u011feri kuramsal y\\u00fcksek enerji-par\\u00e7ac\\u0131k fizi\\u011fi konular\\u0131nda yetkin iki \\u00e7evirmeni, Weinberg'in 1993 g\\u00fcncellemesinden sonraki 20 y\\u0131l i\\u00e7inde elde edilen deneysel sonu\\u00e7lar\\u0131, Weinberg'e duyduklar\\u0131 hu\\u015fu i\\u00e7inde, m\\u00fcmk\\u00fcn oldu\\u011funca k\\u0131sa dipnotlarla uygun yerlere ili\\u015ftirmi\\u015flerdir. 2013'e kadarki deneysel verileri de i\\u00e7eren kitab\\u0131n bu s\\u00fcr\\u00fcm\\u00fc, okurlar\\u0131 evrenimizin ilk zamanlar\\u0131ndan ba\\u015flayan ve g\\u00fcn\\u00fcm\\u00fcze dek s\\u00fcren heyecan dolu bir yolculu\\u011fa \\u00e7\\u0131karacak.<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\">Nobel \\u00f6d\\u00fcll\\u00fc \\u00fcnl\\u00fc fizik\\u00e7i Steven Weinberg'in 38 y\\u0131l \\u00f6nce yazd\\u0131\\u011f\\u0131 \\u0130lk \\u00dc\\u00e7 Dakika kitab\\u0131 g\\u00fcncelli\\u011fini koruyor. Kitab\\u0131n yaz\\u0131ld\\u0131\\u011f\\u0131 1976'da evrenin kabaca 14 milyar y\\u0131ll\\u0131k \\u00f6yk\\u00fcs\\u00fcyle ilgili ana kuram, B\\u00fcy\\u00fck Patlama Kuram\\u0131, ana hatlar\\u0131yla ortaya \\u00e7\\u0131km\\u0131\\u015ft\\u0131. Bu \\u00f6yk\\u00fcn\\u00fcn \\u00f6zellikle ilk birka\\u00e7 dakikas\\u0131 1960 ve 1970'lerde b\\u00fcy\\u00fck ilerlemeler kaydetmi\\u015f olan temel par\\u00e7ac\\u0131klar fizi\\u011fine dayan\\u0131r; temel par\\u00e7ac\\u0131klar fizi\\u011finin \\\"Standart Model\\\"i o tarihlerde, \\u00f6zellikle Weinberg'in \\u00f6nemli kuramsal katk\\u0131lar\\u0131yla tamamlanm\\u0131\\u015ft\\u0131. Kitapta evrenin t\\u00fcm evrimine de\\u011finilmekte; \\u00f6rne\\u011fin, \\\"Evrenin k\\u00fctlesi tekrar gerisin geri B\\u00fcy\\u00fck \\u00c7\\u00f6kmeye yetecek midir, yoksa So\\u011fuk \\u00d6l\\u00fcme mi yol a\\u00e7acakt\\u0131r?\\\" gibi hen\\u00fcz yan\\u0131ts\\u0131z olan sorular da ele al\\u0131nmaktad\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130lk \\u00dc\\u00e7 Dakika'n\\u0131n bu g\\u00fcncellenmi\\u015f ikinci bask\\u0131s\\u0131nda, \\u00fclkemizin biri astrofizik-kozmoloji ve di\\u011feri kuramsal y\\u00fcksek enerji-par\\u00e7ac\\u0131k fizi\\u011fi konular\\u0131nda yetkin iki \\u00e7evirmeni, Weinberg'in 1993 g\\u00fcncellemesinden sonraki 20 y\\u0131l i\\u00e7inde elde edilen deneysel sonu\\u00e7lar\\u0131, Weinberg'e duyduklar\\u0131 hu\\u015fu i\\u00e7inde, m\\u00fcmk\\u00fcn oldu\\u011funca k\\u0131sa dipnotlarla uygun yerlere ili\\u015ftirmi\\u015flerdir. 2013'e kadarki deneysel verileri de i\\u00e7eren kitab\\u0131n bu s\\u00fcr\\u00fcm\\u00fc, okurlar\\u0131 evrenimizin ilk zamanlar\\u0131ndan ba\\u015flayan ve g\\u00fcn\\u00fcm\\u00fcze dek s\\u00fcren heyecan dolu bir yolculu\\u011fa \\u00e7\\u0131karacak.<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":null,\"meta_description\":null}]},{\"id\":5137,\"user_id\":10,\"original_name\":\"As Intermit\\u00eancias da Morte\",\"printing_date\":\"2013-01-01 16:02:25\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/as-intermitencias-da-morte-kapak-1551963745.png\",\"image_settings\":{\"id\":5137,\"path\":\"\\\/images\\\/books\\\/2019\\\/03\\\/07\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":46472,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":16700,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":7435,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2038,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1262,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2307,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":15510,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":16282,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7182,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1824,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":884,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2162,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-03-07 16:02:26\",\"updated_at\":\"2019-04-10 10:59:34\",\"name\":\"\\u00d6l\\u00fcm Bir Varm\\u0131\\u015f Bir Yokmu\\u015f\",\"slug\":\"olum-bir-varmis-bir-yokmus\",\"sub_name\":\"\",\"description\":\"<p>Ad\\u0131 bilinmeyen bir \\u00fclkede, d\\u00fcnya kuruldu kurulal\\u0131 g\\u00f6r\\u00fclmemi\\u015f bir olay ger\\u00e7ekle\\u015fir: \\u00d6l\\u00fcm, o g\\u00fcne kadar yerine getirdi\\u011fi g\\u00f6revinden vazge\\u00e7er ve hi\\u00e7 kimse \\u00f6lmez. Bir anda \\u00fclkeye dalga dalga yay\\u0131lan sevin\\u00e7 \\u00e7ok ge\\u00e7meden yerini hayalk\\u0131r\\u0131kl\\u0131\\u011f\\u0131 ve kaosa b\\u0131rak\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u0130nsanlar\\u0131n \\u00f6lmemesi zaman\\u0131n durdu\\u011fu anlam\\u0131na gelmemektedir, ezeli bir ya\\u015fl\\u0131l\\u0131kt\\u0131r art\\u0131k onlar\\u0131 bekleyen. H\\u00fck\\u00fcmetten kiliseye, sa\\u011fl\\u0131k kurumlar\\u0131ndan ailelere, \\u015firketlerden mafyaya kadar herkes \\u00f6l\\u00fcm\\u00fcn ortadan kalkmas\\u0131n\\u0131n getirdi\\u011fi sonu\\u00e7larla m\\u00fccadele etmek zorundad\\u0131r. Ancak \\u00f6l\\u00fcm, beklenmedik bir kimlikle ve umulmad\\u0131k duygularla insanlar\\u0131n aras\\u0131na geri d\\u00f6ner.<\\\/p>\\r\\n\\r\\n<p>\\u00d6l\\u00fcm ve \\u00f6l\\u00fcms\\u00fczl\\u00fck kar\\u015f\\u0131s\\u0131nda insan\\u0131n \\u015fa\\u015fk\\u0131nl\\u0131\\u011f\\u0131n\\u0131, \\u00e7eli\\u015fkili tepkilerini ve ahlaki \\u00e7\\u00f6k\\u00fc\\u015f\\u00fcn\\u00fc, edebi, toplumsal ve felsefi anlamda derinlikli bir bi\\u00e7imde i\\u015fleyen Jos\\u00e9 Saramago, ge\\u00e7ici olanla ebedi olan\\u0131 birbirinden ay\\u0131ran k\\u0131sa mesafenin meseli say\\u0131lacak \\u00d6l\\u00fcm Bir Varm\\u0131\\u015f Bir Yokmu\\u015f\\u2019u, ba\\u015flad\\u0131\\u011f\\u0131 gibi bitiriyor: \\u201cErtesi g\\u00fcn hi\\u00e7 kimse \\u00f6lmedi.\\u201d<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">&nbsp;(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ad\\u0131 bilinmeyen bir \\u00fclkede, d\\u00fcnya kuruldu kurulal\\u0131 g\\u00f6r\\u00fclmemi\\u015f bir olay ger\\u00e7ekle\\u015fir: \\u00d6l\\u00fcm, o g\\u00fcne kadar yerine getirdi\\u011fi g\\u00f6revinden vazge\\u00e7er ve hi\\u00e7 kimse \\u00f6lmez. Bir anda \\u00fclkeye dalga dalga yay\\u0131lan sevin\\u00e7 \\u00e7ok ge\\u00e7meden yerini hayalk\\u0131r\\u0131kl\\u0131\\u011f\\u0131 ve kaosa b\\u0131rak\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u0130nsanlar\\u0131n \\u00f6lmemesi zaman\\u0131n durdu\\u011fu anlam\\u0131na gelmemektedir, ezeli bir ya\\u015fl\\u0131l\\u0131kt\\u0131r art\\u0131k onlar\\u0131 bekleyen. H\\u00fck\\u00fcmetten kiliseye, sa\\u011fl\\u0131k kurumlar\\u0131ndan ailelere, \\u015firketlerden mafyaya kadar herkes \\u00f6l\\u00fcm\\u00fcn ortadan kalkmas\\u0131n\\u0131n getirdi\\u011fi sonu\\u00e7larla m\\u00fccadele etmek zorundad\\u0131r. Ancak \\u00f6l\\u00fcm, beklenmedik bir kimlikle ve umulmad\\u0131k duygularla insanlar\\u0131n aras\\u0131na geri d\\u00f6ner.<\\\/p>\\r\\n\\r\\n<p>\\u00d6l\\u00fcm ve \\u00f6l\\u00fcms\\u00fczl\\u00fck kar\\u015f\\u0131s\\u0131nda insan\\u0131n \\u015fa\\u015fk\\u0131nl\\u0131\\u011f\\u0131n\\u0131, \\u00e7eli\\u015fkili tepkilerini ve ahlaki \\u00e7\\u00f6k\\u00fc\\u015f\\u00fcn\\u00fc, edebi, toplumsal ve felsefi anlamda derinlikli bir bi\\u00e7imde i\\u015fleyen Jos\\u00e9 Saramago, ge\\u00e7ici olanla ebedi olan\\u0131 birbirinden ay\\u0131ran k\\u0131sa mesafenin meseli say\\u0131lacak \\u00d6l\\u00fcm Bir Varm\\u0131\\u015f Bir Yokmu\\u015f\\u2019u, ba\\u015flad\\u0131\\u011f\\u0131 gibi bitiriyor: \\u201cErtesi g\\u00fcn hi\\u00e7 kimse \\u00f6lmedi.\\u201d<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">\\u00a0(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":5137,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":7160,\"book_id\":5137,\"locale\":\"en\",\"name\":\"Death with Interruptions\",\"slug\":\"death-with-interruptions\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":7159,\"book_id\":5137,\"locale\":\"tr\",\"name\":\"\\u00d6l\\u00fcm Bir Varm\\u0131\\u015f Bir Yokmu\\u015f\",\"slug\":\"olum-bir-varmis-bir-yokmus\",\"sub_name\":\"\",\"description\":\"<p>Ad\\u0131 bilinmeyen bir \\u00fclkede, d\\u00fcnya kuruldu kurulal\\u0131 g\\u00f6r\\u00fclmemi\\u015f bir olay ger\\u00e7ekle\\u015fir: \\u00d6l\\u00fcm, o g\\u00fcne kadar yerine getirdi\\u011fi g\\u00f6revinden vazge\\u00e7er ve hi\\u00e7 kimse \\u00f6lmez. Bir anda \\u00fclkeye dalga dalga yay\\u0131lan sevin\\u00e7 \\u00e7ok ge\\u00e7meden yerini hayalk\\u0131r\\u0131kl\\u0131\\u011f\\u0131 ve kaosa b\\u0131rak\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u0130nsanlar\\u0131n \\u00f6lmemesi zaman\\u0131n durdu\\u011fu anlam\\u0131na gelmemektedir, ezeli bir ya\\u015fl\\u0131l\\u0131kt\\u0131r art\\u0131k onlar\\u0131 bekleyen. H\\u00fck\\u00fcmetten kiliseye, sa\\u011fl\\u0131k kurumlar\\u0131ndan ailelere, \\u015firketlerden mafyaya kadar herkes \\u00f6l\\u00fcm\\u00fcn ortadan kalkmas\\u0131n\\u0131n getirdi\\u011fi sonu\\u00e7larla m\\u00fccadele etmek zorundad\\u0131r. Ancak \\u00f6l\\u00fcm, beklenmedik bir kimlikle ve umulmad\\u0131k duygularla insanlar\\u0131n aras\\u0131na geri d\\u00f6ner.<\\\/p>\\r\\n\\r\\n<p>\\u00d6l\\u00fcm ve \\u00f6l\\u00fcms\\u00fczl\\u00fck kar\\u015f\\u0131s\\u0131nda insan\\u0131n \\u015fa\\u015fk\\u0131nl\\u0131\\u011f\\u0131n\\u0131, \\u00e7eli\\u015fkili tepkilerini ve ahlaki \\u00e7\\u00f6k\\u00fc\\u015f\\u00fcn\\u00fc, edebi, toplumsal ve felsefi anlamda derinlikli bir bi\\u00e7imde i\\u015fleyen Jos\\u00e9 Saramago, ge\\u00e7ici olanla ebedi olan\\u0131 birbirinden ay\\u0131ran k\\u0131sa mesafenin meseli say\\u0131lacak \\u00d6l\\u00fcm Bir Varm\\u0131\\u015f Bir Yokmu\\u015f\\u2019u, ba\\u015flad\\u0131\\u011f\\u0131 gibi bitiriyor: \\u201cErtesi g\\u00fcn hi\\u00e7 kimse \\u00f6lmedi.\\u201d<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">&nbsp;(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ad\\u0131 bilinmeyen bir \\u00fclkede, d\\u00fcnya kuruldu kurulal\\u0131 g\\u00f6r\\u00fclmemi\\u015f bir olay ger\\u00e7ekle\\u015fir: \\u00d6l\\u00fcm, o g\\u00fcne kadar yerine getirdi\\u011fi g\\u00f6revinden vazge\\u00e7er ve hi\\u00e7 kimse \\u00f6lmez. Bir anda \\u00fclkeye dalga dalga yay\\u0131lan sevin\\u00e7 \\u00e7ok ge\\u00e7meden yerini hayalk\\u0131r\\u0131kl\\u0131\\u011f\\u0131 ve kaosa b\\u0131rak\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u0130nsanlar\\u0131n \\u00f6lmemesi zaman\\u0131n durdu\\u011fu anlam\\u0131na gelmemektedir, ezeli bir ya\\u015fl\\u0131l\\u0131kt\\u0131r art\\u0131k onlar\\u0131 bekleyen. H\\u00fck\\u00fcmetten kiliseye, sa\\u011fl\\u0131k kurumlar\\u0131ndan ailelere, \\u015firketlerden mafyaya kadar herkes \\u00f6l\\u00fcm\\u00fcn ortadan kalkmas\\u0131n\\u0131n getirdi\\u011fi sonu\\u00e7larla m\\u00fccadele etmek zorundad\\u0131r. Ancak \\u00f6l\\u00fcm, beklenmedik bir kimlikle ve umulmad\\u0131k duygularla insanlar\\u0131n aras\\u0131na geri d\\u00f6ner.<\\\/p>\\r\\n\\r\\n<p>\\u00d6l\\u00fcm ve \\u00f6l\\u00fcms\\u00fczl\\u00fck kar\\u015f\\u0131s\\u0131nda insan\\u0131n \\u015fa\\u015fk\\u0131nl\\u0131\\u011f\\u0131n\\u0131, \\u00e7eli\\u015fkili tepkilerini ve ahlaki \\u00e7\\u00f6k\\u00fc\\u015f\\u00fcn\\u00fc, edebi, toplumsal ve felsefi anlamda derinlikli bir bi\\u00e7imde i\\u015fleyen Jos\\u00e9 Saramago, ge\\u00e7ici olanla ebedi olan\\u0131 birbirinden ay\\u0131ran k\\u0131sa mesafenin meseli say\\u0131lacak \\u00d6l\\u00fcm Bir Varm\\u0131\\u015f Bir Yokmu\\u015f\\u2019u, ba\\u015flad\\u0131\\u011f\\u0131 gibi bitiriyor: \\u201cErtesi g\\u00fcn hi\\u00e7 kimse \\u00f6lmedi.\\u201d<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">\\u00a0(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5138,\"user_id\":10,\"original_name\":\"A Viagem do 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16:10:53\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/o-homem-duplicado-kapak-1551964253.png\",\"image_settings\":{\"id\":5139,\"path\":\"\\\/images\\\/books\\\/2019\\\/03\\\/07\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":50000,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17108,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":7715,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2245,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1295,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2438,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":15428,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":16078,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7514,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2016,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":966,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2216,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-03-07 16:10:53\",\"updated_at\":\"2019-04-10 10:59:34\",\"name\":\"Kopyalanm\\u0131\\u015f Adam\",\"slug\":\"kopyalanmis-adam-1\",\"sub_name\":\"\",\"description\":\"<p style=\\\"text-align: center;\\\">Tertuliano M\\u00e1ximo Afonso bo\\u015fanm\\u0131\\u015f, karamsarl\\u0131k i\\u00e7inde tekd\\u00fcze bir ya\\u015fam s\\u00fcren bir tarih \\u00f6\\u011fretmenidir. Keyfi biraz yerine gelsin diye arkada\\u015flar\\u0131n\\u0131n \\u00f6nerdi\\u011fi bir filmi videoda izlemek \\u00fczere al\\u0131r. Ayn\\u0131 gece evdeki g\\u00fcr\\u00fclt\\u00fclere uyan\\u0131nca filmin videoda kendi kendine oynad\\u0131\\u011f\\u0131n\\u0131 g\\u00f6r\\u00fcr. Filmdeki fig\\u00fcranlardan biri kendisinin be\\u015f y\\u0131l \\u00f6nceki haline t\\u0131pat\\u0131p, ikiz gibi benzemektedir. Tertuliano bu adam\\u0131n izini s\\u00fcrmeye \\u00e7al\\u0131\\u015f\\u0131r; saplant\\u0131ya d\\u00f6n\\u00fc\\u015fen aray\\u0131\\u015f\\u0131n\\u0131n tedirgin edici, hatta deh\\u015fet verici sonu\\u00e7lara ula\\u015faca\\u011f\\u0131n\\u0131 anlad\\u0131\\u011f\\u0131nda ve adam\\u0131n kim oldu\\u011funu \\u00f6\\u011frendi\\u011finde garip bir hik\\u00e2ye gibi ba\\u015flayan olay, kimlik ve benlik \\u00fczerine karma\\u015f\\u0131k bir d\\u00fc\\u015f\\u00fcnceler silsilesine d\\u00f6n\\u00fc\\u015fecektir. Jos\\u00e9 Saramago'nun lirik bir anlat\\u0131mla sundu\\u011fu bilin\\u00e7 ak\\u0131\\u015f\\u0131 y\\u00f6ntemiyle okur, metropol ya\\u015fam\\u0131n\\u0131n birey \\u00fczerindeki etkisini de bu ola\\u011fan\\u00fcst\\u00fc hik\\u00e2yenin katmanlar\\u0131nda buluyor. Kopyalanm\\u0131\\u015f Adam sinemaya da D\\u00fc\\u015fman ad\\u0131yla uyarlanm\\u0131\\u015ft\\u0131r.<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\">Tertuliano M\\u00e1ximo Afonso bo\\u015fanm\\u0131\\u015f, karamsarl\\u0131k i\\u00e7inde tekd\\u00fcze bir ya\\u015fam s\\u00fcren bir tarih \\u00f6\\u011fretmenidir. Keyfi biraz yerine gelsin diye arkada\\u015flar\\u0131n\\u0131n \\u00f6nerdi\\u011fi bir filmi videoda izlemek \\u00fczere al\\u0131r. Ayn\\u0131 gece evdeki g\\u00fcr\\u00fclt\\u00fclere uyan\\u0131nca filmin videoda kendi kendine oynad\\u0131\\u011f\\u0131n\\u0131 g\\u00f6r\\u00fcr. Filmdeki fig\\u00fcranlardan biri kendisinin be\\u015f y\\u0131l \\u00f6nceki haline t\\u0131pat\\u0131p, ikiz gibi benzemektedir. Tertuliano bu adam\\u0131n izini s\\u00fcrmeye \\u00e7al\\u0131\\u015f\\u0131r; saplant\\u0131ya d\\u00f6n\\u00fc\\u015fen aray\\u0131\\u015f\\u0131n\\u0131n tedirgin edici, hatta deh\\u015fet verici sonu\\u00e7lara ula\\u015faca\\u011f\\u0131n\\u0131 anlad\\u0131\\u011f\\u0131nda ve adam\\u0131n kim oldu\\u011funu \\u00f6\\u011frendi\\u011finde garip bir hik\\u00e2ye gibi ba\\u015flayan olay, kimlik ve benlik \\u00fczerine karma\\u015f\\u0131k bir d\\u00fc\\u015f\\u00fcnceler silsilesine d\\u00f6n\\u00fc\\u015fecektir. Jos\\u00e9 Saramago'nun lirik bir anlat\\u0131mla sundu\\u011fu bilin\\u00e7 ak\\u0131\\u015f\\u0131 y\\u00f6ntemiyle okur, metropol ya\\u015fam\\u0131n\\u0131n birey \\u00fczerindeki etkisini de bu ola\\u011fan\\u00fcst\\u00fc hik\\u00e2yenin katmanlar\\u0131nda buluyor. Kopyalanm\\u0131\\u015f Adam sinemaya da D\\u00fc\\u015fman ad\\u0131yla uyarlanm\\u0131\\u015ft\\u0131r.<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":5139,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":7164,\"book_id\":5139,\"locale\":\"en\",\"name\":\"The Double\",\"slug\":\"the-double\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":7163,\"book_id\":5139,\"locale\":\"tr\",\"name\":\"Kopyalanm\\u0131\\u015f Adam\",\"slug\":\"kopyalanmis-adam-1\",\"sub_name\":\"\",\"description\":\"<p style=\\\"text-align: center;\\\">Tertuliano M\\u00e1ximo Afonso bo\\u015fanm\\u0131\\u015f, karamsarl\\u0131k i\\u00e7inde tekd\\u00fcze bir ya\\u015fam s\\u00fcren bir tarih \\u00f6\\u011fretmenidir. Keyfi biraz yerine gelsin diye arkada\\u015flar\\u0131n\\u0131n \\u00f6nerdi\\u011fi bir filmi videoda izlemek \\u00fczere al\\u0131r. Ayn\\u0131 gece evdeki g\\u00fcr\\u00fclt\\u00fclere uyan\\u0131nca filmin videoda kendi kendine oynad\\u0131\\u011f\\u0131n\\u0131 g\\u00f6r\\u00fcr. Filmdeki fig\\u00fcranlardan biri kendisinin be\\u015f y\\u0131l \\u00f6nceki haline t\\u0131pat\\u0131p, ikiz gibi benzemektedir. Tertuliano bu adam\\u0131n izini s\\u00fcrmeye \\u00e7al\\u0131\\u015f\\u0131r; saplant\\u0131ya d\\u00f6n\\u00fc\\u015fen aray\\u0131\\u015f\\u0131n\\u0131n tedirgin edici, hatta deh\\u015fet verici sonu\\u00e7lara ula\\u015faca\\u011f\\u0131n\\u0131 anlad\\u0131\\u011f\\u0131nda ve adam\\u0131n kim oldu\\u011funu \\u00f6\\u011frendi\\u011finde garip bir hik\\u00e2ye gibi ba\\u015flayan olay, kimlik ve benlik \\u00fczerine karma\\u015f\\u0131k bir d\\u00fc\\u015f\\u00fcnceler silsilesine d\\u00f6n\\u00fc\\u015fecektir. Jos\\u00e9 Saramago'nun lirik bir anlat\\u0131mla sundu\\u011fu bilin\\u00e7 ak\\u0131\\u015f\\u0131 y\\u00f6ntemiyle okur, metropol ya\\u015fam\\u0131n\\u0131n birey \\u00fczerindeki etkisini de bu ola\\u011fan\\u00fcst\\u00fc hik\\u00e2yenin katmanlar\\u0131nda buluyor. Kopyalanm\\u0131\\u015f Adam sinemaya da D\\u00fc\\u015fman ad\\u0131yla uyarlanm\\u0131\\u015ft\\u0131r.<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\">Tertuliano M\\u00e1ximo Afonso bo\\u015fanm\\u0131\\u015f, karamsarl\\u0131k i\\u00e7inde tekd\\u00fcze bir ya\\u015fam s\\u00fcren bir tarih \\u00f6\\u011fretmenidir. Keyfi biraz yerine gelsin diye arkada\\u015flar\\u0131n\\u0131n \\u00f6nerdi\\u011fi bir filmi videoda izlemek \\u00fczere al\\u0131r. Ayn\\u0131 gece evdeki g\\u00fcr\\u00fclt\\u00fclere uyan\\u0131nca filmin videoda kendi kendine oynad\\u0131\\u011f\\u0131n\\u0131 g\\u00f6r\\u00fcr. Filmdeki fig\\u00fcranlardan biri kendisinin be\\u015f y\\u0131l \\u00f6nceki haline t\\u0131pat\\u0131p, ikiz gibi benzemektedir. Tertuliano bu adam\\u0131n izini s\\u00fcrmeye \\u00e7al\\u0131\\u015f\\u0131r; saplant\\u0131ya d\\u00f6n\\u00fc\\u015fen aray\\u0131\\u015f\\u0131n\\u0131n tedirgin edici, hatta deh\\u015fet verici sonu\\u00e7lara ula\\u015faca\\u011f\\u0131n\\u0131 anlad\\u0131\\u011f\\u0131nda ve adam\\u0131n kim oldu\\u011funu \\u00f6\\u011frendi\\u011finde garip bir hik\\u00e2ye gibi ba\\u015flayan olay, kimlik ve benlik \\u00fczerine karma\\u015f\\u0131k bir d\\u00fc\\u015f\\u00fcnceler silsilesine d\\u00f6n\\u00fc\\u015fecektir. Jos\\u00e9 Saramago'nun lirik bir anlat\\u0131mla sundu\\u011fu bilin\\u00e7 ak\\u0131\\u015f\\u0131 y\\u00f6ntemiyle okur, metropol ya\\u015fam\\u0131n\\u0131n birey \\u00fczerindeki etkisini de bu ola\\u011fan\\u00fcst\\u00fc hik\\u00e2yenin katmanlar\\u0131nda buluyor. Kopyalanm\\u0131\\u015f Adam sinemaya da D\\u00fc\\u015fman ad\\u0131yla uyarlanm\\u0131\\u015ft\\u0131r.<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5140,\"user_id\":10,\"original_name\":\"Alabardas, Alabardas, Espingardas, Espingardas\",\"printing_date\":\"2016-01-01 16:15:41\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/alabardas-alabardas-espingardas-espingardas-kapak-1551964541.png\",\"image_settings\":{\"id\":5140,\"path\":\"\\\/images\\\/books\\\/2019\\\/03\\\/07\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":53705,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":20075,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":8763,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2112,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1303,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2729,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":17834,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":18816,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":8334,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1876,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":902,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2574,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-03-07 16:15:41\",\"updated_at\":\"2019-04-10 10:59:34\",\"name\":\"M\\u0131zraklar, M\\u0131zraklar T\\u00fcfekler, T\\u00fcfekler\",\"slug\":\"mizraklar-mizraklar-tufekler-tufekler\",\"sub_name\":\"\",\"description\":\"<p style=\\\"text-align: center;\\\">\\\"Silah sanayinde neden hi\\u00e7 grev olmaz?\\\" Saramago, \\u00f6mr\\u00fcn\\u00fcn sonlar\\u0131na do\\u011fru kafas\\u0131n\\u0131 kurcalayan bu soruya yan\\u0131t aramak i\\u00e7in, tamamlayamad\\u0131\\u011f\\u0131 bu son roman\\u0131na ba\\u015fl\\u0131yor. Roman\\u0131n \\u00e7\\u0131k\\u0131\\u015f sorusu son derece ya\\u015famsal ve g\\u00fcncel bir etik anlam ta\\u015f\\u0131maktad\\u0131r: Silah \\u00fcreten fabrikalar\\u0131n karanl\\u0131k ge\\u00e7mi\\u015fi, her t\\u00fcrl\\u00fc grev giri\\u015fiminin kanl\\u0131 bir \\u015fekilde bast\\u0131r\\u0131ld\\u0131\\u011f\\u0131n\\u0131 g\\u00f6stermektedir. Silah fabrikalar\\u0131nda hi\\u00e7 durmayan ve zorla s\\u00fcrd\\u00fcr\\u00fclen bu \\u00fcretim, asl\\u0131nda d\\u00fcnyada asla bitmeyen sava\\u015flar\\u0131 da temsil etmektedir.<br \\\/>\\r\\n<br \\\/>\\r\\nBir silah fabrikas\\u0131nda \\u00e7al\\u0131\\u015fan ve a\\u011f\\u0131r silahlar b\\u00f6l\\u00fcm\\u00fcne terfi etmek d\\u0131\\u015f\\u0131nda bir amac\\u0131 olmayan Artur, acaba idealist kar\\u0131s\\u0131 Fel\\u00edcia'n\\u0131n pe\\u015finden gidip, g\\u00f6rev a\\u015fk\\u0131yla \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131 fabrikan\\u0131n \\u0130spanya \\u0130\\u00e7 Sava\\u015f\\u0131'nda oynad\\u0131\\u011f\\u0131 karanl\\u0131k rol\\u00fc de\\u015fifre edecek midir? Yani Saramago'nun metinlerinde s\\u0131k\\u00e7a vurgulad\\u0131\\u011f\\u0131 bir ilkeyi, \\\"\\u00e7\\u00f6k\\u00fc\\u015f ko\\u015fullar\\u0131nda bir erdem isyan\\u0131 ba\\u015flatmay\\u0131\\\" ba\\u015farabilecek midir?<br \\\/>\\r\\n<br \\\/>\\r\\nSaramago'nun roman\\u0131 yazma s\\u00fcrecinde ald\\u0131\\u011f\\u0131 notlar, usta bir yazar\\u0131n roman\\u0131n\\u0131 kurgularken akl\\u0131ndan ge\\u00e7enlere \\u0131\\u015f\\u0131k tutuyor ve kitapta yer alan Saramago \\u00fczerine yaz\\u0131lm\\u0131\\u015f di\\u011fer metinlerle birlikte, okuru roman\\u0131 tamamlamaya, sorulan etik sorular\\u0131n pe\\u015finden gitmeye davet ediyor.<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\">\\\"Silah sanayinde neden hi\\u00e7 grev olmaz?\\\" Saramago, \\u00f6mr\\u00fcn\\u00fcn sonlar\\u0131na do\\u011fru kafas\\u0131n\\u0131 kurcalayan bu soruya yan\\u0131t aramak i\\u00e7in, tamamlayamad\\u0131\\u011f\\u0131 bu son roman\\u0131na ba\\u015fl\\u0131yor. Roman\\u0131n \\u00e7\\u0131k\\u0131\\u015f sorusu son derece ya\\u015famsal ve g\\u00fcncel bir etik anlam ta\\u015f\\u0131maktad\\u0131r: Silah \\u00fcreten fabrikalar\\u0131n karanl\\u0131k ge\\u00e7mi\\u015fi, her t\\u00fcrl\\u00fc grev giri\\u015fiminin kanl\\u0131 bir \\u015fekilde bast\\u0131r\\u0131ld\\u0131\\u011f\\u0131n\\u0131 g\\u00f6stermektedir. Silah fabrikalar\\u0131nda hi\\u00e7 durmayan ve zorla s\\u00fcrd\\u00fcr\\u00fclen bu \\u00fcretim, asl\\u0131nda d\\u00fcnyada asla bitmeyen sava\\u015flar\\u0131 da temsil etmektedir.<br \\\/>\\r\\n<br \\\/>\\r\\nBir silah fabrikas\\u0131nda \\u00e7al\\u0131\\u015fan ve a\\u011f\\u0131r silahlar b\\u00f6l\\u00fcm\\u00fcne terfi etmek d\\u0131\\u015f\\u0131nda bir amac\\u0131 olmayan Artur, acaba idealist kar\\u0131s\\u0131 Fel\\u00edcia'n\\u0131n pe\\u015finden gidip, g\\u00f6rev a\\u015fk\\u0131yla \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131 fabrikan\\u0131n \\u0130spanya \\u0130\\u00e7 Sava\\u015f\\u0131'nda oynad\\u0131\\u011f\\u0131 karanl\\u0131k rol\\u00fc de\\u015fifre edecek midir? Yani Saramago'nun metinlerinde s\\u0131k\\u00e7a vurgulad\\u0131\\u011f\\u0131 bir ilkeyi, \\\"\\u00e7\\u00f6k\\u00fc\\u015f ko\\u015fullar\\u0131nda bir erdem isyan\\u0131 ba\\u015flatmay\\u0131\\\" ba\\u015farabilecek midir?<br \\\/>\\r\\n<br \\\/>\\r\\nSaramago'nun roman\\u0131 yazma s\\u00fcrecinde ald\\u0131\\u011f\\u0131 notlar, usta bir yazar\\u0131n roman\\u0131n\\u0131 kurgularken akl\\u0131ndan ge\\u00e7enlere \\u0131\\u015f\\u0131k tutuyor ve kitapta yer alan Saramago \\u00fczerine yaz\\u0131lm\\u0131\\u015f di\\u011fer metinlerle birlikte, okuru roman\\u0131 tamamlamaya, sorulan etik sorular\\u0131n pe\\u015finden gitmeye davet ediyor.<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":5140,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":7165,\"book_id\":5140,\"locale\":\"tr\",\"name\":\"M\\u0131zraklar, M\\u0131zraklar T\\u00fcfekler, T\\u00fcfekler\",\"slug\":\"mizraklar-mizraklar-tufekler-tufekler\",\"sub_name\":\"\",\"description\":\"<p style=\\\"text-align: center;\\\">\\\"Silah sanayinde neden hi\\u00e7 grev olmaz?\\\" Saramago, \\u00f6mr\\u00fcn\\u00fcn sonlar\\u0131na do\\u011fru kafas\\u0131n\\u0131 kurcalayan bu soruya yan\\u0131t aramak i\\u00e7in, tamamlayamad\\u0131\\u011f\\u0131 bu son roman\\u0131na ba\\u015fl\\u0131yor. Roman\\u0131n \\u00e7\\u0131k\\u0131\\u015f sorusu son derece ya\\u015famsal ve g\\u00fcncel bir etik anlam ta\\u015f\\u0131maktad\\u0131r: Silah \\u00fcreten fabrikalar\\u0131n karanl\\u0131k ge\\u00e7mi\\u015fi, her t\\u00fcrl\\u00fc grev giri\\u015fiminin kanl\\u0131 bir \\u015fekilde bast\\u0131r\\u0131ld\\u0131\\u011f\\u0131n\\u0131 g\\u00f6stermektedir. Silah fabrikalar\\u0131nda hi\\u00e7 durmayan ve zorla s\\u00fcrd\\u00fcr\\u00fclen bu \\u00fcretim, asl\\u0131nda d\\u00fcnyada asla bitmeyen sava\\u015flar\\u0131 da temsil etmektedir.<br \\\/>\\r\\n<br \\\/>\\r\\nBir silah fabrikas\\u0131nda \\u00e7al\\u0131\\u015fan ve a\\u011f\\u0131r silahlar b\\u00f6l\\u00fcm\\u00fcne terfi etmek d\\u0131\\u015f\\u0131nda bir amac\\u0131 olmayan Artur, acaba idealist kar\\u0131s\\u0131 Fel\\u00edcia'n\\u0131n pe\\u015finden gidip, g\\u00f6rev a\\u015fk\\u0131yla \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131 fabrikan\\u0131n \\u0130spanya \\u0130\\u00e7 Sava\\u015f\\u0131'nda oynad\\u0131\\u011f\\u0131 karanl\\u0131k rol\\u00fc de\\u015fifre edecek midir? Yani Saramago'nun metinlerinde s\\u0131k\\u00e7a vurgulad\\u0131\\u011f\\u0131 bir ilkeyi, \\\"\\u00e7\\u00f6k\\u00fc\\u015f ko\\u015fullar\\u0131nda bir erdem isyan\\u0131 ba\\u015flatmay\\u0131\\\" ba\\u015farabilecek midir?<br \\\/>\\r\\n<br \\\/>\\r\\nSaramago'nun roman\\u0131 yazma s\\u00fcrecinde ald\\u0131\\u011f\\u0131 notlar, usta bir yazar\\u0131n roman\\u0131n\\u0131 kurgularken akl\\u0131ndan ge\\u00e7enlere \\u0131\\u015f\\u0131k tutuyor ve kitapta yer alan Saramago \\u00fczerine yaz\\u0131lm\\u0131\\u015f di\\u011fer metinlerle birlikte, okuru roman\\u0131 tamamlamaya, sorulan etik sorular\\u0131n pe\\u015finden gitmeye davet ediyor.<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\">\\\"Silah sanayinde neden hi\\u00e7 grev olmaz?\\\" Saramago, \\u00f6mr\\u00fcn\\u00fcn sonlar\\u0131na do\\u011fru kafas\\u0131n\\u0131 kurcalayan bu soruya yan\\u0131t aramak i\\u00e7in, tamamlayamad\\u0131\\u011f\\u0131 bu son roman\\u0131na ba\\u015fl\\u0131yor. Roman\\u0131n \\u00e7\\u0131k\\u0131\\u015f sorusu son derece ya\\u015famsal ve g\\u00fcncel bir etik anlam ta\\u015f\\u0131maktad\\u0131r: Silah \\u00fcreten fabrikalar\\u0131n karanl\\u0131k ge\\u00e7mi\\u015fi, her t\\u00fcrl\\u00fc grev giri\\u015fiminin kanl\\u0131 bir \\u015fekilde bast\\u0131r\\u0131ld\\u0131\\u011f\\u0131n\\u0131 g\\u00f6stermektedir. Silah fabrikalar\\u0131nda hi\\u00e7 durmayan ve zorla s\\u00fcrd\\u00fcr\\u00fclen bu \\u00fcretim, asl\\u0131nda d\\u00fcnyada asla bitmeyen sava\\u015flar\\u0131 da temsil etmektedir.<br \\\/>\\r\\n<br \\\/>\\r\\nBir silah fabrikas\\u0131nda \\u00e7al\\u0131\\u015fan ve a\\u011f\\u0131r silahlar b\\u00f6l\\u00fcm\\u00fcne terfi etmek d\\u0131\\u015f\\u0131nda bir amac\\u0131 olmayan Artur, acaba idealist kar\\u0131s\\u0131 Fel\\u00edcia'n\\u0131n pe\\u015finden gidip, g\\u00f6rev a\\u015fk\\u0131yla \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131 fabrikan\\u0131n \\u0130spanya \\u0130\\u00e7 Sava\\u015f\\u0131'nda oynad\\u0131\\u011f\\u0131 karanl\\u0131k rol\\u00fc de\\u015fifre edecek midir? Yani Saramago'nun metinlerinde s\\u0131k\\u00e7a vurgulad\\u0131\\u011f\\u0131 bir ilkeyi, \\\"\\u00e7\\u00f6k\\u00fc\\u015f ko\\u015fullar\\u0131nda bir erdem isyan\\u0131 ba\\u015flatmay\\u0131\\\" ba\\u015farabilecek midir?<br \\\/>\\r\\n<br \\\/>\\r\\nSaramago'nun roman\\u0131 yazma s\\u00fcrecinde ald\\u0131\\u011f\\u0131 notlar, usta bir yazar\\u0131n roman\\u0131n\\u0131 kurgularken akl\\u0131ndan ge\\u00e7enlere \\u0131\\u015f\\u0131k tutuyor ve kitapta yer alan Saramago \\u00fczerine yaz\\u0131lm\\u0131\\u015f di\\u011fer metinlerle birlikte, okuru roman\\u0131 tamamlamaya, sorulan etik sorular\\u0131n pe\\u015finden gitmeye davet ediyor.<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5141,\"user_id\":10,\"original_name\":\"O Evangelho Segundo Jesus Cristo\",\"printing_date\":\"2012-01-01 16:18:11\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/o-evangelho-segundo-jesus-cristo-kapak-1551964691.png\",\"image_settings\":{\"id\":5141,\"path\":\"\\\/images\\\/books\\\/2019\\\/03\\\/07\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":41518,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17085,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":7696,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2238,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1276,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2541,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":15148,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":15804,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7266,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2010,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":934,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2386,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-03-07 16:18:12\",\"updated_at\":\"2019-04-10 10:59:34\",\"name\":\"\\u0130sa'ya G\\u00f6re \\u0130ncil\",\"slug\":\"isaya-gore-incil\",\"sub_name\":\"\",\"description\":\"<p>Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc sahibi Jos\\u00e9 Saramago, tart\\u0131\\u015fmalara yol a\\u00e7an roman\\u0131 \\u0130sa\\u2019ya G\\u00f6re \\u0130ncil\\u2019de \\u0130sa\\u2019n\\u0131n ya\\u015fam\\u0131n\\u0131 ve H\\u0131ristiyanl\\u0131\\u011f\\u0131n hik\\u00e2yesini kutsal kitaplardaki kronolojiye sad\\u0131k kalarak, ancak farkl\\u0131 bir bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla anlat\\u0131yor. Anne rahmine d\\u00fc\\u015fmesinden ba\\u015flayarak bir \\u00e7ocuk, bir gen\\u00e7 olarak zay\\u0131fl\\u0131klar\\u0131n\\u0131, \\u00f6fkelerini, heyecanlar\\u0131n\\u0131, karars\\u0131zl\\u0131klar\\u0131n\\u0131 ve Mecdelli Meryem\\u2019le olan a\\u015fk ili\\u015fkisini roman\\u0131na yans\\u0131t\\u0131rken \\u0130sa\\u2019y\\u0131, Tanr\\u0131\\u2019n\\u0131n o\\u011flu ve bir peygamberden ziyade insan olarak g\\u00f6steriyor. \\u0130sa\\u2019n\\u0131n ve Tanr\\u0131\\u2019n\\u0131n \\u00fczerindeki kutsall\\u0131k \\u00f6rt\\u00fcs\\u00fcn\\u00fc kald\\u0131r\\u0131yor ve b\\u00f6ylelikle soru sorman\\u0131n, sorgulaman\\u0131n \\u00f6n\\u00fcn\\u00fc a\\u00e7\\u0131yor. Din ve inan\\u00e7 ad\\u0131na yap\\u0131lan \\u015fiddet dolu eylemlerle karanl\\u0131k bir mesel; \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 zenginlikleriyle ve derinlikleriyle d\\u00fcnyevi bir \\u0130ncil olan bu roman, Saramago\\u2019nun \\u00fclkesini terk etmesine yol a\\u00e7m\\u0131\\u015ft\\u0131.<\\\/p>\\r\\n\\r\\n<p>\\u201cOrijinal, vah\\u015fi ve \\u00e7ok g\\u00fczel bir kitap.\\u201d<\\\/p>\\r\\n\\r\\n<p>-John Butt, Times Literary Supplement-<\\\/p>\\r\\n\\r\\n<p>\\u201cYazar\\u0131n en iyi kitab\\u0131... Saramago\\u2019nun roman\\u0131, insanl\\u0131\\u011f\\u0131n \\u0131st\\u0131rab\\u0131na kar\\u015f\\u0131 yo\\u011fun bir \\u015fefkatle dolu, ola\\u011fan\\u00fcst\\u00fc, dokunakl\\u0131, inan\\u0131\\u015flara ters d\\u00fc\\u015fen bir anlat\\u0131.\\u201d<\\\/p>\\r\\n\\r\\n<p>-James Wood, New Republic -<\\\/p>\\r\\n\\r\\n<p>\\u201cVah\\u015fi bir zek\\u00e2yla, yumu\\u015fak bir tutkuyla ve \\u015fiirsellikle ayd\\u0131nlat\\u0131lm\\u0131\\u015f.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Los Angeles ,Times Book Review-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">&nbsp;(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc sahibi Jos\\u00e9 Saramago, tart\\u0131\\u015fmalara yol a\\u00e7an roman\\u0131 \\u0130sa\\u2019ya G\\u00f6re \\u0130ncil\\u2019de \\u0130sa\\u2019n\\u0131n ya\\u015fam\\u0131n\\u0131 ve H\\u0131ristiyanl\\u0131\\u011f\\u0131n hik\\u00e2yesini kutsal kitaplardaki kronolojiye sad\\u0131k kalarak, ancak farkl\\u0131 bir bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla anlat\\u0131yor. Anne rahmine d\\u00fc\\u015fmesinden ba\\u015flayarak bir \\u00e7ocuk, bir gen\\u00e7 olarak zay\\u0131fl\\u0131klar\\u0131n\\u0131, \\u00f6fkelerini, heyecanlar\\u0131n\\u0131, karars\\u0131zl\\u0131klar\\u0131n\\u0131 ve Mecdelli Meryem\\u2019le olan a\\u015fk ili\\u015fkisini roman\\u0131na yans\\u0131t\\u0131rken \\u0130sa\\u2019y\\u0131, Tanr\\u0131\\u2019n\\u0131n o\\u011flu ve bir peygamberden ziyade insan olarak g\\u00f6steriyor. \\u0130sa\\u2019n\\u0131n ve Tanr\\u0131\\u2019n\\u0131n \\u00fczerindeki kutsall\\u0131k \\u00f6rt\\u00fcs\\u00fcn\\u00fc kald\\u0131r\\u0131yor ve b\\u00f6ylelikle soru sorman\\u0131n, sorgulaman\\u0131n \\u00f6n\\u00fcn\\u00fc a\\u00e7\\u0131yor. Din ve inan\\u00e7 ad\\u0131na yap\\u0131lan \\u015fiddet dolu eylemlerle karanl\\u0131k bir mesel; \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 zenginlikleriyle ve derinlikleriyle d\\u00fcnyevi bir \\u0130ncil olan bu roman, Saramago\\u2019nun \\u00fclkesini terk etmesine yol a\\u00e7m\\u0131\\u015ft\\u0131.<\\\/p>\\r\\n\\r\\n<p>\\u201cOrijinal, vah\\u015fi ve \\u00e7ok g\\u00fczel bir kitap.\\u201d<\\\/p>\\r\\n\\r\\n<p>-John Butt, Times Literary Supplement-<\\\/p>\\r\\n\\r\\n<p>\\u201cYazar\\u0131n en iyi kitab\\u0131... Saramago\\u2019nun roman\\u0131, insanl\\u0131\\u011f\\u0131n \\u0131st\\u0131rab\\u0131na kar\\u015f\\u0131 yo\\u011fun bir \\u015fefkatle dolu, ola\\u011fan\\u00fcst\\u00fc, dokunakl\\u0131, inan\\u0131\\u015flara ters d\\u00fc\\u015fen bir anlat\\u0131.\\u201d<\\\/p>\\r\\n\\r\\n<p>-James Wood, New Republic -<\\\/p>\\r\\n\\r\\n<p>\\u201cVah\\u015fi bir zek\\u00e2yla, yumu\\u015fak bir tutkuyla ve \\u015fiirsellikle ayd\\u0131nlat\\u0131lm\\u0131\\u015f.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Los Angeles ,Times Book Review-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">\\u00a0(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":5141,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":7167,\"book_id\":5141,\"locale\":\"en\",\"name\":\"The Gospel According to Jesus Christ\",\"slug\":\"the-gospel-according-to-jesus-christ\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":7166,\"book_id\":5141,\"locale\":\"tr\",\"name\":\"\\u0130sa'ya G\\u00f6re \\u0130ncil\",\"slug\":\"isaya-gore-incil\",\"sub_name\":\"\",\"description\":\"<p>Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc sahibi Jos\\u00e9 Saramago, tart\\u0131\\u015fmalara yol a\\u00e7an roman\\u0131 \\u0130sa\\u2019ya G\\u00f6re \\u0130ncil\\u2019de \\u0130sa\\u2019n\\u0131n ya\\u015fam\\u0131n\\u0131 ve H\\u0131ristiyanl\\u0131\\u011f\\u0131n hik\\u00e2yesini kutsal kitaplardaki kronolojiye sad\\u0131k kalarak, ancak farkl\\u0131 bir bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla anlat\\u0131yor. Anne rahmine d\\u00fc\\u015fmesinden ba\\u015flayarak bir \\u00e7ocuk, bir gen\\u00e7 olarak zay\\u0131fl\\u0131klar\\u0131n\\u0131, \\u00f6fkelerini, heyecanlar\\u0131n\\u0131, karars\\u0131zl\\u0131klar\\u0131n\\u0131 ve Mecdelli Meryem\\u2019le olan a\\u015fk ili\\u015fkisini roman\\u0131na yans\\u0131t\\u0131rken \\u0130sa\\u2019y\\u0131, Tanr\\u0131\\u2019n\\u0131n o\\u011flu ve bir peygamberden ziyade insan olarak g\\u00f6steriyor. \\u0130sa\\u2019n\\u0131n ve Tanr\\u0131\\u2019n\\u0131n \\u00fczerindeki kutsall\\u0131k \\u00f6rt\\u00fcs\\u00fcn\\u00fc kald\\u0131r\\u0131yor ve b\\u00f6ylelikle soru sorman\\u0131n, sorgulaman\\u0131n \\u00f6n\\u00fcn\\u00fc a\\u00e7\\u0131yor. Din ve inan\\u00e7 ad\\u0131na yap\\u0131lan \\u015fiddet dolu eylemlerle karanl\\u0131k bir mesel; \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 zenginlikleriyle ve derinlikleriyle d\\u00fcnyevi bir \\u0130ncil olan bu roman, Saramago\\u2019nun \\u00fclkesini terk etmesine yol a\\u00e7m\\u0131\\u015ft\\u0131.<\\\/p>\\r\\n\\r\\n<p>\\u201cOrijinal, vah\\u015fi ve \\u00e7ok g\\u00fczel bir kitap.\\u201d<\\\/p>\\r\\n\\r\\n<p>-John Butt, Times Literary Supplement-<\\\/p>\\r\\n\\r\\n<p>\\u201cYazar\\u0131n en iyi kitab\\u0131... Saramago\\u2019nun roman\\u0131, insanl\\u0131\\u011f\\u0131n \\u0131st\\u0131rab\\u0131na kar\\u015f\\u0131 yo\\u011fun bir \\u015fefkatle dolu, ola\\u011fan\\u00fcst\\u00fc, dokunakl\\u0131, inan\\u0131\\u015flara ters d\\u00fc\\u015fen bir anlat\\u0131.\\u201d<\\\/p>\\r\\n\\r\\n<p>-James Wood, New Republic -<\\\/p>\\r\\n\\r\\n<p>\\u201cVah\\u015fi bir zek\\u00e2yla, yumu\\u015fak bir tutkuyla ve \\u015fiirsellikle ayd\\u0131nlat\\u0131lm\\u0131\\u015f.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Los Angeles ,Times Book Review-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">&nbsp;(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Nobel Edebiyat \\u00d6d\\u00fcl\\u00fc sahibi Jos\\u00e9 Saramago, tart\\u0131\\u015fmalara yol a\\u00e7an roman\\u0131 \\u0130sa\\u2019ya G\\u00f6re \\u0130ncil\\u2019de \\u0130sa\\u2019n\\u0131n ya\\u015fam\\u0131n\\u0131 ve H\\u0131ristiyanl\\u0131\\u011f\\u0131n hik\\u00e2yesini kutsal kitaplardaki kronolojiye sad\\u0131k kalarak, ancak farkl\\u0131 bir bak\\u0131\\u015f a\\u00e7\\u0131s\\u0131yla anlat\\u0131yor. Anne rahmine d\\u00fc\\u015fmesinden ba\\u015flayarak bir \\u00e7ocuk, bir gen\\u00e7 olarak zay\\u0131fl\\u0131klar\\u0131n\\u0131, \\u00f6fkelerini, heyecanlar\\u0131n\\u0131, karars\\u0131zl\\u0131klar\\u0131n\\u0131 ve Mecdelli Meryem\\u2019le olan a\\u015fk ili\\u015fkisini roman\\u0131na yans\\u0131t\\u0131rken \\u0130sa\\u2019y\\u0131, Tanr\\u0131\\u2019n\\u0131n o\\u011flu ve bir peygamberden ziyade insan olarak g\\u00f6steriyor. \\u0130sa\\u2019n\\u0131n ve Tanr\\u0131\\u2019n\\u0131n \\u00fczerindeki kutsall\\u0131k \\u00f6rt\\u00fcs\\u00fcn\\u00fc kald\\u0131r\\u0131yor ve b\\u00f6ylelikle soru sorman\\u0131n, sorgulaman\\u0131n \\u00f6n\\u00fcn\\u00fc a\\u00e7\\u0131yor. Din ve inan\\u00e7 ad\\u0131na yap\\u0131lan \\u015fiddet dolu eylemlerle karanl\\u0131k bir mesel; \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 zenginlikleriyle ve derinlikleriyle d\\u00fcnyevi bir \\u0130ncil olan bu roman, Saramago\\u2019nun \\u00fclkesini terk etmesine yol a\\u00e7m\\u0131\\u015ft\\u0131.<\\\/p>\\r\\n\\r\\n<p>\\u201cOrijinal, vah\\u015fi ve \\u00e7ok g\\u00fczel bir kitap.\\u201d<\\\/p>\\r\\n\\r\\n<p>-John Butt, Times Literary Supplement-<\\\/p>\\r\\n\\r\\n<p>\\u201cYazar\\u0131n en iyi kitab\\u0131... Saramago\\u2019nun roman\\u0131, insanl\\u0131\\u011f\\u0131n \\u0131st\\u0131rab\\u0131na kar\\u015f\\u0131 yo\\u011fun bir \\u015fefkatle dolu, ola\\u011fan\\u00fcst\\u00fc, dokunakl\\u0131, inan\\u0131\\u015flara ters d\\u00fc\\u015fen bir anlat\\u0131.\\u201d<\\\/p>\\r\\n\\r\\n<p>-James Wood, New Republic -<\\\/p>\\r\\n\\r\\n<p>\\u201cVah\\u015fi bir zek\\u00e2yla, yumu\\u015fak bir tutkuyla ve \\u015fiirsellikle ayd\\u0131nlat\\u0131lm\\u0131\\u015f.\\u201d<\\\/p>\\r\\n\\r\\n<p>-Los Angeles ,Times Book Review-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">\\u00a0(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5142,\"user_id\":10,\"original_name\":\"A Caverna\",\"printing_date\":\"2016-01-01 16:23:37\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/a-caverna-kapak-1551965017.png\",\"image_settings\":{\"id\":5142,\"path\":\"\\\/images\\\/books\\\/2019\\\/03\\\/07\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":52313,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17343,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":7098,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":1992,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1274,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2183,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":15948,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":16778,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":6968,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1748,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":908,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":1932,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-03-07 16:23:37\",\"updated_at\":\"2019-04-10 10:59:34\",\"name\":\"Ma\\u011fara\",\"slug\":\"magara\",\"sub_name\":\"\",\"description\":\"<p style=\\\"text-align: center;\\\">Kentlerde giderek yay\\u0131lan dev al\\u0131\\u015fveri\\u015f merkezlerinin ve ya\\u015fam sitelerinin hayat\\u0131m\\u0131zda yaratt\\u0131\\u011f\\u0131 de\\u011fi\\u015fiklikler \\u00fczerine, Saramago'nun her zamanki incelikli \\u00fcslubuyla kotard\\u0131\\u011f\\u0131 bir roman, Ma\\u011fara. G\\u00fcn\\u00fcm\\u00fcz d\\u00fcnyas\\u0131n\\u0131n y\\u00fckselen trendleri olan t\\u00fcketim ve steril ya\\u015fam mek\\u00e2nlar\\u0131n\\u0131n sembol\\u00fc olan bir 'Merkez'le, basit, geleneksel ama hakiki duygularla dolu \\u00fcretken ya\\u015fam\\u0131n sembol\\u00fc ya\\u015fl\\u0131 bir \\u00e7\\u00f6mlek\\u00e7iyi kar\\u015f\\u0131 kar\\u015f\\u0131ya getiren b\\u00fcy\\u00fck usta Saramago, basit bir durumu hayranl\\u0131k uyand\\u0131ran felsefi bir alegoriye d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcyor: S\\u0131cak masals\\u0131 anlat\\u0131s\\u0131 ve sempatik karakterleri, devasa reklam kampanyalar\\u0131yla birer harikalar diyar\\u0131 olarak sunulan ya\\u015fam projelerinin insan ruhunun Platonik ma\\u011faras\\u0131ndan \\u00f6teye ge\\u00e7emeyece\\u011fini g\\u00f6steriyor.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Proust'ta oldu\\u011fu gibi, Saramago'nun c\\u00fcmlelerinden birinin i\\u00e7ine \\u00e7ekilmek de, bir dolamba\\u00e7tan bi\\u00e7im alan bir d\\u00fcnyaya \\u00e7ekilmektir.\\\" The New York Times Book Review<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Hayatta kalma m\\u00fccadelesi veren s\\u0131radan insanlara heyecanl\\u0131, muhte\\u015fem yaz\\u0131lm\\u0131\\u015f, son derece b\\u00fcy\\u00fcleyici, eski moda denebilecek kadar romantik, yer yer de \\u00e7arp\\u0131c\\u0131 bir bak\\u0131\\u015f.\\\" Book Magazine<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\">Kentlerde giderek yay\\u0131lan dev al\\u0131\\u015fveri\\u015f merkezlerinin ve ya\\u015fam sitelerinin hayat\\u0131m\\u0131zda yaratt\\u0131\\u011f\\u0131 de\\u011fi\\u015fiklikler \\u00fczerine, Saramago'nun her zamanki incelikli \\u00fcslubuyla kotard\\u0131\\u011f\\u0131 bir roman, Ma\\u011fara. G\\u00fcn\\u00fcm\\u00fcz d\\u00fcnyas\\u0131n\\u0131n y\\u00fckselen trendleri olan t\\u00fcketim ve steril ya\\u015fam mek\\u00e2nlar\\u0131n\\u0131n sembol\\u00fc olan bir 'Merkez'le, basit, geleneksel ama hakiki duygularla dolu \\u00fcretken ya\\u015fam\\u0131n sembol\\u00fc ya\\u015fl\\u0131 bir \\u00e7\\u00f6mlek\\u00e7iyi kar\\u015f\\u0131 kar\\u015f\\u0131ya getiren b\\u00fcy\\u00fck usta Saramago, basit bir durumu hayranl\\u0131k uyand\\u0131ran felsefi bir alegoriye d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcyor: S\\u0131cak masals\\u0131 anlat\\u0131s\\u0131 ve sempatik karakterleri, devasa reklam kampanyalar\\u0131yla birer harikalar diyar\\u0131 olarak sunulan ya\\u015fam projelerinin insan ruhunun Platonik ma\\u011faras\\u0131ndan \\u00f6teye ge\\u00e7emeyece\\u011fini g\\u00f6steriyor.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Proust'ta oldu\\u011fu gibi, Saramago'nun c\\u00fcmlelerinden birinin i\\u00e7ine \\u00e7ekilmek de, bir dolamba\\u00e7tan bi\\u00e7im alan bir d\\u00fcnyaya \\u00e7ekilmektir.\\\" The New York Times Book Review<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Hayatta kalma m\\u00fccadelesi veren s\\u0131radan insanlara heyecanl\\u0131, muhte\\u015fem yaz\\u0131lm\\u0131\\u015f, son derece b\\u00fcy\\u00fcleyici, eski moda denebilecek kadar romantik, yer yer de \\u00e7arp\\u0131c\\u0131 bir bak\\u0131\\u015f.\\\" Book Magazine<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":5142,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":7169,\"book_id\":5142,\"locale\":\"en\",\"name\":\"The Cave\",\"slug\":\"the-cave\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":7168,\"book_id\":5142,\"locale\":\"tr\",\"name\":\"Ma\\u011fara\",\"slug\":\"magara\",\"sub_name\":\"\",\"description\":\"<p style=\\\"text-align: center;\\\">Kentlerde giderek yay\\u0131lan dev al\\u0131\\u015fveri\\u015f merkezlerinin ve ya\\u015fam sitelerinin hayat\\u0131m\\u0131zda yaratt\\u0131\\u011f\\u0131 de\\u011fi\\u015fiklikler \\u00fczerine, Saramago'nun her zamanki incelikli \\u00fcslubuyla kotard\\u0131\\u011f\\u0131 bir roman, Ma\\u011fara. G\\u00fcn\\u00fcm\\u00fcz d\\u00fcnyas\\u0131n\\u0131n y\\u00fckselen trendleri olan t\\u00fcketim ve steril ya\\u015fam mek\\u00e2nlar\\u0131n\\u0131n sembol\\u00fc olan bir 'Merkez'le, basit, geleneksel ama hakiki duygularla dolu \\u00fcretken ya\\u015fam\\u0131n sembol\\u00fc ya\\u015fl\\u0131 bir \\u00e7\\u00f6mlek\\u00e7iyi kar\\u015f\\u0131 kar\\u015f\\u0131ya getiren b\\u00fcy\\u00fck usta Saramago, basit bir durumu hayranl\\u0131k uyand\\u0131ran felsefi bir alegoriye d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcyor: S\\u0131cak masals\\u0131 anlat\\u0131s\\u0131 ve sempatik karakterleri, devasa reklam kampanyalar\\u0131yla birer harikalar diyar\\u0131 olarak sunulan ya\\u015fam projelerinin insan ruhunun Platonik ma\\u011faras\\u0131ndan \\u00f6teye ge\\u00e7emeyece\\u011fini g\\u00f6steriyor.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Proust'ta oldu\\u011fu gibi, Saramago'nun c\\u00fcmlelerinden birinin i\\u00e7ine \\u00e7ekilmek de, bir dolamba\\u00e7tan bi\\u00e7im alan bir d\\u00fcnyaya \\u00e7ekilmektir.\\\" The New York Times Book Review<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Hayatta kalma m\\u00fccadelesi veren s\\u0131radan insanlara heyecanl\\u0131, muhte\\u015fem yaz\\u0131lm\\u0131\\u015f, son derece b\\u00fcy\\u00fcleyici, eski moda denebilecek kadar romantik, yer yer de \\u00e7arp\\u0131c\\u0131 bir bak\\u0131\\u015f.\\\" Book Magazine<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\">Kentlerde giderek yay\\u0131lan dev al\\u0131\\u015fveri\\u015f merkezlerinin ve ya\\u015fam sitelerinin hayat\\u0131m\\u0131zda yaratt\\u0131\\u011f\\u0131 de\\u011fi\\u015fiklikler \\u00fczerine, Saramago'nun her zamanki incelikli \\u00fcslubuyla kotard\\u0131\\u011f\\u0131 bir roman, Ma\\u011fara. G\\u00fcn\\u00fcm\\u00fcz d\\u00fcnyas\\u0131n\\u0131n y\\u00fckselen trendleri olan t\\u00fcketim ve steril ya\\u015fam mek\\u00e2nlar\\u0131n\\u0131n sembol\\u00fc olan bir 'Merkez'le, basit, geleneksel ama hakiki duygularla dolu \\u00fcretken ya\\u015fam\\u0131n sembol\\u00fc ya\\u015fl\\u0131 bir \\u00e7\\u00f6mlek\\u00e7iyi kar\\u015f\\u0131 kar\\u015f\\u0131ya getiren b\\u00fcy\\u00fck usta Saramago, basit bir durumu hayranl\\u0131k uyand\\u0131ran felsefi bir alegoriye d\\u00f6n\\u00fc\\u015ft\\u00fcr\\u00fcyor: S\\u0131cak masals\\u0131 anlat\\u0131s\\u0131 ve sempatik karakterleri, devasa reklam kampanyalar\\u0131yla birer harikalar diyar\\u0131 olarak sunulan ya\\u015fam projelerinin insan ruhunun Platonik ma\\u011faras\\u0131ndan \\u00f6teye ge\\u00e7emeyece\\u011fini g\\u00f6steriyor.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Proust'ta oldu\\u011fu gibi, Saramago'nun c\\u00fcmlelerinden birinin i\\u00e7ine \\u00e7ekilmek de, bir dolamba\\u00e7tan bi\\u00e7im alan bir d\\u00fcnyaya \\u00e7ekilmektir.\\\" The New York Times Book Review<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Hayatta kalma m\\u00fccadelesi veren s\\u0131radan insanlara heyecanl\\u0131, muhte\\u015fem yaz\\u0131lm\\u0131\\u015f, son derece b\\u00fcy\\u00fcleyici, eski moda denebilecek kadar romantik, yer yer de \\u00e7arp\\u0131c\\u0131 bir bak\\u0131\\u015f.\\\" Book Magazine<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5143,\"user_id\":10,\"original_name\":\"Historia do cerco de Lisboa\",\"printing_date\":\"2016-01-01 16:28:46\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/historia-do-cerco-de-lisboa-kapak-1551965326.png\",\"image_settings\":{\"id\":5143,\"path\":\"\\\/images\\\/books\\\/2019\\\/03\\\/07\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":52564,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":20540,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":8079,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2113,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1309,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2563,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":18364,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":19480,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7688,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1898,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":902,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2376,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-03-07 16:28:46\",\"updated_at\":\"2019-04-10 10:59:35\",\"name\":\"Lizbon Ku\\u015fatmas\\u0131n\\u0131n Tarihi\",\"slug\":\"lizbon-kusatmasinin-tarihi\",\"sub_name\":\"\",\"description\":\"<p style=\\\"text-align: center;\\\">D\\u00fczeltmen Raimundo Silva, \\u00fczerinde \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131 tarih kitab\\u0131n\\u0131n bir c\\u00fcmlesini de\\u011fi\\u015ftirir. Olumsuzluk tak\\u0131s\\u0131 ekledi\\u011fi fiil, 1147 y\\u0131l\\u0131nda ger\\u00e7ekle\\u015fen Lizbon Ku\\u015fatmas\\u0131'n\\u0131n tarihini t\\u00fcm\\u00fcyle alt\\u00fcst eder. Metinde bile isteye yapt\\u0131\\u011f\\u0131 bu hata, g\\u00f6reve yeni atanan yay\\u0131n koordinat\\u00f6r\\u00fc Maria Sara'n\\u0131n dikkatini \\u00e7eker. Merak\\u0131 kam\\u00e7\\u0131lanan Sara, d\\u00fczeltmene alternatif bir tarihsel roman yazmas\\u0131n\\u0131 \\u00f6nerir. Raimundo Silva sonu belli bu tarihsel olay\\u0131 bamba\\u015fka g\\u00f6zlerle anlatan kurmaca bir metin in\\u015fa ederken, yay\\u0131n koordinat\\u00f6r\\u00fc Maria Sara'yla ba\\u015flayan tutkulu ili\\u015fkisi roman kahramanlar\\u0131n\\u0131n \\u00f6yk\\u00fcs\\u00fcne yans\\u0131r. Jos\\u00e9 Saramago'nun kaleminden bir ku\\u015fatman\\u0131n, ku\\u015fatmaya d\\u00f6n\\u00fc\\u015fen bir a\\u015fk\\u0131n hik\\u00e2yesinin anlat\\u0131ld\\u0131\\u011f\\u0131, Lizbon'un d\\u00fcn\\u00fcyle bug\\u00fcn\\u00fcn\\u00fcn i\\u00e7 i\\u00e7e ge\\u00e7ti\\u011fi gizemli bir roman.<br \\\/>\\r\\n<br \\\/>\\r\\nTarih yaz\\u0131m\\u0131, yarat\\u0131c\\u0131l\\u0131k ve \\\"tarihin i\\u00e7ine yerle\\u015ftirilmi\\u015f \\u00f6yk\\u00fcler\\\" \\u00fczerine derin bir d\\u00fc\\u015f\\u00fcn\\u00fc\\u015f\\u00fcn \\u00fcr\\u00fcn\\u00fc olan Lizbon Ku\\u015fatmas\\u0131n\\u0131n Tarihi, ilk kez Portekizce \\u00f6zg\\u00fcn metinden yap\\u0131lan titiz \\u00e7evirisiyle okurlarla bulu\\u015fuyor.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Bu ba\\u015fd\\u00f6nd\\u00fcr\\u00fcc\\u00fc masal, tarihin, dilin ve hayal g\\u00fcc\\u00fcn\\u00fcn s\\u0131n\\u0131rlar\\u0131nda gezinen e\\u011flenceli bir ha\\u015far\\u0131l\\u0131k \\u00f6rne\\u011fi.\\\"<br \\\/>\\r\\n-Publishers Weekly-<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\">D\\u00fczeltmen Raimundo Silva, \\u00fczerinde \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131 tarih kitab\\u0131n\\u0131n bir c\\u00fcmlesini de\\u011fi\\u015ftirir. Olumsuzluk tak\\u0131s\\u0131 ekledi\\u011fi fiil, 1147 y\\u0131l\\u0131nda ger\\u00e7ekle\\u015fen Lizbon Ku\\u015fatmas\\u0131'n\\u0131n tarihini t\\u00fcm\\u00fcyle alt\\u00fcst eder. Metinde bile isteye yapt\\u0131\\u011f\\u0131 bu hata, g\\u00f6reve yeni atanan yay\\u0131n koordinat\\u00f6r\\u00fc Maria Sara'n\\u0131n dikkatini \\u00e7eker. Merak\\u0131 kam\\u00e7\\u0131lanan Sara, d\\u00fczeltmene alternatif bir tarihsel roman yazmas\\u0131n\\u0131 \\u00f6nerir. Raimundo Silva sonu belli bu tarihsel olay\\u0131 bamba\\u015fka g\\u00f6zlerle anlatan kurmaca bir metin in\\u015fa ederken, yay\\u0131n koordinat\\u00f6r\\u00fc Maria Sara'yla ba\\u015flayan tutkulu ili\\u015fkisi roman kahramanlar\\u0131n\\u0131n \\u00f6yk\\u00fcs\\u00fcne yans\\u0131r. Jos\\u00e9 Saramago'nun kaleminden bir ku\\u015fatman\\u0131n, ku\\u015fatmaya d\\u00f6n\\u00fc\\u015fen bir a\\u015fk\\u0131n hik\\u00e2yesinin anlat\\u0131ld\\u0131\\u011f\\u0131, Lizbon'un d\\u00fcn\\u00fcyle bug\\u00fcn\\u00fcn\\u00fcn i\\u00e7 i\\u00e7e ge\\u00e7ti\\u011fi gizemli bir roman.<br \\\/>\\r\\n<br \\\/>\\r\\nTarih yaz\\u0131m\\u0131, yarat\\u0131c\\u0131l\\u0131k ve \\\"tarihin i\\u00e7ine yerle\\u015ftirilmi\\u015f \\u00f6yk\\u00fcler\\\" \\u00fczerine derin bir d\\u00fc\\u015f\\u00fcn\\u00fc\\u015f\\u00fcn \\u00fcr\\u00fcn\\u00fc olan Lizbon Ku\\u015fatmas\\u0131n\\u0131n Tarihi, ilk kez Portekizce \\u00f6zg\\u00fcn metinden yap\\u0131lan titiz \\u00e7evirisiyle okurlarla bulu\\u015fuyor.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Bu ba\\u015fd\\u00f6nd\\u00fcr\\u00fcc\\u00fc masal, tarihin, dilin ve hayal g\\u00fcc\\u00fcn\\u00fcn s\\u0131n\\u0131rlar\\u0131nda gezinen e\\u011flenceli bir ha\\u015far\\u0131l\\u0131k \\u00f6rne\\u011fi.\\\"<br \\\/>\\r\\n-Publishers Weekly-<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":5143,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":7171,\"book_id\":5143,\"locale\":\"en\",\"name\":\"The History of the Siege of Lisbon\",\"slug\":\"the-history-of-the-siege-of-lisbon\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":7170,\"book_id\":5143,\"locale\":\"tr\",\"name\":\"Lizbon Ku\\u015fatmas\\u0131n\\u0131n Tarihi\",\"slug\":\"lizbon-kusatmasinin-tarihi\",\"sub_name\":\"\",\"description\":\"<p style=\\\"text-align: center;\\\">D\\u00fczeltmen Raimundo Silva, \\u00fczerinde \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131 tarih kitab\\u0131n\\u0131n bir c\\u00fcmlesini de\\u011fi\\u015ftirir. Olumsuzluk tak\\u0131s\\u0131 ekledi\\u011fi fiil, 1147 y\\u0131l\\u0131nda ger\\u00e7ekle\\u015fen Lizbon Ku\\u015fatmas\\u0131'n\\u0131n tarihini t\\u00fcm\\u00fcyle alt\\u00fcst eder. Metinde bile isteye yapt\\u0131\\u011f\\u0131 bu hata, g\\u00f6reve yeni atanan yay\\u0131n koordinat\\u00f6r\\u00fc Maria Sara'n\\u0131n dikkatini \\u00e7eker. Merak\\u0131 kam\\u00e7\\u0131lanan Sara, d\\u00fczeltmene alternatif bir tarihsel roman yazmas\\u0131n\\u0131 \\u00f6nerir. Raimundo Silva sonu belli bu tarihsel olay\\u0131 bamba\\u015fka g\\u00f6zlerle anlatan kurmaca bir metin in\\u015fa ederken, yay\\u0131n koordinat\\u00f6r\\u00fc Maria Sara'yla ba\\u015flayan tutkulu ili\\u015fkisi roman kahramanlar\\u0131n\\u0131n \\u00f6yk\\u00fcs\\u00fcne yans\\u0131r. Jos\\u00e9 Saramago'nun kaleminden bir ku\\u015fatman\\u0131n, ku\\u015fatmaya d\\u00f6n\\u00fc\\u015fen bir a\\u015fk\\u0131n hik\\u00e2yesinin anlat\\u0131ld\\u0131\\u011f\\u0131, Lizbon'un d\\u00fcn\\u00fcyle bug\\u00fcn\\u00fcn\\u00fcn i\\u00e7 i\\u00e7e ge\\u00e7ti\\u011fi gizemli bir roman.<br \\\/>\\r\\n<br \\\/>\\r\\nTarih yaz\\u0131m\\u0131, yarat\\u0131c\\u0131l\\u0131k ve \\\"tarihin i\\u00e7ine yerle\\u015ftirilmi\\u015f \\u00f6yk\\u00fcler\\\" \\u00fczerine derin bir d\\u00fc\\u015f\\u00fcn\\u00fc\\u015f\\u00fcn \\u00fcr\\u00fcn\\u00fc olan Lizbon Ku\\u015fatmas\\u0131n\\u0131n Tarihi, ilk kez Portekizce \\u00f6zg\\u00fcn metinden yap\\u0131lan titiz \\u00e7evirisiyle okurlarla bulu\\u015fuyor.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Bu ba\\u015fd\\u00f6nd\\u00fcr\\u00fcc\\u00fc masal, tarihin, dilin ve hayal g\\u00fcc\\u00fcn\\u00fcn s\\u0131n\\u0131rlar\\u0131nda gezinen e\\u011flenceli bir ha\\u015far\\u0131l\\u0131k \\u00f6rne\\u011fi.\\\"<br \\\/>\\r\\n-Publishers Weekly-<br \\\/>\\r\\n(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p style=\\\"text-align: center;\\\">D\\u00fczeltmen Raimundo Silva, \\u00fczerinde \\u00e7al\\u0131\\u015ft\\u0131\\u011f\\u0131 tarih kitab\\u0131n\\u0131n bir c\\u00fcmlesini de\\u011fi\\u015ftirir. Olumsuzluk tak\\u0131s\\u0131 ekledi\\u011fi fiil, 1147 y\\u0131l\\u0131nda ger\\u00e7ekle\\u015fen Lizbon Ku\\u015fatmas\\u0131'n\\u0131n tarihini t\\u00fcm\\u00fcyle alt\\u00fcst eder. Metinde bile isteye yapt\\u0131\\u011f\\u0131 bu hata, g\\u00f6reve yeni atanan yay\\u0131n koordinat\\u00f6r\\u00fc Maria Sara'n\\u0131n dikkatini \\u00e7eker. Merak\\u0131 kam\\u00e7\\u0131lanan Sara, d\\u00fczeltmene alternatif bir tarihsel roman yazmas\\u0131n\\u0131 \\u00f6nerir. Raimundo Silva sonu belli bu tarihsel olay\\u0131 bamba\\u015fka g\\u00f6zlerle anlatan kurmaca bir metin in\\u015fa ederken, yay\\u0131n koordinat\\u00f6r\\u00fc Maria Sara'yla ba\\u015flayan tutkulu ili\\u015fkisi roman kahramanlar\\u0131n\\u0131n \\u00f6yk\\u00fcs\\u00fcne yans\\u0131r. Jos\\u00e9 Saramago'nun kaleminden bir ku\\u015fatman\\u0131n, ku\\u015fatmaya d\\u00f6n\\u00fc\\u015fen bir a\\u015fk\\u0131n hik\\u00e2yesinin anlat\\u0131ld\\u0131\\u011f\\u0131, Lizbon'un d\\u00fcn\\u00fcyle bug\\u00fcn\\u00fcn\\u00fcn i\\u00e7 i\\u00e7e ge\\u00e7ti\\u011fi gizemli bir roman.<br \\\/>\\r\\n<br \\\/>\\r\\nTarih yaz\\u0131m\\u0131, yarat\\u0131c\\u0131l\\u0131k ve \\\"tarihin i\\u00e7ine yerle\\u015ftirilmi\\u015f \\u00f6yk\\u00fcler\\\" \\u00fczerine derin bir d\\u00fc\\u015f\\u00fcn\\u00fc\\u015f\\u00fcn \\u00fcr\\u00fcn\\u00fc olan Lizbon Ku\\u015fatmas\\u0131n\\u0131n Tarihi, ilk kez Portekizce \\u00f6zg\\u00fcn metinden yap\\u0131lan titiz \\u00e7evirisiyle okurlarla bulu\\u015fuyor.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Bu ba\\u015fd\\u00f6nd\\u00fcr\\u00fcc\\u00fc masal, tarihin, dilin ve hayal g\\u00fcc\\u00fcn\\u00fcn s\\u0131n\\u0131rlar\\u0131nda gezinen e\\u011flenceli bir ha\\u015far\\u0131l\\u0131k \\u00f6rne\\u011fi.\\\"<br \\\/>\\r\\n-Publishers Weekly-<br 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Ecnebi, naif bir sempati, tuhaf insanl\\u0131k dersleri ile \\u00e7\\u0131lg\\u0131n d\\u00fc\\u015flerin ve u\\u00e7urumlardan d\\u00fc\\u015f\\u00fc\\u015flerin harman\\u0131 bir ders kitab\\u0131.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Ayhan Sicimo\\u011flu<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":5480,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":7767,\"book_id\":5480,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":7766,\"book_id\":5480,\"locale\":\"tr\",\"name\":\"Ecnebi \\u015eeref'in Do\\u011fu\\u015fu\",\"slug\":\"ecnebi-serefin-dogusu\",\"sub_name\":\"\",\"description\":\"<p>D\\u00fcnyaca \\u00fcnl\\u00fc k\\u00e2hin Baldemar Dagoberto\\u2019nun T\\u00fcrkiye\\u2019yi ve d\\u00fcnyay\\u0131 ilgilendiren kehanetleri nelerdi?<br \\\/>\\r\\n28 Ocak 1986\\u2019da Tokat\\u2019ta neler ya\\u015fand\\u0131?<br \\\/>\\r\\nGurbet\\u00e7i Nebi\\u2019nin kar\\u015f\\u0131s\\u0131na \\u00e7\\u0131kan i\\u015faretlerin anlam\\u0131 neydi?<br \\\/>\\r\\nBu i\\u015faretlerin bug\\u00fcne etkileri neler oldu?<br \\\/>\\r\\nBehiye, Hac\\u0131 Vasfi, Basri, G\\u00fclfidan, K\\u00f6r Necip, Nebi, L\\u00fctf\\u00fc, Mestan, Asile, Lalik, Manu\\u015fak, Papaz Dimitri, Teslime, B\\u00fclent Ecevit ve S\\u00fcleyman Demirel\\u2019i ayn\\u0131 hik\\u00e2yede bir araya getiren kader neyle a\\u00e7\\u0131klanabilir?<br \\\/>\\r\\nMacera, \\u015eeref\\u2019in do\\u011fu\\u015fuyla ba\\u015fl\\u0131yor!<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u015eeref D\\u00fczyatanlar, hayal \\u00e2lemleri kap\\u0131lar\\u0131n\\u0131n mente\\u015felerini s\\u00f6k\\u00fcyor. Ecnebi, naif bir sempati, tuhaf insanl\\u0131k dersleri ile \\u00e7\\u0131lg\\u0131n d\\u00fc\\u015flerin ve u\\u00e7urumlardan d\\u00fc\\u015f\\u00fc\\u015flerin harman\\u0131 bir ders kitab\\u0131.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Ayhan Sicimo\\u011flu<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>D\\u00fcnyaca \\u00fcnl\\u00fc k\\u00e2hin Baldemar Dagoberto\\u2019nun T\\u00fcrkiye\\u2019yi ve d\\u00fcnyay\\u0131 ilgilendiren kehanetleri nelerdi?<br \\\/>\\r\\n28 Ocak 1986\\u2019da Tokat\\u2019ta neler ya\\u015fand\\u0131?<br \\\/>\\r\\nGurbet\\u00e7i Nebi\\u2019nin kar\\u015f\\u0131s\\u0131na \\u00e7\\u0131kan i\\u015faretlerin anlam\\u0131 neydi?<br \\\/>\\r\\nBu i\\u015faretlerin bug\\u00fcne etkileri neler oldu?<br \\\/>\\r\\nBehiye, Hac\\u0131 Vasfi, Basri, G\\u00fclfidan, K\\u00f6r Necip, Nebi, L\\u00fctf\\u00fc, Mestan, Asile, Lalik, Manu\\u015fak, Papaz Dimitri, Teslime, B\\u00fclent Ecevit ve S\\u00fcleyman Demirel\\u2019i ayn\\u0131 hik\\u00e2yede bir araya getiren kader neyle a\\u00e7\\u0131klanabilir?<br \\\/>\\r\\nMacera, \\u015eeref\\u2019in do\\u011fu\\u015fuyla ba\\u015fl\\u0131yor!<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u015eeref D\\u00fczyatanlar, hayal \\u00e2lemleri kap\\u0131lar\\u0131n\\u0131n mente\\u015felerini s\\u00f6k\\u00fcyor. Ecnebi, naif bir sempati, tuhaf insanl\\u0131k dersleri ile \\u00e7\\u0131lg\\u0131n d\\u00fc\\u015flerin ve u\\u00e7urumlardan d\\u00fc\\u015f\\u00fc\\u015flerin harman\\u0131 bir ders kitab\\u0131.\\u201d<\\\/p>\\r\\n\\r\\n<p>- Ayhan Sicimo\\u011flu<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5557,\"user_id\":10,\"original_name\":\"Sevgili\",\"printing_date\":\"2017-01-01 16:30:01\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/sevgili-kapak-1561123801.png\",\"image_settings\":{\"id\":5557,\"path\":\"\\\/images\\\/books\\\/2019\\\/06\\\/21\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":184472,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":39476,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":15421,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3544,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1983,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3904,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":26948,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":26948,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":10566,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2262,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1094,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2460,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-06-21 16:30:01\",\"updated_at\":\"2019-06-21 16:30:01\",\"name\":\"Sevgili\",\"slug\":\"sevgili\",\"sub_name\":\"\",\"description\":\"<p>\\u201cArkada\\u015flar! D\\u0131\\u015farda bir \\u015feyler oluyor, fark\\u0131nda m\\u0131s\\u0131n\\u0131z? Uykuda olanlar\\u0131 sars\\u0131n, uyand\\u0131r\\u0131n. Herkese s\\u00f6yleyin, yak\\u0131nda \\u0131\\u015f\\u0131klar kesilebilir. Karanl\\u0131kta ne yapacaks\\u0131n\\u0131z?\\u201d<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>-Y\\u0131lmaz G\\u00fcney-<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>I\\u015f\\u0131klar her s\\u00f6nd\\u00fc\\u011f\\u00fcnde beyazperdede inat\\u00e7\\u0131 bir umut yaratan, karanl\\u0131klar\\u0131 ayd\\u0131nl\\u0131\\u011fa \\u00e7\\u0131kartmak i\\u00e7in topluma bir \\u00e7ift asi g\\u00f6z arma\\u011fan eden, halk\\u0131n sevgilisi haline gelmi\\u015f devrimci bir sanat\\u00e7\\u0131... T\\u00fcrkiye\\u2019nin, bug\\u00fcnlere nas\\u0131l geldi\\u011fimizi g\\u00f6steren \\u00e7alkant\\u0131l\\u0131 bir d\\u00f6nemi... \\u00d6zg\\u00fcrce yaratma ve var olma sava\\u015f\\u0131 veren ayk\\u0131r\\u0131 sinema adam\\u0131n\\u0131n, \\u00fclkesinin \\u00e7etin ger\\u00e7ekleriyle, ad\\u0131m ad\\u0131m ilerleyen trajik ama onurlu bir \\u00e7at\\u0131\\u015fmaya s\\u00fcr\\u00fckleni\\u015fi... Ve bu unutulmam\\u0131\\u015f ser\\u00fcveni ayn\\u0131 inat\\u00e7\\u0131 umutla, ayn\\u0131 asi sadakatle ta\\u00e7land\\u0131ran b\\u00fcy\\u00fck bir a\\u015fk... Sevgili, ger\\u00e7ek ki\\u015filere fakat edebi kurguya dayal\\u0131, ac\\u0131 bir umudun ve yal\\u0131n sevginin roman\\u0131.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cArkada\\u015flar! D\\u0131\\u015farda bir \\u015feyler oluyor, fark\\u0131nda m\\u0131s\\u0131n\\u0131z? Uykuda olanlar\\u0131 sars\\u0131n, uyand\\u0131r\\u0131n. Herkese s\\u00f6yleyin, yak\\u0131nda \\u0131\\u015f\\u0131klar kesilebilir. Karanl\\u0131kta ne yapacaks\\u0131n\\u0131z?\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>-Y\\u0131lmaz G\\u00fcney-<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>I\\u015f\\u0131klar her s\\u00f6nd\\u00fc\\u011f\\u00fcnde beyazperdede inat\\u00e7\\u0131 bir umut yaratan, karanl\\u0131klar\\u0131 ayd\\u0131nl\\u0131\\u011fa \\u00e7\\u0131kartmak i\\u00e7in topluma bir \\u00e7ift asi g\\u00f6z arma\\u011fan eden, halk\\u0131n sevgilisi haline gelmi\\u015f devrimci bir sanat\\u00e7\\u0131... T\\u00fcrkiye\\u2019nin, bug\\u00fcnlere nas\\u0131l geldi\\u011fimizi g\\u00f6steren \\u00e7alkant\\u0131l\\u0131 bir d\\u00f6nemi... \\u00d6zg\\u00fcrce yaratma ve var olma sava\\u015f\\u0131 veren ayk\\u0131r\\u0131 sinema adam\\u0131n\\u0131n, \\u00fclkesinin \\u00e7etin ger\\u00e7ekleriyle, ad\\u0131m ad\\u0131m ilerleyen trajik ama onurlu bir \\u00e7at\\u0131\\u015fmaya s\\u00fcr\\u00fckleni\\u015fi... Ve bu unutulmam\\u0131\\u015f ser\\u00fcveni ayn\\u0131 inat\\u00e7\\u0131 umutla, ayn\\u0131 asi sadakatle ta\\u00e7land\\u0131ran b\\u00fcy\\u00fck bir a\\u015fk... Sevgili, ger\\u00e7ek ki\\u015filere fakat edebi kurguya dayal\\u0131, ac\\u0131 bir umudun ve yal\\u0131n sevginin roman\\u0131.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":5557,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":7921,\"book_id\":5557,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":7920,\"book_id\":5557,\"locale\":\"tr\",\"name\":\"Sevgili\",\"slug\":\"sevgili\",\"sub_name\":\"\",\"description\":\"<p>\\u201cArkada\\u015flar! D\\u0131\\u015farda bir \\u015feyler oluyor, fark\\u0131nda m\\u0131s\\u0131n\\u0131z? Uykuda olanlar\\u0131 sars\\u0131n, uyand\\u0131r\\u0131n. Herkese s\\u00f6yleyin, yak\\u0131nda \\u0131\\u015f\\u0131klar kesilebilir. Karanl\\u0131kta ne yapacaks\\u0131n\\u0131z?\\u201d<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>-Y\\u0131lmaz G\\u00fcney-<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>I\\u015f\\u0131klar her s\\u00f6nd\\u00fc\\u011f\\u00fcnde beyazperdede inat\\u00e7\\u0131 bir umut yaratan, karanl\\u0131klar\\u0131 ayd\\u0131nl\\u0131\\u011fa \\u00e7\\u0131kartmak i\\u00e7in topluma bir \\u00e7ift asi g\\u00f6z arma\\u011fan eden, halk\\u0131n sevgilisi haline gelmi\\u015f devrimci bir sanat\\u00e7\\u0131... T\\u00fcrkiye\\u2019nin, bug\\u00fcnlere nas\\u0131l geldi\\u011fimizi g\\u00f6steren \\u00e7alkant\\u0131l\\u0131 bir d\\u00f6nemi... \\u00d6zg\\u00fcrce yaratma ve var olma sava\\u015f\\u0131 veren ayk\\u0131r\\u0131 sinema adam\\u0131n\\u0131n, \\u00fclkesinin \\u00e7etin ger\\u00e7ekleriyle, ad\\u0131m ad\\u0131m ilerleyen trajik ama onurlu bir \\u00e7at\\u0131\\u015fmaya s\\u00fcr\\u00fckleni\\u015fi... Ve bu unutulmam\\u0131\\u015f ser\\u00fcveni ayn\\u0131 inat\\u00e7\\u0131 umutla, ayn\\u0131 asi sadakatle ta\\u00e7land\\u0131ran b\\u00fcy\\u00fck bir a\\u015fk... Sevgili, ger\\u00e7ek ki\\u015filere fakat edebi kurguya dayal\\u0131, ac\\u0131 bir umudun ve yal\\u0131n sevginin roman\\u0131.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cArkada\\u015flar! D\\u0131\\u015farda bir \\u015feyler oluyor, fark\\u0131nda m\\u0131s\\u0131n\\u0131z? Uykuda olanlar\\u0131 sars\\u0131n, uyand\\u0131r\\u0131n. Herkese s\\u00f6yleyin, yak\\u0131nda \\u0131\\u015f\\u0131klar kesilebilir. Karanl\\u0131kta ne yapacaks\\u0131n\\u0131z?\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>-Y\\u0131lmaz G\\u00fcney-<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>I\\u015f\\u0131klar her s\\u00f6nd\\u00fc\\u011f\\u00fcnde beyazperdede inat\\u00e7\\u0131 bir umut yaratan, karanl\\u0131klar\\u0131 ayd\\u0131nl\\u0131\\u011fa \\u00e7\\u0131kartmak i\\u00e7in topluma bir \\u00e7ift asi g\\u00f6z arma\\u011fan eden, halk\\u0131n sevgilisi haline gelmi\\u015f devrimci bir sanat\\u00e7\\u0131... T\\u00fcrkiye\\u2019nin, bug\\u00fcnlere nas\\u0131l geldi\\u011fimizi g\\u00f6steren \\u00e7alkant\\u0131l\\u0131 bir d\\u00f6nemi... \\u00d6zg\\u00fcrce yaratma ve var olma sava\\u015f\\u0131 veren ayk\\u0131r\\u0131 sinema adam\\u0131n\\u0131n, \\u00fclkesinin \\u00e7etin ger\\u00e7ekleriyle, ad\\u0131m ad\\u0131m ilerleyen trajik ama onurlu bir \\u00e7at\\u0131\\u015fmaya s\\u00fcr\\u00fckleni\\u015fi... Ve bu unutulmam\\u0131\\u015f ser\\u00fcveni ayn\\u0131 inat\\u00e7\\u0131 umutla, ayn\\u0131 asi sadakatle ta\\u00e7land\\u0131ran b\\u00fcy\\u00fck bir a\\u015fk... Sevgili, ger\\u00e7ek ki\\u015filere fakat edebi kurguya dayal\\u0131, ac\\u0131 bir umudun ve yal\\u0131n sevginin roman\\u0131.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":5574,\"user_id\":10,\"original_name\":\"Cebelavi Soka\\u011f\\u0131'n\\u0131n \\u00c7ocuklar\\u0131\",\"printing_date\":\"2019-03-18 20:02:41\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/cebelavi-sokaginin-cocuklari-kapak-1561482161.png\",\"image_settings\":{\"id\":5574,\"path\":\"\\\/images\\\/books\\\/2019\\\/06\\\/25\\\/20\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":226196,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":51411,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":19848,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3974,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2178,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4617,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":37180,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":37180,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":14330,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2660,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1252,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3052,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-06-25 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Portre bir t\\u00fcrl\\u00fc istedi\\u011fi sonucu vermeyince, b\\u00fcy\\u00fck ressamlar\\u0131n tablolar\\u0131ndan esinlenmek i\\u00e7in \\u0130talya'ya gider. Tam bu s\\u0131rada arkada\\u015f\\u0131, Salazar rejiminin gizli polisi taraf\\u0131ndan tutuklan\\u0131r.<br \\\/>\\r\\nResim, cinsellik ve siyaset \\u00fc\\u00e7geni i\\u00e7inde hayat\\u0131n\\u0131 sorgulayan bir ressam\\u0131n kendi dilinden hik\\u00e2yesi. 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11:53:36\",\"updated_at\":\"2020-01-23 03:30:13\",\"name\":\"Heykelden Ta\\u015fa ve Nobel Konu\\u015fmas\\u0131\",\"slug\":\"heykelden-tasa-ve-nobel-konusmasi\",\"sub_name\":\"\",\"description\":\"<p>Heykelden ta\\u015fa. Saramago\\u2019nun y\\u0131llar sonra kendi yaz\\u0131n\\u0131 ve zanaat\\u0131na d\\u00f6n\\u00fcp bakt\\u0131\\u011f\\u0131nda g\\u00f6rd\\u00fc\\u011f\\u00fc seyrin veciz bir e\\u011fretilemesi. Saramago severlerin, okuduklar\\u0131 kitaplar\\u0131 yerli yerine oturtabilece\\u011fi bir \\u00e7er\\u00e7eve ya da bir izlek \\u00f6nerisi de diyebiliriz.<\\\/p>\\r\\n\\r\\n<p>Bu kitap Saramago\\u2019nun 1998\\u2019de Torino \\u00dcniversitesi\\u2019nde yapt\\u0131\\u011f\\u0131 \\u201cHeykelden Ta\\u015fa\\u201d adl\\u0131 konu\\u015fmay\\u0131 yine ayn\\u0131 y\\u0131l \\u0130sve\\u00e7 Akademisi \\u00f6n\\u00fcnde ger\\u00e7ekle\\u015ftirdi\\u011fi Nobel Konu\\u015fmas\\u0131 ile birle\\u015ftirirken, e\\u015fi Pilar\\u2019\\u0131n ba\\u015fl\\u0131\\u011f\\u0131n \\u00f6yk\\u00fcs\\u00fcn\\u00fc anlatt\\u0131\\u011f\\u0131 sunu\\u015fu, Fernando G\\u00f3mez Aguilera\\u2019n\\u0131n derinlikli analizi, yazar\\u0131n kendi eliyle kaleme ald\\u0131\\u011f\\u0131 otobiyografisi ve en sondaki alb\\u00fcmle birlikte d\\u00f6rt ba\\u015f\\u0131 mamur<br \\\/>\\r\\nbir Saramago haritas\\u0131 \\u00e7\\u0131kar\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Heykelden ta\\u015fa. Saramago\\u2019nun y\\u0131llar sonra kendi yaz\\u0131n\\u0131 ve zanaat\\u0131na d\\u00f6n\\u00fcp bakt\\u0131\\u011f\\u0131nda g\\u00f6rd\\u00fc\\u011f\\u00fc seyrin veciz bir e\\u011fretilemesi. Saramago severlerin, okuduklar\\u0131 kitaplar\\u0131 yerli yerine oturtabilece\\u011fi bir \\u00e7er\\u00e7eve ya da bir izlek \\u00f6nerisi de diyebiliriz.<\\\/p>\\r\\n\\r\\n<p>Bu kitap Saramago\\u2019nun 1998\\u2019de Torino \\u00dcniversitesi\\u2019nde yapt\\u0131\\u011f\\u0131 \\u201cHeykelden Ta\\u015fa\\u201d adl\\u0131 konu\\u015fmay\\u0131 yine ayn\\u0131 y\\u0131l \\u0130sve\\u00e7 Akademisi \\u00f6n\\u00fcnde ger\\u00e7ekle\\u015ftirdi\\u011fi Nobel Konu\\u015fmas\\u0131 ile birle\\u015ftirirken, e\\u015fi Pilar\\u2019\\u0131n ba\\u015fl\\u0131\\u011f\\u0131n \\u00f6yk\\u00fcs\\u00fcn\\u00fc anlatt\\u0131\\u011f\\u0131 sunu\\u015fu, Fernando G\\u00f3mez Aguilera\\u2019n\\u0131n derinlikli analizi, yazar\\u0131n kendi eliyle kaleme ald\\u0131\\u011f\\u0131 otobiyografisi ve en sondaki alb\\u00fcmle birlikte d\\u00f6rt ba\\u015f\\u0131 mamur<br \\\/>\\r\\nbir Saramago haritas\\u0131 \\u00e7\\u0131kar\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":5862,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8532,\"book_id\":5862,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8531,\"book_id\":5862,\"locale\":\"tr\",\"name\":\"Heykelden Ta\\u015fa ve Nobel Konu\\u015fmas\\u0131\",\"slug\":\"heykelden-tasa-ve-nobel-konusmasi\",\"sub_name\":\"\",\"description\":\"<p>Heykelden ta\\u015fa. Saramago\\u2019nun y\\u0131llar sonra kendi yaz\\u0131n\\u0131 ve zanaat\\u0131na d\\u00f6n\\u00fcp bakt\\u0131\\u011f\\u0131nda g\\u00f6rd\\u00fc\\u011f\\u00fc seyrin veciz bir e\\u011fretilemesi. Saramago severlerin, okuduklar\\u0131 kitaplar\\u0131 yerli yerine oturtabilece\\u011fi bir \\u00e7er\\u00e7eve ya da bir izlek \\u00f6nerisi de diyebiliriz.<\\\/p>\\r\\n\\r\\n<p>Bu kitap Saramago\\u2019nun 1998\\u2019de Torino \\u00dcniversitesi\\u2019nde yapt\\u0131\\u011f\\u0131 \\u201cHeykelden Ta\\u015fa\\u201d adl\\u0131 konu\\u015fmay\\u0131 yine ayn\\u0131 y\\u0131l \\u0130sve\\u00e7 Akademisi \\u00f6n\\u00fcnde ger\\u00e7ekle\\u015ftirdi\\u011fi Nobel Konu\\u015fmas\\u0131 ile birle\\u015ftirirken, e\\u015fi Pilar\\u2019\\u0131n ba\\u015fl\\u0131\\u011f\\u0131n \\u00f6yk\\u00fcs\\u00fcn\\u00fc anlatt\\u0131\\u011f\\u0131 sunu\\u015fu, Fernando G\\u00f3mez Aguilera\\u2019n\\u0131n derinlikli analizi, yazar\\u0131n kendi eliyle kaleme ald\\u0131\\u011f\\u0131 otobiyografisi ve en sondaki alb\\u00fcmle birlikte d\\u00f6rt ba\\u015f\\u0131 mamur<br \\\/>\\r\\nbir Saramago haritas\\u0131 \\u00e7\\u0131kar\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Heykelden ta\\u015fa. 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Rusya\\u2019n\\u0131n Yekaterinburg \\u015fehrinde yap\\u0131lan bir kaz\\u0131 s\\u0131ras\\u0131nda, son \\u00c7ar ve ailesinin 1918 y\\u0131l\\u0131nda infaz edildi\\u011fi b\\u00f6lgede, buz i\\u00e7inde bozulmadan kalm\\u0131\\u015f bir ceset bulunur. Bu yeni bulgu, Romanov ailesinin ortadan yok olmas\\u0131yla ilgili yeni ipu\\u00e7lar\\u0131 sa\\u011flar. Ailenin, \\u00f6zellikle de k\\u0131zlar\\u0131 Prenses Anastasia\\u2019n\\u0131n \\u00f6l\\u00fcm\\u00fc, ard\\u0131nda bir s\\u00fcr\\u00fc soru i\\u015fareti b\\u0131rakm\\u0131\\u015ft\\u0131r. Bu ke\\u015fif Pavlov\\u2019u, y\\u0131llard\\u0131r sakl\\u0131 kalm\\u0131\\u015f bir gizli g\\u00f6revin pe\\u015finde; s\\u0131rlar\\u0131n, yalanlar\\u0131n ve aldatmacan\\u0131n girdab\\u0131 i\\u00e7inde ge\\u00e7mi\\u015fe do\\u011fru bir yolculu\\u011fa \\u00e7\\u0131kar\\u0131r. \\u00dclkemizde de geni\\u015f bir okur kitlesine sahip olan Glenn Meade, tarihsel ger\\u00e7eklere dayanarak yazd\\u0131\\u011f\\u0131 Romanov Komplosu\\u2019nda, sava\\u015f\\u0131n zor ko\\u015fullar\\u0131nda, temelinde tarihin en \\u00e7arp\\u0131c\\u0131 olaylar\\u0131ndan birinin oldu\\u011fu, a\\u015fk\\u0131n ve dostlu\\u011fun s\\u0131nand\\u0131\\u011f\\u0131, nefes kesici bir hik\\u00e2ye anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>... Ve baz\\u0131 sorular sonsuza<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Kadar yan\\u0131ts\\u0131z kal\\u0131r<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">&nbsp; (Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Dr. Laura Pavlov, 20. y\\u00fczy\\u0131l\\u0131n en b\\u00fcy\\u00fck muammalar\\u0131ndan birine \\u0131\\u015f\\u0131k tutacak bir gizemi \\u00e7\\u00f6zmek \\u00fczeredir. Rusya\\u2019n\\u0131n Yekaterinburg \\u015fehrinde yap\\u0131lan bir kaz\\u0131 s\\u0131ras\\u0131nda, son \\u00c7ar ve ailesinin 1918 y\\u0131l\\u0131nda infaz edildi\\u011fi b\\u00f6lgede, buz i\\u00e7inde bozulmadan kalm\\u0131\\u015f bir ceset bulunur. Bu yeni bulgu, Romanov ailesinin ortadan yok olmas\\u0131yla ilgili yeni ipu\\u00e7lar\\u0131 sa\\u011flar. Ailenin, \\u00f6zellikle de k\\u0131zlar\\u0131 Prenses Anastasia\\u2019n\\u0131n \\u00f6l\\u00fcm\\u00fc, ard\\u0131nda bir s\\u00fcr\\u00fc soru i\\u015fareti b\\u0131rakm\\u0131\\u015ft\\u0131r. Bu ke\\u015fif Pavlov\\u2019u, y\\u0131llard\\u0131r sakl\\u0131 kalm\\u0131\\u015f bir gizli g\\u00f6revin pe\\u015finde; s\\u0131rlar\\u0131n, yalanlar\\u0131n ve aldatmacan\\u0131n girdab\\u0131 i\\u00e7inde ge\\u00e7mi\\u015fe do\\u011fru bir yolculu\\u011fa \\u00e7\\u0131kar\\u0131r. \\u00dclkemizde de geni\\u015f bir okur kitlesine sahip olan Glenn Meade, tarihsel ger\\u00e7eklere dayanarak yazd\\u0131\\u011f\\u0131 Romanov Komplosu\\u2019nda, sava\\u015f\\u0131n zor ko\\u015fullar\\u0131nda, temelinde tarihin en \\u00e7arp\\u0131c\\u0131 olaylar\\u0131ndan birinin oldu\\u011fu, a\\u015fk\\u0131n ve dostlu\\u011fun s\\u0131nand\\u0131\\u011f\\u0131, nefes kesici bir hik\\u00e2ye anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>... Ve baz\\u0131 sorular sonsuza<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Kadar yan\\u0131ts\\u0131z kal\\u0131r<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">\\u00a0 (Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6019,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8846,\"book_id\":6019,\"locale\":\"en\",\"name\":\"The Romanov Conspiracy\",\"slug\":\"the-romanov-conspiracy\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8845,\"book_id\":6019,\"locale\":\"tr\",\"name\":\"Romanov Komplosu\",\"slug\":\"romanov-komplosu\",\"sub_name\":\"\",\"description\":\"<p>Dr. Laura Pavlov, 20. y\\u00fczy\\u0131l\\u0131n en b\\u00fcy\\u00fck muammalar\\u0131ndan birine \\u0131\\u015f\\u0131k tutacak bir gizemi \\u00e7\\u00f6zmek \\u00fczeredir. Rusya\\u2019n\\u0131n Yekaterinburg \\u015fehrinde yap\\u0131lan bir kaz\\u0131 s\\u0131ras\\u0131nda, son \\u00c7ar ve ailesinin 1918 y\\u0131l\\u0131nda infaz edildi\\u011fi b\\u00f6lgede, buz i\\u00e7inde bozulmadan kalm\\u0131\\u015f bir ceset bulunur. Bu yeni bulgu, Romanov ailesinin ortadan yok olmas\\u0131yla ilgili yeni ipu\\u00e7lar\\u0131 sa\\u011flar. Ailenin, \\u00f6zellikle de k\\u0131zlar\\u0131 Prenses Anastasia\\u2019n\\u0131n \\u00f6l\\u00fcm\\u00fc, ard\\u0131nda bir s\\u00fcr\\u00fc soru i\\u015fareti b\\u0131rakm\\u0131\\u015ft\\u0131r. Bu ke\\u015fif Pavlov\\u2019u, y\\u0131llard\\u0131r sakl\\u0131 kalm\\u0131\\u015f bir gizli g\\u00f6revin pe\\u015finde; s\\u0131rlar\\u0131n, yalanlar\\u0131n ve aldatmacan\\u0131n girdab\\u0131 i\\u00e7inde ge\\u00e7mi\\u015fe do\\u011fru bir yolculu\\u011fa \\u00e7\\u0131kar\\u0131r. \\u00dclkemizde de geni\\u015f bir okur kitlesine sahip olan Glenn Meade, tarihsel ger\\u00e7eklere dayanarak yazd\\u0131\\u011f\\u0131 Romanov Komplosu\\u2019nda, sava\\u015f\\u0131n zor ko\\u015fullar\\u0131nda, temelinde tarihin en \\u00e7arp\\u0131c\\u0131 olaylar\\u0131ndan birinin oldu\\u011fu, a\\u015fk\\u0131n ve dostlu\\u011fun s\\u0131nand\\u0131\\u011f\\u0131, nefes kesici bir hik\\u00e2ye anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>... Ve baz\\u0131 sorular sonsuza<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Kadar yan\\u0131ts\\u0131z kal\\u0131r<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">&nbsp; (Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Dr. Laura Pavlov, 20. y\\u00fczy\\u0131l\\u0131n en b\\u00fcy\\u00fck muammalar\\u0131ndan birine \\u0131\\u015f\\u0131k tutacak bir gizemi \\u00e7\\u00f6zmek \\u00fczeredir. Rusya\\u2019n\\u0131n Yekaterinburg \\u015fehrinde yap\\u0131lan bir kaz\\u0131 s\\u0131ras\\u0131nda, son \\u00c7ar ve ailesinin 1918 y\\u0131l\\u0131nda infaz edildi\\u011fi b\\u00f6lgede, buz i\\u00e7inde bozulmadan kalm\\u0131\\u015f bir ceset bulunur. Bu yeni bulgu, Romanov ailesinin ortadan yok olmas\\u0131yla ilgili yeni ipu\\u00e7lar\\u0131 sa\\u011flar. Ailenin, \\u00f6zellikle de k\\u0131zlar\\u0131 Prenses Anastasia\\u2019n\\u0131n \\u00f6l\\u00fcm\\u00fc, ard\\u0131nda bir s\\u00fcr\\u00fc soru i\\u015fareti b\\u0131rakm\\u0131\\u015ft\\u0131r. Bu ke\\u015fif Pavlov\\u2019u, y\\u0131llard\\u0131r sakl\\u0131 kalm\\u0131\\u015f bir gizli g\\u00f6revin pe\\u015finde; s\\u0131rlar\\u0131n, yalanlar\\u0131n ve aldatmacan\\u0131n girdab\\u0131 i\\u00e7inde ge\\u00e7mi\\u015fe do\\u011fru bir yolculu\\u011fa \\u00e7\\u0131kar\\u0131r. \\u00dclkemizde de geni\\u015f bir okur kitlesine sahip olan Glenn Meade, tarihsel ger\\u00e7eklere dayanarak yazd\\u0131\\u011f\\u0131 Romanov Komplosu\\u2019nda, sava\\u015f\\u0131n zor ko\\u015fullar\\u0131nda, temelinde tarihin en \\u00e7arp\\u0131c\\u0131 olaylar\\u0131ndan birinin oldu\\u011fu, a\\u015fk\\u0131n ve dostlu\\u011fun s\\u0131nand\\u0131\\u011f\\u0131, nefes kesici bir hik\\u00e2ye anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>... Ve baz\\u0131 sorular sonsuza<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Kadar yan\\u0131ts\\u0131z kal\\u0131r<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">\\u00a0 (Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6056,\"user_id\":10,\"original_name\":\"T\\u00fcrkiye Cumhuriyeti'nde 1923-1961 G\\u00fc\\u00e7 Odaklar\\u0131n\\u0131n M\\u00fccadelesi\",\"printing_date\":\"2019-10-16 10:59:38\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/turkiye-cumhuriyetinde-1923-1961-guc-odaklarinin-mucadelesi-kapak-1570521578.png\",\"image_settings\":{\"id\":6056,\"path\":\"\\\/images\\\/books\\\/2019\\\/10\\\/08\\\/10\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":154698,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":40593,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17430,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":4587,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2527,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":5451,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":21604,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":21604,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":9878,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2588,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1230,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3102,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-10-08 10:59:38\",\"updated_at\":\"2019-10-08 10:59:39\",\"name\":\"T\\u00fcrkiye Cumhuriyeti'nde 1923-1961 G\\u00fc\\u00e7 Odaklar\\u0131n\\u0131n M\\u00fccadelesi\",\"slug\":\"turkiye-cumhuriyetinde-1923-1961-guc-odaklarinin-mucadelesi\",\"sub_name\":\"\",\"description\":\"<p>T\\u00fcrkiye Cumhuriyeti\\u2019nin kurulu\\u015f y\\u0131l\\u0131 olan 1923\\u2019ten 1961\\u2019e kadar ge\\u00e7en 38 y\\u0131lda, \\u00f6ncesinde oldu\\u011fu gibi, g\\u00fc\\u00e7 odaklar\\u0131n\\u0131n b\\u00fcy\\u00fck m\\u00fccadeleleri oldu.<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u015fte elinizdeki kitap bu 38 y\\u0131lda ya\\u015fananlara \\u0131\\u015f\\u0131k tutuyor: Hangi tarihsel kesitte, hangi g\\u00fc\\u00e7ler ve temsilcileri, nas\\u0131l kar\\u015f\\u0131 kar\\u015f\\u0131ya geldi? Kimler kazand\\u0131, kimler kaybetti? Siyasal ve sosyoekonomik tarih nas\\u0131l yaz\\u0131ld\\u0131?<\\\/p>\\r\\n\\r\\n<p>\\u0130lker Ba\\u015fbu\\u011f bu s\\u00fcre\\u00e7te ya\\u015fanan olaylar\\u0131 neden-sonu\\u00e7 ili\\u015fkilerini ortaya \\u00e7\\u0131kartacak \\u015fekilde sorular sormaya ve bu sorulara cevaplar bulmaya \\u00e7al\\u0131\\u015farak tart\\u0131\\u015f\\u0131yor ve analiz ediyor.<\\\/p>\\r\\n\\r\\n<p>Bu yakla\\u015f\\u0131ma birka\\u00e7 \\u00f6rnek:<\\\/p>\\r\\n\\r\\n<ul>\\r\\n\\t<li>1926\\u2019daki \\u0130zmir suikast\\u0131 giri\\u015fimi sonras\\u0131 Atat\\u00fcrk\\u2019\\u00fcn kar\\u015f\\u0131s\\u0131nda etkili bir g\\u00fc\\u00e7 kald\\u0131 m\\u0131?<\\\/li>\\r\\n\\t<li>Atat\\u00fcrk, \\u0130n\\u00f6n\\u00fc\\u2019n\\u00fcn ba\\u015fbakanl\\u0131ktan ayr\\u0131lmas\\u0131n\\u0131n ard\\u0131ndan neden Celal Bayar\\u2019\\u0131 tercih etti?<\\\/li>\\r\\n\\t<li>T\\u00fcrk Devrimi\\u2019nin felsefesinin temel ta\\u015f\\u0131n\\u0131 hangi d\\u00fc\\u015f\\u00fcnce olu\\u015fturmaktad\\u0131r?<\\\/li>\\r\\n\\t<li>\\u0130n\\u00f6n\\u00fc, 2. D\\u00fcnya Sava\\u015f\\u0131 s\\u0131ras\\u0131nda T\\u00fcrkiye\\u2019nin co\\u011frafyas\\u0131ndan kaynakl\\u0131 g\\u00fcc\\u00fcn\\u00fc etkin hale getirebilmeyi ba\\u015farabildi mi?<\\\/li>\\r\\n\\t<li>\\u00c7ift\\u00e7iyi Toprakland\\u0131rma Kanunu neden ba\\u015far\\u0131yla uygulanamad\\u0131?<\\\/li>\\r\\n\\t<li>\\u0130n\\u00f6n\\u00fc\\u2019y\\u00fc \\u00e7ok partili demokrasiye ge\\u00e7i\\u015fe zorlayan nedenler ve sonu\\u00e7lar\\u0131\\u2026<\\\/li>\\r\\n\\t<li>1946-1950 y\\u0131llar\\u0131 aras\\u0131nda demokrasi m\\u00fccadelesi veren bir partinin daha sonra bu \\u00e7izgiden sapmas\\u0131n\\u0131n nedenleri ve sonu\\u00e7lar\\u0131\\u2026<\\\/li>\\r\\n\\t<li>27 May\\u0131s: \\u0130htilal mi, darbe mi?<\\\/li>\\r\\n<\\\/ul>\\r\\n\\r\\n<p>38 y\\u0131la damgas\\u0131n\\u0131 vuran t\\u00fcm \\u00f6nemli olaylar\\u0131n analiz edildi\\u011fi bu kitap siyasi tarihimize yeni bir bak\\u0131\\u015fla bakman\\u0131z\\u0131 sa\\u011flayacak\\u2026<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>T\\u00fcrkiye Cumhuriyeti\\u2019nin kurulu\\u015f y\\u0131l\\u0131 olan 1923\\u2019ten 1961\\u2019e kadar ge\\u00e7en 38 y\\u0131lda, \\u00f6ncesinde oldu\\u011fu gibi, g\\u00fc\\u00e7 odaklar\\u0131n\\u0131n b\\u00fcy\\u00fck m\\u00fccadeleleri oldu.<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u015fte elinizdeki kitap bu 38 y\\u0131lda ya\\u015fananlara \\u0131\\u015f\\u0131k tutuyor: Hangi tarihsel kesitte, hangi g\\u00fc\\u00e7ler ve temsilcileri, nas\\u0131l kar\\u015f\\u0131 kar\\u015f\\u0131ya geldi? Kimler kazand\\u0131, kimler kaybetti? Siyasal ve sosyoekonomik tarih nas\\u0131l yaz\\u0131ld\\u0131?<\\\/p>\\r\\n\\r\\n<p>\\u0130lker Ba\\u015fbu\\u011f bu s\\u00fcre\\u00e7te ya\\u015fanan olaylar\\u0131 neden-sonu\\u00e7 ili\\u015fkilerini ortaya \\u00e7\\u0131kartacak \\u015fekilde sorular sormaya ve bu sorulara cevaplar bulmaya \\u00e7al\\u0131\\u015farak tart\\u0131\\u015f\\u0131yor ve analiz ediyor.<\\\/p>\\r\\n\\r\\n<p>Bu yakla\\u015f\\u0131ma birka\\u00e7 \\u00f6rnek:<\\\/p>\\r\\n\\r\\n<ul>\\r\\n\\t<li>1926\\u2019daki \\u0130zmir suikast\\u0131 giri\\u015fimi sonras\\u0131 Atat\\u00fcrk\\u2019\\u00fcn kar\\u015f\\u0131s\\u0131nda etkili bir g\\u00fc\\u00e7 kald\\u0131 m\\u0131?<\\\/li>\\r\\n\\t<li>Atat\\u00fcrk, \\u0130n\\u00f6n\\u00fc\\u2019n\\u00fcn ba\\u015fbakanl\\u0131ktan ayr\\u0131lmas\\u0131n\\u0131n ard\\u0131ndan neden Celal Bayar\\u2019\\u0131 tercih etti?<\\\/li>\\r\\n\\t<li>T\\u00fcrk Devrimi\\u2019nin felsefesinin temel ta\\u015f\\u0131n\\u0131 hangi d\\u00fc\\u015f\\u00fcnce olu\\u015fturmaktad\\u0131r?<\\\/li>\\r\\n\\t<li>\\u0130n\\u00f6n\\u00fc, 2. D\\u00fcnya Sava\\u015f\\u0131 s\\u0131ras\\u0131nda T\\u00fcrkiye\\u2019nin co\\u011frafyas\\u0131ndan kaynakl\\u0131 g\\u00fcc\\u00fcn\\u00fc etkin hale getirebilmeyi ba\\u015farabildi mi?<\\\/li>\\r\\n\\t<li>\\u00c7ift\\u00e7iyi Toprakland\\u0131rma Kanunu neden ba\\u015far\\u0131yla uygulanamad\\u0131?<\\\/li>\\r\\n\\t<li>\\u0130n\\u00f6n\\u00fc\\u2019y\\u00fc \\u00e7ok partili demokrasiye ge\\u00e7i\\u015fe zorlayan nedenler ve sonu\\u00e7lar\\u0131\\u2026<\\\/li>\\r\\n\\t<li>1946-1950 y\\u0131llar\\u0131 aras\\u0131nda demokrasi m\\u00fccadelesi veren bir partinin daha sonra bu \\u00e7izgiden sapmas\\u0131n\\u0131n nedenleri ve sonu\\u00e7lar\\u0131\\u2026<\\\/li>\\r\\n\\t<li>27 May\\u0131s: \\u0130htilal mi, darbe mi?<\\\/li>\\r\\n<\\\/ul>\\r\\n\\r\\n<p>38 y\\u0131la damgas\\u0131n\\u0131 vuran t\\u00fcm \\u00f6nemli olaylar\\u0131n analiz edildi\\u011fi bu kitap siyasi tarihimize yeni bir bak\\u0131\\u015fla bakman\\u0131z\\u0131 sa\\u011flayacak\\u2026<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6056,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8920,\"book_id\":6056,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8919,\"book_id\":6056,\"locale\":\"tr\",\"name\":\"T\\u00fcrkiye Cumhuriyeti'nde 1923-1961 G\\u00fc\\u00e7 Odaklar\\u0131n\\u0131n M\\u00fccadelesi\",\"slug\":\"turkiye-cumhuriyetinde-1923-1961-guc-odaklarinin-mucadelesi\",\"sub_name\":\"\",\"description\":\"<p>T\\u00fcrkiye Cumhuriyeti\\u2019nin kurulu\\u015f y\\u0131l\\u0131 olan 1923\\u2019ten 1961\\u2019e kadar ge\\u00e7en 38 y\\u0131lda, \\u00f6ncesinde oldu\\u011fu gibi, g\\u00fc\\u00e7 odaklar\\u0131n\\u0131n b\\u00fcy\\u00fck m\\u00fccadeleleri oldu.<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u015fte elinizdeki kitap bu 38 y\\u0131lda ya\\u015fananlara \\u0131\\u015f\\u0131k tutuyor: Hangi tarihsel kesitte, hangi g\\u00fc\\u00e7ler ve temsilcileri, nas\\u0131l kar\\u015f\\u0131 kar\\u015f\\u0131ya geldi? Kimler kazand\\u0131, kimler kaybetti? Siyasal ve sosyoekonomik tarih nas\\u0131l yaz\\u0131ld\\u0131?<\\\/p>\\r\\n\\r\\n<p>\\u0130lker Ba\\u015fbu\\u011f bu s\\u00fcre\\u00e7te ya\\u015fanan olaylar\\u0131 neden-sonu\\u00e7 ili\\u015fkilerini ortaya \\u00e7\\u0131kartacak \\u015fekilde sorular sormaya ve bu sorulara cevaplar bulmaya \\u00e7al\\u0131\\u015farak tart\\u0131\\u015f\\u0131yor ve analiz ediyor.<\\\/p>\\r\\n\\r\\n<p>Bu yakla\\u015f\\u0131ma birka\\u00e7 \\u00f6rnek:<\\\/p>\\r\\n\\r\\n<ul>\\r\\n\\t<li>1926\\u2019daki \\u0130zmir suikast\\u0131 giri\\u015fimi sonras\\u0131 Atat\\u00fcrk\\u2019\\u00fcn kar\\u015f\\u0131s\\u0131nda etkili bir g\\u00fc\\u00e7 kald\\u0131 m\\u0131?<\\\/li>\\r\\n\\t<li>Atat\\u00fcrk, \\u0130n\\u00f6n\\u00fc\\u2019n\\u00fcn ba\\u015fbakanl\\u0131ktan ayr\\u0131lmas\\u0131n\\u0131n ard\\u0131ndan neden Celal Bayar\\u2019\\u0131 tercih etti?<\\\/li>\\r\\n\\t<li>T\\u00fcrk Devrimi\\u2019nin felsefesinin temel ta\\u015f\\u0131n\\u0131 hangi d\\u00fc\\u015f\\u00fcnce olu\\u015fturmaktad\\u0131r?<\\\/li>\\r\\n\\t<li>\\u0130n\\u00f6n\\u00fc, 2. D\\u00fcnya Sava\\u015f\\u0131 s\\u0131ras\\u0131nda T\\u00fcrkiye\\u2019nin co\\u011frafyas\\u0131ndan kaynakl\\u0131 g\\u00fcc\\u00fcn\\u00fc etkin hale getirebilmeyi ba\\u015farabildi mi?<\\\/li>\\r\\n\\t<li>\\u00c7ift\\u00e7iyi Toprakland\\u0131rma Kanunu neden ba\\u015far\\u0131yla uygulanamad\\u0131?<\\\/li>\\r\\n\\t<li>\\u0130n\\u00f6n\\u00fc\\u2019y\\u00fc \\u00e7ok partili demokrasiye ge\\u00e7i\\u015fe zorlayan nedenler ve sonu\\u00e7lar\\u0131\\u2026<\\\/li>\\r\\n\\t<li>1946-1950 y\\u0131llar\\u0131 aras\\u0131nda demokrasi m\\u00fccadelesi veren bir partinin daha sonra bu \\u00e7izgiden sapmas\\u0131n\\u0131n nedenleri ve sonu\\u00e7lar\\u0131\\u2026<\\\/li>\\r\\n\\t<li>27 May\\u0131s: \\u0130htilal mi, darbe mi?<\\\/li>\\r\\n<\\\/ul>\\r\\n\\r\\n<p>38 y\\u0131la damgas\\u0131n\\u0131 vuran t\\u00fcm \\u00f6nemli olaylar\\u0131n analiz edildi\\u011fi bu kitap siyasi tarihimize yeni bir bak\\u0131\\u015fla bakman\\u0131z\\u0131 sa\\u011flayacak\\u2026<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>T\\u00fcrkiye Cumhuriyeti\\u2019nin kurulu\\u015f y\\u0131l\\u0131 olan 1923\\u2019ten 1961\\u2019e kadar ge\\u00e7en 38 y\\u0131lda, \\u00f6ncesinde oldu\\u011fu gibi, g\\u00fc\\u00e7 odaklar\\u0131n\\u0131n b\\u00fcy\\u00fck m\\u00fccadeleleri oldu.<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u015fte elinizdeki kitap bu 38 y\\u0131lda ya\\u015fananlara \\u0131\\u015f\\u0131k tutuyor: Hangi tarihsel kesitte, hangi g\\u00fc\\u00e7ler ve temsilcileri, nas\\u0131l kar\\u015f\\u0131 kar\\u015f\\u0131ya geldi? Kimler kazand\\u0131, kimler kaybetti? Siyasal ve sosyoekonomik tarih nas\\u0131l yaz\\u0131ld\\u0131?<\\\/p>\\r\\n\\r\\n<p>\\u0130lker Ba\\u015fbu\\u011f bu s\\u00fcre\\u00e7te ya\\u015fanan olaylar\\u0131 neden-sonu\\u00e7 ili\\u015fkilerini ortaya \\u00e7\\u0131kartacak \\u015fekilde sorular sormaya ve bu sorulara cevaplar bulmaya \\u00e7al\\u0131\\u015farak tart\\u0131\\u015f\\u0131yor ve analiz ediyor.<\\\/p>\\r\\n\\r\\n<p>Bu yakla\\u015f\\u0131ma birka\\u00e7 \\u00f6rnek:<\\\/p>\\r\\n\\r\\n<ul>\\r\\n\\t<li>1926\\u2019daki \\u0130zmir suikast\\u0131 giri\\u015fimi sonras\\u0131 Atat\\u00fcrk\\u2019\\u00fcn kar\\u015f\\u0131s\\u0131nda etkili bir g\\u00fc\\u00e7 kald\\u0131 m\\u0131?<\\\/li>\\r\\n\\t<li>Atat\\u00fcrk, \\u0130n\\u00f6n\\u00fc\\u2019n\\u00fcn ba\\u015fbakanl\\u0131ktan ayr\\u0131lmas\\u0131n\\u0131n ard\\u0131ndan neden Celal Bayar\\u2019\\u0131 tercih etti?<\\\/li>\\r\\n\\t<li>T\\u00fcrk Devrimi\\u2019nin felsefesinin temel ta\\u015f\\u0131n\\u0131 hangi d\\u00fc\\u015f\\u00fcnce olu\\u015fturmaktad\\u0131r?<\\\/li>\\r\\n\\t<li>\\u0130n\\u00f6n\\u00fc, 2. D\\u00fcnya Sava\\u015f\\u0131 s\\u0131ras\\u0131nda T\\u00fcrkiye\\u2019nin co\\u011frafyas\\u0131ndan kaynakl\\u0131 g\\u00fcc\\u00fcn\\u00fc etkin hale getirebilmeyi ba\\u015farabildi mi?<\\\/li>\\r\\n\\t<li>\\u00c7ift\\u00e7iyi Toprakland\\u0131rma Kanunu neden ba\\u015far\\u0131yla uygulanamad\\u0131?<\\\/li>\\r\\n\\t<li>\\u0130n\\u00f6n\\u00fc\\u2019y\\u00fc \\u00e7ok partili demokrasiye ge\\u00e7i\\u015fe zorlayan nedenler ve sonu\\u00e7lar\\u0131\\u2026<\\\/li>\\r\\n\\t<li>1946-1950 y\\u0131llar\\u0131 aras\\u0131nda demokrasi m\\u00fccadelesi veren bir partinin daha sonra bu \\u00e7izgiden sapmas\\u0131n\\u0131n nedenleri ve sonu\\u00e7lar\\u0131\\u2026<\\\/li>\\r\\n\\t<li>27 May\\u0131s: \\u0130htilal mi, darbe mi?<\\\/li>\\r\\n<\\\/ul>\\r\\n\\r\\n<p>38 y\\u0131la damgas\\u0131n\\u0131 vuran t\\u00fcm \\u00f6nemli olaylar\\u0131n analiz edildi\\u011fi bu kitap siyasi tarihimize yeni bir bak\\u0131\\u015fla bakman\\u0131z\\u0131 sa\\u011flayacak\\u2026<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6090,\"user_id\":10,\"original_name\":\"Journey to Portugal\",\"printing_date\":\"2019-10-17 11:12:26\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/journey-to-portugal-kapak-1571213362.png\",\"image_settings\":{\"id\":6090,\"path\":\"\\\/images\\\/books\\\/2019\\\/10\\\/16\\\/11\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":117301,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":22868,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":9592,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2804,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1698,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2989,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":12968,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":12968,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":5476,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1558,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":806,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":1690,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":1,\"follower_count\":2,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-10-16 11:09:22\",\"updated_at\":\"2019-10-21 03:30:13\",\"name\":\"Portekiz'e Yolculuk\",\"slug\":\"portekize-yolculuk\",\"sub_name\":\"\",\"description\":\"<p>\\u201cTek bir arzusu var, son derece me\\u015fru ve insani, o da ba\\u015fkalar\\u0131n\\u0131n g\\u00f6z\\u00fcn\\u00fcn de\\u011fdi\\u011fine bakmak, ba\\u015fkalar\\u0131n\\u0131n ad\\u0131mlar\\u0131ndan kalan izlere basmak.\\u201d<\\\/p>\\r\\n\\r\\n<p>Jos\\u00e9 Saramago, 1979 g\\u00fcz\\u00fcnde tek ba\\u015f\\u0131na, tam alt\\u0131 ay s\\u00fcrecek uzun bir yolculu\\u011fa \\u00e7\\u0131kar. Sadece kar\\u015f\\u0131la\\u015fmakla yetinen turistin aksine ke\\u015ffetmeyi ama\\u00e7layan bir \\u201cgezgin\\u201d profiliyle, diktat\\u00f6rl\\u00fck rejiminin izlerini \\u00fczerinden atmaya \\u00e7al\\u0131\\u015fan \\u00e7ok sevdi\\u011fi \\u00fclkesini kar\\u0131\\u015f kar\\u0131\\u015f gezer. Sonradan bir kitaba d\\u00f6n\\u00fc\\u015fecek bu notlar\\u0131nda ise ya\\u015fad\\u0131klar\\u0131n\\u0131 yine kendine has \\u00fcslubuyla hik\\u00e2yele\\u015ftirirken, ayn\\u0131 zamanda sanattan mimariye derin bilgi ve g\\u00f6rg\\u00fc birikimiyle Portekiz k\\u00fclt\\u00fcr\\u00fcne, tarihine ve halk\\u0131na dair oylumlu bir belge ortaya koyar.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cTek bir arzusu var, son derece me\\u015fru ve insani, o da ba\\u015fkalar\\u0131n\\u0131n g\\u00f6z\\u00fcn\\u00fcn de\\u011fdi\\u011fine bakmak, ba\\u015fkalar\\u0131n\\u0131n ad\\u0131mlar\\u0131ndan kalan izlere basmak.\\u201d<\\\/p>\\r\\n\\r\\n<p>Jos\\u00e9 Saramago, 1979 g\\u00fcz\\u00fcnde tek ba\\u015f\\u0131na, tam alt\\u0131 ay s\\u00fcrecek uzun bir yolculu\\u011fa \\u00e7\\u0131kar. Sadece kar\\u015f\\u0131la\\u015fmakla yetinen turistin aksine ke\\u015ffetmeyi ama\\u00e7layan bir \\u201cgezgin\\u201d profiliyle, diktat\\u00f6rl\\u00fck rejiminin izlerini \\u00fczerinden atmaya \\u00e7al\\u0131\\u015fan \\u00e7ok sevdi\\u011fi \\u00fclkesini kar\\u0131\\u015f kar\\u0131\\u015f gezer. Sonradan bir kitaba d\\u00f6n\\u00fc\\u015fecek bu notlar\\u0131nda ise ya\\u015fad\\u0131klar\\u0131n\\u0131 yine kendine has \\u00fcslubuyla hik\\u00e2yele\\u015ftirirken, ayn\\u0131 zamanda sanattan mimariye derin bilgi ve g\\u00f6rg\\u00fc birikimiyle Portekiz k\\u00fclt\\u00fcr\\u00fcne, tarihine ve halk\\u0131na dair oylumlu bir belge ortaya koyar.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6090,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8988,\"book_id\":6090,\"locale\":\"en\",\"name\":\"Journey to Portugal\",\"slug\":\"journey-to-portugal\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8987,\"book_id\":6090,\"locale\":\"tr\",\"name\":\"Portekiz'e Yolculuk\",\"slug\":\"portekize-yolculuk\",\"sub_name\":\"\",\"description\":\"<p>\\u201cTek bir arzusu var, son derece me\\u015fru ve insani, o da ba\\u015fkalar\\u0131n\\u0131n g\\u00f6z\\u00fcn\\u00fcn de\\u011fdi\\u011fine bakmak, ba\\u015fkalar\\u0131n\\u0131n ad\\u0131mlar\\u0131ndan kalan izlere basmak.\\u201d<\\\/p>\\r\\n\\r\\n<p>Jos\\u00e9 Saramago, 1979 g\\u00fcz\\u00fcnde tek ba\\u015f\\u0131na, tam alt\\u0131 ay s\\u00fcrecek uzun bir yolculu\\u011fa \\u00e7\\u0131kar. Sadece kar\\u015f\\u0131la\\u015fmakla yetinen turistin aksine ke\\u015ffetmeyi ama\\u00e7layan bir \\u201cgezgin\\u201d profiliyle, diktat\\u00f6rl\\u00fck rejiminin izlerini \\u00fczerinden atmaya \\u00e7al\\u0131\\u015fan \\u00e7ok sevdi\\u011fi \\u00fclkesini kar\\u0131\\u015f kar\\u0131\\u015f gezer. Sonradan bir kitaba d\\u00f6n\\u00fc\\u015fecek bu notlar\\u0131nda ise ya\\u015fad\\u0131klar\\u0131n\\u0131 yine kendine has \\u00fcslubuyla hik\\u00e2yele\\u015ftirirken, ayn\\u0131 zamanda sanattan mimariye derin bilgi ve g\\u00f6rg\\u00fc birikimiyle Portekiz k\\u00fclt\\u00fcr\\u00fcne, tarihine ve halk\\u0131na dair oylumlu bir belge ortaya koyar.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u201cTek bir arzusu var, son derece me\\u015fru ve insani, o da ba\\u015fkalar\\u0131n\\u0131n g\\u00f6z\\u00fcn\\u00fcn de\\u011fdi\\u011fine bakmak, ba\\u015fkalar\\u0131n\\u0131n ad\\u0131mlar\\u0131ndan kalan izlere basmak.\\u201d<\\\/p>\\r\\n\\r\\n<p>Jos\\u00e9 Saramago, 1979 g\\u00fcz\\u00fcnde tek ba\\u015f\\u0131na, tam alt\\u0131 ay s\\u00fcrecek uzun bir yolculu\\u011fa \\u00e7\\u0131kar. Sadece kar\\u015f\\u0131la\\u015fmakla yetinen turistin aksine ke\\u015ffetmeyi ama\\u00e7layan bir \\u201cgezgin\\u201d profiliyle, diktat\\u00f6rl\\u00fck rejiminin izlerini \\u00fczerinden atmaya \\u00e7al\\u0131\\u015fan \\u00e7ok sevdi\\u011fi \\u00fclkesini kar\\u0131\\u015f kar\\u0131\\u015f gezer. Sonradan bir kitaba d\\u00f6n\\u00fc\\u015fecek bu notlar\\u0131nda ise ya\\u015fad\\u0131klar\\u0131n\\u0131 yine kendine has \\u00fcslubuyla hik\\u00e2yele\\u015ftirirken, ayn\\u0131 zamanda sanattan mimariye derin bilgi ve g\\u00f6rg\\u00fc birikimiyle Portekiz k\\u00fclt\\u00fcr\\u00fcne, tarihine ve halk\\u0131na dair oylumlu bir belge ortaya koyar.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6091,\"user_id\":10,\"original_name\":\"In Hora Mortis\",\"printing_date\":\"2019-10-17 11:12:02\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/in-hora-mortis-kapak-1571213522.png\",\"image_settings\":{\"id\":6091,\"path\":\"\\\/images\\\/books\\\/2019\\\/10\\\/16\\\/11\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":154327,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":30684,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":12459,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3270,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1946,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3750,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":19978,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":19978,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":8628,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2174,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1120,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2522,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-10-16 11:12:02\",\"updated_at\":\"2019-10-16 11:12:02\",\"name\":\"Ay\\u0131n Demiri Alt\\u0131nda\",\"slug\":\"ayin-demiri-altinda\",\"sub_name\":\"\",\"description\":\"<p>Alman dilinde 20. y\\u00fczy\\u0131l\\u0131n ikinci yar\\u0131s\\u0131n\\u0131n en k\\u0131\\u015fk\\u0131rt\\u0131c\\u0131, en hadiseli edebiyat\\u00e7\\u0131lardan biri ku\\u015fkusuz Thomas Bernhard olmu\\u015ftur. \\u00c7o\\u011fu okur, yorumcu ve ele\\u015ftirmenin Berhard\\u2019\\u0131n hik\\u00e2yeleri, romanlar\\u0131 ve tiyatro oyunlar\\u0131 yan\\u0131nda neredeyse geri plana itti\\u011fi \\u015fiirleri; onun&nbsp; o \\u00e7ok \\u00f6zel d\\u00fcnyas\\u0131na aittir.<\\\/p>\\r\\n\\r\\n<p>T\\u0131pk\\u0131 hik\\u00e2ye, roman ve oyunlar\\u0131ndaki kendini kolay kolay ele vermeyen \\u00f6zel d\\u00fcnyan\\u0131n bir benzeri olarak; \\u015fiirlerinin kapal\\u0131 yap\\u0131s\\u0131 asl\\u0131nda \\u201ct\\u00fcm eserlerinin\\u201d n\\u00fcvesini bar\\u0131nd\\u0131r\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>Yaln\\u0131zl\\u0131k, melankoli ve terk edilmi\\u015flik duygusunun egemen oldu\\u011fu \\u015fiirlerinde Bernhard demirin keskin so\\u011fuklu\\u011funu her kelimesinde hissettiriyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Alman dilinde 20. y\\u00fczy\\u0131l\\u0131n ikinci yar\\u0131s\\u0131n\\u0131n en k\\u0131\\u015fk\\u0131rt\\u0131c\\u0131, en hadiseli edebiyat\\u00e7\\u0131lardan biri ku\\u015fkusuz Thomas Bernhard olmu\\u015ftur. \\u00c7o\\u011fu okur, yorumcu ve ele\\u015ftirmenin Berhard\\u2019\\u0131n hik\\u00e2yeleri, romanlar\\u0131 ve tiyatro oyunlar\\u0131 yan\\u0131nda neredeyse geri plana itti\\u011fi \\u015fiirleri; onun\\u00a0 o \\u00e7ok \\u00f6zel d\\u00fcnyas\\u0131na aittir.<\\\/p>\\r\\n\\r\\n<p>T\\u0131pk\\u0131 hik\\u00e2ye, roman ve oyunlar\\u0131ndaki kendini kolay kolay ele vermeyen \\u00f6zel d\\u00fcnyan\\u0131n bir benzeri olarak; \\u015fiirlerinin kapal\\u0131 yap\\u0131s\\u0131 asl\\u0131nda \\u201ct\\u00fcm eserlerinin\\u201d n\\u00fcvesini bar\\u0131nd\\u0131r\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>Yaln\\u0131zl\\u0131k, melankoli ve terk edilmi\\u015flik duygusunun egemen oldu\\u011fu \\u015fiirlerinde Bernhard demirin keskin so\\u011fuklu\\u011funu her kelimesinde hissettiriyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6091,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8990,\"book_id\":6091,\"locale\":\"en\",\"name\":\"Under the Iron of the Moon\",\"slug\":\"under-the-iron-of-the-moon\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8989,\"book_id\":6091,\"locale\":\"tr\",\"name\":\"Ay\\u0131n Demiri Alt\\u0131nda\",\"slug\":\"ayin-demiri-altinda\",\"sub_name\":\"\",\"description\":\"<p>Alman dilinde 20. y\\u00fczy\\u0131l\\u0131n ikinci yar\\u0131s\\u0131n\\u0131n en k\\u0131\\u015fk\\u0131rt\\u0131c\\u0131, en hadiseli edebiyat\\u00e7\\u0131lardan biri ku\\u015fkusuz Thomas Bernhard olmu\\u015ftur. \\u00c7o\\u011fu okur, yorumcu ve ele\\u015ftirmenin Berhard\\u2019\\u0131n hik\\u00e2yeleri, romanlar\\u0131 ve tiyatro oyunlar\\u0131 yan\\u0131nda neredeyse geri plana itti\\u011fi \\u015fiirleri; onun&nbsp; o \\u00e7ok \\u00f6zel d\\u00fcnyas\\u0131na aittir.<\\\/p>\\r\\n\\r\\n<p>T\\u0131pk\\u0131 hik\\u00e2ye, roman ve oyunlar\\u0131ndaki kendini kolay kolay ele vermeyen \\u00f6zel d\\u00fcnyan\\u0131n bir benzeri olarak; \\u015fiirlerinin kapal\\u0131 yap\\u0131s\\u0131 asl\\u0131nda \\u201ct\\u00fcm eserlerinin\\u201d n\\u00fcvesini bar\\u0131nd\\u0131r\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>Yaln\\u0131zl\\u0131k, melankoli ve terk edilmi\\u015flik duygusunun egemen oldu\\u011fu \\u015fiirlerinde Bernhard demirin keskin so\\u011fuklu\\u011funu her kelimesinde hissettiriyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Alman dilinde 20. y\\u00fczy\\u0131l\\u0131n ikinci yar\\u0131s\\u0131n\\u0131n en k\\u0131\\u015fk\\u0131rt\\u0131c\\u0131, en hadiseli edebiyat\\u00e7\\u0131lardan biri ku\\u015fkusuz Thomas Bernhard olmu\\u015ftur. \\u00c7o\\u011fu okur, yorumcu ve ele\\u015ftirmenin Berhard\\u2019\\u0131n hik\\u00e2yeleri, romanlar\\u0131 ve tiyatro oyunlar\\u0131 yan\\u0131nda neredeyse geri plana itti\\u011fi \\u015fiirleri; onun\\u00a0 o \\u00e7ok \\u00f6zel d\\u00fcnyas\\u0131na aittir.<\\\/p>\\r\\n\\r\\n<p>T\\u0131pk\\u0131 hik\\u00e2ye, roman ve oyunlar\\u0131ndaki kendini kolay kolay ele vermeyen \\u00f6zel d\\u00fcnyan\\u0131n bir benzeri olarak; \\u015fiirlerinin kapal\\u0131 yap\\u0131s\\u0131 asl\\u0131nda \\u201ct\\u00fcm eserlerinin\\u201d n\\u00fcvesini bar\\u0131nd\\u0131r\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>Yaln\\u0131zl\\u0131k, melankoli ve terk edilmi\\u015flik duygusunun egemen oldu\\u011fu \\u015fiirlerinde Bernhard demirin keskin so\\u011fuklu\\u011funu her kelimesinde hissettiriyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6092,\"user_id\":10,\"original_name\":\"Maskeli Balo ve Di\\u011fer \\u00d6yk\\u00fcler\",\"printing_date\":\"2019-10-17 11:16:10\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"assets\\\/images\\\/default-book.png\",\"image_settings\":null,\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-10-16 11:16:10\",\"updated_at\":\"2019-10-16 11:16:10\",\"name\":\"Maskeli Balo ve Di\\u011fer \\u00d6yk\\u00fcler\",\"slug\":\"maskeli-balo-ve-diger-oykuler\",\"sub_name\":\"\",\"description\":\"<p>T\\u00fcrk edebiyat\\u0131n\\u0131n \\u201ctek kitap\\u201dla efsanele\\u015fen yazarlar\\u0131 aras\\u0131nda ilk akla gelenidir \\u00d6zcan Erg\\u00fcder.<\\\/p>\\r\\n\\r\\n<p>Sait Faik\\u2019in 1949\\u2019da \\u201c\\u0130ngiltere\\u2019den bir arkada\\u015f\\u0131m var, ne g\\u00fczel yaz\\u0131yor\\u201d s\\u00f6zleriyle m\\u00fcjdeledi\\u011fi; 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12:54:34\",\"updated_at\":\"2019-10-16 12:54:35\",\"name\":\"K\\u0131yamet Tacirlerine Kar\\u015f\\u0131 K\\u0131yam Et\",\"slug\":\"kiyamet-tacirlerine-karsi-kiyam-et\",\"sub_name\":\"\",\"description\":\"<p>\\u0130sve\\u00e7li Greta Thunberg ilk olarak 2018 A\\u011fustos\\u2019unda \\u201ciklim i\\u00e7in okul k\\u0131rma\\u201d grevine ba\\u015flad\\u0131\\u011f\\u0131nda, kimse bir y\\u0131l sonra d\\u00fcnyan\\u0131n en \\u00f6nemli toplumsal fig\\u00fcrlerinden biri olaca\\u011f\\u0131n\\u0131 tahmin etmiyordu. \\u00d6mer Madra hari\\u00e7!<\\\/p>\\r\\n\\r\\n<p>Kald\\u0131 ki, Madra y\\u0131llard\\u0131r \\u201ciklim meselesi\\u201d ve bitki temelli (vegan) beslenme \\u00fczerine yazd\\u0131\\u011f\\u0131 yaz\\u0131larla, yapt\\u0131\\u011f\\u0131 radyo programlar\\u0131yla durumun vahametini dile getirdi\\u011finde \\u201ck\\u00f6y\\u00fcn delisi\\u201d olarak de\\u011ferlendiriliyordu. Zaman onu hakl\\u0131 \\u00e7\\u0131kard\\u0131.<\\\/p>\\r\\n\\r\\n<p>Bir vakan\\u00fcvis kimli\\u011fiyle kaleme ald\\u0131\\u011f\\u0131 yaz\\u0131lar\\u0131nda \\u00d6mer Madra, \\u00f6n\\u00fcm\\u00fczdeki y\\u0131llarda bizi ne t\\u00fcr felaketlerin bekledi\\u011fini, neden \\u201c\\u0130klim acil!\\u201d dedi\\u011fini ve bir an evvel uygulanmas\\u0131 gereken \\u00e7\\u00f6z\\u00fcmleri dile getiriyor.<\\\/p>\\r\\n\\r\\n<p>Ba\\u015fta gen\\u00e7ler olmak \\u00fczere herkesi d\\u00fcnyaya sahip \\u00e7\\u0131kmaya, k\\u0131yamet tacirlerine kar\\u015f\\u0131 k\\u0131yama \\u00e7a\\u011f\\u0131r\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u0130sve\\u00e7li Greta Thunberg ilk olarak 2018 A\\u011fustos\\u2019unda \\u201ciklim i\\u00e7in okul k\\u0131rma\\u201d grevine ba\\u015flad\\u0131\\u011f\\u0131nda, kimse bir y\\u0131l sonra d\\u00fcnyan\\u0131n en \\u00f6nemli toplumsal fig\\u00fcrlerinden biri olaca\\u011f\\u0131n\\u0131 tahmin etmiyordu. \\u00d6mer Madra hari\\u00e7!<\\\/p>\\r\\n\\r\\n<p>Kald\\u0131 ki, Madra y\\u0131llard\\u0131r \\u201ciklim meselesi\\u201d ve bitki temelli (vegan) beslenme \\u00fczerine yazd\\u0131\\u011f\\u0131 yaz\\u0131larla, yapt\\u0131\\u011f\\u0131 radyo programlar\\u0131yla durumun vahametini dile getirdi\\u011finde \\u201ck\\u00f6y\\u00fcn delisi\\u201d olarak de\\u011ferlendiriliyordu. Zaman onu hakl\\u0131 \\u00e7\\u0131kard\\u0131.<\\\/p>\\r\\n\\r\\n<p>Bir vakan\\u00fcvis kimli\\u011fiyle kaleme ald\\u0131\\u011f\\u0131 yaz\\u0131lar\\u0131nda \\u00d6mer Madra, \\u00f6n\\u00fcm\\u00fczdeki y\\u0131llarda bizi ne t\\u00fcr felaketlerin bekledi\\u011fini, neden \\u201c\\u0130klim acil!\\u201d dedi\\u011fini ve bir an evvel uygulanmas\\u0131 gereken \\u00e7\\u00f6z\\u00fcmleri dile getiriyor.<\\\/p>\\r\\n\\r\\n<p>Ba\\u015fta gen\\u00e7ler olmak \\u00fczere herkesi d\\u00fcnyaya sahip \\u00e7\\u0131kmaya, k\\u0131yamet tacirlerine kar\\u015f\\u0131 k\\u0131yama \\u00e7a\\u011f\\u0131r\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6095,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8997,\"book_id\":6095,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8996,\"book_id\":6095,\"locale\":\"tr\",\"name\":\"K\\u0131yamet Tacirlerine Kar\\u015f\\u0131 K\\u0131yam Et\",\"slug\":\"kiyamet-tacirlerine-karsi-kiyam-et\",\"sub_name\":\"\",\"description\":\"<p>\\u0130sve\\u00e7li Greta Thunberg ilk olarak 2018 A\\u011fustos\\u2019unda \\u201ciklim i\\u00e7in okul k\\u0131rma\\u201d grevine ba\\u015flad\\u0131\\u011f\\u0131nda, kimse bir y\\u0131l sonra d\\u00fcnyan\\u0131n en \\u00f6nemli toplumsal fig\\u00fcrlerinden biri olaca\\u011f\\u0131n\\u0131 tahmin etmiyordu. \\u00d6mer Madra hari\\u00e7!<\\\/p>\\r\\n\\r\\n<p>Kald\\u0131 ki, Madra y\\u0131llard\\u0131r \\u201ciklim meselesi\\u201d ve bitki temelli (vegan) beslenme \\u00fczerine yazd\\u0131\\u011f\\u0131 yaz\\u0131larla, yapt\\u0131\\u011f\\u0131 radyo programlar\\u0131yla durumun vahametini dile getirdi\\u011finde \\u201ck\\u00f6y\\u00fcn delisi\\u201d olarak de\\u011ferlendiriliyordu. Zaman onu hakl\\u0131 \\u00e7\\u0131kard\\u0131.<\\\/p>\\r\\n\\r\\n<p>Bir vakan\\u00fcvis kimli\\u011fiyle kaleme ald\\u0131\\u011f\\u0131 yaz\\u0131lar\\u0131nda \\u00d6mer Madra, \\u00f6n\\u00fcm\\u00fczdeki y\\u0131llarda bizi ne t\\u00fcr felaketlerin bekledi\\u011fini, neden \\u201c\\u0130klim acil!\\u201d dedi\\u011fini ve bir an evvel uygulanmas\\u0131 gereken \\u00e7\\u00f6z\\u00fcmleri dile getiriyor.<\\\/p>\\r\\n\\r\\n<p>Ba\\u015fta gen\\u00e7ler olmak \\u00fczere herkesi d\\u00fcnyaya sahip \\u00e7\\u0131kmaya, k\\u0131yamet tacirlerine kar\\u015f\\u0131 k\\u0131yama \\u00e7a\\u011f\\u0131r\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u0130sve\\u00e7li Greta Thunberg ilk olarak 2018 A\\u011fustos\\u2019unda \\u201ciklim i\\u00e7in okul k\\u0131rma\\u201d grevine ba\\u015flad\\u0131\\u011f\\u0131nda, kimse bir y\\u0131l sonra d\\u00fcnyan\\u0131n en \\u00f6nemli toplumsal fig\\u00fcrlerinden biri olaca\\u011f\\u0131n\\u0131 tahmin etmiyordu. \\u00d6mer Madra hari\\u00e7!<\\\/p>\\r\\n\\r\\n<p>Kald\\u0131 ki, Madra y\\u0131llard\\u0131r \\u201ciklim meselesi\\u201d ve bitki temelli (vegan) beslenme \\u00fczerine yazd\\u0131\\u011f\\u0131 yaz\\u0131larla, yapt\\u0131\\u011f\\u0131 radyo programlar\\u0131yla durumun vahametini dile getirdi\\u011finde \\u201ck\\u00f6y\\u00fcn delisi\\u201d olarak de\\u011ferlendiriliyordu. Zaman onu hakl\\u0131 \\u00e7\\u0131kard\\u0131.<\\\/p>\\r\\n\\r\\n<p>Bir vakan\\u00fcvis kimli\\u011fiyle kaleme ald\\u0131\\u011f\\u0131 yaz\\u0131lar\\u0131nda \\u00d6mer Madra, \\u00f6n\\u00fcm\\u00fczdeki y\\u0131llarda bizi ne t\\u00fcr felaketlerin bekledi\\u011fini, neden \\u201c\\u0130klim acil!\\u201d dedi\\u011fini ve bir an evvel uygulanmas\\u0131 gereken \\u00e7\\u00f6z\\u00fcmleri dile getiriyor.<\\\/p>\\r\\n\\r\\n<p>Ba\\u015fta gen\\u00e7ler olmak \\u00fczere herkesi d\\u00fcnyaya sahip \\u00e7\\u0131kmaya, k\\u0131yamet tacirlerine kar\\u015f\\u0131 k\\u0131yama \\u00e7a\\u011f\\u0131r\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6096,\"user_id\":10,\"original_name\":\"Pasaport Damgalar\\u0131\",\"printing_date\":\"2019-10-17 12:56:19\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/pasaport-damgalari-kapak-1571219779.png\",\"image_settings\":{\"id\":6096,\"path\":\"\\\/images\\\/books\\\/2019\\\/10\\\/16\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":141153,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":31248,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":12295,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3007,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1841,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3958,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":18364,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":18364,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7020,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1728,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":898,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2346,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-10-16 12:56:19\",\"updated_at\":\"2019-10-16 12:56:20\",\"name\":\"Pasaport Damgalar\\u0131\",\"slug\":\"pasaport-damgalari\",\"sub_name\":\"\",\"description\":\"<p>Pasaport Damgalar\\u0131 yola d\\u00fc\\u015fmenin, yolda olman\\u0131n ve kendi i\\u00e7inde yol alman\\u0131n kesintisiz izle\\u011finde ilerleyen bir yolculuk g\\u00fcnl\\u00fc\\u011f\\u00fc. Bu kitap, Enis Batur\\u2019un 1987 ve 2006 aras\\u0131, yirmi sene boyunca tuttu\\u011fu defterlerini bir araya getiriyor. Berlin, Madrid, Roma, Saraybosna gibi \\u015fehir ziyaretleri yan\\u0131nda, her sene uzun zaman ge\\u00e7irdi\\u011fi Paris\\u2019te sosyal ve mek\\u00e2nsal belle\\u011fi lirik merce\\u011fiyle ve kalemiyle k\\u00e2\\u011f\\u0131da d\\u00f6k\\u00fcyor.&nbsp;<\\\/p>\\r\\n\\r\\n<p>Sadece yol izlenimleriyle de kalm\\u0131yor Pasaport Damgalar\\u0131, yirmi seneyi kapsayan bir yaz\\u0131 seyr\\u00fcseferinin izi s\\u00fcr\\u00fcl\\u00fcyor. T\\u0131pk\\u0131 \\u201cSan Marco\\u2019da bir a\\u015fa\\u011f\\u0131 bir yukar\\u0131 y\\u00fcr\\u00fcyerek: \\u2018Nil\\u2019in s\\u00fcre\\u011finde tuhaf, metaforik bir epik anlay\\u0131\\u015f ile \\u2018Opera\\u2019ya\\u201d varmas\\u0131 gibi \\u201c\\u0130\\u00e7b\\u00fckeyler\\u201din, \\u201cBa\\u015fkala\\u015f\\u0131mlar\\u201d\\u0131n, \\u201cKravat\\u201d\\u0131n ve pek \\u00e7ok kitab\\u0131n izd\\u00fc\\u015f\\u00fcmleri okunabiliyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Pasaport Damgalar\\u0131 yola d\\u00fc\\u015fmenin, yolda olman\\u0131n ve kendi i\\u00e7inde yol alman\\u0131n kesintisiz izle\\u011finde ilerleyen bir yolculuk g\\u00fcnl\\u00fc\\u011f\\u00fc. Bu kitap, Enis Batur\\u2019un 1987 ve 2006 aras\\u0131, yirmi sene boyunca tuttu\\u011fu defterlerini bir araya getiriyor. Berlin, Madrid, Roma, Saraybosna gibi \\u015fehir ziyaretleri yan\\u0131nda, her sene uzun zaman ge\\u00e7irdi\\u011fi Paris\\u2019te sosyal ve mek\\u00e2nsal belle\\u011fi lirik merce\\u011fiyle ve kalemiyle k\\u00e2\\u011f\\u0131da d\\u00f6k\\u00fcyor.\\u00a0<\\\/p>\\r\\n\\r\\n<p>Sadece yol izlenimleriyle de kalm\\u0131yor Pasaport Damgalar\\u0131, yirmi seneyi kapsayan bir yaz\\u0131 seyr\\u00fcseferinin izi s\\u00fcr\\u00fcl\\u00fcyor. T\\u0131pk\\u0131 \\u201cSan Marco\\u2019da bir a\\u015fa\\u011f\\u0131 bir yukar\\u0131 y\\u00fcr\\u00fcyerek: \\u2018Nil\\u2019in s\\u00fcre\\u011finde tuhaf, metaforik bir epik anlay\\u0131\\u015f ile \\u2018Opera\\u2019ya\\u201d varmas\\u0131 gibi \\u201c\\u0130\\u00e7b\\u00fckeyler\\u201din, \\u201cBa\\u015fkala\\u015f\\u0131mlar\\u201d\\u0131n, \\u201cKravat\\u201d\\u0131n ve pek \\u00e7ok kitab\\u0131n izd\\u00fc\\u015f\\u00fcmleri okunabiliyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6096,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":8999,\"book_id\":6096,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":8998,\"book_id\":6096,\"locale\":\"tr\",\"name\":\"Pasaport Damgalar\\u0131\",\"slug\":\"pasaport-damgalari\",\"sub_name\":\"\",\"description\":\"<p>Pasaport Damgalar\\u0131 yola d\\u00fc\\u015fmenin, yolda olman\\u0131n ve kendi i\\u00e7inde yol alman\\u0131n kesintisiz izle\\u011finde ilerleyen bir yolculuk g\\u00fcnl\\u00fc\\u011f\\u00fc. Bu kitap, Enis Batur\\u2019un 1987 ve 2006 aras\\u0131, yirmi sene boyunca tuttu\\u011fu defterlerini bir araya getiriyor. Berlin, Madrid, Roma, Saraybosna gibi \\u015fehir ziyaretleri yan\\u0131nda, her sene uzun zaman ge\\u00e7irdi\\u011fi Paris\\u2019te sosyal ve mek\\u00e2nsal belle\\u011fi lirik merce\\u011fiyle ve kalemiyle k\\u00e2\\u011f\\u0131da d\\u00f6k\\u00fcyor.&nbsp;<\\\/p>\\r\\n\\r\\n<p>Sadece yol izlenimleriyle de kalm\\u0131yor Pasaport Damgalar\\u0131, yirmi seneyi kapsayan bir yaz\\u0131 seyr\\u00fcseferinin izi s\\u00fcr\\u00fcl\\u00fcyor. T\\u0131pk\\u0131 \\u201cSan Marco\\u2019da bir a\\u015fa\\u011f\\u0131 bir yukar\\u0131 y\\u00fcr\\u00fcyerek: \\u2018Nil\\u2019in s\\u00fcre\\u011finde tuhaf, metaforik bir epik anlay\\u0131\\u015f ile \\u2018Opera\\u2019ya\\u201d varmas\\u0131 gibi \\u201c\\u0130\\u00e7b\\u00fckeyler\\u201din, \\u201cBa\\u015fkala\\u015f\\u0131mlar\\u201d\\u0131n, \\u201cKravat\\u201d\\u0131n ve pek \\u00e7ok kitab\\u0131n izd\\u00fc\\u015f\\u00fcmleri okunabiliyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Pasaport Damgalar\\u0131 yola d\\u00fc\\u015fmenin, yolda olman\\u0131n ve kendi i\\u00e7inde yol alman\\u0131n kesintisiz izle\\u011finde ilerleyen bir yolculuk g\\u00fcnl\\u00fc\\u011f\\u00fc. Bu kitap, Enis Batur\\u2019un 1987 ve 2006 aras\\u0131, yirmi sene boyunca tuttu\\u011fu defterlerini bir araya getiriyor. Berlin, Madrid, Roma, Saraybosna gibi \\u015fehir ziyaretleri yan\\u0131nda, her sene uzun zaman ge\\u00e7irdi\\u011fi Paris\\u2019te sosyal ve mek\\u00e2nsal belle\\u011fi lirik merce\\u011fiyle ve kalemiyle k\\u00e2\\u011f\\u0131da d\\u00f6k\\u00fcyor.\\u00a0<\\\/p>\\r\\n\\r\\n<p>Sadece yol izlenimleriyle de kalm\\u0131yor Pasaport Damgalar\\u0131, yirmi seneyi kapsayan bir yaz\\u0131 seyr\\u00fcseferinin izi s\\u00fcr\\u00fcl\\u00fcyor. T\\u0131pk\\u0131 \\u201cSan Marco\\u2019da bir a\\u015fa\\u011f\\u0131 bir yukar\\u0131 y\\u00fcr\\u00fcyerek: \\u2018Nil\\u2019in s\\u00fcre\\u011finde tuhaf, metaforik bir epik anlay\\u0131\\u015f ile \\u2018Opera\\u2019ya\\u201d varmas\\u0131 gibi \\u201c\\u0130\\u00e7b\\u00fckeyler\\u201din, \\u201cBa\\u015fkala\\u015f\\u0131mlar\\u201d\\u0131n, \\u201cKravat\\u201d\\u0131n ve pek \\u00e7ok kitab\\u0131n izd\\u00fc\\u015f\\u00fcmleri okunabiliyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6176,\"user_id\":10,\"original_name\":\"Kara Kutu-Y\\u00fczle\\u015fme Vakti\",\"printing_date\":\"2019-11-09 15:26:32\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/kara-kutu-yuzlesme-vakti-kapak-1572611192.png\",\"image_settings\":{\"id\":6176,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/01\\\/15\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":134581,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":31814,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":13120,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3875,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2026,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4071,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":18748,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":18748,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7848,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2456,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1096,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2628,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-01 15:26:32\",\"updated_at\":\"2019-11-01 15:26:32\",\"name\":\"Kara Kutu-Y\\u00fczle\\u015fme Vakti\",\"slug\":\"kara-kutu-yuzlesme-vakti\",\"sub_name\":\"\",\"description\":\"<p>Tarih: 5 Ocak 1978.<br \\\/>\\r\\nYer: Ankara. B\\u00fclent Ecevit yeni h\\u00fck\\u00fcmeti kurdu. Sa\\u011fl\\u0131k ve Sosyal Yard\\u0131m Bakanl\\u0131\\u011f\\u0131\\u2019ndaki gizli toplant\\u0131da \\u201cdevrim\\u201d gibi kararlar al\\u0131nd\\u0131. Tarih: 12 Eyl\\u00fcl 1978. Yer: Kazakistan Alma Ata. D\\u00fcnya Sa\\u011fl\\u0131k \\u00d6rg\\u00fct\\u00fc d\\u00fczenledi\\u011fi uluslararas\\u0131 konferans\\u0131n sonunda<br \\\/>\\r\\nyay\\u0131mlad\\u0131\\u011f\\u0131 bildiriyle ABD k\\u00fcresel ila\\u00e7 \\u015firketlerini k\\u0131zd\\u0131rd\\u0131\\u2026 Tarih: 26 Mart 1979. Yer: \\u0130talya Como G\\u00f6l\\u00fc sayfiyesi. Rockefeller sahibi oldu\\u011fu Bellagio Evi\\u2019nde yapt\\u0131\\u011f\\u0131 NATO g\\u00fcvenlik toplant\\u0131s\\u0131nda,<br \\\/>\\r\\ny\\u00fcz y\\u0131ld\\u0131r kontrol\\u00fcnde olan \\u201cend\\u00fcstriyel t\\u0131p\\u201d ile ilgili bir dizi kararlar ald\\u0131\\u2026<\\\/p>\\r\\n\\r\\n<p>Ve:<br \\\/>\\r\\nTarih: 25 Haziran 1979.<br \\\/>\\r\\nYer: Manisa\\u2026<br \\\/>\\r\\nCemil \\u00c7\\u00f6ll\\u00fc MHP \\u0130l Ba\\u015fkan\\u0131 idi.<br \\\/>\\r\\nSahibi oldu\\u011fu Huzur Eczanesi\\u2019nde \\u00f6ld\\u00fcr\\u00fcld\\u00fc.<br \\\/>\\r\\nErtesi g\\u00fcn\\u2026<br \\\/>\\r\\nTarih: 26 Haziran 1979.<br \\\/>\\r\\nYer: Manisa.<br \\\/>\\r\\nNe\\u015fe G\\u00fclersoy CHP Kad\\u0131n Kollar\\u0131 \\u00dcyesi idi.<br \\\/>\\r\\nSahibi oldu\\u011fu Yeni Afiyet Eczanesi\\u2019nde meslekta\\u015f\\u0131 MHP\\u2019li Cemil \\u00c7\\u00f6ll\\u00fc\\u2019n\\u00fcn katledilmesini protesto eden bildiriyi yazarken \\u00f6ld\\u00fcr\\u00fcld\\u00fc.<br \\\/>\\r\\nYine Manisa\\u2026<br \\\/>\\r\\nYine bir eczane\\u2026<br \\\/>\\r\\nTarih: 19 Aral\\u0131k 1979. Mete Erdem CHP \\u0130l Ba\\u015fkan\\u0131 idi. Eczanesinde i\\u00e7eri giren sald\\u0131rgan taraf\\u0131ndan kur\\u015funlanarak \\u00f6ld\\u00fcr\\u00fcld\\u00fc. Bu bir cinayet roman\\u0131 de\\u011fil\\u2026 Modern t\\u0131bb\\u0131n karanl\\u0131k y\\u00fcz\\u00fc ayd\\u0131nlan\\u0131yor\\u2026 Rockefeller\\u2019\\u0131n kozmik odas\\u0131ndaki T\\u00fcrkler kim?<br \\\/>\\r\\nNeyin kar\\u015f\\u0131l\\u0131\\u011f\\u0131, ne kadar para ald\\u0131lar?<br \\\/>\\r\\nTabular y\\u0131k\\u0131lacak\\u2026 Ezberler bozulacak\\u2026<br \\\/>\\r\\nArt\\u0131k y\\u00fczle\\u015fme vakti\\u2026<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Tarih: 5 Ocak 1978.<br \\\/>\\r\\nYer: Ankara. B\\u00fclent Ecevit yeni h\\u00fck\\u00fcmeti kurdu. Sa\\u011fl\\u0131k ve Sosyal Yard\\u0131m Bakanl\\u0131\\u011f\\u0131\\u2019ndaki gizli toplant\\u0131da \\u201cdevrim\\u201d gibi kararlar al\\u0131nd\\u0131. Tarih: 12 Eyl\\u00fcl 1978. Yer: Kazakistan Alma Ata. D\\u00fcnya Sa\\u011fl\\u0131k \\u00d6rg\\u00fct\\u00fc d\\u00fczenledi\\u011fi uluslararas\\u0131 konferans\\u0131n sonunda<br \\\/>\\r\\nyay\\u0131mlad\\u0131\\u011f\\u0131 bildiriyle ABD k\\u00fcresel ila\\u00e7 \\u015firketlerini k\\u0131zd\\u0131rd\\u0131\\u2026 Tarih: 26 Mart 1979. Yer: \\u0130talya Como G\\u00f6l\\u00fc sayfiyesi. Rockefeller sahibi oldu\\u011fu Bellagio Evi\\u2019nde yapt\\u0131\\u011f\\u0131 NATO g\\u00fcvenlik toplant\\u0131s\\u0131nda,<br \\\/>\\r\\ny\\u00fcz y\\u0131ld\\u0131r kontrol\\u00fcnde olan \\u201cend\\u00fcstriyel t\\u0131p\\u201d ile ilgili bir dizi kararlar ald\\u0131\\u2026<\\\/p>\\r\\n\\r\\n<p>Ve:<br \\\/>\\r\\nTarih: 25 Haziran 1979.<br \\\/>\\r\\nYer: Manisa\\u2026<br \\\/>\\r\\nCemil \\u00c7\\u00f6ll\\u00fc MHP \\u0130l Ba\\u015fkan\\u0131 idi.<br \\\/>\\r\\nSahibi oldu\\u011fu Huzur Eczanesi\\u2019nde \\u00f6ld\\u00fcr\\u00fcld\\u00fc.<br \\\/>\\r\\nErtesi g\\u00fcn\\u2026<br \\\/>\\r\\nTarih: 26 Haziran 1979.<br \\\/>\\r\\nYer: Manisa.<br \\\/>\\r\\nNe\\u015fe G\\u00fclersoy CHP Kad\\u0131n Kollar\\u0131 \\u00dcyesi idi.<br \\\/>\\r\\nSahibi oldu\\u011fu Yeni Afiyet Eczanesi\\u2019nde meslekta\\u015f\\u0131 MHP\\u2019li Cemil \\u00c7\\u00f6ll\\u00fc\\u2019n\\u00fcn katledilmesini protesto eden bildiriyi yazarken \\u00f6ld\\u00fcr\\u00fcld\\u00fc.<br \\\/>\\r\\nYine Manisa\\u2026<br \\\/>\\r\\nYine bir eczane\\u2026<br \\\/>\\r\\nTarih: 19 Aral\\u0131k 1979. Mete Erdem CHP \\u0130l Ba\\u015fkan\\u0131 idi. Eczanesinde i\\u00e7eri giren sald\\u0131rgan taraf\\u0131ndan kur\\u015funlanarak \\u00f6ld\\u00fcr\\u00fcld\\u00fc. Bu bir cinayet roman\\u0131 de\\u011fil\\u2026 Modern t\\u0131bb\\u0131n karanl\\u0131k y\\u00fcz\\u00fc ayd\\u0131nlan\\u0131yor\\u2026 Rockefeller\\u2019\\u0131n kozmik odas\\u0131ndaki T\\u00fcrkler kim?<br \\\/>\\r\\nNeyin kar\\u015f\\u0131l\\u0131\\u011f\\u0131, ne kadar para ald\\u0131lar?<br \\\/>\\r\\nTabular y\\u0131k\\u0131lacak\\u2026 Ezberler bozulacak\\u2026<br \\\/>\\r\\nArt\\u0131k y\\u00fczle\\u015fme vakti\\u2026<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6176,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9158,\"book_id\":6176,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9157,\"book_id\":6176,\"locale\":\"tr\",\"name\":\"Kara Kutu-Y\\u00fczle\\u015fme Vakti\",\"slug\":\"kara-kutu-yuzlesme-vakti\",\"sub_name\":\"\",\"description\":\"<p>Tarih: 5 Ocak 1978.<br \\\/>\\r\\nYer: Ankara. B\\u00fclent Ecevit yeni h\\u00fck\\u00fcmeti kurdu. Sa\\u011fl\\u0131k ve Sosyal Yard\\u0131m Bakanl\\u0131\\u011f\\u0131\\u2019ndaki gizli toplant\\u0131da \\u201cdevrim\\u201d gibi kararlar al\\u0131nd\\u0131. Tarih: 12 Eyl\\u00fcl 1978. Yer: Kazakistan Alma Ata. D\\u00fcnya Sa\\u011fl\\u0131k \\u00d6rg\\u00fct\\u00fc d\\u00fczenledi\\u011fi uluslararas\\u0131 konferans\\u0131n sonunda<br \\\/>\\r\\nyay\\u0131mlad\\u0131\\u011f\\u0131 bildiriyle ABD k\\u00fcresel ila\\u00e7 \\u015firketlerini k\\u0131zd\\u0131rd\\u0131\\u2026 Tarih: 26 Mart 1979. Yer: \\u0130talya Como G\\u00f6l\\u00fc sayfiyesi. Rockefeller sahibi oldu\\u011fu Bellagio Evi\\u2019nde yapt\\u0131\\u011f\\u0131 NATO g\\u00fcvenlik toplant\\u0131s\\u0131nda,<br \\\/>\\r\\ny\\u00fcz y\\u0131ld\\u0131r kontrol\\u00fcnde olan \\u201cend\\u00fcstriyel t\\u0131p\\u201d ile ilgili bir dizi kararlar ald\\u0131\\u2026<\\\/p>\\r\\n\\r\\n<p>Ve:<br \\\/>\\r\\nTarih: 25 Haziran 1979.<br \\\/>\\r\\nYer: Manisa\\u2026<br \\\/>\\r\\nCemil \\u00c7\\u00f6ll\\u00fc MHP \\u0130l Ba\\u015fkan\\u0131 idi.<br \\\/>\\r\\nSahibi oldu\\u011fu Huzur Eczanesi\\u2019nde \\u00f6ld\\u00fcr\\u00fcld\\u00fc.<br \\\/>\\r\\nErtesi g\\u00fcn\\u2026<br \\\/>\\r\\nTarih: 26 Haziran 1979.<br \\\/>\\r\\nYer: Manisa.<br \\\/>\\r\\nNe\\u015fe G\\u00fclersoy CHP Kad\\u0131n Kollar\\u0131 \\u00dcyesi idi.<br \\\/>\\r\\nSahibi oldu\\u011fu Yeni Afiyet Eczanesi\\u2019nde meslekta\\u015f\\u0131 MHP\\u2019li Cemil \\u00c7\\u00f6ll\\u00fc\\u2019n\\u00fcn katledilmesini protesto eden bildiriyi yazarken \\u00f6ld\\u00fcr\\u00fcld\\u00fc.<br \\\/>\\r\\nYine Manisa\\u2026<br \\\/>\\r\\nYine bir eczane\\u2026<br \\\/>\\r\\nTarih: 19 Aral\\u0131k 1979. Mete Erdem CHP \\u0130l Ba\\u015fkan\\u0131 idi. Eczanesinde i\\u00e7eri giren sald\\u0131rgan taraf\\u0131ndan kur\\u015funlanarak \\u00f6ld\\u00fcr\\u00fcld\\u00fc. Bu bir cinayet roman\\u0131 de\\u011fil\\u2026 Modern t\\u0131bb\\u0131n karanl\\u0131k y\\u00fcz\\u00fc ayd\\u0131nlan\\u0131yor\\u2026 Rockefeller\\u2019\\u0131n kozmik odas\\u0131ndaki T\\u00fcrkler kim?<br \\\/>\\r\\nNeyin kar\\u015f\\u0131l\\u0131\\u011f\\u0131, ne kadar para ald\\u0131lar?<br \\\/>\\r\\nTabular y\\u0131k\\u0131lacak\\u2026 Ezberler bozulacak\\u2026<br \\\/>\\r\\nArt\\u0131k y\\u00fczle\\u015fme vakti\\u2026<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Tarih: 5 Ocak 1978.<br \\\/>\\r\\nYer: Ankara. B\\u00fclent Ecevit yeni h\\u00fck\\u00fcmeti kurdu. Sa\\u011fl\\u0131k ve Sosyal Yard\\u0131m Bakanl\\u0131\\u011f\\u0131\\u2019ndaki gizli toplant\\u0131da \\u201cdevrim\\u201d gibi kararlar al\\u0131nd\\u0131. Tarih: 12 Eyl\\u00fcl 1978. Yer: Kazakistan Alma Ata. D\\u00fcnya Sa\\u011fl\\u0131k \\u00d6rg\\u00fct\\u00fc d\\u00fczenledi\\u011fi uluslararas\\u0131 konferans\\u0131n sonunda<br \\\/>\\r\\nyay\\u0131mlad\\u0131\\u011f\\u0131 bildiriyle ABD k\\u00fcresel ila\\u00e7 \\u015firketlerini k\\u0131zd\\u0131rd\\u0131\\u2026 Tarih: 26 Mart 1979. Yer: \\u0130talya Como G\\u00f6l\\u00fc sayfiyesi. Rockefeller sahibi oldu\\u011fu Bellagio Evi\\u2019nde yapt\\u0131\\u011f\\u0131 NATO g\\u00fcvenlik toplant\\u0131s\\u0131nda,<br \\\/>\\r\\ny\\u00fcz y\\u0131ld\\u0131r kontrol\\u00fcnde olan \\u201cend\\u00fcstriyel t\\u0131p\\u201d ile ilgili bir dizi kararlar ald\\u0131\\u2026<\\\/p>\\r\\n\\r\\n<p>Ve:<br \\\/>\\r\\nTarih: 25 Haziran 1979.<br \\\/>\\r\\nYer: Manisa\\u2026<br \\\/>\\r\\nCemil \\u00c7\\u00f6ll\\u00fc MHP \\u0130l Ba\\u015fkan\\u0131 idi.<br \\\/>\\r\\nSahibi oldu\\u011fu Huzur Eczanesi\\u2019nde \\u00f6ld\\u00fcr\\u00fcld\\u00fc.<br \\\/>\\r\\nErtesi g\\u00fcn\\u2026<br \\\/>\\r\\nTarih: 26 Haziran 1979.<br \\\/>\\r\\nYer: Manisa.<br \\\/>\\r\\nNe\\u015fe G\\u00fclersoy CHP Kad\\u0131n Kollar\\u0131 \\u00dcyesi idi.<br \\\/>\\r\\nSahibi oldu\\u011fu Yeni Afiyet Eczanesi\\u2019nde meslekta\\u015f\\u0131 MHP\\u2019li Cemil \\u00c7\\u00f6ll\\u00fc\\u2019n\\u00fcn katledilmesini protesto eden bildiriyi yazarken \\u00f6ld\\u00fcr\\u00fcld\\u00fc.<br \\\/>\\r\\nYine Manisa\\u2026<br \\\/>\\r\\nYine bir eczane\\u2026<br \\\/>\\r\\nTarih: 19 Aral\\u0131k 1979. Mete Erdem CHP \\u0130l Ba\\u015fkan\\u0131 idi. Eczanesinde i\\u00e7eri giren sald\\u0131rgan taraf\\u0131ndan kur\\u015funlanarak \\u00f6ld\\u00fcr\\u00fcld\\u00fc. Bu bir cinayet roman\\u0131 de\\u011fil\\u2026 Modern t\\u0131bb\\u0131n karanl\\u0131k y\\u00fcz\\u00fc ayd\\u0131nlan\\u0131yor\\u2026 Rockefeller\\u2019\\u0131n kozmik odas\\u0131ndaki T\\u00fcrkler kim?<br \\\/>\\r\\nNeyin kar\\u015f\\u0131l\\u0131\\u011f\\u0131, ne kadar para ald\\u0131lar?<br \\\/>\\r\\nTabular y\\u0131k\\u0131lacak\\u2026 Ezberler bozulacak\\u2026<br \\\/>\\r\\nArt\\u0131k y\\u00fczle\\u015fme vakti\\u2026<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6222,\"user_id\":10,\"original_name\":\"G\\u00fclten ile Beh\\u00e7et\",\"printing_date\":\"2019-11-07 14:11:09\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/gulten-ile-behcet-kapak-1573125069.png\",\"image_settings\":{\"id\":6222,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/07\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":166935,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":35546,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":14630,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3655,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1907,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4898,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":22238,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":22238,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":9286,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2274,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1020,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3308,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-07 14:11:09\",\"updated_at\":\"2019-11-07 14:11:09\",\"name\":\"G\\u00fclten ile Beh\\u00e7et\",\"slug\":\"gulten-ile-behcet\",\"sub_name\":\"\",\"description\":\"<p>G\\u00fclten Ak\\u0131n \\u015fiiri i\\u00e7in pek \\u00e7ok akrabadan s\\u00f6z edilir. Akrabalar i\\u00e7inde birinci dereceden olan\\u0131 hi\\u00e7 ku\\u015fkusuz Beh\\u00e7et Necatigil\\u2019dir. Ya da \\u2018\\u0130nce K\\u0131z\\u2019\\u0131n en yak\\u0131n\\u0131 B\\u00fcy\\u00fck Tedirgin.<\\\/p>\\r\\n\\r\\n<p>G\\u00fclten Ak\\u0131n ile Beh\\u00e7et Necatigil: Birbirinden ince ve incelikli iki \\u015fair.<\\\/p>\\r\\n\\r\\n<p>Haydar Erg\\u00fclen, iki ustay\\u0131, merhamet burcu\\u2019ndaki iki ustas\\u0131n\\u0131 G\\u00fclten ile Beh\\u00e7et\\u2019te yaz\\u0131yor...<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131r\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>G\\u00fclten Ak\\u0131n \\u015fiiri i\\u00e7in pek \\u00e7ok akrabadan s\\u00f6z edilir. Akrabalar i\\u00e7inde birinci dereceden olan\\u0131 hi\\u00e7 ku\\u015fkusuz Beh\\u00e7et Necatigil\\u2019dir. Ya da \\u2018\\u0130nce K\\u0131z\\u2019\\u0131n en yak\\u0131n\\u0131 B\\u00fcy\\u00fck Tedirgin.<\\\/p>\\r\\n\\r\\n<p>G\\u00fclten Ak\\u0131n ile Beh\\u00e7et Necatigil: Birbirinden ince ve incelikli iki \\u015fair.<\\\/p>\\r\\n\\r\\n<p>Haydar Erg\\u00fclen, iki ustay\\u0131, merhamet burcu\\u2019ndaki iki ustas\\u0131n\\u0131 G\\u00fclten ile Beh\\u00e7et\\u2019te yaz\\u0131yor...<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131r\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6222,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9250,\"book_id\":6222,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9249,\"book_id\":6222,\"locale\":\"tr\",\"name\":\"G\\u00fclten ile Beh\\u00e7et\",\"slug\":\"gulten-ile-behcet\",\"sub_name\":\"\",\"description\":\"<p>G\\u00fclten Ak\\u0131n \\u015fiiri i\\u00e7in pek \\u00e7ok akrabadan s\\u00f6z edilir. 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Ya da \\u2018\\u0130nce K\\u0131z\\u2019\\u0131n en yak\\u0131n\\u0131 B\\u00fcy\\u00fck Tedirgin.<\\\/p>\\r\\n\\r\\n<p>G\\u00fclten Ak\\u0131n ile Beh\\u00e7et Necatigil: Birbirinden ince ve incelikli iki \\u015fair.<\\\/p>\\r\\n\\r\\n<p>Haydar Erg\\u00fclen, iki ustay\\u0131, merhamet burcu\\u2019ndaki iki ustas\\u0131n\\u0131 G\\u00fclten ile Beh\\u00e7et\\u2019te yaz\\u0131yor...<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131r\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6223,\"user_id\":10,\"original_name\":\"Ucu G\\u00fcll\\u00fc Kundura\",\"printing_date\":\"2019-11-07 14:15:32\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/ucu-gullu-kundura-kapak-1573125332.png\",\"image_settings\":{\"id\":6223,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/07\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":159700,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":32559,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":12410,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3091,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1898,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3642,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":22456,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":22456,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":8560,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2060,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":988,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2614,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-07 14:15:32\",\"updated_at\":\"2019-11-07 14:15:33\",\"name\":\"Ucu G\\u00fcll\\u00fc Kundura\",\"slug\":\"ucu-gullu-kundura\",\"sub_name\":\"\",\"description\":\"<p>\\u0130stanbul\\u2019da yeni yollar a\\u00e7\\u0131l\\u0131yor, eski evler y\\u0131k\\u0131l\\u0131p betonarme yap\\u0131lar, apartmanlar, hanlar y\\u00fckselip fabrikalar kuruluyorken kentin her yan\\u0131nda d\\u00fcne sava\\u015f a\\u00e7an bir hareketlili\\u011fin ya\\u015fand\\u0131\\u011f\\u0131 Menderes d\\u00f6nemi\\u2026 \\u015eehre her g\\u00fcn \\u00e7ar\\u0131kl\\u0131, \\u015falvarl\\u0131, kasketli, ba\\u015f\\u00f6rt\\u00fcl\\u00fc kafileler ak\\u0131n ediyor, \\u00e7ar\\u015f\\u0131lar\\u0131, pazarlar\\u0131, sokaklar\\u0131, alanlar\\u0131 kalabal\\u0131kla\\u015ft\\u0131r\\u0131yordu. 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Ucu G\\u00fcll\\u00fc Kundura\\u2019da Buyruk\\u00e7u, Kavga ve Dar Sokaklardaki Duman\\u2019dan tan\\u0131d\\u0131\\u011f\\u0131m\\u0131z Balkan g\\u00f6\\u00e7meni ailenin ve \\u00e7evresindekilerin hik\\u00e2yesini anlatmaya devam ediyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u0130stanbul\\u2019da yeni yollar a\\u00e7\\u0131l\\u0131yor, eski evler y\\u0131k\\u0131l\\u0131p betonarme yap\\u0131lar, apartmanlar, hanlar y\\u00fckselip fabrikalar kuruluyorken kentin her yan\\u0131nda d\\u00fcne sava\\u015f a\\u00e7an bir hareketlili\\u011fin ya\\u015fand\\u0131\\u011f\\u0131 Menderes d\\u00f6nemi\\u2026 \\u015eehre her g\\u00fcn \\u00e7ar\\u0131kl\\u0131, \\u015falvarl\\u0131, kasketli, ba\\u015f\\u00f6rt\\u00fcl\\u00fc kafileler ak\\u0131n ediyor, \\u00e7ar\\u015f\\u0131lar\\u0131, pazarlar\\u0131, sokaklar\\u0131, alanlar\\u0131 kalabal\\u0131kla\\u015ft\\u0131r\\u0131yordu. 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Ucu G\\u00fcll\\u00fc Kundura\\u2019da Buyruk\\u00e7u, Kavga ve Dar Sokaklardaki Duman\\u2019dan tan\\u0131d\\u0131\\u011f\\u0131m\\u0131z Balkan g\\u00f6\\u00e7meni ailenin ve \\u00e7evresindekilerin hik\\u00e2yesini anlatmaya devam ediyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6223,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9252,\"book_id\":6223,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9251,\"book_id\":6223,\"locale\":\"tr\",\"name\":\"Ucu G\\u00fcll\\u00fc Kundura\",\"slug\":\"ucu-gullu-kundura\",\"sub_name\":\"\",\"description\":\"<p>\\u0130stanbul\\u2019da yeni yollar a\\u00e7\\u0131l\\u0131yor, eski evler y\\u0131k\\u0131l\\u0131p betonarme yap\\u0131lar, apartmanlar, hanlar y\\u00fckselip fabrikalar kuruluyorken kentin her yan\\u0131nda d\\u00fcne sava\\u015f a\\u00e7an bir hareketlili\\u011fin ya\\u015fand\\u0131\\u011f\\u0131 Menderes d\\u00f6nemi\\u2026 \\u015eehre her g\\u00fcn \\u00e7ar\\u0131kl\\u0131, \\u015falvarl\\u0131, kasketli, ba\\u015f\\u00f6rt\\u00fcl\\u00fc kafileler ak\\u0131n ediyor, \\u00e7ar\\u015f\\u0131lar\\u0131, pazarlar\\u0131, sokaklar\\u0131, alanlar\\u0131 kalabal\\u0131kla\\u015ft\\u0131r\\u0131yordu. 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Ucu G\\u00fcll\\u00fc Kundura\\u2019da Buyruk\\u00e7u, Kavga ve Dar Sokaklardaki Duman\\u2019dan tan\\u0131d\\u0131\\u011f\\u0131m\\u0131z Balkan g\\u00f6\\u00e7meni ailenin ve \\u00e7evresindekilerin hik\\u00e2yesini anlatmaya devam ediyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6224,\"user_id\":10,\"original_name\":\"Benyusuf\",\"printing_date\":\"2019-11-07 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14:18:35\",\"updated_at\":\"2019-11-07 14:18:35\",\"name\":\"Benyusuf\",\"slug\":\"benyusuf\",\"sub_name\":\"\",\"description\":\"<p>Yeni ba\\u011flanan telefonlardan soba yang\\u0131nlar\\u0131na, ta\\u015f\\u0131rken merdivende s\\u0131k\\u0131\\u015fan kanepelerden ta\\u015fan kanalizasyonlara s\\u0131ra d\\u0131\\u015f\\u0131 ev halleri.<\\\/p>\\r\\n\\r\\n<p>Kom\\u015fu gezmeleri, taziye ziyaretleri, hastal\\u0131klar, cenazeler ile b\\u00fct\\u00fcn insanl\\u0131k halleri...<\\\/p>\\r\\n\\r\\n<p>Sabi\\u015f\\u2019li, H\\u00fclya\\u2019l\\u0131, Lucky\\u2019li ve Timur\\u2019lu birbirinden lezzetli Sezgin Kaymaz hikayeleri.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Yeni ba\\u011flanan telefonlardan soba yang\\u0131nlar\\u0131na, ta\\u015f\\u0131rken merdivende s\\u0131k\\u0131\\u015fan kanepelerden ta\\u015fan kanalizasyonlara s\\u0131ra d\\u0131\\u015f\\u0131 ev halleri.<\\\/p>\\r\\n\\r\\n<p>Kom\\u015fu gezmeleri, taziye ziyaretleri, hastal\\u0131klar, cenazeler ile b\\u00fct\\u00fcn insanl\\u0131k halleri...<\\\/p>\\r\\n\\r\\n<p>Sabi\\u015f\\u2019li, H\\u00fclya\\u2019l\\u0131, Lucky\\u2019li ve Timur\\u2019lu birbirinden lezzetli Sezgin Kaymaz hikayeleri.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6224,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9254,\"book_id\":6224,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9253,\"book_id\":6224,\"locale\":\"tr\",\"name\":\"Benyusuf\",\"slug\":\"benyusuf\",\"sub_name\":\"\",\"description\":\"<p>Yeni ba\\u011flanan telefonlardan soba yang\\u0131nlar\\u0131na, ta\\u015f\\u0131rken merdivende s\\u0131k\\u0131\\u015fan kanepelerden ta\\u015fan kanalizasyonlara s\\u0131ra d\\u0131\\u015f\\u0131 ev halleri.<\\\/p>\\r\\n\\r\\n<p>Kom\\u015fu gezmeleri, taziye ziyaretleri, hastal\\u0131klar, cenazeler ile b\\u00fct\\u00fcn insanl\\u0131k halleri...<\\\/p>\\r\\n\\r\\n<p>Sabi\\u015f\\u2019li, H\\u00fclya\\u2019l\\u0131, Lucky\\u2019li ve Timur\\u2019lu birbirinden lezzetli Sezgin Kaymaz hikayeleri.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Yeni ba\\u011flanan telefonlardan soba yang\\u0131nlar\\u0131na, ta\\u015f\\u0131rken merdivende s\\u0131k\\u0131\\u015fan kanepelerden ta\\u015fan kanalizasyonlara s\\u0131ra d\\u0131\\u015f\\u0131 ev halleri.<\\\/p>\\r\\n\\r\\n<p>Kom\\u015fu gezmeleri, taziye ziyaretleri, hastal\\u0131klar, cenazeler ile b\\u00fct\\u00fcn insanl\\u0131k halleri...<\\\/p>\\r\\n\\r\\n<p>Sabi\\u015f\\u2019li, H\\u00fclya\\u2019l\\u0131, Lucky\\u2019li ve Timur\\u2019lu birbirinden lezzetli Sezgin Kaymaz hikayeleri.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6229,\"user_id\":10,\"original_name\":\"The Unabridged Journals of Sylvia Plath\",\"printing_date\":\"2016-01-01 16:44:37\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/the-unabridged-journals-of-sylvia-plath-kapak-1573220666.png\",\"image_settings\":{\"id\":6229,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/08\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":166194,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":33263,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":13347,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3409,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1886,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4253,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":20984,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":20984,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":8400,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2184,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1064,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2764,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":3,\"follower_count\":5,\"rate_count\":1,\"rate_average\":6,\"created_at\":\"2019-11-08 16:44:26\",\"updated_at\":\"2020-02-28 03:30:13\",\"name\":\"G\\u00fcnl\\u00fckler\",\"slug\":\"gunlukler-1\",\"sub_name\":\"Bir Edebiyat Olay\\u0131\",\"description\":\"<p>\\\"Sadece i\\u00e7imde susmak istemeyen bir ses oldu\\u011fu i\\u00e7in yaz\\u0131yorum.\\\"<br \\\/>\\r\\n-Sylvia Plath-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Benim hayat\\u0131m\\u0131n amac\\u0131 ne ve onunla ne halt edece\\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\\u011fim b\\u00fct\\u00fcn kitaplar\\u0131 okuyamayaca\\u011f\\u0131m; olmak istedi\\u011fim b\\u00fct\\u00fcn insanlar olamayaca\\u011f\\u0131m ve ya\\u015famak istedi\\u011fim b\\u00fct\\u00fcn hayatlar\\u0131 ya\\u015fayamayaca\\u011f\\u0131m. Kendimi istedi\\u011fim b\\u00fct\\u00fcn becerileri edinecek kadar e\\u011fitemeyece\\u011fim. Bunlar\\u0131 neden istiyorum? Hayat\\u0131mda m\\u00fcmk\\u00fcn olan zihinsel ve fiziksel tecr\\u00fcbelerin t\\u00fcm renklerini, tonlar\\u0131n\\u0131 ve \\u00e7e\\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\\u00e7 derecede s\\u0131n\\u0131rl\\u0131y\\u0131m\\u2026 U\\u011frunda ya\\u015fayaca\\u011f\\u0131m \\u00e7ok \\u015fey var, yine de anla\\u015f\\u0131lmas\\u0131 m\\u00fcmk\\u00fcn olmayacak kadar hasta ve \\u00fczg\\u00fcn\\u00fcm.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nSadece otuz y\\u0131l ya\\u015fad\\u0131 Sylvia Plath ve bu otuz y\\u0131la f\\u0131rt\\u0131nal\\u0131 bir hayat ve unutulmaz eserler s\\u0131\\u011fd\\u0131rd\\u0131. 1963 y\\u0131l\\u0131nda hayat\\u0131na kendi eliyle son vermesinden sonra e\\u015fi Ted Hughes'un b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 sans\\u00fcrleyerek ilk kez yay\\u0131mlatt\\u0131\\u011f\\u0131 G\\u00fcnl\\u00fckler, y\\u0131llar sonra \\u00f6zg\\u00fcn haliyle yay\\u0131mlanm\\u0131\\u015ft\\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\\u0131na yak\\u0131n k\\u0131sm\\u0131n\\u0131 i\\u00e7eriyor. Plath'\\u0131n hayat\\u0131n\\u0131n son on iki y\\u0131l\\u0131n\\u0131 kapsayan g\\u00fcnl\\u00fckleri onun \\u00f6zelindeki ve edebi alandaki m\\u00fccadelelerini veriyor ve okura onu tan\\u0131mak i\\u00e7in geni\\u015f pencereler a\\u00e7\\u0131yor. G\\u00fcnl\\u00fckler, bu \\u00f6zg\\u00fcn yazar\\u0131 tan\\u0131mak ve yap\\u0131tlar\\u0131n\\u0131 daha iyi anlamak isteyenler i\\u00e7in e\\u015fsiz bir ba\\u015fvuru kayna\\u011f\\u0131, hayranlar\\u0131 i\\u00e7in vazge\\u00e7ilmez bir ba\\u015fucu kitab\\u0131.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\\"Sadece i\\u00e7imde susmak istemeyen bir ses oldu\\u011fu i\\u00e7in yaz\\u0131yorum.\\\"<br \\\/>\\r\\n-Sylvia Plath-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Benim hayat\\u0131m\\u0131n amac\\u0131 ne ve onunla ne halt edece\\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\\u011fim b\\u00fct\\u00fcn kitaplar\\u0131 okuyamayaca\\u011f\\u0131m; olmak istedi\\u011fim b\\u00fct\\u00fcn insanlar olamayaca\\u011f\\u0131m ve ya\\u015famak istedi\\u011fim b\\u00fct\\u00fcn hayatlar\\u0131 ya\\u015fayamayaca\\u011f\\u0131m. Kendimi istedi\\u011fim b\\u00fct\\u00fcn becerileri edinecek kadar e\\u011fitemeyece\\u011fim. Bunlar\\u0131 neden istiyorum? Hayat\\u0131mda m\\u00fcmk\\u00fcn olan zihinsel ve fiziksel tecr\\u00fcbelerin t\\u00fcm renklerini, tonlar\\u0131n\\u0131 ve \\u00e7e\\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\\u00e7 derecede s\\u0131n\\u0131rl\\u0131y\\u0131m\\u2026 U\\u011frunda ya\\u015fayaca\\u011f\\u0131m \\u00e7ok \\u015fey var, yine de anla\\u015f\\u0131lmas\\u0131 m\\u00fcmk\\u00fcn olmayacak kadar hasta ve \\u00fczg\\u00fcn\\u00fcm.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nSadece otuz y\\u0131l ya\\u015fad\\u0131 Sylvia Plath ve bu otuz y\\u0131la f\\u0131rt\\u0131nal\\u0131 bir hayat ve unutulmaz eserler s\\u0131\\u011fd\\u0131rd\\u0131. 1963 y\\u0131l\\u0131nda hayat\\u0131na kendi eliyle son vermesinden sonra e\\u015fi Ted Hughes'un b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 sans\\u00fcrleyerek ilk kez yay\\u0131mlatt\\u0131\\u011f\\u0131 G\\u00fcnl\\u00fckler, y\\u0131llar sonra \\u00f6zg\\u00fcn haliyle yay\\u0131mlanm\\u0131\\u015ft\\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\\u0131na yak\\u0131n k\\u0131sm\\u0131n\\u0131 i\\u00e7eriyor. Plath'\\u0131n hayat\\u0131n\\u0131n son on iki y\\u0131l\\u0131n\\u0131 kapsayan g\\u00fcnl\\u00fckleri onun \\u00f6zelindeki ve edebi alandaki m\\u00fccadelelerini veriyor ve okura onu tan\\u0131mak i\\u00e7in geni\\u015f pencereler a\\u00e7\\u0131yor. G\\u00fcnl\\u00fckler, bu \\u00f6zg\\u00fcn yazar\\u0131 tan\\u0131mak ve yap\\u0131tlar\\u0131n\\u0131 daha iyi anlamak isteyenler i\\u00e7in e\\u015fsiz bir ba\\u015fvuru kayna\\u011f\\u0131, hayranlar\\u0131 i\\u00e7in vazge\\u00e7ilmez bir ba\\u015fucu kitab\\u0131.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6229,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9264,\"book_id\":6229,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9263,\"book_id\":6229,\"locale\":\"tr\",\"name\":\"G\\u00fcnl\\u00fckler\",\"slug\":\"gunlukler-1\",\"sub_name\":\"Bir Edebiyat Olay\\u0131\",\"description\":\"<p>\\\"Sadece i\\u00e7imde susmak istemeyen bir ses oldu\\u011fu i\\u00e7in yaz\\u0131yorum.\\\"<br \\\/>\\r\\n-Sylvia Plath-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Benim hayat\\u0131m\\u0131n amac\\u0131 ne ve onunla ne halt edece\\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\\u011fim b\\u00fct\\u00fcn kitaplar\\u0131 okuyamayaca\\u011f\\u0131m; olmak istedi\\u011fim b\\u00fct\\u00fcn insanlar olamayaca\\u011f\\u0131m ve ya\\u015famak istedi\\u011fim b\\u00fct\\u00fcn hayatlar\\u0131 ya\\u015fayamayaca\\u011f\\u0131m. Kendimi istedi\\u011fim b\\u00fct\\u00fcn becerileri edinecek kadar e\\u011fitemeyece\\u011fim. Bunlar\\u0131 neden istiyorum? Hayat\\u0131mda m\\u00fcmk\\u00fcn olan zihinsel ve fiziksel tecr\\u00fcbelerin t\\u00fcm renklerini, tonlar\\u0131n\\u0131 ve \\u00e7e\\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\\u00e7 derecede s\\u0131n\\u0131rl\\u0131y\\u0131m\\u2026 U\\u011frunda ya\\u015fayaca\\u011f\\u0131m \\u00e7ok \\u015fey var, yine de anla\\u015f\\u0131lmas\\u0131 m\\u00fcmk\\u00fcn olmayacak kadar hasta ve \\u00fczg\\u00fcn\\u00fcm.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nSadece otuz y\\u0131l ya\\u015fad\\u0131 Sylvia Plath ve bu otuz y\\u0131la f\\u0131rt\\u0131nal\\u0131 bir hayat ve unutulmaz eserler s\\u0131\\u011fd\\u0131rd\\u0131. 1963 y\\u0131l\\u0131nda hayat\\u0131na kendi eliyle son vermesinden sonra e\\u015fi Ted Hughes'un b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 sans\\u00fcrleyerek ilk kez yay\\u0131mlatt\\u0131\\u011f\\u0131 G\\u00fcnl\\u00fckler, y\\u0131llar sonra \\u00f6zg\\u00fcn haliyle yay\\u0131mlanm\\u0131\\u015ft\\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\\u0131na yak\\u0131n k\\u0131sm\\u0131n\\u0131 i\\u00e7eriyor. Plath'\\u0131n hayat\\u0131n\\u0131n son on iki y\\u0131l\\u0131n\\u0131 kapsayan g\\u00fcnl\\u00fckleri onun \\u00f6zelindeki ve edebi alandaki m\\u00fccadelelerini veriyor ve okura onu tan\\u0131mak i\\u00e7in geni\\u015f pencereler a\\u00e7\\u0131yor. G\\u00fcnl\\u00fckler, bu \\u00f6zg\\u00fcn yazar\\u0131 tan\\u0131mak ve yap\\u0131tlar\\u0131n\\u0131 daha iyi anlamak isteyenler i\\u00e7in e\\u015fsiz bir ba\\u015fvuru kayna\\u011f\\u0131, hayranlar\\u0131 i\\u00e7in vazge\\u00e7ilmez bir ba\\u015fucu kitab\\u0131.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\\"Sadece i\\u00e7imde susmak istemeyen bir ses oldu\\u011fu i\\u00e7in yaz\\u0131yorum.\\\"<br \\\/>\\r\\n-Sylvia Plath-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Benim hayat\\u0131m\\u0131n amac\\u0131 ne ve onunla ne halt edece\\u011fim? Bilmiyorum ve korkuyorum. Asla istedi\\u011fim b\\u00fct\\u00fcn kitaplar\\u0131 okuyamayaca\\u011f\\u0131m; olmak istedi\\u011fim b\\u00fct\\u00fcn insanlar olamayaca\\u011f\\u0131m ve ya\\u015famak istedi\\u011fim b\\u00fct\\u00fcn hayatlar\\u0131 ya\\u015fayamayaca\\u011f\\u0131m. Kendimi istedi\\u011fim b\\u00fct\\u00fcn becerileri edinecek kadar e\\u011fitemeyece\\u011fim. Bunlar\\u0131 neden istiyorum? Hayat\\u0131mda m\\u00fcmk\\u00fcn olan zihinsel ve fiziksel tecr\\u00fcbelerin t\\u00fcm renklerini, tonlar\\u0131n\\u0131 ve \\u00e7e\\u015fitlerini tatmak ve hissetmek istiyorum. Ve korkun\\u00e7 derecede s\\u0131n\\u0131rl\\u0131y\\u0131m\\u2026 U\\u011frunda ya\\u015fayaca\\u011f\\u0131m \\u00e7ok \\u015fey var, yine de anla\\u015f\\u0131lmas\\u0131 m\\u00fcmk\\u00fcn olmayacak kadar hasta ve \\u00fczg\\u00fcn\\u00fcm.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nSadece otuz y\\u0131l ya\\u015fad\\u0131 Sylvia Plath ve bu otuz y\\u0131la f\\u0131rt\\u0131nal\\u0131 bir hayat ve unutulmaz eserler s\\u0131\\u011fd\\u0131rd\\u0131. 1963 y\\u0131l\\u0131nda hayat\\u0131na kendi eliyle son vermesinden sonra e\\u015fi Ted Hughes'un b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 sans\\u00fcrleyerek ilk kez yay\\u0131mlatt\\u0131\\u011f\\u0131 G\\u00fcnl\\u00fckler, y\\u0131llar sonra \\u00f6zg\\u00fcn haliyle yay\\u0131mlanm\\u0131\\u015ft\\u0131. Elinizdeki kitap da bu ikinci versiyonun tamam\\u0131na yak\\u0131n k\\u0131sm\\u0131n\\u0131 i\\u00e7eriyor. Plath'\\u0131n hayat\\u0131n\\u0131n son on iki y\\u0131l\\u0131n\\u0131 kapsayan g\\u00fcnl\\u00fckleri onun \\u00f6zelindeki ve edebi alandaki m\\u00fccadelelerini veriyor ve okura onu tan\\u0131mak i\\u00e7in geni\\u015f pencereler a\\u00e7\\u0131yor. G\\u00fcnl\\u00fckler, bu \\u00f6zg\\u00fcn yazar\\u0131 tan\\u0131mak ve yap\\u0131tlar\\u0131n\\u0131 daha iyi anlamak isteyenler i\\u00e7in e\\u015fsiz bir ba\\u015fvuru kayna\\u011f\\u0131, hayranlar\\u0131 i\\u00e7in vazge\\u00e7ilmez bir ba\\u015fucu kitab\\u0131.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6230,\"user_id\":10,\"original_name\":\"Ariel\",\"printing_date\":\"2014-01-01 16:46:01\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/ariel-kapak-1573220761.png\",\"image_settings\":{\"id\":6230,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/08\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":146861,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":27834,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":11403,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3179,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2011,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2957,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":17208,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":17208,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7386,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2090,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1120,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":1852,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-08 16:46:01\",\"updated_at\":\"2019-11-08 16:46:02\",\"name\":\"Ariel ve Se\\u00e7me \\u015eiirler\",\"slug\":\"ariel-ve-secme-siirler\",\"sub_name\":\"\",\"description\":\"<p>Dibi bilirim, diyor. En b\\u00fcy\\u00fck k\\u00f6k\\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\\u00e7imde i\\u015fitti\\u011fin, Onun doyumsuzluklar\\u0131 m\\u0131? Yoksa hi\\u00e7bir \\u015feyin sesi mi, \\u015fu senin delili\\u011fin hani. Bir g\\u00f6lgedir a\\u015fk. Nas\\u0131l da yalan s\\u00f6yler a\\u011flars\\u0131n ard\\u0131ndan, Dinle: bu onun toynaklar\\u0131: al\\u0131p ba\\u015f\\u0131n\\u0131 gitti, at gibi.<br \\\/>\\r\\n<br \\\/>\\r\\nYeti\\u015fkin ya\\u015fam\\u0131n\\u0131n b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 depresyon halinde ge\\u00e7iren Sylvia Plath 1963'te 32 ya\\u015f\\u0131ndayken kendi eliyle hayat\\u0131na son verdi\\u011finde arkas\\u0131nda \\u00f6zg\\u00fcn \\u015fiirlerini b\\u0131rakm\\u0131\\u015ft\\u0131. Depresif ruh hali hemen hemen b\\u00fct\\u00fcn \\u015fiirlerine yans\\u0131yan Plath'\\u0131n \\u00f6l\\u00fcm\\u00fcnden sonra 1965 y\\u0131l\\u0131nda yay\\u0131mlanan Ariel'deki \\u015fiirleri onun \\u015fair olarak \\u00fcn\\u00fcn\\u00fc sa\\u011flayan \\u00e7al\\u0131\\u015fmalar\\u0131 oldu. Bu kitapta Ariel'le birlikte yine \\u00f6l\\u00fcm\\u00fcnden sonra e\\u015fi \\u015fair Ted Hughes'un se\\u00e7erek yay\\u0131mlad\\u0131\\u011f\\u0131 \\u015fiirler de yer almaktad\\u0131r. \\u015eairin \\u00f6l\\u00fcm\\u00fcnden \\u00f6nce yazd\\u0131\\u011f\\u0131 son \\u015fiiri olan \\\"U\\u00e7\\\" da bu kitaptaki son \\u015fiirdir.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Dibi bilirim, diyor. En b\\u00fcy\\u00fck k\\u00f6k\\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\\u00e7imde i\\u015fitti\\u011fin, Onun doyumsuzluklar\\u0131 m\\u0131? Yoksa hi\\u00e7bir \\u015feyin sesi mi, \\u015fu senin delili\\u011fin hani. Bir g\\u00f6lgedir a\\u015fk. Nas\\u0131l da yalan s\\u00f6yler a\\u011flars\\u0131n ard\\u0131ndan, Dinle: bu onun toynaklar\\u0131: al\\u0131p ba\\u015f\\u0131n\\u0131 gitti, at gibi.<br \\\/>\\r\\n<br \\\/>\\r\\nYeti\\u015fkin ya\\u015fam\\u0131n\\u0131n b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 depresyon halinde ge\\u00e7iren Sylvia Plath 1963'te 32 ya\\u015f\\u0131ndayken kendi eliyle hayat\\u0131na son verdi\\u011finde arkas\\u0131nda \\u00f6zg\\u00fcn \\u015fiirlerini b\\u0131rakm\\u0131\\u015ft\\u0131. Depresif ruh hali hemen hemen b\\u00fct\\u00fcn \\u015fiirlerine yans\\u0131yan Plath'\\u0131n \\u00f6l\\u00fcm\\u00fcnden sonra 1965 y\\u0131l\\u0131nda yay\\u0131mlanan Ariel'deki \\u015fiirleri onun \\u015fair olarak \\u00fcn\\u00fcn\\u00fc sa\\u011flayan \\u00e7al\\u0131\\u015fmalar\\u0131 oldu. Bu kitapta Ariel'le birlikte yine \\u00f6l\\u00fcm\\u00fcnden sonra e\\u015fi \\u015fair Ted Hughes'un se\\u00e7erek yay\\u0131mlad\\u0131\\u011f\\u0131 \\u015fiirler de yer almaktad\\u0131r. \\u015eairin \\u00f6l\\u00fcm\\u00fcnden \\u00f6nce yazd\\u0131\\u011f\\u0131 son \\u015fiiri olan \\\"U\\u00e7\\\" da bu kitaptaki son \\u015fiirdir.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6230,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9266,\"book_id\":6230,\"locale\":\"en\",\"name\":\"Ariel\",\"slug\":\"ariel\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9265,\"book_id\":6230,\"locale\":\"tr\",\"name\":\"Ariel ve Se\\u00e7me \\u015eiirler\",\"slug\":\"ariel-ve-secme-siirler\",\"sub_name\":\"\",\"description\":\"<p>Dibi bilirim, diyor. En b\\u00fcy\\u00fck k\\u00f6k\\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\\u00e7imde i\\u015fitti\\u011fin, Onun doyumsuzluklar\\u0131 m\\u0131? Yoksa hi\\u00e7bir \\u015feyin sesi mi, \\u015fu senin delili\\u011fin hani. Bir g\\u00f6lgedir a\\u015fk. Nas\\u0131l da yalan s\\u00f6yler a\\u011flars\\u0131n ard\\u0131ndan, Dinle: bu onun toynaklar\\u0131: al\\u0131p ba\\u015f\\u0131n\\u0131 gitti, at gibi.<br \\\/>\\r\\n<br \\\/>\\r\\nYeti\\u015fkin ya\\u015fam\\u0131n\\u0131n b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 depresyon halinde ge\\u00e7iren Sylvia Plath 1963'te 32 ya\\u015f\\u0131ndayken kendi eliyle hayat\\u0131na son verdi\\u011finde arkas\\u0131nda \\u00f6zg\\u00fcn \\u015fiirlerini b\\u0131rakm\\u0131\\u015ft\\u0131. Depresif ruh hali hemen hemen b\\u00fct\\u00fcn \\u015fiirlerine yans\\u0131yan Plath'\\u0131n \\u00f6l\\u00fcm\\u00fcnden sonra 1965 y\\u0131l\\u0131nda yay\\u0131mlanan Ariel'deki \\u015fiirleri onun \\u015fair olarak \\u00fcn\\u00fcn\\u00fc sa\\u011flayan \\u00e7al\\u0131\\u015fmalar\\u0131 oldu. Bu kitapta Ariel'le birlikte yine \\u00f6l\\u00fcm\\u00fcnden sonra e\\u015fi \\u015fair Ted Hughes'un se\\u00e7erek yay\\u0131mlad\\u0131\\u011f\\u0131 \\u015fiirler de yer almaktad\\u0131r. \\u015eairin \\u00f6l\\u00fcm\\u00fcnden \\u00f6nce yazd\\u0131\\u011f\\u0131 son \\u015fiiri olan \\\"U\\u00e7\\\" da bu kitaptaki son \\u015fiirdir.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Dibi bilirim, diyor. En b\\u00fcy\\u00fck k\\u00f6k\\u00fcmden bilirim onu: Seni korkutur. Ben korkmam oradan: ben oraya gittim. Deniz mi i\\u00e7imde i\\u015fitti\\u011fin, Onun doyumsuzluklar\\u0131 m\\u0131? Yoksa hi\\u00e7bir \\u015feyin sesi mi, \\u015fu senin delili\\u011fin hani. Bir g\\u00f6lgedir a\\u015fk. Nas\\u0131l da yalan s\\u00f6yler a\\u011flars\\u0131n ard\\u0131ndan, Dinle: bu onun toynaklar\\u0131: al\\u0131p ba\\u015f\\u0131n\\u0131 gitti, at gibi.<br \\\/>\\r\\n<br \\\/>\\r\\nYeti\\u015fkin ya\\u015fam\\u0131n\\u0131n b\\u00fcy\\u00fck k\\u0131sm\\u0131n\\u0131 depresyon halinde ge\\u00e7iren Sylvia Plath 1963'te 32 ya\\u015f\\u0131ndayken kendi eliyle hayat\\u0131na son verdi\\u011finde arkas\\u0131nda \\u00f6zg\\u00fcn \\u015fiirlerini b\\u0131rakm\\u0131\\u015ft\\u0131. Depresif ruh hali hemen hemen b\\u00fct\\u00fcn \\u015fiirlerine yans\\u0131yan Plath'\\u0131n \\u00f6l\\u00fcm\\u00fcnden sonra 1965 y\\u0131l\\u0131nda yay\\u0131mlanan Ariel'deki \\u015fiirleri onun \\u015fair olarak \\u00fcn\\u00fcn\\u00fc sa\\u011flayan \\u00e7al\\u0131\\u015fmalar\\u0131 oldu. Bu kitapta Ariel'le birlikte yine \\u00f6l\\u00fcm\\u00fcnden sonra e\\u015fi \\u015fair Ted Hughes'un se\\u00e7erek yay\\u0131mlad\\u0131\\u011f\\u0131 \\u015fiirler de yer almaktad\\u0131r. \\u015eairin \\u00f6l\\u00fcm\\u00fcnden \\u00f6nce yazd\\u0131\\u011f\\u0131 son \\u015fiiri olan \\\"U\\u00e7\\\" da bu kitaptaki son \\u015fiirdir.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6231,\"user_id\":10,\"original_name\":\"Mrs Cherry's Kitchen\",\"printing_date\":\"2016-01-01 16:48:22\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/mrs-cherrys-kitchen-kapak-1573220902.png\",\"image_settings\":{\"id\":6231,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/08\\\/16\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":220384,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":48213,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17065,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3556,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2042,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4351,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":35404,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":35404,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":12222,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2422,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1136,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3056,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-08 16:48:22\",\"updated_at\":\"2019-11-08 16:48:22\",\"name\":\"Kiraz Han\\u0131m'\\u0131n Mutfa\\u011f\\u0131\",\"slug\":\"kiraz-hanimin-mutfagi\",\"sub_name\":\"\",\"description\":\"<p>\\\"Kiraz Bey'in g\\u00f6mlekleri \\u00c7ama\\u015f\\u0131r Makinesi'nden \\u00e7\\u0131k\\u0131p u\\u00e7arak F\\u0131r\\u0131n'\\u0131n i\\u00e7ine girdiler. Pi\\u015fmemi\\u015f pelteye benzeyen erikli pastalar F\\u0131r\\u0131n'dan s\\u0131v\\u0131\\u015f\\u0131p Buzdolab\\u0131'na gittiler. Kahve Makinesi so\\u011fuk dondurmay\\u0131 yuttu. Sonunda her \\u015fey yerine yerle\\u015fti. Kiraz Han\\u0131m geri d\\u00f6n\\u00fcnce nas\\u0131l da \\u015fa\\u015f\\u0131racakt\\u0131!\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nBu c\\u0131v\\u0131l c\\u0131v\\u0131l, ne\\u015feli, ilgin\\u00e7 \\u00f6yk\\u00fcleri \\u00fcnl\\u00fc Amerikal\\u0131 yazar Sylvia Plath, kendi \\u00e7ocuklar\\u0131 i\\u00e7in yazm\\u0131\\u015ft\\u0131. Bu kitapta yer alan Yatak Kitab\\u0131, Hi\\u00e7 \\u00d6nemi Yok Elbisesi ve Kiraz Han\\u0131m'\\u0131n Mutfa\\u011f\\u0131, de\\u011fi\\u015fik konular\\u0131yla birbirinden sevimli ve e\\u011flenceli \\u00fc\\u00e7 \\u00f6yk\\u00fc.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\\"Kiraz Bey'in g\\u00f6mlekleri \\u00c7ama\\u015f\\u0131r Makinesi'nden \\u00e7\\u0131k\\u0131p u\\u00e7arak F\\u0131r\\u0131n'\\u0131n i\\u00e7ine girdiler. Pi\\u015fmemi\\u015f pelteye benzeyen erikli pastalar F\\u0131r\\u0131n'dan s\\u0131v\\u0131\\u015f\\u0131p Buzdolab\\u0131'na gittiler. Kahve Makinesi so\\u011fuk dondurmay\\u0131 yuttu. Sonunda her \\u015fey yerine yerle\\u015fti. Kiraz Han\\u0131m geri d\\u00f6n\\u00fcnce nas\\u0131l da \\u015fa\\u015f\\u0131racakt\\u0131!\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nBu c\\u0131v\\u0131l c\\u0131v\\u0131l, ne\\u015feli, ilgin\\u00e7 \\u00f6yk\\u00fcleri \\u00fcnl\\u00fc Amerikal\\u0131 yazar Sylvia Plath, kendi \\u00e7ocuklar\\u0131 i\\u00e7in yazm\\u0131\\u015ft\\u0131. Bu kitapta yer alan Yatak Kitab\\u0131, Hi\\u00e7 \\u00d6nemi Yok Elbisesi ve Kiraz Han\\u0131m'\\u0131n Mutfa\\u011f\\u0131, de\\u011fi\\u015fik konular\\u0131yla birbirinden sevimli ve e\\u011flenceli \\u00fc\\u00e7 \\u00f6yk\\u00fc.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6231,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9268,\"book_id\":6231,\"locale\":\"en\",\"name\":\"Mrs Cherry's Kitchen\",\"slug\":\"mrs-cherrys-kitchen\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9267,\"book_id\":6231,\"locale\":\"tr\",\"name\":\"Kiraz Han\\u0131m'\\u0131n Mutfa\\u011f\\u0131\",\"slug\":\"kiraz-hanimin-mutfagi\",\"sub_name\":\"\",\"description\":\"<p>\\\"Kiraz Bey'in g\\u00f6mlekleri \\u00c7ama\\u015f\\u0131r Makinesi'nden \\u00e7\\u0131k\\u0131p u\\u00e7arak F\\u0131r\\u0131n'\\u0131n i\\u00e7ine girdiler. Pi\\u015fmemi\\u015f pelteye benzeyen erikli pastalar F\\u0131r\\u0131n'dan s\\u0131v\\u0131\\u015f\\u0131p Buzdolab\\u0131'na gittiler. Kahve Makinesi so\\u011fuk dondurmay\\u0131 yuttu. Sonunda her \\u015fey yerine yerle\\u015fti. Kiraz Han\\u0131m geri d\\u00f6n\\u00fcnce nas\\u0131l da \\u015fa\\u015f\\u0131racakt\\u0131!\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nBu c\\u0131v\\u0131l c\\u0131v\\u0131l, ne\\u015feli, ilgin\\u00e7 \\u00f6yk\\u00fcleri \\u00fcnl\\u00fc Amerikal\\u0131 yazar Sylvia Plath, kendi \\u00e7ocuklar\\u0131 i\\u00e7in yazm\\u0131\\u015ft\\u0131. Bu kitapta yer alan Yatak Kitab\\u0131, Hi\\u00e7 \\u00d6nemi Yok Elbisesi ve Kiraz Han\\u0131m'\\u0131n Mutfa\\u011f\\u0131, de\\u011fi\\u015fik konular\\u0131yla birbirinden sevimli ve e\\u011flenceli \\u00fc\\u00e7 \\u00f6yk\\u00fc.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\\"Kiraz Bey'in g\\u00f6mlekleri \\u00c7ama\\u015f\\u0131r Makinesi'nden \\u00e7\\u0131k\\u0131p u\\u00e7arak F\\u0131r\\u0131n'\\u0131n i\\u00e7ine girdiler. Pi\\u015fmemi\\u015f pelteye benzeyen erikli pastalar F\\u0131r\\u0131n'dan s\\u0131v\\u0131\\u015f\\u0131p Buzdolab\\u0131'na gittiler. Kahve Makinesi so\\u011fuk dondurmay\\u0131 yuttu. Sonunda her \\u015fey yerine yerle\\u015fti. Kiraz Han\\u0131m geri d\\u00f6n\\u00fcnce nas\\u0131l da \\u015fa\\u015f\\u0131racakt\\u0131!\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nBu c\\u0131v\\u0131l c\\u0131v\\u0131l, ne\\u015feli, ilgin\\u00e7 \\u00f6yk\\u00fcleri \\u00fcnl\\u00fc Amerikal\\u0131 yazar Sylvia Plath, kendi \\u00e7ocuklar\\u0131 i\\u00e7in yazm\\u0131\\u015ft\\u0131. Bu kitapta yer alan Yatak Kitab\\u0131, Hi\\u00e7 \\u00d6nemi Yok Elbisesi ve Kiraz Han\\u0131m'\\u0131n Mutfa\\u011f\\u0131, de\\u011fi\\u015fik konular\\u0131yla birbirinden sevimli ve e\\u011flenceli \\u00fc\\u00e7 \\u00f6yk\\u00fc.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6270,\"user_id\":10,\"original_name\":\"S\\u00f6yle Juliet Sana Ne Yapt\\u0131m\",\"printing_date\":\"2019-11-11 12:59:04\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/soyle-juliet-sana-ne-yaptim-kapak-1573639144.png\",\"image_settings\":{\"id\":6270,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/13\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":162328,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":34906,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":14534,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3485,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1984,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4261,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":21872,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":21872,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":9484,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2288,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1086,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2688,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-13 12:59:04\",\"updated_at\":\"2019-11-13 12:59:05\",\"name\":\"S\\u00f6yle Juliet Sana Ne Yapt\\u0131m\",\"slug\":\"soyle-juliet-sana-ne-yaptim\",\"sub_name\":\"\",\"description\":\"<p>Onur Caymaz \\u00fc\\u00e7 y\\u0131l \\u00f6nce Hat\\u0131rla Barbara Ya\\u011fmur Ya\\u011f\\u0131yordu\\u2019da \\u201caylak okur\\u201duyla tutturdu\\u011fu usul s\\u00f6yle\\u015fiye, S\\u00f6yle Juliet Sana Ne Yapt\\u0131m\\u2019da devam ediyor.<\\\/p>\\r\\n\\r\\n<p>Da\\u011f\\u0131n\\u0131k bir yazar masas\\u0131n\\u0131n kitapla\\u015fm\\u0131\\u015f hali... Dert kitab\\u0131, ders kitab\\u0131, ba\\u015fucu kitab\\u0131, cep kitab\\u0131, hat\\u0131ralarla dolu, hem okuma maceras\\u0131 hem \\u201cgizli ajanda\\u201d...<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u00e7inde d\\u00fcnyalar bar\\u0131nd\\u0131ran kelimelerden yola \\u00e7\\u0131k\\u0131yor Caymaz. Cansever\\u2019den Balzac\\u2019a, Marmaris liman\\u0131nda pasaport bekleyen Camus\\u2019den unutmam\\u0131z\\u0131 sa\\u011flayan genlere, \\u201cT\\u00fcrk\\u00e7e edebiyat\\u201d meselesinden Ata\\u00e7\\u2019a, H\\u00fcmeyra\\u2019dan Kar\\u0131ncaezmez \\u015eevki\\u2019ye, Ey\\u00fcp\\u2019\\u00fcn k\\u0131y\\u0131da k\\u00f6\\u015fede kalm\\u0131\\u015f d\\u00fc\\u011f\\u00fcn salonlar\\u0131ndan orta\\u00e7a\\u011f\\u0131n m\\u00fcziksiz ve \\u00f6l\\u00fcm\\u00fcne dans eden karanl\\u0131k ki\\u015filerine do\\u011fru bir tramvayday\\u0131z\\u2026<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">( Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Onur Caymaz \\u00fc\\u00e7 y\\u0131l \\u00f6nce Hat\\u0131rla Barbara Ya\\u011fmur Ya\\u011f\\u0131yordu\\u2019da \\u201caylak okur\\u201duyla tutturdu\\u011fu usul s\\u00f6yle\\u015fiye, S\\u00f6yle Juliet Sana Ne Yapt\\u0131m\\u2019da devam ediyor.<\\\/p>\\r\\n\\r\\n<p>Da\\u011f\\u0131n\\u0131k bir yazar masas\\u0131n\\u0131n kitapla\\u015fm\\u0131\\u015f hali... Dert kitab\\u0131, ders kitab\\u0131, ba\\u015fucu kitab\\u0131, cep kitab\\u0131, hat\\u0131ralarla dolu, hem okuma maceras\\u0131 hem \\u201cgizli ajanda\\u201d...<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u00e7inde d\\u00fcnyalar bar\\u0131nd\\u0131ran kelimelerden yola \\u00e7\\u0131k\\u0131yor Caymaz. Cansever\\u2019den Balzac\\u2019a, Marmaris liman\\u0131nda pasaport bekleyen Camus\\u2019den unutmam\\u0131z\\u0131 sa\\u011flayan genlere, \\u201cT\\u00fcrk\\u00e7e edebiyat\\u201d meselesinden Ata\\u00e7\\u2019a, H\\u00fcmeyra\\u2019dan Kar\\u0131ncaezmez \\u015eevki\\u2019ye, Ey\\u00fcp\\u2019\\u00fcn k\\u0131y\\u0131da k\\u00f6\\u015fede kalm\\u0131\\u015f d\\u00fc\\u011f\\u00fcn salonlar\\u0131ndan orta\\u00e7a\\u011f\\u0131n m\\u00fcziksiz ve \\u00f6l\\u00fcm\\u00fcne dans eden karanl\\u0131k ki\\u015filerine do\\u011fru bir tramvayday\\u0131z\\u2026<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">( Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6270,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9346,\"book_id\":6270,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9345,\"book_id\":6270,\"locale\":\"tr\",\"name\":\"S\\u00f6yle Juliet Sana Ne Yapt\\u0131m\",\"slug\":\"soyle-juliet-sana-ne-yaptim\",\"sub_name\":\"\",\"description\":\"<p>Onur Caymaz \\u00fc\\u00e7 y\\u0131l \\u00f6nce Hat\\u0131rla Barbara Ya\\u011fmur Ya\\u011f\\u0131yordu\\u2019da \\u201caylak okur\\u201duyla tutturdu\\u011fu usul s\\u00f6yle\\u015fiye, S\\u00f6yle Juliet Sana Ne Yapt\\u0131m\\u2019da devam ediyor.<\\\/p>\\r\\n\\r\\n<p>Da\\u011f\\u0131n\\u0131k bir yazar masas\\u0131n\\u0131n kitapla\\u015fm\\u0131\\u015f hali... Dert kitab\\u0131, ders kitab\\u0131, ba\\u015fucu kitab\\u0131, cep kitab\\u0131, hat\\u0131ralarla dolu, hem okuma maceras\\u0131 hem \\u201cgizli ajanda\\u201d...<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u00e7inde d\\u00fcnyalar bar\\u0131nd\\u0131ran kelimelerden yola \\u00e7\\u0131k\\u0131yor Caymaz. Cansever\\u2019den Balzac\\u2019a, Marmaris liman\\u0131nda pasaport bekleyen Camus\\u2019den unutmam\\u0131z\\u0131 sa\\u011flayan genlere, \\u201cT\\u00fcrk\\u00e7e edebiyat\\u201d meselesinden Ata\\u00e7\\u2019a, H\\u00fcmeyra\\u2019dan Kar\\u0131ncaezmez \\u015eevki\\u2019ye, Ey\\u00fcp\\u2019\\u00fcn k\\u0131y\\u0131da k\\u00f6\\u015fede kalm\\u0131\\u015f d\\u00fc\\u011f\\u00fcn salonlar\\u0131ndan orta\\u00e7a\\u011f\\u0131n m\\u00fcziksiz ve \\u00f6l\\u00fcm\\u00fcne dans eden karanl\\u0131k ki\\u015filerine do\\u011fru bir tramvayday\\u0131z\\u2026<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">( Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Onur Caymaz \\u00fc\\u00e7 y\\u0131l \\u00f6nce Hat\\u0131rla Barbara Ya\\u011fmur Ya\\u011f\\u0131yordu\\u2019da \\u201caylak okur\\u201duyla tutturdu\\u011fu usul s\\u00f6yle\\u015fiye, S\\u00f6yle Juliet Sana Ne Yapt\\u0131m\\u2019da devam ediyor.<\\\/p>\\r\\n\\r\\n<p>Da\\u011f\\u0131n\\u0131k bir yazar masas\\u0131n\\u0131n kitapla\\u015fm\\u0131\\u015f hali... Dert kitab\\u0131, ders kitab\\u0131, ba\\u015fucu kitab\\u0131, cep kitab\\u0131, hat\\u0131ralarla dolu, hem okuma maceras\\u0131 hem \\u201cgizli ajanda\\u201d...<\\\/p>\\r\\n\\r\\n<p>\\u0130\\u00e7inde d\\u00fcnyalar bar\\u0131nd\\u0131ran kelimelerden yola \\u00e7\\u0131k\\u0131yor Caymaz. Cansever\\u2019den Balzac\\u2019a, Marmaris liman\\u0131nda pasaport bekleyen Camus\\u2019den unutmam\\u0131z\\u0131 sa\\u011flayan genlere, \\u201cT\\u00fcrk\\u00e7e edebiyat\\u201d meselesinden Ata\\u00e7\\u2019a, H\\u00fcmeyra\\u2019dan Kar\\u0131ncaezmez \\u015eevki\\u2019ye, Ey\\u00fcp\\u2019\\u00fcn k\\u0131y\\u0131da k\\u00f6\\u015fede kalm\\u0131\\u015f d\\u00fc\\u011f\\u00fcn salonlar\\u0131ndan orta\\u00e7a\\u011f\\u0131n m\\u00fcziksiz ve \\u00f6l\\u00fcm\\u00fcne dans eden karanl\\u0131k ki\\u015filerine do\\u011fru bir tramvayday\\u0131z\\u2026<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">( Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6302,\"user_id\":10,\"original_name\":\"The Thief and the Dogs\",\"printing_date\":\"2015-01-01 15:12:01\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/the-thief-and-the-dogs-kapak-1574251921.png\",\"image_settings\":{\"id\":6302,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/20\\\/15\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":159869,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":32055,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":12443,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3131,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1758,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3689,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":18138,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":18138,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":7226,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1798,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":872,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2146,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-20 15:12:01\",\"updated_at\":\"2019-11-20 15:12:01\",\"name\":\"H\\u0131rs\\u0131z ve K\\u00f6pekler\",\"slug\":\"hirsiz-ve-kopekler\",\"sub_name\":\"\",\"description\":\"<p>H\\u0131rs\\u0131z ve K\\u00f6pekler en yak\\u0131nlar\\u0131n\\u0131n ihanetine u\\u011fray\\u0131p hapse d\\u00fc\\u015fm\\u00fc\\u015f Said'in intikam hayalleriyle hapisten \\u00e7\\u0131k\\u0131\\u015f\\u0131n\\u0131n hik\\u00e2yesi. Said hem pe\\u015finde polis k\\u00f6pekleri olan bir su\\u00e7lu hem de siyasi fikirlerinden sapanlar taraf\\u0131ndan aldat\\u0131lan bir kurband\\u0131r. Adaleti sa\\u011flamaya ve ne pahas\\u0131na olursa olsun d\\u00fc\\u015fmanlar\\u0131n\\u0131 yok etmeye kararl\\u0131d\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Cezaevi duvarlar\\u0131n\\u0131n arkas\\u0131nda g\\u00f6sterdi\\u011fin dayan\\u0131kl\\u0131l\\u0131k kadar g\\u00fc\\u00e7l\\u00fc bir darbe vurabilmek i\\u00e7in b\\u00fct\\u00fcn kurnazl\\u0131\\u011f\\u0131n\\u0131 kullanman gerekecek. Bal\\u0131k gibi derine dalabilmeli, \\u015fahin gibi u\\u00e7abilmeli, s\\u0131\\u00e7an gibi duvarlara t\\u0131rmanabilmeli, demir kap\\u0131lar\\u0131 bir mermi gibi delebilmelisin!\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nNobel Edebiyat \\u00d6d\\u00fcll\\u00fc M\\u0131s\\u0131rl\\u0131 yazar Necib Mahfuz'un 1952'de \\u00fclkesinde ya\\u015fanan devrimle ilgili hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131n\\u0131 yans\\u0131tt\\u0131\\u011f\\u0131 bu roman sembolik anlat\\u0131m\\u0131yla yazar\\u0131n eserleri aras\\u0131nda \\u00f6zel bir yere sahip.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Necib Mahfuz'un eserlerinde, \\u00fclkesinin durumunu do\\u011frudan ve a\\u00e7\\u0131k\\u00e7a anlatmak \\u00fczere kalemini kullanan edebiyat\\u00e7\\u0131lara \\u00f6zg\\u00fc bir metafor duygusu var. Kitaplar\\u0131 M\\u0131s\\u0131r'a ve M\\u0131s\\u0131r halk\\u0131na duydu\\u011fu sevgiyle dopdolu, \\u00f6te yandan son derece d\\u00fcr\\u00fcst ve ger\\u00e7ek\\u00e7i.\\\"<br \\\/>\\r\\n- Washington Post-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>H\\u0131rs\\u0131z ve K\\u00f6pekler en yak\\u0131nlar\\u0131n\\u0131n ihanetine u\\u011fray\\u0131p hapse d\\u00fc\\u015fm\\u00fc\\u015f Said'in intikam hayalleriyle hapisten \\u00e7\\u0131k\\u0131\\u015f\\u0131n\\u0131n hik\\u00e2yesi. Said hem pe\\u015finde polis k\\u00f6pekleri olan bir su\\u00e7lu hem de siyasi fikirlerinden sapanlar taraf\\u0131ndan aldat\\u0131lan bir kurband\\u0131r. Adaleti sa\\u011flamaya ve ne pahas\\u0131na olursa olsun d\\u00fc\\u015fmanlar\\u0131n\\u0131 yok etmeye kararl\\u0131d\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Cezaevi duvarlar\\u0131n\\u0131n arkas\\u0131nda g\\u00f6sterdi\\u011fin dayan\\u0131kl\\u0131l\\u0131k kadar g\\u00fc\\u00e7l\\u00fc bir darbe vurabilmek i\\u00e7in b\\u00fct\\u00fcn kurnazl\\u0131\\u011f\\u0131n\\u0131 kullanman gerekecek. Bal\\u0131k gibi derine dalabilmeli, \\u015fahin gibi u\\u00e7abilmeli, s\\u0131\\u00e7an gibi duvarlara t\\u0131rmanabilmeli, demir kap\\u0131lar\\u0131 bir mermi gibi delebilmelisin!\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nNobel Edebiyat \\u00d6d\\u00fcll\\u00fc M\\u0131s\\u0131rl\\u0131 yazar Necib Mahfuz'un 1952'de \\u00fclkesinde ya\\u015fanan devrimle ilgili hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131n\\u0131 yans\\u0131tt\\u0131\\u011f\\u0131 bu roman sembolik anlat\\u0131m\\u0131yla yazar\\u0131n eserleri aras\\u0131nda \\u00f6zel bir yere sahip.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Necib Mahfuz'un eserlerinde, \\u00fclkesinin durumunu do\\u011frudan ve a\\u00e7\\u0131k\\u00e7a anlatmak \\u00fczere kalemini kullanan edebiyat\\u00e7\\u0131lara \\u00f6zg\\u00fc bir metafor duygusu var. Kitaplar\\u0131 M\\u0131s\\u0131r'a ve M\\u0131s\\u0131r halk\\u0131na duydu\\u011fu sevgiyle dopdolu, \\u00f6te yandan son derece d\\u00fcr\\u00fcst ve ger\\u00e7ek\\u00e7i.\\\"<br \\\/>\\r\\n- Washington Post-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6302,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9409,\"book_id\":6302,\"locale\":\"en\",\"name\":\"The Thief and the Dogs\",\"slug\":\"the-thief-and-the-dogs\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9408,\"book_id\":6302,\"locale\":\"tr\",\"name\":\"H\\u0131rs\\u0131z ve K\\u00f6pekler\",\"slug\":\"hirsiz-ve-kopekler\",\"sub_name\":\"\",\"description\":\"<p>H\\u0131rs\\u0131z ve K\\u00f6pekler en yak\\u0131nlar\\u0131n\\u0131n ihanetine u\\u011fray\\u0131p hapse d\\u00fc\\u015fm\\u00fc\\u015f Said'in intikam hayalleriyle hapisten \\u00e7\\u0131k\\u0131\\u015f\\u0131n\\u0131n hik\\u00e2yesi. Said hem pe\\u015finde polis k\\u00f6pekleri olan bir su\\u00e7lu hem de siyasi fikirlerinden sapanlar taraf\\u0131ndan aldat\\u0131lan bir kurband\\u0131r. Adaleti sa\\u011flamaya ve ne pahas\\u0131na olursa olsun d\\u00fc\\u015fmanlar\\u0131n\\u0131 yok etmeye kararl\\u0131d\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Cezaevi duvarlar\\u0131n\\u0131n arkas\\u0131nda g\\u00f6sterdi\\u011fin dayan\\u0131kl\\u0131l\\u0131k kadar g\\u00fc\\u00e7l\\u00fc bir darbe vurabilmek i\\u00e7in b\\u00fct\\u00fcn kurnazl\\u0131\\u011f\\u0131n\\u0131 kullanman gerekecek. Bal\\u0131k gibi derine dalabilmeli, \\u015fahin gibi u\\u00e7abilmeli, s\\u0131\\u00e7an gibi duvarlara t\\u0131rmanabilmeli, demir kap\\u0131lar\\u0131 bir mermi gibi delebilmelisin!\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nNobel Edebiyat \\u00d6d\\u00fcll\\u00fc M\\u0131s\\u0131rl\\u0131 yazar Necib Mahfuz'un 1952'de \\u00fclkesinde ya\\u015fanan devrimle ilgili hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131n\\u0131 yans\\u0131tt\\u0131\\u011f\\u0131 bu roman sembolik anlat\\u0131m\\u0131yla yazar\\u0131n eserleri aras\\u0131nda \\u00f6zel bir yere sahip.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Necib Mahfuz'un eserlerinde, \\u00fclkesinin durumunu do\\u011frudan ve a\\u00e7\\u0131k\\u00e7a anlatmak \\u00fczere kalemini kullanan edebiyat\\u00e7\\u0131lara \\u00f6zg\\u00fc bir metafor duygusu var. Kitaplar\\u0131 M\\u0131s\\u0131r'a ve M\\u0131s\\u0131r halk\\u0131na duydu\\u011fu sevgiyle dopdolu, \\u00f6te yandan son derece d\\u00fcr\\u00fcst ve ger\\u00e7ek\\u00e7i.\\\"<br \\\/>\\r\\n- Washington Post-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>H\\u0131rs\\u0131z ve K\\u00f6pekler en yak\\u0131nlar\\u0131n\\u0131n ihanetine u\\u011fray\\u0131p hapse d\\u00fc\\u015fm\\u00fc\\u015f Said'in intikam hayalleriyle hapisten \\u00e7\\u0131k\\u0131\\u015f\\u0131n\\u0131n hik\\u00e2yesi. Said hem pe\\u015finde polis k\\u00f6pekleri olan bir su\\u00e7lu hem de siyasi fikirlerinden sapanlar taraf\\u0131ndan aldat\\u0131lan bir kurband\\u0131r. Adaleti sa\\u011flamaya ve ne pahas\\u0131na olursa olsun d\\u00fc\\u015fmanlar\\u0131n\\u0131 yok etmeye kararl\\u0131d\\u0131r.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Cezaevi duvarlar\\u0131n\\u0131n arkas\\u0131nda g\\u00f6sterdi\\u011fin dayan\\u0131kl\\u0131l\\u0131k kadar g\\u00fc\\u00e7l\\u00fc bir darbe vurabilmek i\\u00e7in b\\u00fct\\u00fcn kurnazl\\u0131\\u011f\\u0131n\\u0131 kullanman gerekecek. Bal\\u0131k gibi derine dalabilmeli, \\u015fahin gibi u\\u00e7abilmeli, s\\u0131\\u00e7an gibi duvarlara t\\u0131rmanabilmeli, demir kap\\u0131lar\\u0131 bir mermi gibi delebilmelisin!\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nNobel Edebiyat \\u00d6d\\u00fcll\\u00fc M\\u0131s\\u0131rl\\u0131 yazar Necib Mahfuz'un 1952'de \\u00fclkesinde ya\\u015fanan devrimle ilgili hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131n\\u0131 yans\\u0131tt\\u0131\\u011f\\u0131 bu roman sembolik anlat\\u0131m\\u0131yla yazar\\u0131n eserleri aras\\u0131nda \\u00f6zel bir yere sahip.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Necib Mahfuz'un eserlerinde, \\u00fclkesinin durumunu do\\u011frudan ve a\\u00e7\\u0131k\\u00e7a anlatmak \\u00fczere kalemini kullanan edebiyat\\u00e7\\u0131lara \\u00f6zg\\u00fc bir metafor duygusu var. Kitaplar\\u0131 M\\u0131s\\u0131r'a ve M\\u0131s\\u0131r halk\\u0131na duydu\\u011fu sevgiyle dopdolu, \\u00f6te yandan son derece d\\u00fcr\\u00fcst ve ger\\u00e7ek\\u00e7i.\\\"<br \\\/>\\r\\n- Washington Post-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6308,\"user_id\":10,\"original_name\":\"The Accountant\\u2019s Story Inside the Violent World of the Medell\\u00edn Cartel\",\"printing_date\":\"2018-01-01 15:31:49\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/the-accountants-story-inside-the-violent-world-of-the-medellin-cartel-kapak-1574253109.png\",\"image_settings\":{\"id\":6308,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/20\\\/15\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":160083,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":38143,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":15018,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3692,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2021,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4588,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":25546,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":25546,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":10448,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2458,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1146,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3052,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-20 15:31:49\",\"updated_at\":\"2019-11-20 15:31:50\",\"name\":\"Karde\\u015fim Escobar\",\"slug\":\"kardesim-escobar\",\"sub_name\":\"\",\"description\":\"<p>Arka Kapak Yaz\\u0131s\\u0131 (Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Pablo Escobar\\u2019\\u0131n a\\u011fabeyi Roberto Escobar an\\u0131lar\\u0131n\\u0131 kaleme ald\\u0131\\u011f\\u0131 Karde\\u015fim Escobar kitab\\u0131na \\u015fu s\\u00f6zlerle ba\\u015fl\\u0131yor: \\u201cHakikat Pablo ile o \\u00e7at\\u0131da \\u00f6ld\\u00fc. Fakat bu, bildi\\u011fim kadar\\u0131yla Pablo Escobar ve Medell\\u00edn Karteli\\u2019nin hik\\u00e2yesi...\\u201d<\\\/p>\\r\\n\\r\\n<p>Tarihte \\u00e7ok az insan hem nefret edilip hem de bu kadar sevilmi\\u015ftir. Pablo Escobar ad\\u0131n\\u0131 Jesse James, Al Capone\\u2019la birlikte tarihin karanl\\u0131k sayfalar\\u0131na en ba\\u015far\\u0131l\\u0131, ac\\u0131mas\\u0131z ve ku\\u015fkusuz en iyi tan\\u0131nan uyu\\u015fturucu ka\\u00e7ak\\u00e7\\u0131s\\u0131 olarak yazd\\u0131rd\\u0131. Roberto Escobar\\u2019\\u0131n biyografisi, karde\\u015fi Pablo\\u2019nun \\u00e7ocuklu\\u011fundan, aile hayat\\u0131na, d\\u00f6nemimizin en b\\u00fcy\\u00fck su\\u00e7lular\\u0131ndan birine d\\u00f6n\\u00fc\\u015fmesine ve Medell\\u00edn Karteli\\u2019nin i\\u00e7 i\\u015fleyi\\u015fine dair bilinmeyenleri ortaya seriyor.<\\\/p>\\r\\n\\r\\n<p>\\u201cBen hi\\u00e7bir zaman b\\u00fcy\\u00fck duygular\\u0131n adam\\u0131 olmad\\u0131m. Hayat\\u0131 b\\u00fct\\u00fcn renkleriyle kabullenirim, oldu\\u011fu gibi. Bir zamanlar \\u015fampiyon bir bisiklet\\u00e7iydim, sonra ulusal tak\\u0131m\\u0131n ba\\u015f\\u0131na ge\\u00e7tim. Bisiklet fabrikamda y\\u00fczlerce i\\u015f\\u00e7i \\u00e7al\\u0131\\u015ft\\u0131ran ve be\\u015f d\\u00fckk\\u00e2n sahibi ba\\u015far\\u0131l\\u0131 bir i\\u015fadam\\u0131yd\\u0131m. \\u0130\\u015fte Pablo, benden uyu\\u015fturucu i\\u015finden kazand\\u0131\\u011f\\u0131 paray\\u0131 y\\u00f6netmemi o zaman istedi. Benim i\\u00e7in b\\u00f6yle ba\\u015flad\\u0131. O y\\u0131llardan kalma pek \\u00e7ok yara izim var, v\\u00fccudumda ve ruhumda...\\u201d<\\\/p>\",\"static_content\":\"<p>Arka Kapak Yaz\\u0131s\\u0131 (Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Pablo Escobar\\u2019\\u0131n a\\u011fabeyi Roberto Escobar an\\u0131lar\\u0131n\\u0131 kaleme ald\\u0131\\u011f\\u0131 Karde\\u015fim Escobar kitab\\u0131na \\u015fu s\\u00f6zlerle ba\\u015fl\\u0131yor: \\u201cHakikat Pablo ile o \\u00e7at\\u0131da \\u00f6ld\\u00fc. Fakat bu, bildi\\u011fim kadar\\u0131yla Pablo Escobar ve Medell\\u00edn Karteli\\u2019nin hik\\u00e2yesi...\\u201d<\\\/p>\\r\\n\\r\\n<p>Tarihte \\u00e7ok az insan hem nefret edilip hem de bu kadar sevilmi\\u015ftir. Pablo Escobar ad\\u0131n\\u0131 Jesse James, Al Capone\\u2019la birlikte tarihin karanl\\u0131k sayfalar\\u0131na en ba\\u015far\\u0131l\\u0131, ac\\u0131mas\\u0131z ve ku\\u015fkusuz en iyi tan\\u0131nan uyu\\u015fturucu ka\\u00e7ak\\u00e7\\u0131s\\u0131 olarak yazd\\u0131rd\\u0131. Roberto Escobar\\u2019\\u0131n biyografisi, karde\\u015fi Pablo\\u2019nun \\u00e7ocuklu\\u011fundan, aile hayat\\u0131na, d\\u00f6nemimizin en b\\u00fcy\\u00fck su\\u00e7lular\\u0131ndan birine d\\u00f6n\\u00fc\\u015fmesine ve Medell\\u00edn Karteli\\u2019nin i\\u00e7 i\\u015fleyi\\u015fine dair bilinmeyenleri ortaya seriyor.<\\\/p>\\r\\n\\r\\n<p>\\u201cBen hi\\u00e7bir zaman b\\u00fcy\\u00fck duygular\\u0131n adam\\u0131 olmad\\u0131m. Hayat\\u0131 b\\u00fct\\u00fcn renkleriyle kabullenirim, oldu\\u011fu gibi. Bir zamanlar \\u015fampiyon bir bisiklet\\u00e7iydim, sonra ulusal tak\\u0131m\\u0131n ba\\u015f\\u0131na ge\\u00e7tim. Bisiklet fabrikamda y\\u00fczlerce i\\u015f\\u00e7i \\u00e7al\\u0131\\u015ft\\u0131ran ve be\\u015f d\\u00fckk\\u00e2n sahibi ba\\u015far\\u0131l\\u0131 bir i\\u015fadam\\u0131yd\\u0131m. \\u0130\\u015fte Pablo, benden uyu\\u015fturucu i\\u015finden kazand\\u0131\\u011f\\u0131 paray\\u0131 y\\u00f6netmemi o zaman istedi. Benim i\\u00e7in b\\u00f6yle ba\\u015flad\\u0131. O y\\u0131llardan kalma pek \\u00e7ok yara izim var, v\\u00fccudumda ve ruhumda...\\u201d<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6308,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9421,\"book_id\":6308,\"locale\":\"en\",\"name\":\"The Accountant\\u2019s Story Inside the Violent World of the Medell\\u00edn Cartel\",\"slug\":\"the-accountants-story-inside-the-violent-world-of-the-medellin-cartel\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9420,\"book_id\":6308,\"locale\":\"tr\",\"name\":\"Karde\\u015fim Escobar\",\"slug\":\"kardesim-escobar\",\"sub_name\":\"\",\"description\":\"<p>Arka Kapak Yaz\\u0131s\\u0131 (Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>Pablo Escobar\\u2019\\u0131n a\\u011fabeyi Roberto Escobar an\\u0131lar\\u0131n\\u0131 kaleme ald\\u0131\\u011f\\u0131 Karde\\u015fim Escobar kitab\\u0131na \\u015fu s\\u00f6zlerle ba\\u015fl\\u0131yor: \\u201cHakikat Pablo ile o \\u00e7at\\u0131da \\u00f6ld\\u00fc. Fakat bu, bildi\\u011fim kadar\\u0131yla Pablo Escobar ve Medell\\u00edn Karteli\\u2019nin hik\\u00e2yesi...\\u201d<\\\/p>\\r\\n\\r\\n<p>Tarihte \\u00e7ok az insan hem nefret edilip hem de bu kadar sevilmi\\u015ftir. Pablo Escobar ad\\u0131n\\u0131 Jesse James, Al Capone\\u2019la birlikte tarihin karanl\\u0131k sayfalar\\u0131na en ba\\u015far\\u0131l\\u0131, ac\\u0131mas\\u0131z ve ku\\u015fkusuz en iyi tan\\u0131nan uyu\\u015fturucu ka\\u00e7ak\\u00e7\\u0131s\\u0131 olarak yazd\\u0131rd\\u0131. Roberto Escobar\\u2019\\u0131n biyografisi, karde\\u015fi Pablo\\u2019nun \\u00e7ocuklu\\u011fundan, aile hayat\\u0131na, d\\u00f6nemimizin en b\\u00fcy\\u00fck su\\u00e7lular\\u0131ndan birine d\\u00f6n\\u00fc\\u015fmesine ve Medell\\u00edn Karteli\\u2019nin i\\u00e7 i\\u015fleyi\\u015fine dair bilinmeyenleri ortaya seriyor.<\\\/p>\\r\\n\\r\\n<p>\\u201cBen hi\\u00e7bir zaman b\\u00fcy\\u00fck duygular\\u0131n adam\\u0131 olmad\\u0131m. Hayat\\u0131 b\\u00fct\\u00fcn renkleriyle kabullenirim, oldu\\u011fu gibi. Bir zamanlar \\u015fampiyon bir bisiklet\\u00e7iydim, sonra ulusal tak\\u0131m\\u0131n ba\\u015f\\u0131na ge\\u00e7tim. Bisiklet fabrikamda y\\u00fczlerce i\\u015f\\u00e7i \\u00e7al\\u0131\\u015ft\\u0131ran ve be\\u015f d\\u00fckk\\u00e2n sahibi ba\\u015far\\u0131l\\u0131 bir i\\u015fadam\\u0131yd\\u0131m. \\u0130\\u015fte Pablo, benden uyu\\u015fturucu i\\u015finden kazand\\u0131\\u011f\\u0131 paray\\u0131 y\\u00f6netmemi o zaman istedi. Benim i\\u00e7in b\\u00f6yle ba\\u015flad\\u0131. O y\\u0131llardan kalma pek \\u00e7ok yara izim var, v\\u00fccudumda ve ruhumda...\\u201d<\\\/p>\",\"static_content\":\"<p>Arka Kapak Yaz\\u0131s\\u0131 (Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>Pablo Escobar\\u2019\\u0131n a\\u011fabeyi Roberto Escobar an\\u0131lar\\u0131n\\u0131 kaleme ald\\u0131\\u011f\\u0131 Karde\\u015fim Escobar kitab\\u0131na \\u015fu s\\u00f6zlerle ba\\u015fl\\u0131yor: \\u201cHakikat Pablo ile o \\u00e7at\\u0131da \\u00f6ld\\u00fc. Fakat bu, bildi\\u011fim kadar\\u0131yla Pablo Escobar ve Medell\\u00edn Karteli\\u2019nin hik\\u00e2yesi...\\u201d<\\\/p>\\r\\n\\r\\n<p>Tarihte \\u00e7ok az insan hem nefret edilip hem de bu kadar sevilmi\\u015ftir. Pablo Escobar ad\\u0131n\\u0131 Jesse James, Al Capone\\u2019la birlikte tarihin karanl\\u0131k sayfalar\\u0131na en ba\\u015far\\u0131l\\u0131, ac\\u0131mas\\u0131z ve ku\\u015fkusuz en iyi tan\\u0131nan uyu\\u015fturucu ka\\u00e7ak\\u00e7\\u0131s\\u0131 olarak yazd\\u0131rd\\u0131. Roberto Escobar\\u2019\\u0131n biyografisi, karde\\u015fi Pablo\\u2019nun \\u00e7ocuklu\\u011fundan, aile hayat\\u0131na, d\\u00f6nemimizin en b\\u00fcy\\u00fck su\\u00e7lular\\u0131ndan birine d\\u00f6n\\u00fc\\u015fmesine ve Medell\\u00edn Karteli\\u2019nin i\\u00e7 i\\u015fleyi\\u015fine dair bilinmeyenleri ortaya seriyor.<\\\/p>\\r\\n\\r\\n<p>\\u201cBen hi\\u00e7bir zaman b\\u00fcy\\u00fck duygular\\u0131n adam\\u0131 olmad\\u0131m. Hayat\\u0131 b\\u00fct\\u00fcn renkleriyle kabullenirim, oldu\\u011fu gibi. Bir zamanlar \\u015fampiyon bir bisiklet\\u00e7iydim, sonra ulusal tak\\u0131m\\u0131n ba\\u015f\\u0131na ge\\u00e7tim. Bisiklet fabrikamda y\\u00fczlerce i\\u015f\\u00e7i \\u00e7al\\u0131\\u015ft\\u0131ran ve be\\u015f d\\u00fckk\\u00e2n sahibi ba\\u015far\\u0131l\\u0131 bir i\\u015fadam\\u0131yd\\u0131m. \\u0130\\u015fte Pablo, benden uyu\\u015fturucu i\\u015finden kazand\\u0131\\u011f\\u0131 paray\\u0131 y\\u00f6netmemi o zaman istedi. Benim i\\u00e7in b\\u00f6yle ba\\u015flad\\u0131. O y\\u0131llardan kalma pek \\u00e7ok yara izim var, v\\u00fccudumda ve ruhumda...\\u201d<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6370,\"user_id\":10,\"original_name\":\"\\u015eark\\u0131n\\u0131 S\\u00f6yledi\\u011fin Zaman\",\"printing_date\":\"2011-01-01 12:33:08\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/sarkini-soyledigin-zaman-kapak-1574760788.png\",\"image_settings\":{\"id\":6370,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/26\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":201856,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":43216,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17506,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3988,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2332,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4745,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":29534,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":29534,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":12140,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2590,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1228,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3232,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-26 12:33:08\",\"updated_at\":\"2019-11-26 12:33:08\",\"name\":\"\\u015eark\\u0131n\\u0131 S\\u00f6yledi\\u011fin Zaman\",\"slug\":\"sarkini-soyledigin-zaman\",\"sub_name\":\"\",\"description\":\"<p>\\u201cBende anlayamad\\u0131\\u011f\\u0131n nedir biliyor musun?\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u201cNeymi\\u015f?\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u201cNaz\\u0131m\\u2019\\u0131n dedi\\u011fi gibi: \\u2018Ben art\\u0131k \\u015fark\\u0131 dinlemek de\\u011fil, \\u015fark\\u0131 s\\u00f6ylemek istiyorum. Kendi \\u015fark\\u0131m\\u0131.\\u2019&nbsp; Ama yapamam biliyorum, \\u00e7\\u00fcnk\\u00fc o \\u015fark\\u0131 i\\u00e7imde kuruyup kald\\u0131. Beni \\u00f6ld\\u00fcren&nbsp; bu i\\u015fte.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u015eark\\u0131lar bitmez, yeni \\u015fark\\u0131lar filizlenip do\\u011far her zaman...\\u201d<\\\/p>\\r\\n\\r\\n<p>Bu roman, Deniz ile Cihan\\u2019\\u0131n h\\u00fcz\\u00fcnl\\u00fc \\u015fark\\u0131s\\u0131n\\u0131 anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>70\\u2019li y\\u0131llar\\u0131n sonunda Ankara\\u2019da, \\u00fcniversitede tan\\u0131\\u015fan Deniz ile Cihan\\u2019\\u0131 ortak tutkular\\u0131 olan m\\u00fczik bir araya getirir. Deniz, Ankaral\\u0131 bir ailenin isyank\\u00e2r k\\u0131z\\u0131, Cihan ta\\u015fradan gelmi\\u015f bir gen\\u00e7 adamd\\u0131r. 12 Eyl\\u00fcl 80 \\u00f6ncesinin en karanl\\u0131k g\\u00fcnlerinde yollar\\u0131 kesi\\u015fen bu iki gen\\u00e7 aras\\u0131ndaki ili\\u015fki birini tutkulu bir a\\u015fka g\\u00f6t\\u00fcr\\u00fcrken, di\\u011feri devrimci d\\u00fc\\u015flerinin r\\u00fczg\\u00e2r\\u0131na kap\\u0131l\\u0131r. Ya\\u015fanmam\\u0131\\u015f bir a\\u015fk\\u0131n izd\\u00fc\\u015f\\u00fcm\\u00fc, aradan otuz y\\u0131l ge\\u00e7tikten sonra farkl\\u0131 bir boyutta, ama ayn\\u0131 tutkuyla iki insana yans\\u0131r: Biri art\\u0131k orta ya\\u015f\\u0131n\\u0131 s\\u00fcrmekte olan Cihan, di\\u011feriyse ona hem yabanc\\u0131 hem de son derece tan\\u0131d\\u0131k olan bir gen\\u00e7 kad\\u0131nd\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u0130nci Aral, arka plan\\u0131nda de\\u011fi\\u015fen bir \\u00fclke, insanlar, gen\\u00e7lik ve siyaset olan, bamba\\u015fka bir a\\u015fk\\u0131n izini s\\u00fcr\\u00fcyor. Umudun, arzunun, h\\u00fczn\\u00fcn, \\u015fark\\u0131larla canlanan iklimini bir kez daha, derinlik ve ustal\\u0131kla anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u0130nci Aral, \\u015eark\\u0131n\\u0131 S\\u00f6yledi\\u011fin Zaman\\u2019la T\\u00fcrk roman\\u0131n\\u0131 zirveye ta\\u015f\\u0131yor. Okuyan\\u0131n akl\\u0131ndan y\\u0131llarca \\u00e7\\u0131kmayacak bir ezgi dinletiyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\",\"static_content\":\"<p>\\u201cBende anlayamad\\u0131\\u011f\\u0131n nedir biliyor musun?\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u201cNeymi\\u015f?\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u201cNaz\\u0131m\\u2019\\u0131n dedi\\u011fi gibi: \\u2018Ben art\\u0131k \\u015fark\\u0131 dinlemek de\\u011fil, \\u015fark\\u0131 s\\u00f6ylemek istiyorum. Kendi \\u015fark\\u0131m\\u0131.\\u2019\\u00a0 Ama yapamam biliyorum, \\u00e7\\u00fcnk\\u00fc o \\u015fark\\u0131 i\\u00e7imde kuruyup kald\\u0131. Beni \\u00f6ld\\u00fcren\\u00a0 bu i\\u015fte.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u015eark\\u0131lar bitmez, yeni \\u015fark\\u0131lar filizlenip do\\u011far her zaman...\\u201d<\\\/p>\\r\\n\\r\\n<p>Bu roman, Deniz ile Cihan\\u2019\\u0131n h\\u00fcz\\u00fcnl\\u00fc \\u015fark\\u0131s\\u0131n\\u0131 anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>70\\u2019li y\\u0131llar\\u0131n sonunda Ankara\\u2019da, \\u00fcniversitede tan\\u0131\\u015fan Deniz ile Cihan\\u2019\\u0131 ortak tutkular\\u0131 olan m\\u00fczik bir araya getirir. Deniz, Ankaral\\u0131 bir ailenin isyank\\u00e2r k\\u0131z\\u0131, Cihan ta\\u015fradan gelmi\\u015f bir gen\\u00e7 adamd\\u0131r. 12 Eyl\\u00fcl 80 \\u00f6ncesinin en karanl\\u0131k g\\u00fcnlerinde yollar\\u0131 kesi\\u015fen bu iki gen\\u00e7 aras\\u0131ndaki ili\\u015fki birini tutkulu bir a\\u015fka g\\u00f6t\\u00fcr\\u00fcrken, di\\u011feri devrimci d\\u00fc\\u015flerinin r\\u00fczg\\u00e2r\\u0131na kap\\u0131l\\u0131r. Ya\\u015fanmam\\u0131\\u015f bir a\\u015fk\\u0131n izd\\u00fc\\u015f\\u00fcm\\u00fc, aradan otuz y\\u0131l ge\\u00e7tikten sonra farkl\\u0131 bir boyutta, ama ayn\\u0131 tutkuyla iki insana yans\\u0131r: Biri art\\u0131k orta ya\\u015f\\u0131n\\u0131 s\\u00fcrmekte olan Cihan, di\\u011feriyse ona hem yabanc\\u0131 hem de son derece tan\\u0131d\\u0131k olan bir gen\\u00e7 kad\\u0131nd\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u0130nci Aral, arka plan\\u0131nda de\\u011fi\\u015fen bir \\u00fclke, insanlar, gen\\u00e7lik ve siyaset olan, bamba\\u015fka bir a\\u015fk\\u0131n izini s\\u00fcr\\u00fcyor. Umudun, arzunun, h\\u00fczn\\u00fcn, \\u015fark\\u0131larla canlanan iklimini bir kez daha, derinlik ve ustal\\u0131kla anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u0130nci Aral, \\u015eark\\u0131n\\u0131 S\\u00f6yledi\\u011fin Zaman\\u2019la T\\u00fcrk roman\\u0131n\\u0131 zirveye ta\\u015f\\u0131yor. Okuyan\\u0131n akl\\u0131ndan y\\u0131llarca \\u00e7\\u0131kmayacak bir ezgi dinletiyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6370,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9545,\"book_id\":6370,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9544,\"book_id\":6370,\"locale\":\"tr\",\"name\":\"\\u015eark\\u0131n\\u0131 S\\u00f6yledi\\u011fin Zaman\",\"slug\":\"sarkini-soyledigin-zaman\",\"sub_name\":\"\",\"description\":\"<p>\\u201cBende anlayamad\\u0131\\u011f\\u0131n nedir biliyor musun?\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u201cNeymi\\u015f?\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u201cNaz\\u0131m\\u2019\\u0131n dedi\\u011fi gibi: \\u2018Ben art\\u0131k \\u015fark\\u0131 dinlemek de\\u011fil, \\u015fark\\u0131 s\\u00f6ylemek istiyorum. Kendi \\u015fark\\u0131m\\u0131.\\u2019&nbsp; Ama yapamam biliyorum, \\u00e7\\u00fcnk\\u00fc o \\u015fark\\u0131 i\\u00e7imde kuruyup kald\\u0131. Beni \\u00f6ld\\u00fcren&nbsp; bu i\\u015fte.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u015eark\\u0131lar bitmez, yeni \\u015fark\\u0131lar filizlenip do\\u011far her zaman...\\u201d<\\\/p>\\r\\n\\r\\n<p>Bu roman, Deniz ile Cihan\\u2019\\u0131n h\\u00fcz\\u00fcnl\\u00fc \\u015fark\\u0131s\\u0131n\\u0131 anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>70\\u2019li y\\u0131llar\\u0131n sonunda Ankara\\u2019da, \\u00fcniversitede tan\\u0131\\u015fan Deniz ile Cihan\\u2019\\u0131 ortak tutkular\\u0131 olan m\\u00fczik bir araya getirir. Deniz, Ankaral\\u0131 bir ailenin isyank\\u00e2r k\\u0131z\\u0131, Cihan ta\\u015fradan gelmi\\u015f bir gen\\u00e7 adamd\\u0131r. 12 Eyl\\u00fcl 80 \\u00f6ncesinin en karanl\\u0131k g\\u00fcnlerinde yollar\\u0131 kesi\\u015fen bu iki gen\\u00e7 aras\\u0131ndaki ili\\u015fki birini tutkulu bir a\\u015fka g\\u00f6t\\u00fcr\\u00fcrken, di\\u011feri devrimci d\\u00fc\\u015flerinin r\\u00fczg\\u00e2r\\u0131na kap\\u0131l\\u0131r. Ya\\u015fanmam\\u0131\\u015f bir a\\u015fk\\u0131n izd\\u00fc\\u015f\\u00fcm\\u00fc, aradan otuz y\\u0131l ge\\u00e7tikten sonra farkl\\u0131 bir boyutta, ama ayn\\u0131 tutkuyla iki insana yans\\u0131r: Biri art\\u0131k orta ya\\u015f\\u0131n\\u0131 s\\u00fcrmekte olan Cihan, di\\u011feriyse ona hem yabanc\\u0131 hem de son derece tan\\u0131d\\u0131k olan bir gen\\u00e7 kad\\u0131nd\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u0130nci Aral, arka plan\\u0131nda de\\u011fi\\u015fen bir \\u00fclke, insanlar, gen\\u00e7lik ve siyaset olan, bamba\\u015fka bir a\\u015fk\\u0131n izini s\\u00fcr\\u00fcyor. Umudun, arzunun, h\\u00fczn\\u00fcn, \\u015fark\\u0131larla canlanan iklimini bir kez daha, derinlik ve ustal\\u0131kla anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u0130nci Aral, \\u015eark\\u0131n\\u0131 S\\u00f6yledi\\u011fin Zaman\\u2019la T\\u00fcrk roman\\u0131n\\u0131 zirveye ta\\u015f\\u0131yor. Okuyan\\u0131n akl\\u0131ndan y\\u0131llarca \\u00e7\\u0131kmayacak bir ezgi dinletiyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\",\"static_content\":\"<p>\\u201cBende anlayamad\\u0131\\u011f\\u0131n nedir biliyor musun?\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u201cNeymi\\u015f?\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u201cNaz\\u0131m\\u2019\\u0131n dedi\\u011fi gibi: \\u2018Ben art\\u0131k \\u015fark\\u0131 dinlemek de\\u011fil, \\u015fark\\u0131 s\\u00f6ylemek istiyorum. Kendi \\u015fark\\u0131m\\u0131.\\u2019\\u00a0 Ama yapamam biliyorum, \\u00e7\\u00fcnk\\u00fc o \\u015fark\\u0131 i\\u00e7imde kuruyup kald\\u0131. Beni \\u00f6ld\\u00fcren\\u00a0 bu i\\u015fte.\\u201d<\\\/p>\\r\\n\\r\\n<p>\\u201c\\u015eark\\u0131lar bitmez, yeni \\u015fark\\u0131lar filizlenip do\\u011far her zaman...\\u201d<\\\/p>\\r\\n\\r\\n<p>Bu roman, Deniz ile Cihan\\u2019\\u0131n h\\u00fcz\\u00fcnl\\u00fc \\u015fark\\u0131s\\u0131n\\u0131 anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>70\\u2019li y\\u0131llar\\u0131n sonunda Ankara\\u2019da, \\u00fcniversitede tan\\u0131\\u015fan Deniz ile Cihan\\u2019\\u0131 ortak tutkular\\u0131 olan m\\u00fczik bir araya getirir. Deniz, Ankaral\\u0131 bir ailenin isyank\\u00e2r k\\u0131z\\u0131, Cihan ta\\u015fradan gelmi\\u015f bir gen\\u00e7 adamd\\u0131r. 12 Eyl\\u00fcl 80 \\u00f6ncesinin en karanl\\u0131k g\\u00fcnlerinde yollar\\u0131 kesi\\u015fen bu iki gen\\u00e7 aras\\u0131ndaki ili\\u015fki birini tutkulu bir a\\u015fka g\\u00f6t\\u00fcr\\u00fcrken, di\\u011feri devrimci d\\u00fc\\u015flerinin r\\u00fczg\\u00e2r\\u0131na kap\\u0131l\\u0131r. Ya\\u015fanmam\\u0131\\u015f bir a\\u015fk\\u0131n izd\\u00fc\\u015f\\u00fcm\\u00fc, aradan otuz y\\u0131l ge\\u00e7tikten sonra farkl\\u0131 bir boyutta, ama ayn\\u0131 tutkuyla iki insana yans\\u0131r: Biri art\\u0131k orta ya\\u015f\\u0131n\\u0131 s\\u00fcrmekte olan Cihan, di\\u011feriyse ona hem yabanc\\u0131 hem de son derece tan\\u0131d\\u0131k olan bir gen\\u00e7 kad\\u0131nd\\u0131r.<\\\/p>\\r\\n\\r\\n<p>\\u0130nci Aral, arka plan\\u0131nda de\\u011fi\\u015fen bir \\u00fclke, insanlar, gen\\u00e7lik ve siyaset olan, bamba\\u015fka bir a\\u015fk\\u0131n izini s\\u00fcr\\u00fcyor. Umudun, arzunun, h\\u00fczn\\u00fcn, \\u015fark\\u0131larla canlanan iklimini bir kez daha, derinlik ve ustal\\u0131kla anlat\\u0131yor.<\\\/p>\\r\\n\\r\\n<p>\\u0130nci Aral, \\u015eark\\u0131n\\u0131 S\\u00f6yledi\\u011fin Zaman\\u2019la T\\u00fcrk roman\\u0131n\\u0131 zirveye ta\\u015f\\u0131yor. Okuyan\\u0131n akl\\u0131ndan y\\u0131llarca \\u00e7\\u0131kmayacak bir ezgi dinletiyor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6375,\"user_id\":10,\"original_name\":\"Mino'nun Siyah G\\u00fcl\\u00fc\",\"printing_date\":\"2015-01-01 12:43:43\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/minonun-siyah-gulu-kapak-1574761423.png\",\"image_settings\":{\"id\":6375,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/26\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":212048,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":46572,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":18333,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":4064,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2255,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4790,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":34972,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":34972,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":13754,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2812,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1312,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3228,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-26 12:43:43\",\"updated_at\":\"2019-11-26 12:43:43\",\"name\":\"Mino'nun Siyah G\\u00fcl\\u00fc\",\"slug\":\"minonun-siyah-gulu\",\"sub_name\":\"\",\"description\":\"<p>Tayin emrim \\u00fc\\u00e7 ay sonra \\u00e7\\u0131kt\\u0131. Emri ald\\u0131\\u011f\\u0131m g\\u00fcn\\u00fcn sabah\\u0131nda Hasan'\\u0131 ast\\u0131lar. \\u0130nfaz gecesi uyumam\\u0131\\u015ft\\u0131k. Babam, Nuri Amca, annem ve ben, salondaki masan\\u0131n \\u00e7evresinde oturuyorduk. Pencerenin \\u00f6n\\u00fcndeki \\u00e7\\u0131plak akasyaya konmu\\u015f suskun, korunmas\\u0131z k\\u0131\\u015f ser\\u00e7eleri gibi... Radyoyu a\\u00e7m\\u0131\\u015ft\\u0131k; bir haber bekliyorduk... Annem s\\u0131k s\\u0131k mutfa\\u011fa gidip a\\u011fl\\u0131yordu. Nuri Amca, k\\u0131m\\u0131ldamaks\\u0131z\\u0131n \\u00f6n\\u00fcne bak\\u0131yordu. Elleri dizlerinin \\u00fcst\\u00fcndeydi. Omuzlar\\u0131 \\u00e7\\u00f6km\\u00fc\\u015ft\\u00fc... Konu\\u015fmuyorduk. Birbirimizin y\\u00fcz\\u00fcne bakam\\u0131yorduk.<br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130nsan, sonuna kadar umutlu olabiliyor. Umut bir \\u00e7are de\\u011fil ama galiba \\u00e7areden daha b\\u00fcy\\u00fck bir \\u015fey.<br \\\/>\\r\\n<br \\\/>\\r\\n1960'l\\u0131 y\\u0131llarda bir Ege kasabas\\u0131nda ba\\u015flayan yasak bir a\\u015fkla 12 Eyl\\u00fcl'\\u00fcn hemen \\u00f6ncesinde geli\\u015fip darbenin ard\\u0131ndan pek \\u00e7ok ki\\u015fiyle payla\\u015f\\u0131lan bir kaderle son bulan k\\u0131r\\u0131k bir a\\u015fk: iki katmanl\\u0131 bu roman\\u0131n i\\u00e7 i\\u00e7e ge\\u00e7en iki farkl\\u0131 hik\\u00e2yesi. M\\u00fccadeleleriyle, inan\\u00e7lar\\u0131yla, hakl\\u0131l\\u0131klar\\u0131 ve yenilgileriyle b\\u00fct\\u00fcn bir ku\\u015fak ve darbelerden, idamlardan ge\\u00e7en, yar\\u0131m kalan hik\\u00e2yelerle 2000'li y\\u0131llara uzanan yak\\u0131n tarihimiz. Siyasi bir ortam\\u0131n i\\u00e7inde filiz veren a\\u015fklar, ye\\u015feren duygular,yar\\u0131m kalan umutlar.<br \\\/>\\r\\n<br \\\/>\\r\\nH\\u00fcsn\\u00fc Arkan, 60'l\\u0131 y\\u0131llardan ba\\u015flayarak, \\u00f6zellikle 12 Eyl\\u00fcl d\\u00f6neminin ac\\u0131tan sayfalar\\u0131na bir ailenin kad\\u0131nlar\\u0131n\\u0131n g\\u00f6z\\u00fcnden bak\\u0131yor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Tayin emrim \\u00fc\\u00e7 ay sonra \\u00e7\\u0131kt\\u0131. Emri ald\\u0131\\u011f\\u0131m g\\u00fcn\\u00fcn sabah\\u0131nda Hasan'\\u0131 ast\\u0131lar. \\u0130nfaz gecesi uyumam\\u0131\\u015ft\\u0131k. Babam, Nuri Amca, annem ve ben, salondaki masan\\u0131n \\u00e7evresinde oturuyorduk. Pencerenin \\u00f6n\\u00fcndeki \\u00e7\\u0131plak akasyaya konmu\\u015f suskun, korunmas\\u0131z k\\u0131\\u015f ser\\u00e7eleri gibi... Radyoyu a\\u00e7m\\u0131\\u015ft\\u0131k; bir haber bekliyorduk... Annem s\\u0131k s\\u0131k mutfa\\u011fa gidip a\\u011fl\\u0131yordu. Nuri Amca, k\\u0131m\\u0131ldamaks\\u0131z\\u0131n \\u00f6n\\u00fcne bak\\u0131yordu. Elleri dizlerinin \\u00fcst\\u00fcndeydi. Omuzlar\\u0131 \\u00e7\\u00f6km\\u00fc\\u015ft\\u00fc... Konu\\u015fmuyorduk. Birbirimizin y\\u00fcz\\u00fcne bakam\\u0131yorduk.<br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130nsan, sonuna kadar umutlu olabiliyor. Umut bir \\u00e7are de\\u011fil ama galiba \\u00e7areden daha b\\u00fcy\\u00fck bir \\u015fey.<br \\\/>\\r\\n<br \\\/>\\r\\n1960'l\\u0131 y\\u0131llarda bir Ege kasabas\\u0131nda ba\\u015flayan yasak bir a\\u015fkla 12 Eyl\\u00fcl'\\u00fcn hemen \\u00f6ncesinde geli\\u015fip darbenin ard\\u0131ndan pek \\u00e7ok ki\\u015fiyle payla\\u015f\\u0131lan bir kaderle son bulan k\\u0131r\\u0131k bir a\\u015fk: iki katmanl\\u0131 bu roman\\u0131n i\\u00e7 i\\u00e7e ge\\u00e7en iki farkl\\u0131 hik\\u00e2yesi. M\\u00fccadeleleriyle, inan\\u00e7lar\\u0131yla, hakl\\u0131l\\u0131klar\\u0131 ve yenilgileriyle b\\u00fct\\u00fcn bir ku\\u015fak ve darbelerden, idamlardan ge\\u00e7en, yar\\u0131m kalan hik\\u00e2yelerle 2000'li y\\u0131llara uzanan yak\\u0131n tarihimiz. Siyasi bir ortam\\u0131n i\\u00e7inde filiz veren a\\u015fklar, ye\\u015feren duygular,yar\\u0131m kalan umutlar.<br \\\/>\\r\\n<br \\\/>\\r\\nH\\u00fcsn\\u00fc Arkan, 60'l\\u0131 y\\u0131llardan ba\\u015flayarak, \\u00f6zellikle 12 Eyl\\u00fcl d\\u00f6neminin ac\\u0131tan sayfalar\\u0131na bir ailenin kad\\u0131nlar\\u0131n\\u0131n g\\u00f6z\\u00fcnden bak\\u0131yor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6375,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9555,\"book_id\":6375,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9554,\"book_id\":6375,\"locale\":\"tr\",\"name\":\"Mino'nun Siyah G\\u00fcl\\u00fc\",\"slug\":\"minonun-siyah-gulu\",\"sub_name\":\"\",\"description\":\"<p>Tayin emrim \\u00fc\\u00e7 ay sonra \\u00e7\\u0131kt\\u0131. Emri ald\\u0131\\u011f\\u0131m g\\u00fcn\\u00fcn sabah\\u0131nda Hasan'\\u0131 ast\\u0131lar. \\u0130nfaz gecesi uyumam\\u0131\\u015ft\\u0131k. Babam, Nuri Amca, annem ve ben, salondaki masan\\u0131n \\u00e7evresinde oturuyorduk. Pencerenin \\u00f6n\\u00fcndeki \\u00e7\\u0131plak akasyaya konmu\\u015f suskun, korunmas\\u0131z k\\u0131\\u015f ser\\u00e7eleri gibi... Radyoyu a\\u00e7m\\u0131\\u015ft\\u0131k; bir haber bekliyorduk... Annem s\\u0131k s\\u0131k mutfa\\u011fa gidip a\\u011fl\\u0131yordu. Nuri Amca, k\\u0131m\\u0131ldamaks\\u0131z\\u0131n \\u00f6n\\u00fcne bak\\u0131yordu. Elleri dizlerinin \\u00fcst\\u00fcndeydi. Omuzlar\\u0131 \\u00e7\\u00f6km\\u00fc\\u015ft\\u00fc... Konu\\u015fmuyorduk. Birbirimizin y\\u00fcz\\u00fcne bakam\\u0131yorduk.<br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130nsan, sonuna kadar umutlu olabiliyor. Umut bir \\u00e7are de\\u011fil ama galiba \\u00e7areden daha b\\u00fcy\\u00fck bir \\u015fey.<br \\\/>\\r\\n<br \\\/>\\r\\n1960'l\\u0131 y\\u0131llarda bir Ege kasabas\\u0131nda ba\\u015flayan yasak bir a\\u015fkla 12 Eyl\\u00fcl'\\u00fcn hemen \\u00f6ncesinde geli\\u015fip darbenin ard\\u0131ndan pek \\u00e7ok ki\\u015fiyle payla\\u015f\\u0131lan bir kaderle son bulan k\\u0131r\\u0131k bir a\\u015fk: iki katmanl\\u0131 bu roman\\u0131n i\\u00e7 i\\u00e7e ge\\u00e7en iki farkl\\u0131 hik\\u00e2yesi. M\\u00fccadeleleriyle, inan\\u00e7lar\\u0131yla, hakl\\u0131l\\u0131klar\\u0131 ve yenilgileriyle b\\u00fct\\u00fcn bir ku\\u015fak ve darbelerden, idamlardan ge\\u00e7en, yar\\u0131m kalan hik\\u00e2yelerle 2000'li y\\u0131llara uzanan yak\\u0131n tarihimiz. Siyasi bir ortam\\u0131n i\\u00e7inde filiz veren a\\u015fklar, ye\\u015feren duygular,yar\\u0131m kalan umutlar.<br \\\/>\\r\\n<br \\\/>\\r\\nH\\u00fcsn\\u00fc Arkan, 60'l\\u0131 y\\u0131llardan ba\\u015flayarak, \\u00f6zellikle 12 Eyl\\u00fcl d\\u00f6neminin ac\\u0131tan sayfalar\\u0131na bir ailenin kad\\u0131nlar\\u0131n\\u0131n g\\u00f6z\\u00fcnden bak\\u0131yor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Tayin emrim \\u00fc\\u00e7 ay sonra \\u00e7\\u0131kt\\u0131. Emri ald\\u0131\\u011f\\u0131m g\\u00fcn\\u00fcn sabah\\u0131nda Hasan'\\u0131 ast\\u0131lar. \\u0130nfaz gecesi uyumam\\u0131\\u015ft\\u0131k. Babam, Nuri Amca, annem ve ben, salondaki masan\\u0131n \\u00e7evresinde oturuyorduk. Pencerenin \\u00f6n\\u00fcndeki \\u00e7\\u0131plak akasyaya konmu\\u015f suskun, korunmas\\u0131z k\\u0131\\u015f ser\\u00e7eleri gibi... Radyoyu a\\u00e7m\\u0131\\u015ft\\u0131k; bir haber bekliyorduk... Annem s\\u0131k s\\u0131k mutfa\\u011fa gidip a\\u011fl\\u0131yordu. Nuri Amca, k\\u0131m\\u0131ldamaks\\u0131z\\u0131n \\u00f6n\\u00fcne bak\\u0131yordu. Elleri dizlerinin \\u00fcst\\u00fcndeydi. Omuzlar\\u0131 \\u00e7\\u00f6km\\u00fc\\u015ft\\u00fc... Konu\\u015fmuyorduk. Birbirimizin y\\u00fcz\\u00fcne bakam\\u0131yorduk.<br \\\/>\\r\\n<br \\\/>\\r\\n\\u0130nsan, sonuna kadar umutlu olabiliyor. Umut bir \\u00e7are de\\u011fil ama galiba \\u00e7areden daha b\\u00fcy\\u00fck bir \\u015fey.<br \\\/>\\r\\n<br \\\/>\\r\\n1960'l\\u0131 y\\u0131llarda bir Ege kasabas\\u0131nda ba\\u015flayan yasak bir a\\u015fkla 12 Eyl\\u00fcl'\\u00fcn hemen \\u00f6ncesinde geli\\u015fip darbenin ard\\u0131ndan pek \\u00e7ok ki\\u015fiyle payla\\u015f\\u0131lan bir kaderle son bulan k\\u0131r\\u0131k bir a\\u015fk: iki katmanl\\u0131 bu roman\\u0131n i\\u00e7 i\\u00e7e ge\\u00e7en iki farkl\\u0131 hik\\u00e2yesi. M\\u00fccadeleleriyle, inan\\u00e7lar\\u0131yla, hakl\\u0131l\\u0131klar\\u0131 ve yenilgileriyle b\\u00fct\\u00fcn bir ku\\u015fak ve darbelerden, idamlardan ge\\u00e7en, yar\\u0131m kalan hik\\u00e2yelerle 2000'li y\\u0131llara uzanan yak\\u0131n tarihimiz. Siyasi bir ortam\\u0131n i\\u00e7inde filiz veren a\\u015fklar, ye\\u015feren duygular,yar\\u0131m kalan umutlar.<br \\\/>\\r\\n<br \\\/>\\r\\nH\\u00fcsn\\u00fc Arkan, 60'l\\u0131 y\\u0131llardan ba\\u015flayarak, \\u00f6zellikle 12 Eyl\\u00fcl d\\u00f6neminin ac\\u0131tan sayfalar\\u0131na bir ailenin kad\\u0131nlar\\u0131n\\u0131n g\\u00f6z\\u00fcnden bak\\u0131yor.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6399,\"user_id\":10,\"original_name\":\"Nachtzug nach Lissabon\",\"printing_date\":\"2012-01-01 14:55:39\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/nachtzug-nach-lissabon-kapak-1574769339.png\",\"image_settings\":{\"id\":6399,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/26\\\/14\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":175846,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":42669,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":17238,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3896,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":2211,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":4902,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":32330,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":32330,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":13518,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2784,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1342,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":3558,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-26 14:55:39\",\"updated_at\":\"2019-11-26 14:55:39\",\"name\":\"Lizbon'a Gece Treni\",\"slug\":\"lizbona-gece-treni\",\"sub_name\":\"\",\"description\":\"<p>Antik diller \\u00f6\\u011fretmeni Raimund Gregorius lisede ders s\\u0131ras\\u0131nda ans\\u0131z\\u0131n s\\u0131n\\u0131ftan \\u00e7\\u0131kar, duydu\\u011fu Portekizce bir kelimenin b\\u00fcy\\u00fcs\\u00fcne kap\\u0131larak ya\\u015fad\\u0131\\u011f\\u0131 \\u015fehri, d\\u00fczenli hayat\\u0131n\\u0131 terk edip hakk\\u0131nda hi\\u00e7bir \\u015fey bilmedi\\u011fi gizemli bir Portekizli'nin, doktor ve yazar Amadeu Prado'nun izini s\\u00fcrmek \\u00fczere Lizbon'a do\\u011fru trenle yola \\u00e7\\u0131kar. Tesad\\u00fcfen eline ge\\u00e7en ve Prado'nun, hayat, a\\u015fk, yaln\\u0131zl\\u0131k, arkada\\u015fl\\u0131k, \\u00f6l\\u00fcml\\u00fcl\\u00fck ve \\u00f6l\\u00fcmle ilgili notlar\\u0131n\\u0131n bulundu\\u011fu kitab\\u0131n etkisinden \\u00e7\\u0131kamayan Gregorius, dilini bilmedi\\u011fi, ilk kez gitti\\u011fi bu yabanc\\u0131 \\u00fclkede ve bu ola\\u011fan\\u00fcst\\u00fc yolculu\\u011fu s\\u0131ras\\u0131nda Prado'nun hayat\\u0131n\\u0131n de\\u011fi\\u015fik evrelerinde yer alm\\u0131\\u015f insanlarla bir araya gelip onun farkl\\u0131 s\\u00f6ylencelerle dokunmu\\u015f hik\\u00e2yesinin derinlerine iner. Bir yandan da kendi i\\u00e7sel yolculu\\u011funu s\\u00fcrd\\u00fcren Gregorius, Diktat\\u00f6r Salazar'a kar\\u015f\\u0131 sava\\u015fm\\u0131\\u015f Amadeu Prado'nun ki\\u015fili\\u011finde kendine ve insana ili\\u015fkin pek \\u00e7ok sorunun yan\\u0131t\\u0131n\\u0131 ararken, bir ba\\u015fkas\\u0131 olman\\u0131n dayan\\u0131lmaz \\u00e7ekicili\\u011fine de kar\\u015f\\u0131 koyamayacakt\\u0131r. Lizbon'a Gece Treni, sadece Avrupa'dan de\\u011fil, kendi zihnimizden ve ruhumuzdan da ge\\u00e7en ve d\\u00f6n\\u00fc\\u015f\\u00fc belli olmayan bir yolculu\\u011fun \\u00e7ok sesli, unutulmaz roman\\u0131.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Ben de \\u00e7ok sevdim Lizbon'a Gece Treni'ni. Her \\u00f6\\u011fleden sonra g\\u00fcn bat\\u0131m\\u0131na kadar okudum. \\u0130lknur \\u00d6zdemir \\u00e7evirmi\\u015f. Her \\u00e7evirisini ille de \\u00e7ok usta bir \\u00e7evirmen.\\\"<br \\\/>\\r\\n-Selim \\u0130leri-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Lizbon'a Gece Treni bar\\u0131nd\\u0131rd\\u0131\\u011f\\u0131 tema zenginli\\u011fiyle \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 bir roman. Dille, tarihle, duygularla; k\\u0131saca d\\u00fcnyaya at\\u0131lm\\u0131\\u015f bireyin i\\u00e7inde bulundu\\u011fu durumla sorgulay\\u0131c\\u0131 bir hesapla\\u015fma.\\\"<br \\\/>\\r\\n-A.\\u00d6mer T\\u00fcrke\\u015f-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Antik diller \\u00f6\\u011fretmeni Raimund Gregorius lisede ders s\\u0131ras\\u0131nda ans\\u0131z\\u0131n s\\u0131n\\u0131ftan \\u00e7\\u0131kar, duydu\\u011fu Portekizce bir kelimenin b\\u00fcy\\u00fcs\\u00fcne kap\\u0131larak ya\\u015fad\\u0131\\u011f\\u0131 \\u015fehri, d\\u00fczenli hayat\\u0131n\\u0131 terk edip hakk\\u0131nda hi\\u00e7bir \\u015fey bilmedi\\u011fi gizemli bir Portekizli'nin, doktor ve yazar Amadeu Prado'nun izini s\\u00fcrmek \\u00fczere Lizbon'a do\\u011fru trenle yola \\u00e7\\u0131kar. Tesad\\u00fcfen eline ge\\u00e7en ve Prado'nun, hayat, a\\u015fk, yaln\\u0131zl\\u0131k, arkada\\u015fl\\u0131k, \\u00f6l\\u00fcml\\u00fcl\\u00fck ve \\u00f6l\\u00fcmle ilgili notlar\\u0131n\\u0131n bulundu\\u011fu kitab\\u0131n etkisinden \\u00e7\\u0131kamayan Gregorius, dilini bilmedi\\u011fi, ilk kez gitti\\u011fi bu yabanc\\u0131 \\u00fclkede ve bu ola\\u011fan\\u00fcst\\u00fc yolculu\\u011fu s\\u0131ras\\u0131nda Prado'nun hayat\\u0131n\\u0131n de\\u011fi\\u015fik evrelerinde yer alm\\u0131\\u015f insanlarla bir araya gelip onun farkl\\u0131 s\\u00f6ylencelerle dokunmu\\u015f hik\\u00e2yesinin derinlerine iner. Bir yandan da kendi i\\u00e7sel yolculu\\u011funu s\\u00fcrd\\u00fcren Gregorius, Diktat\\u00f6r Salazar'a kar\\u015f\\u0131 sava\\u015fm\\u0131\\u015f Amadeu Prado'nun ki\\u015fili\\u011finde kendine ve insana ili\\u015fkin pek \\u00e7ok sorunun yan\\u0131t\\u0131n\\u0131 ararken, bir ba\\u015fkas\\u0131 olman\\u0131n dayan\\u0131lmaz \\u00e7ekicili\\u011fine de kar\\u015f\\u0131 koyamayacakt\\u0131r. Lizbon'a Gece Treni, sadece Avrupa'dan de\\u011fil, kendi zihnimizden ve ruhumuzdan da ge\\u00e7en ve d\\u00f6n\\u00fc\\u015f\\u00fc belli olmayan bir yolculu\\u011fun \\u00e7ok sesli, unutulmaz roman\\u0131.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Ben de \\u00e7ok sevdim Lizbon'a Gece Treni'ni. Her \\u00f6\\u011fleden sonra g\\u00fcn bat\\u0131m\\u0131na kadar okudum. \\u0130lknur \\u00d6zdemir \\u00e7evirmi\\u015f. Her \\u00e7evirisini ille de \\u00e7ok usta bir \\u00e7evirmen.\\\"<br \\\/>\\r\\n-Selim \\u0130leri-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Lizbon'a Gece Treni bar\\u0131nd\\u0131rd\\u0131\\u011f\\u0131 tema zenginli\\u011fiyle \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 bir roman. Dille, tarihle, duygularla; k\\u0131saca d\\u00fcnyaya at\\u0131lm\\u0131\\u015f bireyin i\\u00e7inde bulundu\\u011fu durumla sorgulay\\u0131c\\u0131 bir hesapla\\u015fma.\\\"<br \\\/>\\r\\n-A.\\u00d6mer T\\u00fcrke\\u015f-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6399,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9603,\"book_id\":6399,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9602,\"book_id\":6399,\"locale\":\"tr\",\"name\":\"Lizbon'a Gece Treni\",\"slug\":\"lizbona-gece-treni\",\"sub_name\":\"\",\"description\":\"<p>Antik diller \\u00f6\\u011fretmeni Raimund Gregorius lisede ders s\\u0131ras\\u0131nda ans\\u0131z\\u0131n s\\u0131n\\u0131ftan \\u00e7\\u0131kar, duydu\\u011fu Portekizce bir kelimenin b\\u00fcy\\u00fcs\\u00fcne kap\\u0131larak ya\\u015fad\\u0131\\u011f\\u0131 \\u015fehri, d\\u00fczenli hayat\\u0131n\\u0131 terk edip hakk\\u0131nda hi\\u00e7bir \\u015fey bilmedi\\u011fi gizemli bir Portekizli'nin, doktor ve yazar Amadeu Prado'nun izini s\\u00fcrmek \\u00fczere Lizbon'a do\\u011fru trenle yola \\u00e7\\u0131kar. Tesad\\u00fcfen eline ge\\u00e7en ve Prado'nun, hayat, a\\u015fk, yaln\\u0131zl\\u0131k, arkada\\u015fl\\u0131k, \\u00f6l\\u00fcml\\u00fcl\\u00fck ve \\u00f6l\\u00fcmle ilgili notlar\\u0131n\\u0131n bulundu\\u011fu kitab\\u0131n etkisinden \\u00e7\\u0131kamayan Gregorius, dilini bilmedi\\u011fi, ilk kez gitti\\u011fi bu yabanc\\u0131 \\u00fclkede ve bu ola\\u011fan\\u00fcst\\u00fc yolculu\\u011fu s\\u0131ras\\u0131nda Prado'nun hayat\\u0131n\\u0131n de\\u011fi\\u015fik evrelerinde yer alm\\u0131\\u015f insanlarla bir araya gelip onun farkl\\u0131 s\\u00f6ylencelerle dokunmu\\u015f hik\\u00e2yesinin derinlerine iner. Bir yandan da kendi i\\u00e7sel yolculu\\u011funu s\\u00fcrd\\u00fcren Gregorius, Diktat\\u00f6r Salazar'a kar\\u015f\\u0131 sava\\u015fm\\u0131\\u015f Amadeu Prado'nun ki\\u015fili\\u011finde kendine ve insana ili\\u015fkin pek \\u00e7ok sorunun yan\\u0131t\\u0131n\\u0131 ararken, bir ba\\u015fkas\\u0131 olman\\u0131n dayan\\u0131lmaz \\u00e7ekicili\\u011fine de kar\\u015f\\u0131 koyamayacakt\\u0131r. Lizbon'a Gece Treni, sadece Avrupa'dan de\\u011fil, kendi zihnimizden ve ruhumuzdan da ge\\u00e7en ve d\\u00f6n\\u00fc\\u015f\\u00fc belli olmayan bir yolculu\\u011fun \\u00e7ok sesli, unutulmaz roman\\u0131.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Ben de \\u00e7ok sevdim Lizbon'a Gece Treni'ni. Her \\u00f6\\u011fleden sonra g\\u00fcn bat\\u0131m\\u0131na kadar okudum. \\u0130lknur \\u00d6zdemir \\u00e7evirmi\\u015f. Her \\u00e7evirisini ille de \\u00e7ok usta bir \\u00e7evirmen.\\\"<br \\\/>\\r\\n-Selim \\u0130leri-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Lizbon'a Gece Treni bar\\u0131nd\\u0131rd\\u0131\\u011f\\u0131 tema zenginli\\u011fiyle \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 bir roman. Dille, tarihle, duygularla; k\\u0131saca d\\u00fcnyaya at\\u0131lm\\u0131\\u015f bireyin i\\u00e7inde bulundu\\u011fu durumla sorgulay\\u0131c\\u0131 bir hesapla\\u015fma.\\\"<br \\\/>\\r\\n-A.\\u00d6mer T\\u00fcrke\\u015f-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Antik diller \\u00f6\\u011fretmeni Raimund Gregorius lisede ders s\\u0131ras\\u0131nda ans\\u0131z\\u0131n s\\u0131n\\u0131ftan \\u00e7\\u0131kar, duydu\\u011fu Portekizce bir kelimenin b\\u00fcy\\u00fcs\\u00fcne kap\\u0131larak ya\\u015fad\\u0131\\u011f\\u0131 \\u015fehri, d\\u00fczenli hayat\\u0131n\\u0131 terk edip hakk\\u0131nda hi\\u00e7bir \\u015fey bilmedi\\u011fi gizemli bir Portekizli'nin, doktor ve yazar Amadeu Prado'nun izini s\\u00fcrmek \\u00fczere Lizbon'a do\\u011fru trenle yola \\u00e7\\u0131kar. Tesad\\u00fcfen eline ge\\u00e7en ve Prado'nun, hayat, a\\u015fk, yaln\\u0131zl\\u0131k, arkada\\u015fl\\u0131k, \\u00f6l\\u00fcml\\u00fcl\\u00fck ve \\u00f6l\\u00fcmle ilgili notlar\\u0131n\\u0131n bulundu\\u011fu kitab\\u0131n etkisinden \\u00e7\\u0131kamayan Gregorius, dilini bilmedi\\u011fi, ilk kez gitti\\u011fi bu yabanc\\u0131 \\u00fclkede ve bu ola\\u011fan\\u00fcst\\u00fc yolculu\\u011fu s\\u0131ras\\u0131nda Prado'nun hayat\\u0131n\\u0131n de\\u011fi\\u015fik evrelerinde yer alm\\u0131\\u015f insanlarla bir araya gelip onun farkl\\u0131 s\\u00f6ylencelerle dokunmu\\u015f hik\\u00e2yesinin derinlerine iner. Bir yandan da kendi i\\u00e7sel yolculu\\u011funu s\\u00fcrd\\u00fcren Gregorius, Diktat\\u00f6r Salazar'a kar\\u015f\\u0131 sava\\u015fm\\u0131\\u015f Amadeu Prado'nun ki\\u015fili\\u011finde kendine ve insana ili\\u015fkin pek \\u00e7ok sorunun yan\\u0131t\\u0131n\\u0131 ararken, bir ba\\u015fkas\\u0131 olman\\u0131n dayan\\u0131lmaz \\u00e7ekicili\\u011fine de kar\\u015f\\u0131 koyamayacakt\\u0131r. Lizbon'a Gece Treni, sadece Avrupa'dan de\\u011fil, kendi zihnimizden ve ruhumuzdan da ge\\u00e7en ve d\\u00f6n\\u00fc\\u015f\\u00fc belli olmayan bir yolculu\\u011fun \\u00e7ok sesli, unutulmaz roman\\u0131.<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Ben de \\u00e7ok sevdim Lizbon'a Gece Treni'ni. Her \\u00f6\\u011fleden sonra g\\u00fcn bat\\u0131m\\u0131na kadar okudum. \\u0130lknur \\u00d6zdemir \\u00e7evirmi\\u015f. Her \\u00e7evirisini ille de \\u00e7ok usta bir \\u00e7evirmen.\\\"<br \\\/>\\r\\n-Selim \\u0130leri-<br \\\/>\\r\\n<br \\\/>\\r\\n\\\"Lizbon'a Gece Treni bar\\u0131nd\\u0131rd\\u0131\\u011f\\u0131 tema zenginli\\u011fiyle \\u015fa\\u015f\\u0131rt\\u0131c\\u0131 bir roman. Dille, tarihle, duygularla; k\\u0131saca d\\u00fcnyaya at\\u0131lm\\u0131\\u015f bireyin i\\u00e7inde bulundu\\u011fu durumla sorgulay\\u0131c\\u0131 bir hesapla\\u015fma.\\\"<br \\\/>\\r\\n-A.\\u00d6mer T\\u00fcrke\\u015f-<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6423,\"user_id\":10,\"original_name\":\"Der Klavierstimmer\",\"printing_date\":\"2013-01-01 12:20:52\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/der-klavierstimmer-kapak-1574846452.png\",\"image_settings\":{\"id\":6423,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/27\\\/12\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":160878,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":37520,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":15135,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":3407,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1969,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3878,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":27370,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":27370,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":11052,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2534,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":1206,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2588,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-27 12:20:52\",\"updated_at\":\"2019-11-27 12:20:52\",\"name\":\"Sahnede \\u00d6l\\u00fcm\",\"slug\":\"sahnede-olum\",\"sub_name\":\"\",\"description\":\"<p>\\\"Alt\\u0131 y\\u0131l \\u00f6nce o g\\u00fcn, yata\\u011f\\u0131n kenar\\u0131ndaki varl\\u0131\\u011f\\u0131n\\u0131 hissedince nas\\u0131l uyand\\u0131\\u011f\\u0131m\\u0131 asla unutamam. Beni uyand\\u0131ran, yata\\u011f\\u0131n kenar\\u0131na oturman de\\u011fildi. Yak\\u0131nl\\u0131\\u011f\\u0131nd\\u0131, bak\\u0131\\u015f\\u0131nd\\u0131 ve o \\u00e7ok hafif, belli belirsiz sabun ve parf\\u00fcm kokusuydu. K\\u0131sac\\u0131k bir an yan\\u0131ma gelmek istedi\\u011fini sand\\u0131m ve kollar\\u0131m\\u0131 sana do\\u011fru uzatmaya haz\\u0131rland\\u0131m. Ama sonra \\u015fafak vaktinin solgun \\u0131\\u015f\\u0131\\u011f\\u0131nda \\u00fczerinde yol k\\u0131yafeti oldu\\u011funu g\\u00f6rd\\u00fcm... Ellerin kuca\\u011f\\u0131nda dimdik oturuyordun. Bu duru\\u015funda insan\\u0131 korkutan bir kesinlik vard\\u0131, bak\\u0131\\u015flar\\u0131ndaki kararl\\u0131l\\u0131k hi\\u00e7bir itiraza yer b\\u0131rakm\\u0131yordu. \\\"Adieu\\\" demekle yetindin. Yumruk yemi\\u015f gibi kendimi tekrar yast\\u0131\\u011fa b\\u0131rakt\\u0131m. G\\u00f6zya\\u015flar\\u0131m\\u0131 g\\u00f6rd\\u00fc\\u011f\\u00fcnde kararl\\u0131l\\u0131\\u011f\\u0131n bir an sars\\u0131lm\\u0131\\u015f gibi geldi bana, iradene yeniden kavu\\u015fmak i\\u00e7in g\\u00f6zlerini kapad\\u0131n. G\\u00f6zlerini a\\u00e7madan ans\\u0131z\\u0131n \\u00fczerime e\\u011fildin, aln\\u0131mdan \\u00f6pt\\u00fcn.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nLizbon'a Gece Treni'nin yazar\\u0131ndan insan ili\\u015fkilerinin bilinmezli\\u011fine dair derinlikli, \\u00e7ok katmanl\\u0131 bir roman. Tan\\u0131nm\\u0131\\u015f bir piyano akort\\u00e7usunun ikiz \\u00e7ocuklar\\u0131 olan Patrice ile Patricia'y\\u0131, ta\\u015f\\u0131yamayacaklar\\u0131 kadar a\\u011f\\u0131r bir s\\u0131r birbirine ba\\u011flamaktad\\u0131r. Birbirleriyle g\\u00f6r\\u00fc\\u015fmedikleri alt\\u0131 y\\u0131ldan sonra ailede ya\\u015fanan korkun\\u00e7 bir olay onlar\\u0131 zorunlu olarak yeniden bir araya getirir. Bu olayla birlikte kendileriyle ilgili ba\\u015fka s\\u0131rlar da pe\\u015f pe\\u015fe a\\u00e7\\u0131\\u011fa \\u00e7\\u0131kacak, yollar\\u0131 alt\\u0131 y\\u0131l \\u00f6nce ayr\\u0131lan iki karde\\u015f anneleriyle babalar\\u0131n\\u0131 ne kadar az tan\\u0131d\\u0131klar\\u0131n\\u0131 anlayacaklard\\u0131r.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\\"Alt\\u0131 y\\u0131l \\u00f6nce o g\\u00fcn, yata\\u011f\\u0131n kenar\\u0131ndaki varl\\u0131\\u011f\\u0131n\\u0131 hissedince nas\\u0131l uyand\\u0131\\u011f\\u0131m\\u0131 asla unutamam. Beni uyand\\u0131ran, yata\\u011f\\u0131n kenar\\u0131na oturman de\\u011fildi. Yak\\u0131nl\\u0131\\u011f\\u0131nd\\u0131, bak\\u0131\\u015f\\u0131nd\\u0131 ve o \\u00e7ok hafif, belli belirsiz sabun ve parf\\u00fcm kokusuydu. K\\u0131sac\\u0131k bir an yan\\u0131ma gelmek istedi\\u011fini sand\\u0131m ve kollar\\u0131m\\u0131 sana do\\u011fru uzatmaya haz\\u0131rland\\u0131m. Ama sonra \\u015fafak vaktinin solgun \\u0131\\u015f\\u0131\\u011f\\u0131nda \\u00fczerinde yol k\\u0131yafeti oldu\\u011funu g\\u00f6rd\\u00fcm... Ellerin kuca\\u011f\\u0131nda dimdik oturuyordun. Bu duru\\u015funda insan\\u0131 korkutan bir kesinlik vard\\u0131, bak\\u0131\\u015flar\\u0131ndaki kararl\\u0131l\\u0131k hi\\u00e7bir itiraza yer b\\u0131rakm\\u0131yordu. \\\"Adieu\\\" demekle yetindin. Yumruk yemi\\u015f gibi kendimi tekrar yast\\u0131\\u011fa b\\u0131rakt\\u0131m. G\\u00f6zya\\u015flar\\u0131m\\u0131 g\\u00f6rd\\u00fc\\u011f\\u00fcnde kararl\\u0131l\\u0131\\u011f\\u0131n bir an sars\\u0131lm\\u0131\\u015f gibi geldi bana, iradene yeniden kavu\\u015fmak i\\u00e7in g\\u00f6zlerini kapad\\u0131n. G\\u00f6zlerini a\\u00e7madan ans\\u0131z\\u0131n \\u00fczerime e\\u011fildin, aln\\u0131mdan \\u00f6pt\\u00fcn.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nLizbon'a Gece Treni'nin yazar\\u0131ndan insan ili\\u015fkilerinin bilinmezli\\u011fine dair derinlikli, \\u00e7ok katmanl\\u0131 bir roman. Tan\\u0131nm\\u0131\\u015f bir piyano akort\\u00e7usunun ikiz \\u00e7ocuklar\\u0131 olan Patrice ile Patricia'y\\u0131, ta\\u015f\\u0131yamayacaklar\\u0131 kadar a\\u011f\\u0131r bir s\\u0131r birbirine ba\\u011flamaktad\\u0131r. Birbirleriyle g\\u00f6r\\u00fc\\u015fmedikleri alt\\u0131 y\\u0131ldan sonra ailede ya\\u015fanan korkun\\u00e7 bir olay onlar\\u0131 zorunlu olarak yeniden bir araya getirir. Bu olayla birlikte kendileriyle ilgili ba\\u015fka s\\u0131rlar da pe\\u015f pe\\u015fe a\\u00e7\\u0131\\u011fa \\u00e7\\u0131kacak, yollar\\u0131 alt\\u0131 y\\u0131l \\u00f6nce ayr\\u0131lan iki karde\\u015f anneleriyle babalar\\u0131n\\u0131 ne kadar az tan\\u0131d\\u0131klar\\u0131n\\u0131 anlayacaklard\\u0131r.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6423,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9651,\"book_id\":6423,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9650,\"book_id\":6423,\"locale\":\"tr\",\"name\":\"Sahnede \\u00d6l\\u00fcm\",\"slug\":\"sahnede-olum\",\"sub_name\":\"\",\"description\":\"<p>\\\"Alt\\u0131 y\\u0131l \\u00f6nce o g\\u00fcn, yata\\u011f\\u0131n kenar\\u0131ndaki varl\\u0131\\u011f\\u0131n\\u0131 hissedince nas\\u0131l uyand\\u0131\\u011f\\u0131m\\u0131 asla unutamam. Beni uyand\\u0131ran, yata\\u011f\\u0131n kenar\\u0131na oturman de\\u011fildi. Yak\\u0131nl\\u0131\\u011f\\u0131nd\\u0131, bak\\u0131\\u015f\\u0131nd\\u0131 ve o \\u00e7ok hafif, belli belirsiz sabun ve parf\\u00fcm kokusuydu. K\\u0131sac\\u0131k bir an yan\\u0131ma gelmek istedi\\u011fini sand\\u0131m ve kollar\\u0131m\\u0131 sana do\\u011fru uzatmaya haz\\u0131rland\\u0131m. Ama sonra \\u015fafak vaktinin solgun \\u0131\\u015f\\u0131\\u011f\\u0131nda \\u00fczerinde yol k\\u0131yafeti oldu\\u011funu g\\u00f6rd\\u00fcm... Ellerin kuca\\u011f\\u0131nda dimdik oturuyordun. Bu duru\\u015funda insan\\u0131 korkutan bir kesinlik vard\\u0131, bak\\u0131\\u015flar\\u0131ndaki kararl\\u0131l\\u0131k hi\\u00e7bir itiraza yer b\\u0131rakm\\u0131yordu. \\\"Adieu\\\" demekle yetindin. Yumruk yemi\\u015f gibi kendimi tekrar yast\\u0131\\u011fa b\\u0131rakt\\u0131m. G\\u00f6zya\\u015flar\\u0131m\\u0131 g\\u00f6rd\\u00fc\\u011f\\u00fcnde kararl\\u0131l\\u0131\\u011f\\u0131n bir an sars\\u0131lm\\u0131\\u015f gibi geldi bana, iradene yeniden kavu\\u015fmak i\\u00e7in g\\u00f6zlerini kapad\\u0131n. G\\u00f6zlerini a\\u00e7madan ans\\u0131z\\u0131n \\u00fczerime e\\u011fildin, aln\\u0131mdan \\u00f6pt\\u00fcn.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nLizbon'a Gece Treni'nin yazar\\u0131ndan insan ili\\u015fkilerinin bilinmezli\\u011fine dair derinlikli, \\u00e7ok katmanl\\u0131 bir roman. Tan\\u0131nm\\u0131\\u015f bir piyano akort\\u00e7usunun ikiz \\u00e7ocuklar\\u0131 olan Patrice ile Patricia'y\\u0131, ta\\u015f\\u0131yamayacaklar\\u0131 kadar a\\u011f\\u0131r bir s\\u0131r birbirine ba\\u011flamaktad\\u0131r. Birbirleriyle g\\u00f6r\\u00fc\\u015fmedikleri alt\\u0131 y\\u0131ldan sonra ailede ya\\u015fanan korkun\\u00e7 bir olay onlar\\u0131 zorunlu olarak yeniden bir araya getirir. Bu olayla birlikte kendileriyle ilgili ba\\u015fka s\\u0131rlar da pe\\u015f pe\\u015fe a\\u00e7\\u0131\\u011fa \\u00e7\\u0131kacak, yollar\\u0131 alt\\u0131 y\\u0131l \\u00f6nce ayr\\u0131lan iki karde\\u015f anneleriyle babalar\\u0131n\\u0131 ne kadar az tan\\u0131d\\u0131klar\\u0131n\\u0131 anlayacaklard\\u0131r.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\\"Alt\\u0131 y\\u0131l \\u00f6nce o g\\u00fcn, yata\\u011f\\u0131n kenar\\u0131ndaki varl\\u0131\\u011f\\u0131n\\u0131 hissedince nas\\u0131l uyand\\u0131\\u011f\\u0131m\\u0131 asla unutamam. Beni uyand\\u0131ran, yata\\u011f\\u0131n kenar\\u0131na oturman de\\u011fildi. Yak\\u0131nl\\u0131\\u011f\\u0131nd\\u0131, bak\\u0131\\u015f\\u0131nd\\u0131 ve o \\u00e7ok hafif, belli belirsiz sabun ve parf\\u00fcm kokusuydu. K\\u0131sac\\u0131k bir an yan\\u0131ma gelmek istedi\\u011fini sand\\u0131m ve kollar\\u0131m\\u0131 sana do\\u011fru uzatmaya haz\\u0131rland\\u0131m. Ama sonra \\u015fafak vaktinin solgun \\u0131\\u015f\\u0131\\u011f\\u0131nda \\u00fczerinde yol k\\u0131yafeti oldu\\u011funu g\\u00f6rd\\u00fcm... Ellerin kuca\\u011f\\u0131nda dimdik oturuyordun. Bu duru\\u015funda insan\\u0131 korkutan bir kesinlik vard\\u0131, bak\\u0131\\u015flar\\u0131ndaki kararl\\u0131l\\u0131k hi\\u00e7bir itiraza yer b\\u0131rakm\\u0131yordu. \\\"Adieu\\\" demekle yetindin. Yumruk yemi\\u015f gibi kendimi tekrar yast\\u0131\\u011fa b\\u0131rakt\\u0131m. G\\u00f6zya\\u015flar\\u0131m\\u0131 g\\u00f6rd\\u00fc\\u011f\\u00fcnde kararl\\u0131l\\u0131\\u011f\\u0131n bir an sars\\u0131lm\\u0131\\u015f gibi geldi bana, iradene yeniden kavu\\u015fmak i\\u00e7in g\\u00f6zlerini kapad\\u0131n. G\\u00f6zlerini a\\u00e7madan ans\\u0131z\\u0131n \\u00fczerime e\\u011fildin, aln\\u0131mdan \\u00f6pt\\u00fcn.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nLizbon'a Gece Treni'nin yazar\\u0131ndan insan ili\\u015fkilerinin bilinmezli\\u011fine dair derinlikli, \\u00e7ok katmanl\\u0131 bir roman. Tan\\u0131nm\\u0131\\u015f bir piyano akort\\u00e7usunun ikiz \\u00e7ocuklar\\u0131 olan Patrice ile Patricia'y\\u0131, ta\\u015f\\u0131yamayacaklar\\u0131 kadar a\\u011f\\u0131r bir s\\u0131r birbirine ba\\u011flamaktad\\u0131r. Birbirleriyle g\\u00f6r\\u00fc\\u015fmedikleri alt\\u0131 y\\u0131ldan sonra ailede ya\\u015fanan korkun\\u00e7 bir olay onlar\\u0131 zorunlu olarak yeniden bir araya getirir. Bu olayla birlikte kendileriyle ilgili ba\\u015fka s\\u0131rlar da pe\\u015f pe\\u015fe a\\u00e7\\u0131\\u011fa \\u00e7\\u0131kacak, yollar\\u0131 alt\\u0131 y\\u0131l \\u00f6nce ayr\\u0131lan iki karde\\u015f anneleriyle babalar\\u0131n\\u0131 ne kadar az tan\\u0131d\\u0131klar\\u0131n\\u0131 anlayacaklard\\u0131r.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6447,\"user_id\":10,\"original_name\":\"Kendi Gecesinde\",\"printing_date\":\"2014-01-01 15:49:30\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/kendi-gecesinde-kapak-1574858970.png\",\"image_settings\":{\"id\":6447,\"path\":\"\\\/images\\\/books\\\/2019\\\/11\\\/27\\\/15\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":120984,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":24205,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":9511,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2380,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1678,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":2637,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":14342,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":14342,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":5910,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1418,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":822,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":1566,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":1,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2019-11-27 15:49:30\",\"updated_at\":\"2019-11-28 03:30:14\",\"name\":\"Kendi Gecesinde\",\"slug\":\"kendi-gecesinde\",\"sub_name\":\"\",\"description\":\"<p>\\\"Dinle Kara; sana sahilimi, sahillerimi, hayaletlerimi anlataca\\u011f\\u0131m. Bir Do\\u011fu \\u015fehrinin so\\u011fuk hastanesindeki gece n\\u00f6betlerini, da\\u011f eteklerindeki pusulardan getirilen par\\u00e7alanm\\u0131\\u015f gen\\u00e7 bedenleri, narin sevgilim Dilda'y\\u0131. A\\u015fklar\\u0131m\\u0131, a\\u015fks\\u0131z kalmalar\\u0131m\\u0131, b\\u00fct\\u00fcn mahrem, muhte\\u015fem ya da sefil, y\\u0131k\\u0131m ve umut dolu anlar\\u0131m\\u0131 ve zamanla nas\\u0131l kirlenip \\u00e7\\u00fcr\\u00fcyerek k\\u00f6t\\u00fc birine d\\u00f6n\\u00fc\\u015fm\\u00fc\\u015f oldu\\u011fumu.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nA\\u015fk\\u0131 ve d\\u00fc\\u015f\\u00fc\\u015f\\u00fc se\\u00e7mi\\u015f ve uzak kal\\u0131nm\\u0131\\u015f bir anne, sevgi-nefret ekseninde dokunakl\\u0131 bir baba o\\u011ful ili\\u015fkisi. \\u00c7ocuklu\\u011fun, ilk gen\\u00e7li\\u011fin ve cinselli\\u011fin arka bah\\u00e7eleri. Zoraki ka\\u00e7ak\\u00e7\\u0131 Hayali, Londra'daki s\\u00fcrg\\u00fcn\\u00fcnde ge\\u00e7mi\\u015fini sorgularken gen\\u00e7 moda tasar\\u0131mc\\u0131s\\u0131 Reyan'la tan\\u0131\\u015f\\u0131r. Bu iki yaral\\u0131 ve zor insan r\\u00fczg\\u00e2rl\\u0131, g\\u00f6lgeli, ama incelikli bir a\\u015fka yelken a\\u00e7arlar. \\u0130nci Aral bu kez, tan\\u0131mak istemedi\\u011fimiz, yak\\u0131n\\u0131nda, hatta belki i\\u00e7indeyken bile kolay kabul edemedi\\u011fimiz d\\u00fcnyalara e\\u011filiyor. Reddedilmi\\u015f ili\\u015fkilerin ve a\\u015fk\\u0131n ayr\\u0131ms\\u0131z halinin kendi i\\u00e7inde ne kadar do\\u011fal ve derin olabilece\\u011fini g\\u00f6steriyor. \\u00d6nyarg\\u0131, tutuculuk ve genel ge\\u00e7er ahlak\\u0131n k\\u00f6\\u015feye k\\u0131st\\u0131rd\\u0131\\u011f\\u0131 insanlar\\u0131n \\u00f6zel ya\\u015fam alanlar\\u0131 ve gecelere s\\u0131\\u011f\\u0131narak hayaletlere d\\u00f6n\\u00fc\\u015fmelerini anlat\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nKendi Gecesinde, Do\\u011fudan Bat\\u0131ya t\\u00fcm \\u00e7eli\\u015fkileriyle bir T\\u00fcrkiye resmi \\u00e7izerken kirlenme ve ayr\\u0131\\u015fmalar s\\u00fcrecinde, ya\\u015fam\\u0131n anlam\\u0131, mutluluk aray\\u0131\\u015f\\u0131 ve a\\u015fk \\u00fczerine okuru derin d\\u00fc\\u015f\\u00fcncelere g\\u00f6t\\u00fcren bir roman. Siyasi ve toplumsal olgular\\u0131 mizahla harmanlayan geleneksel g\\u00f6lge oyunumuz Karag\\u00f6z-Hacivat ise hik\\u00e2yenin mozai\\u011fi.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\\"Dinle Kara; sana sahilimi, sahillerimi, hayaletlerimi anlataca\\u011f\\u0131m. Bir Do\\u011fu \\u015fehrinin so\\u011fuk hastanesindeki gece n\\u00f6betlerini, da\\u011f eteklerindeki pusulardan getirilen par\\u00e7alanm\\u0131\\u015f gen\\u00e7 bedenleri, narin sevgilim Dilda'y\\u0131. A\\u015fklar\\u0131m\\u0131, a\\u015fks\\u0131z kalmalar\\u0131m\\u0131, b\\u00fct\\u00fcn mahrem, muhte\\u015fem ya da sefil, y\\u0131k\\u0131m ve umut dolu anlar\\u0131m\\u0131 ve zamanla nas\\u0131l kirlenip \\u00e7\\u00fcr\\u00fcyerek k\\u00f6t\\u00fc birine d\\u00f6n\\u00fc\\u015fm\\u00fc\\u015f oldu\\u011fumu.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nA\\u015fk\\u0131 ve d\\u00fc\\u015f\\u00fc\\u015f\\u00fc se\\u00e7mi\\u015f ve uzak kal\\u0131nm\\u0131\\u015f bir anne, sevgi-nefret ekseninde dokunakl\\u0131 bir baba o\\u011ful ili\\u015fkisi. \\u00c7ocuklu\\u011fun, ilk gen\\u00e7li\\u011fin ve cinselli\\u011fin arka bah\\u00e7eleri. Zoraki ka\\u00e7ak\\u00e7\\u0131 Hayali, Londra'daki s\\u00fcrg\\u00fcn\\u00fcnde ge\\u00e7mi\\u015fini sorgularken gen\\u00e7 moda tasar\\u0131mc\\u0131s\\u0131 Reyan'la tan\\u0131\\u015f\\u0131r. Bu iki yaral\\u0131 ve zor insan r\\u00fczg\\u00e2rl\\u0131, g\\u00f6lgeli, ama incelikli bir a\\u015fka yelken a\\u00e7arlar. \\u0130nci Aral bu kez, tan\\u0131mak istemedi\\u011fimiz, yak\\u0131n\\u0131nda, hatta belki i\\u00e7indeyken bile kolay kabul edemedi\\u011fimiz d\\u00fcnyalara e\\u011filiyor. Reddedilmi\\u015f ili\\u015fkilerin ve a\\u015fk\\u0131n ayr\\u0131ms\\u0131z halinin kendi i\\u00e7inde ne kadar do\\u011fal ve derin olabilece\\u011fini g\\u00f6steriyor. \\u00d6nyarg\\u0131, tutuculuk ve genel ge\\u00e7er ahlak\\u0131n k\\u00f6\\u015feye k\\u0131st\\u0131rd\\u0131\\u011f\\u0131 insanlar\\u0131n \\u00f6zel ya\\u015fam alanlar\\u0131 ve gecelere s\\u0131\\u011f\\u0131narak hayaletlere d\\u00f6n\\u00fc\\u015fmelerini anlat\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nKendi Gecesinde, Do\\u011fudan Bat\\u0131ya t\\u00fcm \\u00e7eli\\u015fkileriyle bir T\\u00fcrkiye resmi \\u00e7izerken kirlenme ve ayr\\u0131\\u015fmalar s\\u00fcrecinde, ya\\u015fam\\u0131n anlam\\u0131, mutluluk aray\\u0131\\u015f\\u0131 ve a\\u015fk \\u00fczerine okuru derin d\\u00fc\\u015f\\u00fcncelere g\\u00f6t\\u00fcren bir roman. Siyasi ve toplumsal olgular\\u0131 mizahla harmanlayan geleneksel g\\u00f6lge oyunumuz Karag\\u00f6z-Hacivat ise hik\\u00e2yenin mozai\\u011fi.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6447,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9699,\"book_id\":6447,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9698,\"book_id\":6447,\"locale\":\"tr\",\"name\":\"Kendi Gecesinde\",\"slug\":\"kendi-gecesinde\",\"sub_name\":\"\",\"description\":\"<p>\\\"Dinle Kara; sana sahilimi, sahillerimi, hayaletlerimi anlataca\\u011f\\u0131m. Bir Do\\u011fu \\u015fehrinin so\\u011fuk hastanesindeki gece n\\u00f6betlerini, da\\u011f eteklerindeki pusulardan getirilen par\\u00e7alanm\\u0131\\u015f gen\\u00e7 bedenleri, narin sevgilim Dilda'y\\u0131. A\\u015fklar\\u0131m\\u0131, a\\u015fks\\u0131z kalmalar\\u0131m\\u0131, b\\u00fct\\u00fcn mahrem, muhte\\u015fem ya da sefil, y\\u0131k\\u0131m ve umut dolu anlar\\u0131m\\u0131 ve zamanla nas\\u0131l kirlenip \\u00e7\\u00fcr\\u00fcyerek k\\u00f6t\\u00fc birine d\\u00f6n\\u00fc\\u015fm\\u00fc\\u015f oldu\\u011fumu.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nA\\u015fk\\u0131 ve d\\u00fc\\u015f\\u00fc\\u015f\\u00fc se\\u00e7mi\\u015f ve uzak kal\\u0131nm\\u0131\\u015f bir anne, sevgi-nefret ekseninde dokunakl\\u0131 bir baba o\\u011ful ili\\u015fkisi. \\u00c7ocuklu\\u011fun, ilk gen\\u00e7li\\u011fin ve cinselli\\u011fin arka bah\\u00e7eleri. Zoraki ka\\u00e7ak\\u00e7\\u0131 Hayali, Londra'daki s\\u00fcrg\\u00fcn\\u00fcnde ge\\u00e7mi\\u015fini sorgularken gen\\u00e7 moda tasar\\u0131mc\\u0131s\\u0131 Reyan'la tan\\u0131\\u015f\\u0131r. Bu iki yaral\\u0131 ve zor insan r\\u00fczg\\u00e2rl\\u0131, g\\u00f6lgeli, ama incelikli bir a\\u015fka yelken a\\u00e7arlar. \\u0130nci Aral bu kez, tan\\u0131mak istemedi\\u011fimiz, yak\\u0131n\\u0131nda, hatta belki i\\u00e7indeyken bile kolay kabul edemedi\\u011fimiz d\\u00fcnyalara e\\u011filiyor. Reddedilmi\\u015f ili\\u015fkilerin ve a\\u015fk\\u0131n ayr\\u0131ms\\u0131z halinin kendi i\\u00e7inde ne kadar do\\u011fal ve derin olabilece\\u011fini g\\u00f6steriyor. \\u00d6nyarg\\u0131, tutuculuk ve genel ge\\u00e7er ahlak\\u0131n k\\u00f6\\u015feye k\\u0131st\\u0131rd\\u0131\\u011f\\u0131 insanlar\\u0131n \\u00f6zel ya\\u015fam alanlar\\u0131 ve gecelere s\\u0131\\u011f\\u0131narak hayaletlere d\\u00f6n\\u00fc\\u015fmelerini anlat\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nKendi Gecesinde, Do\\u011fudan Bat\\u0131ya t\\u00fcm \\u00e7eli\\u015fkileriyle bir T\\u00fcrkiye resmi \\u00e7izerken kirlenme ve ayr\\u0131\\u015fmalar s\\u00fcrecinde, ya\\u015fam\\u0131n anlam\\u0131, mutluluk aray\\u0131\\u015f\\u0131 ve a\\u015fk \\u00fczerine okuru derin d\\u00fc\\u015f\\u00fcncelere g\\u00f6t\\u00fcren bir roman. Siyasi ve toplumsal olgular\\u0131 mizahla harmanlayan geleneksel g\\u00f6lge oyunumuz Karag\\u00f6z-Hacivat ise hik\\u00e2yenin mozai\\u011fi.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\\"Dinle Kara; sana sahilimi, sahillerimi, hayaletlerimi anlataca\\u011f\\u0131m. Bir Do\\u011fu \\u015fehrinin so\\u011fuk hastanesindeki gece n\\u00f6betlerini, da\\u011f eteklerindeki pusulardan getirilen par\\u00e7alanm\\u0131\\u015f gen\\u00e7 bedenleri, narin sevgilim Dilda'y\\u0131. A\\u015fklar\\u0131m\\u0131, a\\u015fks\\u0131z kalmalar\\u0131m\\u0131, b\\u00fct\\u00fcn mahrem, muhte\\u015fem ya da sefil, y\\u0131k\\u0131m ve umut dolu anlar\\u0131m\\u0131 ve zamanla nas\\u0131l kirlenip \\u00e7\\u00fcr\\u00fcyerek k\\u00f6t\\u00fc birine d\\u00f6n\\u00fc\\u015fm\\u00fc\\u015f oldu\\u011fumu.\\\"<br \\\/>\\r\\n<br \\\/>\\r\\nA\\u015fk\\u0131 ve d\\u00fc\\u015f\\u00fc\\u015f\\u00fc se\\u00e7mi\\u015f ve uzak kal\\u0131nm\\u0131\\u015f bir anne, sevgi-nefret ekseninde dokunakl\\u0131 bir baba o\\u011ful ili\\u015fkisi. \\u00c7ocuklu\\u011fun, ilk gen\\u00e7li\\u011fin ve cinselli\\u011fin arka bah\\u00e7eleri. Zoraki ka\\u00e7ak\\u00e7\\u0131 Hayali, Londra'daki s\\u00fcrg\\u00fcn\\u00fcnde ge\\u00e7mi\\u015fini sorgularken gen\\u00e7 moda tasar\\u0131mc\\u0131s\\u0131 Reyan'la tan\\u0131\\u015f\\u0131r. Bu iki yaral\\u0131 ve zor insan r\\u00fczg\\u00e2rl\\u0131, g\\u00f6lgeli, ama incelikli bir a\\u015fka yelken a\\u00e7arlar. \\u0130nci Aral bu kez, tan\\u0131mak istemedi\\u011fimiz, yak\\u0131n\\u0131nda, hatta belki i\\u00e7indeyken bile kolay kabul edemedi\\u011fimiz d\\u00fcnyalara e\\u011filiyor. Reddedilmi\\u015f ili\\u015fkilerin ve a\\u015fk\\u0131n ayr\\u0131ms\\u0131z halinin kendi i\\u00e7inde ne kadar do\\u011fal ve derin olabilece\\u011fini g\\u00f6steriyor. \\u00d6nyarg\\u0131, tutuculuk ve genel ge\\u00e7er ahlak\\u0131n k\\u00f6\\u015feye k\\u0131st\\u0131rd\\u0131\\u011f\\u0131 insanlar\\u0131n \\u00f6zel ya\\u015fam alanlar\\u0131 ve gecelere s\\u0131\\u011f\\u0131narak hayaletlere d\\u00f6n\\u00fc\\u015fmelerini anlat\\u0131yor.<br \\\/>\\r\\n<br \\\/>\\r\\nKendi Gecesinde, Do\\u011fudan Bat\\u0131ya t\\u00fcm \\u00e7eli\\u015fkileriyle bir T\\u00fcrkiye resmi \\u00e7izerken kirlenme ve ayr\\u0131\\u015fmalar s\\u00fcrecinde, ya\\u015fam\\u0131n anlam\\u0131, mutluluk aray\\u0131\\u015f\\u0131 ve a\\u015fk \\u00fczerine okuru derin d\\u00fc\\u015f\\u00fcncelere g\\u00f6t\\u00fcren bir roman. Siyasi ve toplumsal olgular\\u0131 mizahla harmanlayan geleneksel g\\u00f6lge oyunumuz Karag\\u00f6z-Hacivat ise hik\\u00e2yenin mozai\\u011fi.<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6486,\"user_id\":10,\"original_name\":\"D\\u00fcnya ve Pantolon\",\"printing_date\":\"2019-12-06 17:14:05\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/dunya-ve-pantolon-kapak-1575468845.png\",\"image_settings\":{\"id\":6486,\"path\":\"\\\/images\\\/books\\\/2019\\\/12\\\/04\\\/17\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":146987,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":34705,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":13567,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2846,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1594,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3465,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":23672,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":23672,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":10382,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2160,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":960,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2720,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":2,\"follower_count\":0,\"rate_count\":1,\"rate_average\":8,\"created_at\":\"2019-12-04 17:14:05\",\"updated_at\":\"2020-02-28 03:30:13\",\"name\":\"D\\u00fcnya ve Pantolon\",\"slug\":\"dunya-ve-pantolon\",\"sub_name\":\"\",\"description\":\"<p>Beckett\\u2019i say\\u0131s\\u0131z \\u00e7\\u00f6k\\u00fcnt\\u00fcden kurtaran iki b\\u00fcy\\u00fck ressam: Bram ve Geer van Velde. Resmetmenin aksad\\u0131\\u011f\\u0131 yerde aksakl\\u0131\\u011f\\u0131 resme d\\u00f6n\\u00fc\\u015ft\\u00fcrd\\u00fcler.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Beckett\\u2019i say\\u0131s\\u0131z \\u00e7\\u00f6k\\u00fcnt\\u00fcden kurtaran iki b\\u00fcy\\u00fck ressam: Bram ve Geer van Velde. Resmetmenin aksad\\u0131\\u011f\\u0131 yerde aksakl\\u0131\\u011f\\u0131 resme d\\u00f6n\\u00fc\\u015ft\\u00fcrd\\u00fcler.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6486,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":9777,\"book_id\":6486,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":9776,\"book_id\":6486,\"locale\":\"tr\",\"name\":\"D\\u00fcnya ve Pantolon\",\"slug\":\"dunya-ve-pantolon\",\"sub_name\":\"\",\"description\":\"<p>Beckett\\u2019i say\\u0131s\\u0131z \\u00e7\\u00f6k\\u00fcnt\\u00fcden kurtaran iki b\\u00fcy\\u00fck ressam: Bram ve Geer van Velde. 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Sava\\u015f\\u0131n t\\u00fcm y\\u0131k\\u0131c\\u0131l\\u0131\\u011f\\u0131, s\\u0131\\u011f\\u0131na\\u011f\\u0131n so\\u011fuk karanl\\u0131\\u011f\\u0131na ra\\u011fmen bir avu\\u00e7 insan\\u0131n ya\\u015fama d\\u00f6rt elle sar\\u0131lmas\\u0131n\\u0131n reng\\u00e2renk anlat\\u0131m\\u0131\\u2026<br \\\/>\\r\\n<br \\\/>\\r\\nDilin olanaklar\\u0131n\\u0131 yine en u\\u00e7 noktas\\u0131na kadar zorlayan Kayacan, sava\\u015f\\u0131n bombard\\u0131man g\\u00fcnlerinden ba\\u015flay\\u0131p sonuna uzanan bir zaman aral\\u0131\\u011f\\u0131nda, Londra\\u2019da ayn\\u0131 s\\u0131\\u011f\\u0131na\\u011f\\u0131 payla\\u015fan ki\\u015filerin g\\u00fcnl\\u00fck ya\\u015famlar\\u0131nda, ruhsal durumlar\\u0131nda ve ki\\u015filiklerinde, umudun ve direnmenin d\\u00fcnyay\\u0131 nas\\u0131l g\\u00fczelle\\u015ftirebildi\\u011fini hik\\u00e2ye ediyor.<\\\/p>\\r\\n\\r\\n<p>\\u0130lk yay\\u0131mland\\u0131\\u011f\\u0131nda TDK \\u00d6yk\\u00fc \\u00d6d\\u00fcl\\u00fc\\u2019n\\u00fc de kazanan S\\u0131\\u011f\\u0131nak Hik\\u00e2yeleri, bu kez benzer sahnelere tan\\u0131k olmu\\u015f Henry Moore\\u2019un \\u201cs\\u0131\\u011f\\u0131nak desenleri\\u201d ile birlikte okurla bulu\\u015fuyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6624,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":10053,\"book_id\":6624,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":10052,\"book_id\":6624,\"locale\":\"tr\",\"name\":\"S\\u0131\\u011f\\u0131nak Hikayeleri\",\"slug\":\"siginak-hikayeleri\",\"sub_name\":\"\",\"description\":\"<p>2. D\\u00fcnya Sava\\u015f\\u0131\\u2019n\\u0131 Fransa ve \\u0130ngiltere\\u2019de ya\\u015fayan Feyyaz Kayacan\\u2019dan o g\\u00fcnlerin karanl\\u0131\\u011f\\u0131na dair bir \\u00f6yk\\u00fc toplam\\u0131 S\\u0131\\u011f\\u0131nak Hik\\u00e2yeleri. Sava\\u015f\\u0131n t\\u00fcm y\\u0131k\\u0131c\\u0131l\\u0131\\u011f\\u0131, s\\u0131\\u011f\\u0131na\\u011f\\u0131n so\\u011fuk karanl\\u0131\\u011f\\u0131na ra\\u011fmen bir avu\\u00e7 insan\\u0131n ya\\u015fama d\\u00f6rt elle sar\\u0131lmas\\u0131n\\u0131n reng\\u00e2renk anlat\\u0131m\\u0131\\u2026<br \\\/>\\r\\n<br \\\/>\\r\\nDilin olanaklar\\u0131n\\u0131 yine en u\\u00e7 noktas\\u0131na kadar zorlayan Kayacan, sava\\u015f\\u0131n bombard\\u0131man g\\u00fcnlerinden ba\\u015flay\\u0131p sonuna uzanan bir zaman aral\\u0131\\u011f\\u0131nda, Londra\\u2019da ayn\\u0131 s\\u0131\\u011f\\u0131na\\u011f\\u0131 payla\\u015fan ki\\u015filerin g\\u00fcnl\\u00fck ya\\u015famlar\\u0131nda, ruhsal durumlar\\u0131nda ve ki\\u015filiklerinde, umudun ve direnmenin d\\u00fcnyay\\u0131 nas\\u0131l g\\u00fczelle\\u015ftirebildi\\u011fini hik\\u00e2ye ediyor.<\\\/p>\\r\\n\\r\\n<p>\\u0130lk yay\\u0131mland\\u0131\\u011f\\u0131nda TDK \\u00d6yk\\u00fc \\u00d6d\\u00fcl\\u00fc\\u2019n\\u00fc de kazanan S\\u0131\\u011f\\u0131nak Hik\\u00e2yeleri, bu kez benzer sahnelere tan\\u0131k olmu\\u015f Henry Moore\\u2019un \\u201cs\\u0131\\u011f\\u0131nak desenleri\\u201d ile birlikte okurla bulu\\u015fuyor.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\",\"static_content\":\"<p>2. D\\u00fcnya Sava\\u015f\\u0131\\u2019n\\u0131 Fransa ve \\u0130ngiltere\\u2019de ya\\u015fayan Feyyaz Kayacan\\u2019dan o g\\u00fcnlerin karanl\\u0131\\u011f\\u0131na dair bir \\u00f6yk\\u00fc toplam\\u0131 S\\u0131\\u011f\\u0131nak Hik\\u00e2yeleri. Sava\\u015f\\u0131n t\\u00fcm y\\u0131k\\u0131c\\u0131l\\u0131\\u011f\\u0131, s\\u0131\\u011f\\u0131na\\u011f\\u0131n so\\u011fuk karanl\\u0131\\u011f\\u0131na ra\\u011fmen bir avu\\u00e7 insan\\u0131n ya\\u015fama d\\u00f6rt elle sar\\u0131lmas\\u0131n\\u0131n reng\\u00e2renk anlat\\u0131m\\u0131\\u2026<br \\\/>\\r\\n<br \\\/>\\r\\nDilin olanaklar\\u0131n\\u0131 yine en u\\u00e7 noktas\\u0131na kadar zorlayan Kayacan, sava\\u015f\\u0131n bombard\\u0131man g\\u00fcnlerinden ba\\u015flay\\u0131p sonuna uzanan bir zaman aral\\u0131\\u011f\\u0131nda, Londra\\u2019da ayn\\u0131 s\\u0131\\u011f\\u0131na\\u011f\\u0131 payla\\u015fan ki\\u015filerin g\\u00fcnl\\u00fck ya\\u015famlar\\u0131nda, ruhsal durumlar\\u0131nda ve ki\\u015filiklerinde, umudun ve direnmenin d\\u00fcnyay\\u0131 nas\\u0131l g\\u00fczelle\\u015ftirebildi\\u011fini hik\\u00e2ye ediyor.<\\\/p>\\r\\n\\r\\n<p>\\u0130lk yay\\u0131mland\\u0131\\u011f\\u0131nda TDK \\u00d6yk\\u00fc \\u00d6d\\u00fcl\\u00fc\\u2019n\\u00fc de kazanan S\\u0131\\u011f\\u0131nak Hik\\u00e2yeleri, bu kez benzer sahnelere tan\\u0131k olmu\\u015f Henry Moore\\u2019un \\u201cs\\u0131\\u011f\\u0131nak desenleri\\u201d ile birlikte okurla bulu\\u015fuyor.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6625,\"user_id\":10,\"original_name\":\"Simsiyah Soulages ile Konu\\u015fmak\",\"printing_date\":\"2020-01-15 15:25:00\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/simsiyah-soulages-ile-konusmak-kapak-1579004700.png\",\"image_settings\":{\"id\":6625,\"path\":\"\\\/images\\\/books\\\/2020\\\/01\\\/14\\\/15\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":166698,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":33958,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":13746,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2908,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1633,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3597,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":21522,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":21522,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":10218,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":2222,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":962,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2724,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2020-01-14 15:25:00\",\"updated_at\":\"2020-01-14 15:25:00\",\"name\":\"Simsiyah Soulages ile Konu\\u015fmak\",\"slug\":\"simsiyah-soulages-ile-konusmak\",\"sub_name\":\"\",\"description\":\"<p>Ya\\u015fayan en \\u201cde\\u011ferli\\u201d ressamlar aras\\u0131nda ba\\u015f\\u0131 \\u00e7eken Pierre Soulages i\\u00e7in Louvre M\\u00fczesi\\u2019nde 2019\\u2019dan 2020\\u2019ye ge\\u00e7erken bir retrospektif sergisi d\\u00fczenlendi. Enis Batur, 20 y\\u0131l \\u00f6nce ustayla yapt\\u0131\\u011f\\u0131 bug\\u00fcne dek okura ula\\u015fmam\\u0131\\u015f bir s\\u00f6yle\\u015fi etraf\\u0131na Simsiyah\\u2019a \\u00f6vg\\u00fc \\u00f6rd\\u00fc.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ya\\u015fayan en \\u201cde\\u011ferli\\u201d ressamlar aras\\u0131nda ba\\u015f\\u0131 \\u00e7eken Pierre Soulages i\\u00e7in Louvre M\\u00fczesi\\u2019nde 2019\\u2019dan 2020\\u2019ye ge\\u00e7erken bir retrospektif sergisi d\\u00fczenlendi. Enis Batur, 20 y\\u0131l \\u00f6nce ustayla yapt\\u0131\\u011f\\u0131 bug\\u00fcne dek okura ula\\u015fmam\\u0131\\u015f bir s\\u00f6yle\\u015fi etraf\\u0131na Simsiyah\\u2019a \\u00f6vg\\u00fc \\u00f6rd\\u00fc.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6625,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":10055,\"book_id\":6625,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":10054,\"book_id\":6625,\"locale\":\"tr\",\"name\":\"Simsiyah Soulages ile Konu\\u015fmak\",\"slug\":\"simsiyah-soulages-ile-konusmak\",\"sub_name\":\"\",\"description\":\"<p>Ya\\u015fayan en \\u201cde\\u011ferli\\u201d ressamlar aras\\u0131nda ba\\u015f\\u0131 \\u00e7eken Pierre Soulages i\\u00e7in Louvre M\\u00fczesi\\u2019nde 2019\\u2019dan 2020\\u2019ye ge\\u00e7erken bir retrospektif sergisi d\\u00fczenlendi. Enis Batur, 20 y\\u0131l \\u00f6nce ustayla yapt\\u0131\\u011f\\u0131 bug\\u00fcne dek okura ula\\u015fmam\\u0131\\u015f bir s\\u00f6yle\\u015fi etraf\\u0131na Simsiyah\\u2019a \\u00f6vg\\u00fc \\u00f6rd\\u00fc.<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>Ya\\u015fayan en \\u201cde\\u011ferli\\u201d ressamlar aras\\u0131nda ba\\u015f\\u0131 \\u00e7eken Pierre Soulages i\\u00e7in Louvre M\\u00fczesi\\u2019nde 2019\\u2019dan 2020\\u2019ye ge\\u00e7erken bir retrospektif sergisi d\\u00fczenlendi. Enis Batur, 20 y\\u0131l \\u00f6nce ustayla yapt\\u0131\\u011f\\u0131 bug\\u00fcne dek okura ula\\u015fmam\\u0131\\u015f bir s\\u00f6yle\\u015fi etraf\\u0131na Simsiyah\\u2019a \\u00f6vg\\u00fc \\u00f6rd\\u00fc.<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\"}]},{\"id\":6648,\"user_id\":10,\"original_name\":\"Day\\u0131n\\u0131n Casuslar\\u0131\",\"printing_date\":\"2020-01-22 18:04:17\",\"link\":null,\"special_link_name\":null,\"special_link_value\":null,\"image\":\"images\\\/books\\\/dayinin-casuslari-kapak-1579532657.png\",\"image_settings\":{\"id\":6648,\"path\":\"\\\/images\\\/books\\\/2020\\\/01\\\/20\\\/18\\\/\",\"versions\":[{\"ext\":\"png\",\"size\":119557,\"type\":\"original_old\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":26594,\"type\":\"old_ext\",\"width\":265,\"height\":390},{\"ext\":\"jpeg\",\"size\":11267,\"type\":\"old_ext\",\"width\":150,\"height\":220},{\"ext\":\"jpeg\",\"size\":2973,\"type\":\"old_ext\",\"width\":56,\"height\":83},{\"ext\":\"jpeg\",\"size\":1896,\"type\":\"old_ext\",\"width\":35,\"height\":51},{\"ext\":\"jpeg\",\"size\":3609,\"type\":\"old_ext\",\"width\":80,\"height\":80},{\"ext\":\"webp\",\"size\":13602,\"type\":\"original_new\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":13602,\"type\":\"new_ext\",\"width\":265,\"height\":390},{\"ext\":\"webp\",\"size\":6208,\"type\":\"new_ext\",\"width\":150,\"height\":220},{\"ext\":\"webp\",\"size\":1690,\"type\":\"new_ext\",\"width\":56,\"height\":83},{\"ext\":\"webp\",\"size\":888,\"type\":\"new_ext\",\"width\":35,\"height\":51},{\"ext\":\"webp\",\"size\":2088,\"type\":\"new_ext\",\"width\":80,\"height\":80}]},\"banner\":null,\"auto\":\"0\",\"share_count\":0,\"follower_count\":0,\"rate_count\":0,\"rate_average\":0,\"created_at\":\"2020-01-20 18:04:17\",\"updated_at\":\"2020-01-20 18:04:18\",\"name\":\"Day\\u0131n\\u0131n Casuslar\\u0131\",\"slug\":\"dayinin-casuslari\",\"sub_name\":\"\",\"description\":\"<p>\\u00c7ok fazla ki\\u015fi vard\\u0131. Birbirlerini tan\\u0131malar\\u0131 istenmiyordu\\u2026<\\\/p>\\r\\n\\r\\n<p>Malikanenin i\\u00e7erisinde de e\\u015fi ile kalmad\\u0131...<\\\/p>\\r\\n\\r\\n<p>Bah\\u00e7ede&nbsp; bulunan k\\u00fc\\u00e7\\u00fck m\\u00fc\\u015ftemilatta d\\u00f6rt gece ge\\u00e7irdiler... Malikaneye giderken yol \\u00fcst\\u00fcnde e\\u015fyalar\\u0131n\\u0131 g\\u00f6revliye b\\u0131rakt\\u0131lar.<\\\/p>\\r\\n\\r\\n<p>Kendilerine bir de kod isim verilmi\\u015fti.<\\\/p>\\r\\n\\r\\n<p>Ve orada ilk kez \\u015funu duydu: \\u201cDay\\u0131n\\u0131n akrabalar\\u0131<\\\/p>\\r\\n\\r\\n<p>geldi, haber verin!\\u201d<\\\/p>\\r\\n\\r\\n<p>K\\u0130M BU DAYI?<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p>O g\\u00fcn ilk defa sabah be\\u015f civar\\u0131nda uyan\\u0131r...<\\\/p>\\r\\n\\r\\n<p>Heyecanl\\u0131d\\u0131r...<\\\/p>\\r\\n\\r\\n<p>Elindeki mektubu kriminal \\u015fubeye g\\u00f6t\\u00fcrecek ve<\\\/p>\\r\\n\\r\\n<p>\\u201ckim\\u201d oldu\\u011funa ula\\u015facakt\\u0131r...<\\\/p>\\r\\n\\r\\n<p>E\\u015fini \\u00f6per, \\u00e7ocuklar\\u0131na sar\\u0131l\\u0131r ve... Hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131 ya\\u015far...<\\\/p>\\r\\n\\r\\n<p>\\u00c7\\u00fcnk\\u00fc parmak izi tespit edilememi\\u015ftir...<\\\/p>\\r\\n\\r\\n<p>Bir dostu pasaport \\u015fubeye gitmesini s\\u00f6yler ve gider...<\\\/p>\\r\\n\\r\\n<p>&nbsp;<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"static_content\":\"<p>\\u00c7ok fazla ki\\u015fi vard\\u0131. Birbirlerini tan\\u0131malar\\u0131 istenmiyordu\\u2026<\\\/p>\\r\\n\\r\\n<p>Malikanenin i\\u00e7erisinde de e\\u015fi ile kalmad\\u0131...<\\\/p>\\r\\n\\r\\n<p>Bah\\u00e7ede\\u00a0 bulunan k\\u00fc\\u00e7\\u00fck m\\u00fc\\u015ftemilatta d\\u00f6rt gece ge\\u00e7irdiler... Malikaneye giderken yol \\u00fcst\\u00fcnde e\\u015fyalar\\u0131n\\u0131 g\\u00f6revliye b\\u0131rakt\\u0131lar.<\\\/p>\\r\\n\\r\\n<p>Kendilerine bir de kod isim verilmi\\u015fti.<\\\/p>\\r\\n\\r\\n<p>Ve orada ilk kez \\u015funu duydu: \\u201cDay\\u0131n\\u0131n akrabalar\\u0131<\\\/p>\\r\\n\\r\\n<p>geldi, haber verin!\\u201d<\\\/p>\\r\\n\\r\\n<p>K\\u0130M BU DAYI?<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p>O g\\u00fcn ilk defa sabah be\\u015f civar\\u0131nda uyan\\u0131r...<\\\/p>\\r\\n\\r\\n<p>Heyecanl\\u0131d\\u0131r...<\\\/p>\\r\\n\\r\\n<p>Elindeki mektubu kriminal \\u015fubeye g\\u00f6t\\u00fcrecek ve<\\\/p>\\r\\n\\r\\n<p>\\u201ckim\\u201d oldu\\u011funa ula\\u015facakt\\u0131r...<\\\/p>\\r\\n\\r\\n<p>E\\u015fini \\u00f6per, \\u00e7ocuklar\\u0131na sar\\u0131l\\u0131r ve... Hayal k\\u0131r\\u0131kl\\u0131\\u011f\\u0131 ya\\u015far...<\\\/p>\\r\\n\\r\\n<p>\\u00c7\\u00fcnk\\u00fc parmak izi tespit edilememi\\u015ftir...<\\\/p>\\r\\n\\r\\n<p>Bir dostu pasaport \\u015fubeye gitmesini s\\u00f6yler ve gider...<\\\/p>\\r\\n\\r\\n<p>\\u00a0<\\\/p>\\r\\n\\r\\n<p style=\\\"text-align: center;\\\">(Tan\\u0131t\\u0131m B\\u00fclteninden)<\\\/p>\",\"meta_title\":\"\",\"meta_description\":\"\",\"pivot\":{\"person_id\":1312,\"personable_id\":6648,\"personable_type\":\"App\\\\Book\"},\"translations\":[{\"id\":10101,\"book_id\":6648,\"locale\":\"en\",\"name\":\"\",\"slug\":\"\",\"sub_name\":\"\",\"description\":\"\",\"static_content\":\"\",\"meta_title\":\"\",\"meta_description\":\"\"},{\"id\":10100,\"book_id\":6648,\"locale\":\"tr\",\"name\":\"Day\\u0131n\\u0131n Casuslar\\u0131\",\"slug\":\"dayinin-casuslari\",\"sub_name\":\"\",\"description\":\"<p>\\u00c7ok fazla ki\\u015fi vard\\u0131. 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